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Peter Doyle (I)
Editorial Department, Visual Effects, Additional Crew
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Credits | |
| 89 titles |
| Films in Production (1 title) | Budget | Status |
|---|---|---|
|
Post-Prod
|
| Past Film & Video (75 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
$851K
|
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|
$2.4MM
|
$5MM
|
$7.9MM
|
|
|
||||
|
$75MM
|
$58MM
|
$156MM
|
$276MM
|
|
$356K
|
$734K
|
$1.2MM
|
|
|
$50MM
|
$3.1MM
|
$6.5MM
|
$49MM
|
|
$200MM
|
|||
|
$145MM
|
$72K
|
||
|
$28K
|
|||
|
$7K
|
$30K
|
$30K
|
|
|
$525K
|
|||
|
$50MM
|
$4.7MM
|
$8.2MM
|
$13MM
|
|
$30MM
|
$1.4MM
|
$3.9MM
|
$6.4MM
|
|
||||
|
$40MM
|
|||
|
||||
|
$40MM
|
$8.3MM
|
$27MM
|
$104MM
|
|
||||
|
$79MM
|
$14MM
|
$47MM
|
$137MM
|
|
||||
|
$14MM
|
$1.4MM
|
||
|
$756K
|
|||
|
$22MM
|
$11MM
|
$36MM
|
$115MM
|
|
$39K
|
|||
|
$200MM
|
$62MM
|
$160MM
|
$656MM
|
|
||||
|
$40MM
|
$11MM
|
$41MM
|
$284MM
|
|
$35MM
|
$3.4MM
|
$6.7MM
|
$43MM
|
|
$30MM
|
$175K
|
$56MM
|
$151MM
|
|
$175MM
|
$15MM
|
$39MM
|
$149MM
|
|
$180MM
|
$74MM
|
$234MM
|
$816MM
|
|
$30MM
|
$110K
|
$8.6MM
|
$19MM
|
|
$110MM
|
$29MM
|
$87MM
|
$296MM
|
|
$180MM
|
$39MM
|
$127MM
|
$357MM
|
|
$50MM
|
$7.6MM
|
$21MM
|
$25MM
|
|
$85MM
|
$39MM
|
||
|
$150MM
|
$15MM
|
$35MM
|
$129MM
|
|
$22K
|
$307K
|
$1MM
|
|
|
$4.6MM
|
$16MM
|
$17MM
|
|
|
$11MM
|
$2.1MM
|
$33MM
|
$62MM
|
|
$22MM
|
$1.2MM
|
$4.2MM
|
$35MM
|
|
$55MM
|
$19MM
|
$76MM
|
$319MM
|
|
$10MM
|
$3MM
|
$14MM
|
$29MM
|
|
$15MM
|
$209K
|
$36MM
|
$124MM
|
|
$178MM
|
$29MM
|
$100MM
|
$377MM
|
|
$25MM
|
$8.8MM
|
||
|
$10MM
|
$16MM
|
$29MM
|
$79MM
|
|
$11MM
|
$405K
|
$13MM
|
$33MM
|
|
$180MM
|
$85MM
|
$303MM
|
$1.02B
|
|
$150MM
|
$30MM
|
$80MM
|
$246MM
|
|
€8MM
|
$10K
|
$58K
|
$65K
|
|
$125MM
|
$169MM
|
$381MM
|
$1.34B
|
|
$125MM
|
$125MM
|
$296MM
|
$961MM
|
|
$21MM
|
$3.9MM
|
$9.2MM
|
$16MM
|
|
$250MM
|
$78MM
|
$302MM
|
$941MM
|
|
||||
|
$180MM
|
$26MM
|
$70MM
|
$372MM
|
|
$150MM
|
$77MM
|
$292MM
|
$943MM
|
|
$5MM
|
$2.4MM
|
||
|
$207MM
|
$50MM
|
$218MM
|
$557MM
|
|
$150MM
|
$103MM
|
$290MM
|
$897MM
|
|
$150MM
|
$56MM
|
$206MM
|
$475MM
|
|
$100MM
|
$17MM
|
$40MM
|
$82MM
|
|
$130MM
|
$94MM
|
$250MM
|
$808MM
|
|
$94MM
|
$73MM
|
$382MM
|
$1.14B
|
|
$94MM
|
$62MM
|
$346MM
|
$938MM
|
The Lord of the Rings: The Fellowship of the Ring (2001)
Supervising Digital Colorist (The PostHoust AG) |
$93MM
|
$47MM
|
$319MM
|
$888MM
|
|
$1K
|
|||
|
$63MM
|
$28MM
|
$172MM
|
$468MM
|
Dark City (1998)
Title Designer (main titles), Visual Effects Creative Director (Dfilm Digital Effects) |
$27MM
|
$5.6MM
|
$14MM
|
$27MM
|
|
AUD 16MM
|
$83K
|
$1.9MM
|
$1.9MM
|
|
$100MM
|
$25MM
|
$101MM
|
$242MM
|
|
||||
|
$98K
|
$98K
|
| Past Television (9 titles) | Episodes |
|---|---|
|
7
|
|
8
|
|
4
|
|
6
|
|
8
|
Fate: The Winx Saga (2021–2022)
(TV Series) - Supervising Colorist (11 episodes, 2021), Supervising Colourist (2 episodes, 2021) |
13
|
Black Narcissus (2020)
(TV Mini-series) - Supervising Colourist (2 episodes, 2020), Supervising Colorist (1 episode, 2020) |
3
|
|
3
|
|
1
|
| Self (3 titles) |
|---|
|
|
|
| Other (1 title) |
|---|
|
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