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Rosa Alcoy
Rosa Alcoy has studied at the University of Barcelona (PhD in Art History and a Diploma in Fine Arts), where she is a full professor of art history with six consecutive research phases recognized (sexenios). The latest research grant has been for the years 2008-2013. A current rating of PDA: A. A., granted by the University of Barcelona.
During 1995-1996 she created the EMAC Group. Romanesque and Gothic, consolidated in 2005 (SGR: 2005-2015). Under this group, continuously since 1997, she has conducted funded projects that have been devoted to the study and cataloging of Catalan Art displaced and exported, also about their contexts, projections and migrations, especially in the medieval period but considering also, in recent times, their post-medieval and modern extensions. From 2010 to 2012 she coordinated, along with Professor Roberto Coroneo, the Integrated Action Italy-Spain on the Art and Architecture of the time of Jaime II. She currently heads the magazine Matèria. International Journal of Arts, Department of Art History at the University of Barcelona, where she had been Head of Studies and she was member of the committee to adapt to the Degree (2008-2012). She has also been Member of the Doctoral commission and the Master of Advanced Studies in Art History (UB). From 2006 to 2008 she coordinated the project MQD "educational networks for medieval art in Catalonia". She specialized in medieval painting, but she has also published studies on Gothic sculpture and art of the Nineteenth and Twentieth Centuries. She has curated several exhibitions and she is the author of the following books, among others: El cementiri de Lloret de Mar: indagacions sobre un conjunt modernista (1990); Pintures del gòtic a Lleida (1990); Joan Mates pintor del gòtic internacional (1997), El retaule de Santa Anna del castell de l'Almudaina i els seus mestres (2000), Eduard Alcoy a Mataró (2000); San Jorge y la Princesa (2004). In 2014 she has published La Catalogna e Bizancio dal romanico al gotico, translated into french, Italian and russian.
She is the author of an extensive serie of monographic contributions in books format and more than 80 articles. She devoted her doctoral thesis to the Bassa workshop and she has also worked on many other related subjects on painting, miniature and medieval stained glass. On the latter topic, in 2014, she has published a study on the stylistic evolution of medieval stained glass in Catalonia.
She has been coordinator and editor of several volumes, among which are outstanding resulting from three international symposia: El Trecento en obras (2009), Contextos 1200 i 1400 (2012) and Art Fugitiu (2014). She has paid special attention to the studies of medieval iconography and manuscript illumination field, highlighting contributions of the Book of Hours of Maria of Navarre, The Anglo-Catalan Psalter of Paris (ed. M. Moleiro), The Decretum Gratiani London (Hortus Artium Medievalium, 2015) or the Guide for the Perplexed of Maimonides in Copenhagen.
In May 2015 it took place under her leadership, the fourth International Symposium of EMAC Group: Art Medieval en joc (Medieval art at play), to be published as previous projects. From 2014 to 2015 she was a scientific adviser to the exhibition Hagadàs Barcelona. The Jewish splendor of Catalan Gothic (MUHBA, Tinell, March-July 2015). She has also participated in international conferences organized by the Museum (MUHBA, Barcelona, March 2015) and in the resulting publication.
During 1995-1996 she created the EMAC Group. Romanesque and Gothic, consolidated in 2005 (SGR: 2005-2015). Under this group, continuously since 1997, she has conducted funded projects that have been devoted to the study and cataloging of Catalan Art displaced and exported, also about their contexts, projections and migrations, especially in the medieval period but considering also, in recent times, their post-medieval and modern extensions. From 2010 to 2012 she coordinated, along with Professor Roberto Coroneo, the Integrated Action Italy-Spain on the Art and Architecture of the time of Jaime II. She currently heads the magazine Matèria. International Journal of Arts, Department of Art History at the University of Barcelona, where she had been Head of Studies and she was member of the committee to adapt to the Degree (2008-2012). She has also been Member of the Doctoral commission and the Master of Advanced Studies in Art History (UB). From 2006 to 2008 she coordinated the project MQD "educational networks for medieval art in Catalonia". She specialized in medieval painting, but she has also published studies on Gothic sculpture and art of the Nineteenth and Twentieth Centuries. She has curated several exhibitions and she is the author of the following books, among others: El cementiri de Lloret de Mar: indagacions sobre un conjunt modernista (1990); Pintures del gòtic a Lleida (1990); Joan Mates pintor del gòtic internacional (1997), El retaule de Santa Anna del castell de l'Almudaina i els seus mestres (2000), Eduard Alcoy a Mataró (2000); San Jorge y la Princesa (2004). In 2014 she has published La Catalogna e Bizancio dal romanico al gotico, translated into french, Italian and russian.
