یادداشتی بر نمایشگاه عکسهای علی محمد ذاکری
بیست و چهارم دیماه تا ششم بهمن ماه نود و پنج
شیراز، نگ... more یادداشتی بر نمایشگاه عکسهای علی محمد ذاکری بیست و چهارم دیماه تا ششم بهمن ماه نود و پنج شیراز، نگارخانه وصال
Statement of Navid Atrvash's Braided Photos Exhibition
Aug 26 to Sep. 10 2016
Vesal Galllery, Shi... more Statement of Navid Atrvash's Braided Photos Exhibition Aug 26 to Sep. 10 2016 Vesal Galllery, Shiraz, Iran
ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻣﺮاﺳﻢ ﻧﻜﻮداﺷﺖ اﺳﺘﺎد ﻋﻠﻴﺮﺿﺎ ﻋﻄﺮوش
این گزارش در دو بخش، نگاهی اجمالی به فصلی از آثار علیر... more ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻣﺮاﺳﻢ ﻧﻜﻮداﺷﺖ اﺳﺘﺎد ﻋﻠﻴﺮﺿﺎ ﻋﻄﺮوش این گزارش در دو بخش، نگاهی اجمالی به فصلی از آثار علیرضا عطروش می اندازد.
In each city, urban spaces, streets and main squares are what the city is recognized by and the u... more In each city, urban spaces, streets and main squares are what the city is recognized by and the urban identity is represented through. Residents link their regional identity to those urban spaces and elements. Moreover, tourists and visitors define the city through the specific spaces that entail the distinguishing image of different destinations. The Old Square of Prague, Nowy Swiat Street in Warsaw and urban spaces of Thames bank in London are the instances of a permanent picture of the cities rendered in people's mind. This research studies the role of temporality and permanency of the urban spaces in creating the urban identity and characterization through the comparison of two historical cities of Iran: Shiraz and Yazd. Contemporary Shiraz addresses frequent transitions of its residential, commercial and recreational centers over the last decades. This has resulted in complexity of the city's character. Contrarily, Yazd, have not had exceptional alteration during the same period. Rather, the social role of urban spaces have remained almost unchanged for the generations. This permanency plays an important role in forming the social‐regional identity of the people. Also, this characteristic distinguishes the city of Yazd for travelers. The research illustrates that the consistency of urban spaces is one the prerequisites of place attachment and urban identity since these places are the context of memories. However, temporality and repeating alteration of such places unsettles the attachment between the city and its residents. Consequently, the city would not be able to present an explicit image of itself.
Persian architecture is highly influenced by Persian beliefs and myths. The main source to figure... more Persian architecture is highly influenced by Persian beliefs and myths. The main source to figure out the conceptions of architectural spaces is to understand the subjective atmosphere of their creators. This would be achievable through the ancient literature. In ancient narratives of Iran the deity of time, Zurvan, has the highest position among the deities from whom finite and infinite time have been engendered. The former is temporal while the latter is eternal. Finite time is linear where date and passing of time formed within. It indicates the perishable instinct of nature and symbolizes the darkness. The Infinite time however, is nonlinear and non‐chronological. It is the sign of brightness and addresses the revival of nature. This research studies the old texts concerning Iranian beliefs whilst Bundahishn is the most important reference. Besides, it analyzes the urban and architectural spaces in the historical context of Shiraz, as the case study of urban architecture in Iran. The methodology of this paper consists of qualitative and semantic analysis of old constructions based on the literature. The Analysis and results indicate that the idea of companionship of the two dialectic matters in Zurvan, temporality and eternity of time, has been a divine paradigm for Persian architects in creation of living spaces. In Persian architecture two types of spatiality could be distinguished. Firstly, the spaces designed for transition and temporal presence which shape linear displacements. Secondly, the spaces designed for tarriance, halt and presence in the moment that represent the beauties of the nature.
Persian gardens are of the most sustainable and permanent specimens of the built environment that... more Persian gardens are of the most sustainable and permanent specimens of the built environment that influenced Persian culture and arts magnificently. For instance, carpets and architectural ornaments have been remarkably impressed by the represented memorable pattern of the Persian gardens throughout the history. Gardens, as the private properties in the past, have been mostly transformed to public places nowadays. This study explores the reasons of " Place Attachment " in landscape architecture. The applied methodology was based on qualitative research through an in‐depth interview with 20 People for each of the case studies. Interviewees were questioned in the fields of environmental psychology, urban design and landscape architecture which categorized in three groups of functionality, bio‐environmental issues and aesthetic cognition. Consequently, the reasons of place attachment (in this case the memorability of the gardens) were divided into two sets of physical (tangible) and perceptive (intangible) components. The former consists of physical contrast with surrounding environment, suitable climate, vegetation variety and the lack of urban noises. The latter comprises the historical reputation, aesthetic experiment of the place and the bio‐ environmental responsiveness. Furthermore, the research demonstrates the profound connection between today's users and the gardens as the main reason of their popularity.
