Curriculum Vitae L u i z Nav e da Personal Information Name Birth Email Main webpage Skype Educational Curriculum Publications Photography Paper design Luiz Naveda 02/01/1977, Belo Horizonte, Brazil. luiznaveda@gmail.com http://naveda.info [luiznaveda] http://edu.naveda.info (in Portuguese) http://naveda.info/curriculum http://naveda.info/publications http://photography.naveda.info http://paperdesign.naveda.info * Addresses, phone numbers, motivation letters and scanned proofs of all items in this document are available upon request. Please contact email above. Content reviewed by the author in Wednesday 24th June, 2015. Formal Education/Degrees 2006-2011 Institution Department Area Thesis: Grants: Website: 2000-2002 Institution Department Area Thesis: 1994-1999 Institution Department Area Instrument 1991-1994 Institution Department Area B Doctor in Art Science Ghent, Belgium Ghent University http://www.ugent.be Institute for Psychoacoustics and Electronic Music - IPEM Musicology “Gesture in samba: A cross-modal analysis of dance and music from the Afro-Brazilian culture” — Advisor: Prof. Dr. Marc Leman Sponsored by a BOF scholarship – Ghent University and partially supported by CAPES (Brazil) http://www.ipem.ugent.be/samba Master in Music Belo Horizonte, Brazil UFMG – Federal University of Minas Gerais http://www.ufmg.br School of Music Music Performance “The timbre and the loudness of the classical guitar: An acoustic and psychoacoustic approach” (Portuguese) — Advisor: Prof. Dr. Maurício Alves Loureiro Bachelor in Music Belo Horizonte, Brazil UEMG – State University of Minas Gerais http://www.uemg.br/ School of Music Music performance Guitar Technical Degree in Electronics Belo Horizonte, Brazil UFMG – Federal University of Minas Gerais http://www.ufmg.br Coltec Electronics l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o Awards Awards and Grants 1. 2. 3. 4. Luiz Naveda. “Young Research Award 2011 for the best paper - SACCoM/SEMPRE”. In: X Encuentro de Ciencias Cognitivas de la Música. Research award. Buenos Aires, Argentina: SACCoM-Sociedad Argentina para las Ciencias Cognitivas de la Música, 2011. http://www.saccom.org.ar/2011_xencuentro/premio/ resultado.html. Luiz Naveda. Best Paper Award: SBCM 2009. Research award. Recife, Brazil: 12th Brazilian Symposium on Computer Music, 2009. Luiz Naveda. First prize in the national selection for doctoral grant CAPES-Brazil. Research award. Brasília, Brazil: CAPES, 2006. Luiz Naveda. Young Musician Award. Artistic award. Belo Horizonte, Brazil, 2002. Grants 5. 6. 7. 8. 9. Luiz Naveda; Fabien Gouyon. Grant for scientific Mission at Inesc-Porto. Travel grant. Brussels, Belgium: FWO, 2010. Luiz Naveda. Short-Term Scientific Mission SID-COST. Travel grant. Porto, Portugal: SID-COST, 2009. http://www.cost.esf.org/library/newsroom/node_7437. Luiz Naveda. BOF PHD Scholarship. Doctoral grant. Ghent, Belgium: Ghent University, 2007-2011. Luiz Naveda. Full doctoral scholarship for international studies - CAPES. Doctoral grant. 1st national prize in the area of Arts. Brasília, Brazil: CAPES, 2006. Luiz Naveda. Grant for research and technological development. Research grant. Research project (SHA1614/04). Belo Horizonte, Brazil: Fapemig, 2005. Participation in courses 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. Luiz Naveda. 3D Temps Reel et modeles physiques - PureData. Ed. by Nicolas Montgermont. Participation in Course. Brussels, Belgium: IMAL, 2009. Luiz Naveda. Academic english: writing skills. Language course. Ghent, Belgium: UCT - UGENT, 2008. Luiz Naveda. Eyesweb Week 2008. Participation in Course. Genova, Italy: Infomus, 2008. Luiz Naveda. Third International Summer School in Systematic Musicology. Participation in Course. Ghent, Belgium: Ghent University, 2007. Luiz Naveda. Second International Summer School in Systematic Musicology. Participation in Course. Ghent, Belgium: Ghent University, 2006. Luiz Naveda. Upper-Intermediate academic English. Language course. 30 h. Ghent, Belgium: UCT - Ghent University, 2006. Luiz Naveda. Fundaments of musical interactive systems. Participation in Course. Diamantina, Minas Gerais, Brazil: Festival da Inverno da UFMG, 2005. Luiz Naveda. Final Cut Pro 4. Participation in Course. São Paulo, Brazil: Interface - Apple, 2004. Luiz Naveda. Guitar Master-Class: Eduardo Fernandez. Participation in Master-Class. 