The authors present the visual display installation as the basis for creating the artwork series “Metanalysis”. The work explores the visual algorithmic representation of traditional Chinese ink painting and provides a video installation designed to showcase this visualization project. Exploring these visual representations is an attempt to understand and modernize expressions in the developing digital age visually. These visual displays are rendered in real-time and produced one after another in a continuous overlap and accumulation of black ink lines to reflect the specific random and malleable characteristics of the ink. They were eventually using mathematical algorithms to generate synthetic images that mimic the process of staining ink. The value of this paper lies in the fact that it proposes a new path for the expression of traditional Chinese ink painting and aims to bring the nonvitality classic art back to the stage through digital forms and to provide contemporary artists with new ideas to promote traditional culture.