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In this Issue

Table of Contents

  1. “Totally Original”: Daly, Boucicault, and Commercial Art in Late Nineteenth Century Drama
  2. George Pate
  3. pp. 9-21
  4. DOI: https://doi.org/10.1353/tsy.2014.0003
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  1. Luggage, Lodgings, and Landladies: The Practicalities for Actresses on the British Provincial Circuits in the Late Nineteenth and Early Twentieth Centuries
  2. Christine Woodworth
  3. pp. 22-32
  4. DOI: https://doi.org/10.1353/tsy.2014.0005
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  1. “The Mind of an Adult, the Heart of a Girl”: Constructing Margo Jones in Rehearsal
  2. Boone J. Hopkins
  3. pp. 33-47
  4. DOI: https://doi.org/10.1353/tsy.2014.0007
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  1. Puttin’ the Profit in Nonprofit Broadway Theatre Companies
  2. Dean Adams
  3. pp. 48-61
  4. DOI: https://doi.org/10.1353/tsy.2014.0009
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  1. Commercial Necessities: Reviving Stephen Sondheim and George Furth’s Company at the Turn of the Millennium
  2. Jeff Turner
  3. pp. 62-76
  4. DOI: https://doi.org/10.1353/tsy.2014.0011
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  1. Power in Weakness: Musicals in Poland under Communism
  2. Jacek Mikolajczyk
  3. pp. 77-85
  4. DOI: https://doi.org/10.1353/tsy.2014.0000
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  1. The Recent Trend in Licensed Broadway Musicals in South Korea: Hybrid Cultural Products of K-Drama and K-Pop
  2. Jae Kyoung Kim
  3. pp. 86-98
  4. DOI: https://doi.org/10.1353/tsy.2014.0002
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  1. Stages of Experience: Theatrical Connections between the Seven Stages of Experience and Historical Museums
  2. Erin Scheibe
  3. pp. 99-109
  4. DOI: https://doi.org/10.1353/tsy.2014.0004
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  1. Grover’s Corners Gets Sexy: The Appealing Dissonance of David Cromer’s Our Town
  2. Tony Gunn
  3. pp. 110-120
  4. DOI: https://doi.org/10.1353/tsy.2014.0006
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  1. “There’s Too Many of Them!”: Off-Off-Broadway’s Performance of Geek Culture
  2. John Patrick Bray
  3. pp. 121-133
  4. DOI: https://doi.org/10.1353/tsy.2014.0008
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  1. Introduction
  2. David S. Thompson
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/tsy.2014.0001
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  1. Contributors
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/tsy.2014.0010
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