Noite Azul

arr. Bogdan Dragan

Adaptação Giullia e Carmem

  = 100     
 
  
Flauta

    
 


       
      

Clarinete em B♭


 

  
                 
Piano


       
 
 
Soprano 1

Soprano 2        

        
Glockenspiel  

Caixa

       

 
            

Violino

        
 
 
Violino 1

Violino 2        

Viola         

        
Violoncelo 
        
Contrabaixo
 
 7       
2

Fl. 
      



     
Cl. em B♭

      
 

         
Pno

   
      
      
Sop. 1  
      
Sop. 2  
 
Glock. 
             

      
Caix



Vln.              
       
Vln. 1 

      
Vln. 2 

Vla        

Vc.
       

       
Cb.

 13  
3

      
A



Fl.

     



   
Cl. em B♭

      
     
    



   
  
Pno

      
    
Sop. 1       
    
    
noi teA zul

Sop. 2

 
             
Noi teA zul

Glock. 

       
Carrilhão

Caix


   
Vln.        

         
Vln. 1 

     
Vln. 2   

Vla          

     
Vc.
 
       
Cb.

 19       
4

  

  
Fl.

     



Cl. em B♭

       
  
           
             






     



 


Pno

   
Sop. 1            

            
sem i gual deus nos dê um fe liz na tal no sso

Sop. 2

        

sem i gual deus nos dê um fe liz na tal no sso

Glock.

       
Caix


       

    
Vln.

          
Vln. 1 

  
Vln. 2          

Vla               

 
      
pizz.


Vc.

        

pizz.
Cb.
 26  
5

    

 
Fl.

    




Cl. em B♭

  
     
          
   
        




   




 



Pno

  
           
Sop. 1

    
           
lar es tá che io de luz paz na te rra nas ceu je

Sop. 2

       
lar es tá che io de luz paz na te rra nas ceu je

Glock. 

      
Caix


      
Vln. 
       
Vln. 1 

      


Vln. 2

         

Vla

   
   
  
Vc.

     
Cb.

 32 
6

    
B



Fl.

    



Cl. em B♭

    
           
   
     
  
             


     

Pno

   
 
Sop. 1         

    
    
sus To cam si nos de na tal

Sop. 2

      
sus To cam si nos de na tal

Glock. 

           


Vassourinha
Caix

     
Vln. 
      
Vln. 1 

     
Vln. 2  

      
  
Vla

     
arco

 
Vc.

      
Cb.

 37 
7

   
Fl. 
    



Cl. em B♭

  
     
 
   
 
  
  
 
        
  
         
    
Pno

  
Sop. 1        
    
    
lá na ca te dral

Sop. 2

     
lá na ca te dral

Glock. 

                        
Caix


   
     

Vln.

     
Vln. 1 

    
Vln. 2 

       


Vla

       
Vc.

        arco

Cb.

 41      
8

 


Fl.

  
 


Cl. em B♭

  
           
   
  
         
      
        
Pno

      
Sop. 1  

    
    
pro meu lar queÉ meu a mor

Sop. 2

 
  
pro meu lar queÉ meu a mor

Glock.  
                        
Caix


      
Vln.     

 
Vln. 1      


Vln. 2     

Vla      

 
    
    
Vc.

 
Cb.

 
9

45      

C

   

 
Fl.

   
  


Cl. em B♭

 
              

   
             
   
Pno

 
      
Sop. 1     
     
    
vou pe dir ao se nhor

Sop. 2

  
    
vou pe dir ao se nhor

Glock.  
          
Caix


     
Vln. 
      
Vln. 1 

     
 

Vln. 2

       
pizz.
Vla

        

Vc.

      
Cb.

 50     
        
10


Fl. 
 
            
     


Cl. em B♭

        
 
         
Pno

        
Sop. 1  
        
Sop. 2  
         
Glock.                 

        
Caix


        
Vln. 
         
Vln. 1 

        

pizz.

   

Vln. 2

    
Vla     

        

Vc.

         
Cb.

 58               
11


       
Fl.

 
        
 

 


Cl. em B♭

       

        
Pno

       
Sop. 1 
       
Sop. 2 
   
Glock.                    

       
Caix


   
   

 cresc.
Vln.

       
Vln. 1  
 cresc.
   
               
   
 cresc.
    
Vln. 2

              
 
 
 cresc.
Vla

 
     
 cresc. 
Vc.

         
Cb.
  cresc.
 65 
12

     
D



Fl.

    



Cl. em B♭

 
       
  

 

   
      





    



Pno

 
Sop. 1         
 
      
Noi teA zul sem i gual deus nos

Sop. 2

      
noi teA zul sem i gual deus nos

Glock. 

     

Caix


      

 
Vln.

         
Vln. 1 


 
Vln. 2       

Vla            

  
   
pizz.

 
Vc.

    

pizz.
Cb.
 70         
13

Fl. 
    



Cl. em B♭

   
     

   
       


 








Pno

 
Sop. 1         
 
       
dê um fe liz na tal no sso

Sop. 2

     

dê um fe liz na tal no sso

Glock.

                        
Caix


        

  
Vln.