40 h. Porto Alegre, Brazil, 1998. Luiz Naveda. Guitar Master-Class: Eduardo Isaac. Participation in Master-Class. Rio de Janeiro, Brazil, 1997. Luiz Naveda. Guitar Master-Class: Mark Delpriora. Participation in Master-Class. 40 h. Porto Alegre, Brazil, 1997. Luiz Naveda. Guitar Master-Class: Eduardo Fernandez. Participation in Master-Class. Rio de Janeiro, Brazil: Uni-Rio, 1996. Luiz Naveda. VII International festival of Brazilian Colonial music and old music. Participation in Course. 140 h. Juiz de Fora, Brazil: Pró-Música - UFJF, 1996. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o Skills Areas of expertise Musicology Empirical musicology, computational analysis of music, theories of rhythm and meter, topics in systematic musicology, music and cognition, restoration of music archives (sound and image). Movement analysis Analysis of movement in dance and in music, processing of movement information, gesture analysis, realtime algorithms for music analysis Computer music Music information retrieval (MIR), interactive systems, sensors and capturing, realtime multimedia applications. Music performance Interactive systems, music pedagogy and computer music. (See sections Artistic production and Academic appointments) Music education Instrumental teaching, music cognition, musical development, computer interaction and music pedagogy Hardware and software expertise Platforms Experience in OS X, Windows, IOS, Linux Sound and music Intermediate ProTools user, advanced user of sound editing, analysis, sequencing and capturing software/hardware. Certified Soundtrack (FinalCut) user. Experienced user of Sibelius, Garage Band, Audacity, Vegas, SonicVisualizer and others. Signal processing Matlab: image, video and sound processing for scientific and creative applications. Experience with toolbox and algorithm development, deployment of OSX applications, GUI design. Interactive Systems Design, prototyping, advising and teaching applications for interactive performances and experiments in Pure Data, Processing, Millumim, VVVV, EyesWeb, Max/Msp. Motion Capture Recording and editing in Arena/Optitrack systems. Advanced user of Matlab toolboxes for motion analysis (e.g.,MoCap Toolbox). Video and Image Certified Apple Final Cut Pro user. Experienced user of professional photographic equipment, experience with image capturing (video and photo) and signal processing for music and movement applications and research. Advanced user of Illustrator and Lightroom. Typesetting, web and Advanced user of LATEX, BibTex, Microsoft Office and Apple IWork applications, CMS and publishing Bloging platforms (Joomla, Tumblr, Wordpress, Weebly, Wix) and e-commerce (online marketing, Analytics, Adwords). Administration and operation of E-learning platforms such as Moodle and Edmodo Electronics Basic design of analog and digital circuits, implementation projects (see technical degree in electronics in Formal Education/Degrees). Other interests Subjects Politics, sustainable economy, cultural industries, robotics, running performance, biomechanics, information society, technology, human intelligence. Hobbies Photography, electronics, contemporary dance, popular dance, running, archery, swimming, traveling. Languages Portuguese Native language Understanding Speaking Languages Listening Reading Spoken Interaction Spoken Production English Spanish Dutch French Modern Greek Proficient Proficient Basic Basic Beginner Proficient Independent Basic Independent Beginner Proficient Independent Basic Basic Beginner Proficient Independent Basic Basic Beginner B l u i z n av e da @ g m a i l . c o m Writing Proficient Basic Beginner Beginner Beginner ❖ h t t p : / / n av e da . i n f o Academic and professional experience Academic appointments Period Employer Department Job title Description: Teaching: Levels: Research: Period Employer Department Job title Description Period Employer Department Job title Description Teaching: Levels: Research: Period Employer Department Job title Description Teaching: Levels: Period Employer Department Job title Description Teaching: Levels: July. 2013 — present Belo Horizonte, Brazil UEMG - State University of Minas Gerais http://www.uemg.br/ School of Music Professor Research, teaching, tutoring, committees and administration Research methodology, Media and Music, Musical Acoustics, Interactive Systems, media and technology Undergraduate and Post-graduate courses (Master) Empirical musicology, movement and dance analysis, technologies for