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Table of Contents

  1. The Translation of Philosophy
  2. Jonathan Rée
  3. pp. 223-257
  4. DOI: https://doi.org/10.1353/nlh.2001.0020
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  1. Taking Lyrics Literally: Teaching Poetry in a Prose Culture
  2. Charles Altieri
  3. pp. 259-281
  4. DOI: https://doi.org/10.1353/nlh.2001.0013
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  1. Visible and Invisible Books: Hermetic Images in N-Dimensional Space
  2. Jerome J. McGann
  3. pp. 283-300
  4. DOI: https://doi.org/10.1353/nlh.2001.0018
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  1. The Historical Novel as the Denial of History: From "Nestor" via the "Vico Road" to the Commodius Vicus of Recirculation
  2. David Sidorsky
  3. pp. 301-326
  4. DOI: https://doi.org/10.1353/nlh.2001.0022
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  1. Eve's Otherness and the New Ethical Criticism
  2. Lee Morrissey
  3. pp. 327-345
  4. DOI: https://doi.org/10.1353/nlh.2001.0019
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  1. The Classical Silva and the Generic Development of Scientific Writing in Seventeenth-Century England
  2. Frans De Bruyn
  3. pp. 347-373
  4. DOI: https://doi.org/10.1353/nlh.2001.0016
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  1. Embodied Form: Art and Life in Virginia Woolf's To the Lighthouse
  2. Randi Koppen
  3. pp. 375-389
  4. DOI: https://doi.org/10.1353/nlh.2001.0017
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  1. Culture and Semiotics: Notes on Lotman's Conception of Culture
  2. Bogusław Żyłko
  3. pp. 391-408
  4. DOI: https://doi.org/10.1353/nlh.2001.0024
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  1. Istoricheskaia Poetica (A Historical Poetics) Chapter 1, Section 8
  2. A. N. Veselovskii, Ian M. Helfant
  3. pp. 409-428
  4. DOI: https://doi.org/10.1353/nlh.2001.0023
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  1. Aleksandr Veselovskii's Historical Poetics: Genre in Historical Poetics
  2. I. O. Shaitanov
  3. pp. 429-443
  4. DOI: https://doi.org/10.1353/nlh.2001.0021
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  1. Contributors
  3. pp. 445-446
  4. DOI: https://doi.org/10.1353/nlh.2001.0059
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  1. Books Received
  3. pp. 447-450
  4. DOI: https://doi.org/10.1353/nlh.2001.0014
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