     
Vln. 1 

   
Vln. 2    

Vla         

  
  
arco


Vc.

    
arco

Cb.

   
      
14

  

74 rall.


Fl.

     



 
Cl. em B♭

 
            
   

     
  


  
     
Pno


    
Sop. 1     
    

    
     
    
lar es tá che io de luz paz na te rra nas

Sop. 2

       

lar es tá chei o de luz paz na te rra nas

Glock.

        

 
Caix

     
   

 
Vln.

         
Vln. 1 

      
   
   
  
Vln. 2

      

Vla

      
 

Vc.

      
Cb.
  
 80   

15


Fl. 

 
  


Cl. em B♭

   
 
    
Pno

    
Sop. 1 
    
 
ceu je sus

Sop. 2

    

ceu je sus

Glock. 

   

Carrilhão

Caix

   
Vln. 
     
Vln. 1 

    

   
Vln. 2

Vla  

     
Vc.

     
Cb.

Flauta Noite Azul
arr. Bogdan Dragan

 = 100  
Adaptação Giullia e Carmem

           
A

 

       
          
B


28

                 
C


48

        
           
D


58


                  

70 rall.

     

80
Clarinete em B♭ Noite Azul
arr. Bogdan Dragan

 = 100  

Adaptação Giullia e Carmem

       
A

 

    
    
B

  
28

                        

C

  
49

  
                  
D

  
58 rall.

    
  
79
 Piano Noite Azul


arr. Bogdan Dragan

                   
Adaptação Giullia e Carmem


 = 100
 
  
             
        


               


8


              

         


           
  
A


16

                

      

















  
              
  
     
25

    

          
    
















   
              
B

   
33

  
    
                         
     


                 
      
38

     
             
    
         
    

    
            
2

     
     
43

   
   
           
            
    


 
              
    
C D

 
49

              












      


 
 
     
              
rall.


72


          
   


 






        



 


80


  
Soprano 1 Noite Azul
arr. Bogdan Dragan

 = 100 
Adaptação Giullia e Carmem

       
A

         
noi teA zul sem i gual deus nos dê um fe liz na tal

   
                   
25
B

no sso lar es tá che io de luz paz na te rra nas ceu je sus To cam

          
           
34

si nos de na tal lá na ca te dral pro meu lar queÉ meu a mor

     
        
C D

   
45

vou pe dir ao se nhor Noi teA zul sem i gual deus nos

       
               
70 rall.

dê um fe liz na tal no sso lar es tá che io de luz paz na te rra nas

     

80

ceu je sus
Soprano 2 Noite Azul
arr. Bogdan Dragan

 = 100 
Adaptação Giullia e Carmem

             
A

 
Noi teA zul sem i gual deus nos dê um fe liz na tal

          
           
B

 
25

no sso lar es tá che io de luz paz na te rranas ceu je sus To cam si nos

       
         
     
35

de na tal lá na ca te dral pro meu lar queÉ meu a mor vou pe

 
                
C D


46

dir ao se nhor noi teA zul sem i gual deus nos dê um fe

         
           
71 rall.

liz na tal no sso lar es tá chei o de luz paz na te rra nas ceu

    

81

je sus
Glockenspiel Noite Azul
arr. Bogdan Dragan

 = 100

Adaptação Giullia e Carmem

          
               

    
    
A B

  
17

         
                    
48
C

    
                  
D


58
rall.

     

80
Caixa Noite Azul
arr. Bogdan Dragan
Adaptação Giullia e Carmem

 = 100   
A

  
B

   
Carrilhão
Vassourinha

      

35

      

41

    
C
 D
  
47

      

68

                  
74
rall. Carrilhão
Violino solista Noite Azul
arr. Bogdan Dragan
Adaptação Giullia e Carmem

 = 100
                 


   
              
A

 
10

    
           
B


29

             

C D


49

 cresc.


        
   

73
rall.
Violino 1 Noite Azul
arr. Bogdan Dragan

     
 = 100          
Adaptação Giullia e Carmem

 
A

 

       
    
B C


25

  cresc.

     
              

D


62

(cresc.)

   
         

73 rall.
Violino 2 Noite Azul
arr. Bogdan Dragan

 = 100  
Adaptação Giullia e Carmem

          
A

 

   
    
B C

    
28 pizz.

       
             
D

    
58

 cresc.

  
               
68 rall.
Viola Noite Azul
arr. Bogdan Dragan

 = 100 
Adaptação Giullia e Carmem


                 
A

  
                
25
B

         
          
   
  
C


44
pizz.

  
                         
D

 
57

 cresc.

 

                    
67

      

 
rall.
78
Violoncelo Noite Azul
arr. Bogdan Dragan

 = 100 
Adaptação Giullia e Carmem

  
A

        
pizz.

           
B

  
 
arco


26

 

                 
   
38


 
D

  
C

    
49

  
pizz.

 cresc.

       
 
  
rall.


68

 
arco

      
80
Contrabaixo Noite Azul
arr. Bogdan Dragan

 = 100 
Adaptação Giullia e Carmem

           
A
pizz.

     arco    
         
26
B

 
           
44
C

 cresc.

      
       
65
D arco
pizz.

   
      
77 rall.