This article uncovers some of the intricate story-telling patterns in the Histories of Gregory of... more This article uncovers some of the intricate story-telling patterns in the Histories of Gregory of Tours (ca. 538–594 CE). In The Poetics of Biblical Narrative, Meir Sternberg outlines a method of interpretation useful for approaching a literary artifact whose self-classification is history, identifying three principles operating interdependently within any narrative work: the ideological, the historiographical, and the aesthetic. These principles produce a complex network of linkages which make up the narrative as a mode of communication. Using Sternberg’s model as an instrument of interpretation, this analysis identifies narrative devices as functional structures for the Decem Libri Historiarum, such as intentional gaps, repetitions, and time manipulations. Gregory’s narrative demonstrates a flexible poetics, serving the purposes of history and ideology side-by-side. Narrative devices otherwise functionally at odds with one another (omission vs. repetition) are combined to produce a unitary artistic logic.
This paper examines the Histories of Gregory of Tours (c. 538–594 CE). In The Poetics of Biblical... more This paper examines the Histories of Gregory of Tours (c. 538–594 CE). In The Poetics of Biblical Narrative, Meir Sternberg outlines a method of interpretation useful for approaching a literary artifact whose self-classification is history, identifying three principles operating interdependently within any narrative work: the ideological, the historiographical, and the aesthetic. These principles produce a complex network of linkages which make up the narrative as a mode of communication. Using Sternberg’s model as an instrument of interpretation, this analysis identifies narrative devices as functional structures for the Decem Libri Historiarum, such as intentional gaps, repetitions, and time manipulations.
This article uncovers some of the intricate story-telling patterns in the Histories of Gregory of... more This article uncovers some of the intricate story-telling patterns in the Histories of Gregory of Tours (ca. 538–594 CE). In The Poetics of Biblical Narrative, Meir Sternberg outlines a method of interpretation useful for approaching a literary artifact whose self-classification is history, identifying three principles operating interdependently within any narrative work: the ideological, the historiographical, and the aesthetic. These principles produce a complex network of linkages which make up the narrative as a mode of communication. Using Sternberg’s model as an instrument of interpretation, this analysis identifies narrative devices as functional structures for the Decem Libri Historiarum, such as intentional gaps, repetitions, and time manipulations. Gregory’s narrative demonstrates a flexible poetics, serving the purposes of history and ideology side-by-side. Narrative devices otherwise functionally at odds with one another (omission vs. repetition) are combined to produce a unitary artistic logic.
This paper examines the Histories of Gregory of Tours (c. 538–594 CE). In The Poetics of Biblical... more This paper examines the Histories of Gregory of Tours (c. 538–594 CE). In The Poetics of Biblical Narrative, Meir Sternberg outlines a method of interpretation useful for approaching a literary artifact whose self-classification is history, identifying three principles operating interdependently within any narrative work: the ideological, the historiographical, and the aesthetic. These principles produce a complex network of linkages which make up the narrative as a mode of communication. Using Sternberg’s model as an instrument of interpretation, this analysis identifies narrative devices as functional structures for the Decem Libri Historiarum, such as intentional gaps, repetitions, and time manipulations.
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These principles produce a complex network of linkages which make up the narrative as a mode of communication. Using Sternberg’s model as an instrument of interpretation, this analysis identifies narrative devices as functional structures for the Decem Libri Historiarum, such as intentional gaps, repetitions, and time manipulations. Gregory’s narrative demonstrates a flexible poetics, serving the purposes of history and ideology side-by-side. Narrative devices otherwise functionally at odds with one another (omission vs. repetition) are combined to produce a unitary artistic logic.
These principles produce a complex network of linkages which make up the narrative as a mode of communication. Using Sternberg’s model as an instrument of interpretation, this analysis identifies narrative devices as functional structures for the Decem Libri Historiarum, such as intentional gaps, repetitions, and time manipulations. Gregory’s narrative demonstrates a flexible poetics, serving the purposes of history and ideology side-by-side. Narrative devices otherwise functionally at odds with one another (omission vs. repetition) are combined to produce a unitary artistic logic.