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In this Issue

Table of Contents

  1. Music and Dance in the Japanese Military “Comfort Women” System: A Case Study in the Performing Arts, War, and Sexual Violence
  2. Joshua D. Pilzer
  3. pp. 1-23
  4. DOI: https://doi.org/10.1353/wam.2014.0001
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  1. Working behind the Scenes: Gender, Sexuality, and Collaboration in the Vocal Arrangements of Billy Strayhorn
  2. Lisa Barg
  3. pp. 24-47
  4. DOI: https://doi.org/10.1353/wam.2014.0002
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  1. Icelandic Nationalism, Difference Feminism, and Björk’s Maternal Aesthetic
  2. Shana Goldin-Perschbacher
  3. pp. 48-81
  4. DOI: https://doi.org/10.1353/wam.2014.0003
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  1. Queer Relationships with Music and an Experiential Hermeneutics for Musical Meaning
  2. Sarah Hankins
  3. pp. 83-104
  4. DOI: https://doi.org/10.1353/wam.2014.0004
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  1. In Her Own Words: Conversations with Composers in the United States by Jennifer Kelly (review)
  2. Jessica Rudman
  3. pp. 105-112
  4. DOI: https://doi.org/10.1353/wam.2014.0005
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  1. Anthology of Text Scores by Pauline Oliveros, ed. by Samuel Golter and Lawton Hall (review)
  2. Douglas Cohen
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/wam.2014.0006
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  1. Letter from the Editor
  2. Ellie M. Hisama
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/wam.2014.0007
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  1. Contributors
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/wam.2014.0000
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