Örnek: ÖKE, Mim Kemal, (1983), İngiliz Casusu Prof. Arminius Vambery'nin Gizli Raporlarında I... more Örnek: ÖKE, Mim Kemal, (1983), İngiliz Casusu Prof. Arminius Vambery'nin Gizli Raporlarında II. Abdülhamit ve Dönemi, İstanbul: Doğuş Matb. Eserin hazırlayıcısı, editörü, çevireni varsa, kitap adından sonra parantez içinde aşağıdaki gibi verilir: Yazarın soyadı, adı, (basım yılı), eserin adı, [hazırlayanın (hzl.), editörün (ed.) veya çevirenin (çev.) adı soyadı], basıldığı şehir, yayınevi.
Iskenderun is in historical rote in South Anatolia. It was the last stop before Amanos Mountain. ... more Iskenderun is in historical rote in South Anatolia. It was the last stop before Amanos Mountain. Despite this feature, city was not exactly constructed in Ottoman period. Evliya Celebi attracted attention to this situation. Iskenderun Yeni Bath is located in the city center. Its building date is not exactly known. But it can be dated by Vakfiye. The plan of bath was changed in the historical processing. First, it was devised as a plan for double bath. But afterwards its plan was changed. And it was single bath. Nevertheless we can determine its original plan. Bath is planned with four iwan and corner room type. Cool room (Frigidarium), center of hottest room (calidarium) and corner rooms in hottest are covered by tomb. Other places in bath are covered by vaults
Osmanli sanati, yaklasik 600 yillik bir imparatorlugun sanatini icermektedir. Bu sanati kendi ici... more Osmanli sanati, yaklasik 600 yillik bir imparatorlugun sanatini icermektedir. Bu sanati kendi icinde mimari ve el sanatlari olarak iki grupta degerlendirmek mumkundur. Osmanli sanatinin en dikkat cekici urunleri ise mimarlik alaninda verilmistir. Bu makalede Osmanli mimarisine yonelik yapilan yayinlarin bir degerlendirmesi yapilmistir. Yayinlarin seciminde yenilik getiren veya bu sanatin siniflandirilmasina katki saglayanlara oncelik verilmistir. Cok dar bir alanda, genis kapsamli bir cercevesi olan Osmanli sanatina iliskin bir literatur degerlendirmesi yapilmasi beklenemez. Bu makale konuya ilgi duyanlara yon gosterecek temel bilgiler vermeyi amaclamistir.
Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahaleler... more Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahalelerine bagli olarak bazi plan degisimiyle birlikte gunumuze gelebilmistir. Yapi, genel hatlariyla yapi dikdortgen bir plan geometrisine sahiptir. Harimin uzeri alti kubbe ve bati tarafta kuzey guney dogrultusunda uzanan, batiya egimli bir tonoz ile kapatilmistir. Yapinin isimlendirilmesine sebep olan yivli minaresiyle uzaklardan algilanabilen ve Antalya’nin simgesi olmus bir yapidir. Antalya’daki onemli Turk devri eserlerinden birisi olan bu yapinin 2006 yilinda restorasyonu suresince ortaya cikan bir takim bilgi ve bulgularin degerlendirilmesi bu bildirinin konusunu olusturmaktadir. Restorasyon karari geregince yapinin icinde ve cevresinde Antalya Muze Mudurlugu ve Antalya Vakiflar Bolge Mudurlugu denetiminde arkeolojik kazi calismalari yapilmistir. Bu kazi calismalari sonucunda elde edilen mimari bulgular ile kucuk eserlerin degerlendirilmesine dayanilarak yapi hakkinda bir takim yeni fik...
Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahaleler... more Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahalelerine bagli olarak bazi plan degisimiyle birlikte gunumuze gelebilmistir. Yapi, genel hatlariyla yapi dikdortgen bir plan geometrisine sahiptir. Harimin uzeri alti kubbe ve bati tarafta kuzey guney dogrultusunda uzanan, batiya egimli bir tonoz ile kapatilmistir. Yapinin isimlendirilmesine sebep olan yivli minaresiyle uzaklardan algilanabilen ve Antalya’nin simgesi olmus bir yapidir. Antalya’daki onemli Turk devri eserlerinden birisi olan bu yapinin 2006 yilinda restorasyonu suresince ortaya cikan bir takim bilgi ve bulgularin degerlendirilmesi bu bildirinin konusunu olusturmaktadir. Restorasyon karari geregince yapinin icinde ve cevresinde Antalya Muze Mudurlugu ve Antalya Vakiflar Bolge Mudurlugu denetiminde arkeolojik kazi calismalari yapilmistir. Bu kazi calismalari sonucunda elde edilen mimari bulgular ile kucuk eserlerin degerlendirilmesine dayanilarak yapi hakkinda bir takim yeni fik...
3rd INTERNATIONAL MEDITERRANEAN AR SYMPOSIUM, 2018
This building, which is located within the historical texture in the city center of Kırşehir, is ... more This building, which is located within the historical texture in the city center of Kırşehir, is a part of historical urban touch with the Melikgazi Kümbet. Especially in the 13th century. It was a settlement that developed within. These period buildings in the city are revealed by different architectural features. This building, which is one of the works of the Seljuk period, is a necessity in terms of preservation of historical document value, restoration in the light of scientific facts, cultural history. For what purpose was it used in the period when it was first built? What kind of change process is it taken? What extensions are placed in the structure in the process of change? Such questions will be searched for answers. Known as the Kırşehir Lale Mosque, the building has come together daily with the change of plan depending on the repairs and interventions it has undergone in the historical process. During the repair carried out under the supervision of Kayseri Vakıflar Regional Directorate in September 2008, the western part was destroyed. In this article, the changes that Lale Camisi has taken into consideration of the historical periods and the features that emerged in architecture will be examined accordingly. The building has a rectangular plan scheme. Covered area has two domes lined up next to each other and this section that was completely collapsed today, but before it was demolished, it was understood that it was covered with a pointed barrel vault.
Örnek: ÖKE, Mim Kemal, (1983), İngiliz Casusu Prof. Arminius Vambery'nin Gizli Raporlarında I... more Örnek: ÖKE, Mim Kemal, (1983), İngiliz Casusu Prof. Arminius Vambery'nin Gizli Raporlarında II. Abdülhamit ve Dönemi, İstanbul: Doğuş Matb. Eserin hazırlayıcısı, editörü, çevireni varsa, kitap adından sonra parantez içinde aşağıdaki gibi verilir: Yazarın soyadı, adı, (basım yılı), eserin adı, [hazırlayanın (hzl.), editörün (ed.) veya çevirenin (çev.) adı soyadı], basıldığı şehir, yayınevi.
Iskenderun is in historical rote in South Anatolia. It was the last stop before Amanos Mountain. ... more Iskenderun is in historical rote in South Anatolia. It was the last stop before Amanos Mountain. Despite this feature, city was not exactly constructed in Ottoman period. Evliya Celebi attracted attention to this situation. Iskenderun Yeni Bath is located in the city center. Its building date is not exactly known. But it can be dated by Vakfiye. The plan of bath was changed in the historical processing. First, it was devised as a plan for double bath. But afterwards its plan was changed. And it was single bath. Nevertheless we can determine its original plan. Bath is planned with four iwan and corner room type. Cool room (Frigidarium), center of hottest room (calidarium) and corner rooms in hottest are covered by tomb. Other places in bath are covered by vaults
Osmanli sanati, yaklasik 600 yillik bir imparatorlugun sanatini icermektedir. Bu sanati kendi ici... more Osmanli sanati, yaklasik 600 yillik bir imparatorlugun sanatini icermektedir. Bu sanati kendi icinde mimari ve el sanatlari olarak iki grupta degerlendirmek mumkundur. Osmanli sanatinin en dikkat cekici urunleri ise mimarlik alaninda verilmistir. Bu makalede Osmanli mimarisine yonelik yapilan yayinlarin bir degerlendirmesi yapilmistir. Yayinlarin seciminde yenilik getiren veya bu sanatin siniflandirilmasina katki saglayanlara oncelik verilmistir. Cok dar bir alanda, genis kapsamli bir cercevesi olan Osmanli sanatina iliskin bir literatur degerlendirmesi yapilmasi beklenemez. Bu makale konuya ilgi duyanlara yon gosterecek temel bilgiler vermeyi amaclamistir.
Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahaleler... more Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahalelerine bagli olarak bazi plan degisimiyle birlikte gunumuze gelebilmistir. Yapi, genel hatlariyla yapi dikdortgen bir plan geometrisine sahiptir. Harimin uzeri alti kubbe ve bati tarafta kuzey guney dogrultusunda uzanan, batiya egimli bir tonoz ile kapatilmistir. Yapinin isimlendirilmesine sebep olan yivli minaresiyle uzaklardan algilanabilen ve Antalya’nin simgesi olmus bir yapidir. Antalya’daki onemli Turk devri eserlerinden birisi olan bu yapinin 2006 yilinda restorasyonu suresince ortaya cikan bir takim bilgi ve bulgularin degerlendirilmesi bu bildirinin konusunu olusturmaktadir. Restorasyon karari geregince yapinin icinde ve cevresinde Antalya Muze Mudurlugu ve Antalya Vakiflar Bolge Mudurlugu denetiminde arkeolojik kazi calismalari yapilmistir. Bu kazi calismalari sonucunda elde edilen mimari bulgular ile kucuk eserlerin degerlendirilmesine dayanilarak yapi hakkinda bir takim yeni fik...
Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahaleler... more Yivli Minare Camisi olarak bilinen yapi tarihi surec icerisinde gecirdigi bazi onarim mudahalelerine bagli olarak bazi plan degisimiyle birlikte gunumuze gelebilmistir. Yapi, genel hatlariyla yapi dikdortgen bir plan geometrisine sahiptir. Harimin uzeri alti kubbe ve bati tarafta kuzey guney dogrultusunda uzanan, batiya egimli bir tonoz ile kapatilmistir. Yapinin isimlendirilmesine sebep olan yivli minaresiyle uzaklardan algilanabilen ve Antalya’nin simgesi olmus bir yapidir. Antalya’daki onemli Turk devri eserlerinden birisi olan bu yapinin 2006 yilinda restorasyonu suresince ortaya cikan bir takim bilgi ve bulgularin degerlendirilmesi bu bildirinin konusunu olusturmaktadir. Restorasyon karari geregince yapinin icinde ve cevresinde Antalya Muze Mudurlugu ve Antalya Vakiflar Bolge Mudurlugu denetiminde arkeolojik kazi calismalari yapilmistir. Bu kazi calismalari sonucunda elde edilen mimari bulgular ile kucuk eserlerin degerlendirilmesine dayanilarak yapi hakkinda bir takim yeni fik...
3rd INTERNATIONAL MEDITERRANEAN AR SYMPOSIUM, 2018
This building, which is located within the historical texture in the city center of Kırşehir, is ... more This building, which is located within the historical texture in the city center of Kırşehir, is a part of historical urban touch with the Melikgazi Kümbet. Especially in the 13th century. It was a settlement that developed within. These period buildings in the city are revealed by different architectural features. This building, which is one of the works of the Seljuk period, is a necessity in terms of preservation of historical document value, restoration in the light of scientific facts, cultural history. For what purpose was it used in the period when it was first built? What kind of change process is it taken? What extensions are placed in the structure in the process of change? Such questions will be searched for answers. Known as the Kırşehir Lale Mosque, the building has come together daily with the change of plan depending on the repairs and interventions it has undergone in the historical process. During the repair carried out under the supervision of Kayseri Vakıflar Regional Directorate in September 2008, the western part was destroyed. In this article, the changes that Lale Camisi has taken into consideration of the historical periods and the features that emerged in architecture will be examined accordingly. The building has a rectangular plan scheme. Covered area has two domes lined up next to each other and this section that was completely collapsed today, but before it was demolished, it was understood that it was covered with a pointed barrel vault.