She is the author of an extensive serie of monographic contributions in books format and more than 80 articles. She devoted her doctoral thesis to the Bassa workshop and she has also worked on many other related subjects on painting, miniature and medieval stained glass. On the latter topic, in 2014, she has published a study on the stylistic evolution of medieval stained glass in Catalonia.
She has been coordinator and editor of several volumes, among which are outstanding resulting from three international symposia: El Trecento en obras (2009), Contextos 1200 i 1400 (2012) and Art Fugitiu (2014). She has paid special attention to the studies of medieval iconography and manuscript illumination field, highlighting contributions of the Book of Hours of Maria of Navarre, The Anglo-Catalan Psalter of Paris (ed. M. Moleiro), The Decretum Gratiani London (Hortus Artium Medievalium, 2015) or the Guide for the Perplexed of Maimonides in Copenhagen.
In May 2015 it took place under her leadership, the fourth International Symposium of EMAC Group: Art Medieval en joc (Medieval art at play), to be published as previous projects. From 2014 to 2015 she was a scientific adviser to the exhibition Hagadàs Barcelona. The Jewish splendor of Catalan Gothic (MUHBA, Tinell, March-July 2015). She has also participated in international conferences organized by the Museum (MUHBA, Barcelona, March 2015) and in the resulting publication.
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I primi lumi de la pintura simbolista i 1900 : de Giotto a Hodler / Rosa Alcoy. Construccions marginals : de la plana de llibre a l'espai arquitectònic / Gaspar Coll i Rosell. La restauració d eripoll als inicis del catalanisme polític (fi del segle XIX) / Montserrat Pagès i Paretas. Un moyen âge de substitution : deux images de la Vierge noire de Liesse gravées au XVIIe siècle / Didier Martens. Un gòtic "neoromànic" al claustre de Ripoll i en altres claustres / Pere Beseran. L'incarico dell'Hispanic Society of America a Georgiana Goddard King per lo studio dei "primitivi" sardi (1919-1920) / Enrico Pusceddu. Figure soprendenti : disegni fouri constesto e particolari nascosti fra utilià e divertimento, per la pittura dei secoli XIII e XIV en Italia / Alessio Monciatti. L'art medieval al cinema / Joan Marimón. "La capitana en campanya" : la imatge de Santa Eulàlia en època moderna : usos polítics i transformacions iconogràfiques d'un culte medieval / Cristina Fontcuberta i Famadas. Monuments medievals a la pintura catalana del segle XIX / Francesc Fontbona. Políptico de la sombra : aspectos del arte medieval en la obra de Dino Valls / Dino Valls. Les vidrieres del 1913 del cimbori de la Catedral de Barcelona : models gòtics i neogòtics / Sílvia Cañellas Martínez i Núria Gil Farré. Recepció del gòtic en la plàstica religiosa no arquitectònica de l'eclecticisme hispànic : el cas de l'escultor Josep Alcoverro i Amorós / Àngel Monlleó i Galcerà. Artistes medievals al programa decorativa del Museu d'Art Decoratiu i Arqueològic de Barcelona (1909-1910) / Sebastià Sánchez Sauleda. La interpretació del món medieval en els projectes funeraris d'Elies Rogent i Amat / Carme Grandas. L'església de Santa Maria de Portbou : una reinterpretació del gòtic català / Alba Barceló Plana. La recontextualización de las Majestats de Beget, Sant Miquel de Cruïlles y La Trinité de Prunet i Bellpuig / Chiara Rotolo. "Gioca, Fernando", la partita a scacchi come metafora amorosa : parole e immagini tra Medioevo e Ottocento / Paolo di Simone. Lo sguardo del Settecento al Medioevo : la scultura romana nei disegni di Seroux d'Agincourt della Biblioteca Apostolica Vaticana / Valentina Fraticelli. La Verge del Cor de Valldonzella : representació i devoció des del segle XV fins a l'actualitat / Anna Trepat Céspedes. Citazioni, usi e riusi : un gioco di rimandi figurativi nella scultura tra XII e XIII secolo in Italia centro meridionale / Maria Cristina Rossi