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Table of Contents

  1. Ethos Statement
  2. p. vii
  3. DOI: https://doi.org/10.1353/tsy.2023.a934746
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  1. Introduction
  2. Chase Bringardner
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/tsy.2023.a934723
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  1. Reimagining Queer History through an (Un)reconstruction of Reza Abdoh’s Father Was a Peculiar Man (1990)
  2. Patricia Ybarra
  3. pp. 7-13
  4. DOI: https://doi.org/10.1353/tsy.2023.a934724
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  1. Reclassifying Neoliberalism: A Critical Look at Milo Rau’s Postcolonial Reclassifications
  2. Lily Climenhaga
  3. pp. 14-28
  4. DOI: https://doi.org/10.1353/tsy.2023.a934725
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  1. Combating White Supremacist Appropriations in Shakespeare’s Politicized Representations
  2. Tony Tambasco
  3. pp. 29-39
  4. DOI: https://doi.org/10.1353/tsy.2023.a934726
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  1. Revolutionary Spaces: Julia Kristeva, Gwendolyn Brooks, and a Post-Pandemic Path Ahead in Dominique Morisseau’s Pipeline
  2. Jonathon W. Taylor
  3. pp. 40-54
  4. DOI: https://doi.org/10.1353/tsy.2023.a934727
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  1. Thingspiele: Fascist Avant-Garde Theatre
  2. Teresa Simone
  3. pp. 55-74
  4. DOI: https://doi.org/10.1353/tsy.2023.a934728
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  1. Toward an Intersectional Feminist Documentary Theatremaking: Alabama Love Stories
  2. Tessa Carr
  3. pp. 75-90
  4. DOI: https://doi.org/10.1353/tsy.2023.a934729
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  1. Communities Close-Up: An Exhumation of Newtown, Virginia
  2. Abena Foreman-Trice, Emma Givens, TK Manwill, Boomie Pedersen, Royal Shirée
  3. pp. 91-103
  4. DOI: https://doi.org/10.1353/tsy.2023.a934730
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  1. Welcome To: Emergentheatre for a Changing World
  2. Justice von Maur
  3. pp. 104-112
  4. DOI: https://doi.org/10.1353/tsy.2023.a934731
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  1. Contributors
  2. pp. 113-116
  3. DOI: https://doi.org/10.1353/tsy.2023.a934732
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