While from her point of view it will no doubt seem a secondary achievement, Sara Beardsworth&... more While from her point of view it will no doubt seem a secondary achievement, Sara Beardsworth's essay on Julia Kristeva's idea of sublimation makes clear what is so unsatisfying about J. Laplanche and J.-B. Pontalis's laconic entry on sublimation in their landmark ...
Page 1. Gregg M. Horowitz The Residue of History. Dark Play in Schiller and Hegel In his Lectures... more Page 1. Gregg M. Horowitz The Residue of History. Dark Play in Schiller and Hegel In his Lectures on Fine Art, Hegel seeks to establish the true nature of art by deducing it from the partial comprehensions of art that constitute post-Kantian aesthetic theory. ...
While from her point of view it will no doubt seem a secondary achievement, Sara Beardsworth&... more While from her point of view it will no doubt seem a secondary achievement, Sara Beardsworth's essay on Julia Kristeva's idea of sublimation makes clear what is so unsatisfying about J. Laplanche and J.-B. Pontalis's laconic entry on sublimation in their landmark ...
Page 1. Gregg M. Horowitz The Residue of History. Dark Play in Schiller and Hegel In his Lectures... more Page 1. Gregg M. Horowitz The Residue of History. Dark Play in Schiller and Hegel In his Lectures on Fine Art, Hegel seeks to establish the true nature of art by deducing it from the partial comprehensions of art that constitute post-Kantian aesthetic theory. ...
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