music education, music technology. Jan. 2011 – Set. 2011 Ghent, Belgium Ghent University http://www.ipem.ugent.be/ IPEM - Institute for Psychoacoustics and Electronic Music Postdoc researcher Research and development: music and dance relationships in the context of popular dances. Fev. 2001 — Aug. 2006 Belo Horizonte, Brazil UEMG - State University of Minas Gerais http://www.uemg.br/ School of Music Lecturer Research, teaching, tutoring, committees and administration Guitar performance, guitar pedagogy, musical acoustics, advising. Preparatory, Undergraduate and Post-graduate courses Applied research, administration and applications for research projects (see Awards and Research interests). Research topics: music education, interactive systems, restoration of music archives, music technology, sound recording and sound design, musical acoustics. Fev. 2004 – Aug. 2006 Belo Horizonte, Brazil FUMEC - Minas Gerais Fundation for Education and culture http://www.fumec.br/ Architecture and Engineering faculty Lecturer Teaching and tutoring Sound design and interactive systems for video and design applications. Advising students on course appointments related to music and sound design. Undergraduate courses Fev. 2005 – Aug. 2006 Diamantina, Brazil FEVALE - Educational Foundation of Vale do Jequitinhonha http://www.fevale.edu.br/ School of Music Lecturer Teaching Guitar performance, guitar pedagogy. Undergraduate courses Other professional experience 23. 24. 25. 26. 27. 28. Luiz Naveda; Federico Visi. “Workshop: Music and Motion Workshop”. In: 11th International Symposium on Computer Music Multidisciplinary Research (CMMR). Workshop. Plymouth, UK: CMMR, jun 2015. http: //cmr.soc.plymouth.ac.uk/mocap2015/. Luiz Naveda. “Curriculo, qualificacao de producao e preenchimento da plataforma Lattes - CNPq”. In: Workshop. Belo Horizonte, Minas Gerais, Brazil: UEMG, 2014. Luiz Naveda. “Workshop: “Topos” toolkit for Pure Data: Spatial features of dance gestures for interactive musical applications.” In: 40th International Computer Music Conference (ICMC) / 11th Sound Music Computing conference. Workshop. Athens, Greece: University of Athens, 2014. www.naveda.info/topos. Luiz Naveda; Davi Mota. “1er workshop internacional en tecnologias de mediacion para la investigacion de las artes temporales”. In: Laboratorio para el Estudio de la Experiencia Musical. Workshop. La Plata, Argentina: FBA-UNLP, 2013. http://fba.unlp.edu.ar/leem. Luiz Naveda. Product manager and developer. Company position. Development and management for software and hardware for music education (http://www.tomplay.com). Belo Horizonte, Brazil: PPV, May 2012. http://www.tomplay.com. Luiz Naveda; George Sioros. “Pure Data Workshop”. In: Networked Hacklab. Workshop. Belo Horizonte, Brazil: Conservatório da UFMG, 2012. http://hacklabbh.blogspot.com.br/. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o 29. 30. 31. 32. Luiz Naveda. Introduction to architectural Origami and creativity in paper. Workshop. Ouro Preto, Minas Gerais, Brazil: Festival da Inverno da UFMG, 2006. Luiz Naveda. Workshop of Origami architecture. Workshop. Itabira, Minas Gerais, Brazil, 2006. Luiz Naveda. Workshop on architectural origami. Workshop. Ipoema, 2006. Luiz Naveda. Internship: Electronic maintenence department of UFMG. Internship. Belo Horizonte, Brazil: UFMG, 1995. Technical production 33. 34. 35. Luiz Naveda. Samba Toolbox: a collection of Matlab tools for movement and audio analysis. Software. Belo Horizonte, Brazil: Ghent University/UEMG, 2013-2015. Luiz Naveda; Ivani Santana. “Topos”: toolkit for Pure Data. Software. Collection of Pure Data objects for interactive musical applications with human movement. Belo Horizonte, Brazil: UEMG - UFBA, 2013-2015. http://naveda.info/topos. Ivani Santana; Luiz Naveda. E-Pormundos Afeto Espectaculo de danza telematica. Motion Capture work. Buenos Aires, Argentina: 12o festival de videodanza de buenos aires, 2010. Research and projects Research interests Main topics Empirical musicology, music and dance phenomenon in society, movement analysis, dance studies, popular music and dance, rhythm, music cognition, music performance and interactive systems, computer music, sensing devices and electronics. Other Paper architecture, photography, robotics, architecture, cultural industries, economy, ethnography, geography, image processing, iconography. Research Projects 36. Luiz Naveda. Embodied knowledge in