یادداشتی بر نمایشگاه عکسهای علی محمد ذاکری
بیست و چهارم دیماه تا ششم بهمن ماه نود و پنج
شیراز، نگ... more یادداشتی بر نمایشگاه عکسهای علی محمد ذاکری بیست و چهارم دیماه تا ششم بهمن ماه نود و پنج شیراز، نگارخانه وصال
Statement of Navid Atrvash's Braided Photos Exhibition
Aug 26 to Sep. 10 2016
Vesal Galllery, Shi... more Statement of Navid Atrvash's Braided Photos Exhibition Aug 26 to Sep. 10 2016 Vesal Galllery, Shiraz, Iran
ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻣﺮاﺳﻢ ﻧﻜﻮداﺷﺖ اﺳﺘﺎد ﻋﻠﻴﺮﺿﺎ ﻋﻄﺮوش
این گزارش در دو بخش، نگاهی اجمالی به فصلی از آثار علیر... more ﺑﻪ ﻣﻨﺎﺳﺒﺖ ﻣﺮاﺳﻢ ﻧﻜﻮداﺷﺖ اﺳﺘﺎد ﻋﻠﻴﺮﺿﺎ ﻋﻄﺮوش این گزارش در دو بخش، نگاهی اجمالی به فصلی از آثار علیرضا عطروش می اندازد.
In each city, urban spaces, streets and main squares are what the city is recognized by and the u... more In each city, urban spaces, streets and main squares are what the city is recognized by and the urban identity is represented through. Residents link their regional identity to those urban spaces and elements. Moreover, tourists and visitors define the city through the specific spaces that entail the distinguishing image of different destinations. The Old Square of Prague, Nowy Swiat Street in Warsaw and urban spaces of Thames bank in London are the instances of a permanent picture of the cities rendered in people's mind. This research studies the role of temporality and permanency of the urban spaces in creating the urban identity and characterization through the comparison of two historical cities of Iran: Shiraz and Yazd. Contemporary Shiraz addresses frequent transitions of its residential, commercial and recreational centers over the last decades. This has resulted in complexity of the city's character. Contrarily, Yazd, have not had exceptional alteration during the same period. Rather, the social role of urban spaces have remained almost unchanged for the generations. This permanency plays an important role in forming the social‐regional identity of the people. Also, this characteristic distinguishes the city of Yazd for travelers. The research illustrates that the consistency of urban spaces is one the prerequisites of place attachment and urban identity since these places are the context of memories. However, temporality and repeating alteration of such places unsettles the attachment between the city and its residents. Consequently, the city would not be able to present an explicit image of itself.
Persian architecture is highly influenced by Persian beliefs and myths. The main source to figure... more Persian architecture is highly influenced by Persian beliefs and myths. The main source to figure out the conceptions of architectural spaces is to understand the subjective atmosphere of their creators. This would be achievable through the ancient literature. In ancient narratives of Iran the deity of time, Zurvan, has the highest position among the deities from whom finite and infinite time have been engendered. The former is temporal while the latter is eternal. Finite time is linear where date and passing of time formed within. It indicates the perishable instinct of nature and symbolizes the darkness. The Infinite time however, is nonlinear and non‐chronological. It is the sign of brightness and addresses the revival of nature. This research studies the old texts concerning Iranian beliefs whilst Bundahishn is the most important reference. Besides, it analyzes the urban and architectural spaces in the historical context of Shiraz, as the case study of urban architecture in Iran. The methodology of this paper consists of qualitative and semantic analysis of old constructions based on the literature. The Analysis and results indicate that the idea of companionship of the two dialectic matters in Zurvan, temporality and eternity of time, has been a divine paradigm for Persian architects in creation of living spaces. In Persian architecture two types of spatiality could be distinguished. Firstly, the spaces designed for transition and temporal presence which shape linear displacements. Secondly, the spaces designed for tarriance, halt and presence in the moment that represent the beauties of the nature.
Persian gardens are of the most sustainable and permanent specimens of the built environment that... more Persian gardens are of the most sustainable and permanent specimens of the built environment that influenced Persian culture and arts magnificently. For instance, carpets and architectural ornaments have been remarkably impressed by the represented memorable pattern of the Persian gardens throughout the history. Gardens, as the private properties in the past, have been mostly transformed to public places nowadays. This study explores the reasons of " Place Attachment " in landscape architecture. The applied methodology was based on qualitative research through an in‐depth interview with 20 People for each of the case studies. Interviewees were questioned in the fields of environmental psychology, urban design and landscape architecture which categorized in three groups of functionality, bio‐environmental issues and aesthetic cognition. Consequently, the reasons of place attachment (in this case the memorability of the gardens) were divided into two sets of physical (tangible) and perceptive (intangible) components. The former consists of physical contrast with surrounding environment, suitable climate, vegetation variety and the lack of urban noises. The latter comprises the historical reputation, aesthetic experiment of the place and the bio‐ environmental responsiveness. Furthermore, the research demonstrates the profound connection between today's users and the gardens as the main reason of their popularity.
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Papers by Mohamad Zakeri
Jan. 13 to 25, 2017
Vesal Galllery, Shiraz, Iran
بیست و چهارم دیماه تا ششم بهمن ماه نود و پنج
شیراز، نگارخانه وصال
Aug 26 to Sep. 10 2016
Vesal Galllery, Shiraz, Iran
این گزارش در دو بخش، نگاهی اجمالی به فصلی از آثار علیرضا عطروش می اندازد.
Conference Presentations by Mohamad Zakeri
Jan. 13 to 25, 2017
Vesal Galllery, Shiraz, Iran
بیست و چهارم دیماه تا ششم بهمن ماه نود و پنج
شیراز، نگارخانه وصال
Aug 26 to Sep. 10 2016
Vesal Galllery, Shiraz, Iran
این گزارش در دو بخش، نگاهی اجمالی به فصلی از آثار علیرضا عطروش می اندازد.