25.ULUSLARARASI ORTAÇAĞ VE TÜRK DÖNEMİ KAZILARI VE SANAT TARİHİ ARAŞTIRMALARI, 2022
Anatolia, the cradle of civilizations, has different settlements and
harbors on its southern shor... more Anatolia, the cradle of civilizations, has different settlements and harbors on its southern shores. Preserving its importance among these ports, Alanya has assumed the quality of being a center where both strategic and economic dynamism is ensured with its natural harbor located in the east. With these features, the Byzantine-Lusignan-Cilicia Armenian Kingdom has the ability to maintain the traces of the relations as an urban witness within the Seljuk-Mamluk and Ottoman-Venetian relations. Various parameters that form the core of basic needs are needed in order to sustain or advance cultural development. Education, economy and security come first among these parameters. The diverse cultural history of Alanya has required the determination of the settlement history and its cultural relations. It is clear that during the Seljuk period, which was one of the most important periods focused in this framework, the palace in Alanya had an important place because it was the earliest Seljuk Palace known in Anatolia. Ancient period writers such as Scylax, Strabo, Ptolemy and travelers and historians such as Ibni Bibi, Constabl Smbat, Kerümiddin Mahmut Aksarayi and Evliya Çelebi give information about the history of the settlement. Based on this information, the spatial development of the settlement can only be explained by looking at archaeological excavations and existing architectural findings. Although it has been partially interrupted on various dates since 1982, Alanya Castle excavations are sought for answers to questions about the spatial development and transformation of the city. Excavations gained a different dimension with the unearthing of the Palace Bath, which is thought to have been built in addition to the first palace structure known to exist in the Seljuk period.
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Regional Directorate in September 2008, the western part was destroyed. In this article, the changes that Lale Camisi has taken into consideration of the historical periods and the features that emerged in architecture will be examined accordingly. The building has a rectangular plan scheme. Covered area has two domes lined up next to each other and this section that was completely collapsed today, but before it was demolished, it was understood that it was covered with a pointed barrel vault.
Regional Directorate in September 2008, the western part was destroyed. In this article, the changes that Lale Camisi has taken into consideration of the historical periods and the features that emerged in architecture will be examined accordingly. The building has a rectangular plan scheme. Covered area has two domes lined up next to each other and this section that was completely collapsed today, but before it was demolished, it was understood that it was covered with a pointed barrel vault.
harbors on its southern shores. Preserving its importance among these
ports, Alanya has assumed the quality of being a center where both
strategic and economic dynamism is ensured with its natural harbor
located in the east. With these features, the Byzantine-Lusignan-Cilicia
Armenian Kingdom has the ability to maintain the traces of the relations
as an urban witness within the Seljuk-Mamluk and Ottoman-Venetian
relations.
Various parameters that form the core of basic needs are needed in
order to sustain or advance cultural development. Education, economy
and security come first among these parameters.
The diverse cultural history of Alanya has required the determination
of the settlement history and its cultural relations. It is clear that during
the Seljuk period, which was one of the most important periods focused
in this framework, the palace in Alanya had an important place because
it was the earliest Seljuk Palace known in Anatolia.
Ancient period writers such as Scylax, Strabo, Ptolemy and travelers
and historians such as Ibni Bibi, Constabl Smbat, Kerümiddin Mahmut
Aksarayi and Evliya Çelebi give information about the history of the
settlement. Based on this information, the spatial development of the
settlement can only be explained by looking at archaeological excavations
and existing architectural findings.
Although it has been partially interrupted on various dates since 1982,
Alanya Castle excavations are sought for answers to questions about the
spatial development and transformation of the city. Excavations gained
a different dimension with the unearthing of the Palace Bath, which is
thought to have been built in addition to the first palace structure known
to exist in the Seljuk period.