music and dance: representation technologies and intertextual analysis of movement and sound. Research Project. (in phase of application for funding). Belo Horizonte, Brazil: State University of Minas Gerais (UEMG), 2014-current. In this “umbrella” project we organize several research actions around the topic musical and choreographic knowledge. These actions aim at developing forms of representation and analysis that allow to understand how music and dance relate to and influence each other, in specific cultural contexts. The technologies used in studies are supported computational media, interactive systems and data visualization.The case studies involve the modern urban cultural contexts and traditional cultures of dance and music. Actual research actions connected to this project include the items [56, 54, 55] in this CV Research Projects 37. Luiz Naveda; Marc Leman. Gesture in Samba. Research Project. Funding: UGENT/BOF scholarship and partially funded by CAPES (Brazil). Ghent, Belgium: Ghent University and CAPES, 2006-2011. In this project, we investigate how this gesture is modeled through sound and movement and how the interdependence between these modalities has influenced samba music and samba dances.Starting from commercial audio excerpts and field recordings, we demonstrated that samba is characterized by particular micro-timing deviations, as well as an unclear configuration of periodicities in the metrical structure of music. From motion capture and video recordings of dance, we developed methods that allow the description of gestures in terms of shapes and spatiotemporal reference frames.The research shows that the sounding structure of samba cannot be fully understood without taking into consideration the role of the human body and the structure of dances. However, characteristic models of samba dances and music are beyond invariant properties of repetitive gestures or rhythm motives. 38. Luiz Naveda. Laboratory for multimedia, research, recording and performance. Research Project. Funding: 53.000 USD - FAPEMIG (Belo Horizonte, Brazil). Belo Horizonte, Brazil: Escola de Música da UEMG, 2005. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o The project involves a multimedia laboratory designed to support research and performance using multimedia at the school of music of UEMG. The design of the laboratory was based on digital technology and focused on mobility, multimedia interaction and robust sound recording methods for music performance and ethnography. The development of the project involved the design of the laboratory, coordination of research actions, support to researchers in the institution and training. 39. Luiz Naveda; Domingos Brandão. "Rádio Inconfidência de Belo Horizonte": safeguarding and creation of a laboratory for restoration of sound records and scores. Research Project. Funding: 60.000 USD, FAPEMIG (Belo Horizonte, Brazil). Belo Horizonte, Brazil: Escola de Música da UEMG, 2005. The Rádio Inconfidência is a radio station serving the city of Belo Horizonte, and the central portion of the Minas Gerais state in Brazil. It was one of the first state radios in Brazil and started to broadcast in 1936. The “Radio Inconfidência archive” is a repository of collections of LP’s and scores that includes items ranging from late 1940’a to 1980’s (30000 LP’s and 10000 scores). The project aimed at developing and implementing routines to store, restore and cataloguing of scores and sound recordings. We developed a set of methodologies to identify and restore audio and score information using a minimum of physical manipulation of records. The methods were strongly based on the use of image processing, annotation and web-services. 40. Luiz Naveda. The timbre and the loudness of the classical guitar: An acoustic and psychoacoustic approach. Research Project. Belo Horizonte, Brazil: UFMG, 2000-2002. The characteristics of the loudness of the classical guitar have affected the performance, construction and repertoire for the instrument. New technologies have presented solutions in the form of new materials for the guitar body, strings and high fidelity amplification, without resulting in broad or significant changes. The guitar player uses technical artifices already present in the instrument’s technique in the attempt to increase the loudness. In this work, we analyze guitar techniques and review the main aspects of the guitar acoustics and psychoacoustics. An original methodology based on subjective tests and analysis of spectral components was developed in order to evaluate the influence of playing techniques in the subjective perception of timbre and loudness. The results show that subjective loudness depends on decay rate and types of transients present in the attack. The loudness attributed to technical artifices such as the apoiado attack, seems notto depend significantly of the timbre attribute. Ongoing collaborative projects 41. 