Pavel Barkouski
Borned in 12/12/1978, Minsk, Belarus.
Education: Lyceum of the Belarusian Humanities, Education and Culture Center (1995);
Belarusian State University (Minsk, 2000 | philosophy).
Post-graduate student (BSU, Minsk | PhD, 2005). Visiting student of Freiburg Univ. (Germany, 2002-3, 2007).
Ph.D. (2005), Docent (2009)
Visiting Fellow at IWM (Vienna, Austria, 2020)
Working experience: Lecturer of the European Humanities Univ. (Minsk, 2001-2). Lecturer of the “Belarusian Collegiums” (2002-2005).
Assistant of the Belarusian State Technological Univ. (Minsk, 2005-2008).
Docent of the Belarusian State University (2006-2020), Professor of the Institute of Philosophy and Sociology of the Polish Academy of Sciences (2022-r.)
Public activity: Coordinator of the non-governmental and non-commercial association “Belarusian philosophical Space (Prastora)” (BFP, http://www.prastora.org) that realizes a wide range of events (mostly in Minsk, Belarus): public lectures and seminars, round tables and discussions, the international scientific conference and the short meter film festivals, summer schools and presentations. (2009-recent)
The head coordinator of the “Laboratory of scientific and artistic translation” and the initiator of the project “The Great '500 translations' for Belarusian Humanities Education” that has its aim in providing the translation and publication of the corps of some classical and modern texts in humanities for the change of the mental characteristics of the Belarusian society. (2013-recent)
The active member of the college staff and provider of the educational program “The Flying university” (http://www.fly-uni.org). (2010-recent)
Language skills: English (U.S.) - writing and spoken,
German – writing and spoken.
Russian & Belarusian – fluently.
Czech – writing.
Ancient Greek, Latin. – writing.
Main works: The phenomenon of comprehension. The contours of the contemporary philosophical hermeneutics (2008) – Minsk: Econompress.
The University: discussions on foundations (2011) – Minsk: Logvinovpress.
More than 50 scientific articles and other publications.
Supervisors: Academic Supervisor - Professor Vladimir Fourse (1995-2000), PhD Supervisor - Professor Lidia Kuznetzova (2000-2004) and Supervisor - Prof. Dr. Gunther Figal (2002-3, 2007)
Education: Lyceum of the Belarusian Humanities, Education and Culture Center (1995);
Belarusian State University (Minsk, 2000 | philosophy).
Post-graduate student (BSU, Minsk | PhD, 2005). Visiting student of Freiburg Univ. (Germany, 2002-3, 2007).
Ph.D. (2005), Docent (2009)
Visiting Fellow at IWM (Vienna, Austria, 2020)
Working experience: Lecturer of the European Humanities Univ. (Minsk, 2001-2). Lecturer of the “Belarusian Collegiums” (2002-2005).
Assistant of the Belarusian State Technological Univ. (Minsk, 2005-2008).
Docent of the Belarusian State University (2006-2020), Professor of the Institute of Philosophy and Sociology of the Polish Academy of Sciences (2022-r.)
Public activity: Coordinator of the non-governmental and non-commercial association “Belarusian philosophical Space (Prastora)” (BFP, http://www.prastora.org) that realizes a wide range of events (mostly in Minsk, Belarus): public lectures and seminars, round tables and discussions, the international scientific conference and the short meter film festivals, summer schools and presentations. (2009-recent)
The head coordinator of the “Laboratory of scientific and artistic translation” and the initiator of the project “The Great '500 translations' for Belarusian Humanities Education” that has its aim in providing the translation and publication of the corps of some classical and modern texts in humanities for the change of the mental characteristics of the Belarusian society. (2013-recent)
The active member of the college staff and provider of the educational program “The Flying university” (http://www.fly-uni.org). (2010-recent)
Language skills: English (U.S.) - writing and spoken,
German – writing and spoken.
Russian & Belarusian – fluently.
Czech – writing.
Ancient Greek, Latin. – writing.
Main works: The phenomenon of comprehension. The contours of the contemporary philosophical hermeneutics (2008) – Minsk: Econompress.
The University: discussions on foundations (2011) – Minsk: Logvinovpress.
More than 50 scientific articles and other publications.
Supervisors: Academic Supervisor - Professor Vladimir Fourse (1995-2000), PhD Supervisor - Professor Lidia Kuznetzova (2000-2004) and Supervisor - Prof. Dr. Gunther Figal (2002-3, 2007)
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Papers by Pavel Barkouski
жанром и в ряде случаев философия сама зачисляется в особый жанр литературы. Современная латиноамериканская проза Х. Кортасара и Х. Л. Борхеса демонстрирует свое метафизическое измерение, связанное с попыткой переосмысления и развития ряда философских идей и сюжетов на уровне воображаемого эксперимента с абстрактными сущностями. Анализ ряда произведений данных авторов показывает сложный и многовекторный характер их онтологических и экзистенциальных поисков, давая возможность усматривать в них моделирование потенциальных философских и космологических моделей будущего, что расширяет границы как философского, так и литературоведческого анализа.
