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Table of Contents

  1. La duda (1972) de Rafael Gil: reconsideraciones acerca de la adaptación cinematográfica de El abuelo, de Benito Pérez Galdós
  2. Pilar García Pinacho
  3. pp. 11-31
  4. DOI: https://doi.org/10.1353/ang.2018.0000
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  1. Shedding Light on José Fernández Bremón’s “Un Crimen científico”: Science and Science Fiction in Restoration Spain
  2. Michael A. Gómez
  3. pp. 33-53
  4. DOI: https://doi.org/10.1353/ang.2018.0001
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  1. Secondhand: The Used Clothing Trade and Narrative Ragpicking in Galdós’s El Doctor Centeno
  2. Nicholas Wolters
  3. pp. 55-75
  4. DOI: https://doi.org/10.1353/ang.2018.0002
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  1. Multiple Modernities: Carmen de Burgos, Author and Activist ed. by Anja Louis and Michelle M. Sharp (review)
  2. Alicia Cerezo Paredes
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/ang.2018.0003
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  1. Mediación y transferencias culturales en la España de Isabel II. Eugenio de Ochoa y las letras europeas by Raquel Sánchez (review)
  2. Fernando Durán López
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/ang.2018.0004
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  1. Approaches to Teaching the Writings of Emilia Pardo Bazán ed. by Margot Versteeg and Susan Walter (review)
  2. Gabrielle Miller
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/ang.2018.0005
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  1. Doña Perfecta by Benito Pérez Galdós (review)
  2. Rafael Núñez Rodríguez
  3. pp. 86-87
  4. DOI: https://doi.org/10.1353/ang.2018.0006
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  1. “Andando se hace el camino”. Calle y subjetividades marginales en la España del siglo XIX by Sara Muñoz-Muriana (review)
  2. Nicholas Wolters
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/ang.2018.0007
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  1. Resúmenes/Abstracts
  2. pp. 93-95
  3. DOI: https://doi.org/10.1353/ang.2018.0009
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