Ключевые слова: метафизика, бытие, реальность, Борхес, Кортасар, метафора.
Ключевые слова: герменевтика, произведение искусства, игра, Гадамер, онтология игры, язык, культура.
The article concerns the significance of the semantic connective of understanding and playing in Gadamer’s hermeneutical analysis of the experience of art. In the spotlight is a question of constructing of imaginary (virtual) worlds as a play-based reality of understanding. It argues the appeal to the experience of art as a paradigmatic subject of hermeneutical work and emphasizes the importance of understanding of such experience as a special kind of play that takes us to the ontology plane, as opposed to the classic aesthetic view on this subject. Along with the explication of a general idea of the play in Gadamer’s hermeneutics, it also examines the main features of the artistic game itself, turning it into a multidimensional being of a special kind and a zone of gaining human freedom. The problematization of language also reveals it as the medium for the development of the artistic play and understanding, and the ethical aspects of the hermeneutic dialogue in the ongoing game is a theme of a special interest here too. The author develops his theoretical considerations based on comparative hermeneutic analysis of Hölderlin’s verses in the works of M. Heidegger and G. Gadamer, which reveals the diversity and non-linearity of our interpretation of culture, the ability to see in it an inexhaustible source of new meanings and associative connections as a result of a play of art and its understanding.
Key words: hermeneutics, the work of art, play, game, Gadamer, play ontology, language, culture.
In the light of the «game turn» of the contemporary thinking and culture and the global flowering of the game practices at the digital age the phenomenon of Game is of special importance. The paper concerns the ontological view on the nature of game based on the concepts of H. Gadamer and E. Fink that are of great help in detection of new aspects of the creative work and in setting of the alternative strategies of the understanding of the World and human being. The Game is treated here as a unique mode of fulfillment of the World’s and human’s Being that a man is able to join with if s/he turns on an appropriate regime of the comprehension and attitude to the categories of actuality and potentiality. In a situation of game/play human obtains a chance to shift to another mode of creativity and the constructing of the realm of senses. The principle of the recursive, or reproductive movement is also topic of the paper as a ground for development of the new game classification.
жанром и в ряде случаев философия сама зачисляется в особый жанр литературы. Современная латиноамериканская проза Х. Кортасара и Х. Л. Борхеса демонстрирует свое метафизическое измерение, связанное с попыткой переосмысления и развития ряда философских идей и сюжетов на уровне воображаемого эксперимента с абстрактными сущностями. Анализ ряда произведений данных авторов показывает сложный и многовекторный характер их онтологических и экзистенциальных поисков, давая возможность усматривать в них моделирование потенциальных философских и космологических моделей будущего, что расширяет границы как философского, так и литературоведческого анализа.
Ключевые слова: метафизика, бытие, реальность, Борхес, Кортасар, метафора.
Ключевые слова: герменевтика, произведение искусства, игра, Гадамер, онтология игры, язык, культура.
The article concerns the significance of the semantic connective of understanding and playing in Gadamer’s hermeneutical analysis of the experience of art. In the spotlight is a question of constructing of imaginary (virtual) worlds as a play-based reality of understanding. It argues the appeal to the experience of art as a paradigmatic subject of hermeneutical work and emphasizes the importance of understanding of such experience as a special kind of play that takes us to the ontology plane, as opposed to the classic aesthetic view on this subject. Along with the explication of a general idea of the play in Gadamer’s hermeneutics, it also examines the main features of the artistic game itself, turning it into a multidimensional being of a special kind and a zone of gaining human freedom. The problematization of language also reveals it as the medium for the development of the artistic play and understanding, and the ethical aspects of the hermeneutic dialogue in the ongoing game is a theme of a special interest here too. The author develops his theoretical considerations based on comparative hermeneutic analysis of Hölderlin’s verses in the works of M. Heidegger and G. Gadamer, which reveals the diversity and non-linearity of our interpretation of culture, the ability to see in it an inexhaustible source of new meanings and associative connections as a result of a play of art and its understanding.
Key words: hermeneutics, the work of art, play, game, Gadamer, play ontology, language, culture.
In the light of the «game turn» of the contemporary thinking and culture and the global flowering of the game practices at the digital age the phenomenon of Game is of special importance. The paper concerns the ontological view on the nature of game based on the concepts of H. Gadamer and E. Fink that are of great help in detection of new aspects of the creative work and in setting of the alternative strategies of the understanding of the World and human being. The Game is treated here as a unique mode of fulfillment of the World’s and human’s Being that a man is able to join with if s/he turns on an appropriate regime of the comprehension and attitude to the categories of actuality and potentiality. In a situation of game/play human obtains a chance to shift to another mode of creativity and the constructing of the realm of senses. The principle of the recursive, or reproductive movement is also topic of the paper as a ground for development of the new game classification.
Агляд падрыхтаваў філосаф Павел Баркоўскі
published on: http://palityka.org/2014/12/nezauvazhany-fashyzm-rasei-i-inshyya-prablemy-i-chynniki-kryzisu-centralnaeurapejskaj-identychnasci/