42. 43. 44. 45. Luiz Naveda; Guy Madison. Relationships between musical groove, tempo synchronization and head movements. Collaborative project. Keywords:dance,groove, cognition, psychology, movement analysis. University of Umeä, 2015. Luiz Naveda; Livia Itaborahy. Gender, style and musical difference in the morphology of the gestures in samba dance. Collaborative project (undergraduate student project). Keywords: dance, gesture, samba, gender, style. Belo Horizonte, Brazil: State University of Minas Gerais (UEMG), 2014-current. Luiz Naveda; Luis Jure; Martin Rocamora. Timing in the music of the African diaspora in the Americas. Ed. by Universidad de la República. Collaborative project. Keywords: timing, microtiming, rhythm. Brazil and Uruguay, 2014. Luiz Naveda; Marx Marreiro. Motor learning in the relationship between pitches and keys in the accordion. Collaborative project (undergraduate student project). Keywords: dance, gesture, samba, gender, style. Belo Horizonte, Brazil: State University of Minas Gerais (UEMG), 2014-current. Luiz Naveda; Favio Shifres; Isabel Martinez. The gesture in the dance and music traditions of Latin-America. Collaborative project. Keywords: gesture, tango, motion capture. Brazil and Argentina: Psychology of Music Research Group of UNLP and Research Commission ZIAP II, 2012-current. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o Publications Peer-reviewed journal publications 46. 47. 48. 49. 50. 51. 52. J.L. Oliveira; Luiz Naveda; F. Gouyon; L.P. Reis; P. Sousa; Marc Leman. A parameterizable spatiotemporal representation of popular dance styles for humanoid dancing characters. EURASIP Journal on Audio, Speech, and Music Processing 2012(1) (2012), 18. Luiz Naveda; Fabien Gouyon; Carlos Guedes; Marc Leman. Microtiming patterns and interactions with musical properties in samba music. Journal of New Music Research 40(2) (2011), 223–236. L. Vroman; L. Naveda; M. Leman; L. Thierry. Generating tacit knowledge through motion: A vision on the matter of space. Art, Design & Communication in Higher Education 10(2) (2011), 255–270. Marc Leman; Luiz Naveda. Basic Gestures as Spatiotemporal Reference Frames for Repetitive Dance/Music Patterns in Samba and Charleston. Music Perception 28(1) (2010), 71–91. Luiz Naveda; Marc Leman. The spatiotemporal representation of dance and music gestures using Topological Gesture Analysis (TGA). Music Perception 28(1) (2010), 93–111. Luiz Naveda; Marc Leman. A Cross-modal Heuristic for Periodic Pattern Analysis of Samba Music and Dance. Journal of New Music Research 38(3) (2009), 255–283. Luiz Naveda. Inovacao, anjos e tecnologias nos projetos e praticas da educacao musical. Revista da ABEM 1(14) (2006), 65–74. Peer-reviewed conference proceedings 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. Isabel Martínez; Luiz Naveda; Javier Damensón; Alejandro Ghiena; Romina Herrera; Alejandro Ordás. “The individuality of metrical engagement: describing the individual differences of movements in response to musical meter”. In: 11th International Symposium on Computer Music Multidisciplinary Research. Plymouth, UK: CMMR, 2015. Luiz Naveda. “Cross-cultural differences in free body movement responses to Argentinian and AfroBrazilian music”. In: 11th International Symposium on Computer Music Multidisciplinary Research. Plymouth, UK: CMMR, 2015. Luiz Naveda. Music and dance representations at the crossroads of humanities and sciences. In: 2nd Annual International Conference on Humanities Arts in a Global World. Ed. by Anastasia Georgaki; Georgios Kouroupetroglou. Athens, Greece: Athens Institute for educations and research - Atiner, 2015. Luiz Naveda; Isabel Martínez; Javier Damensón; Alejandro Ghiena; Romina Herrera. “Methods for the analysis of rhythmic and metrical responses to music in free movement trajectories”. In: 11th International Symposium on Computer Music Multidisciplinary Research. Plymouth, UK: CMMR, 2015. Luiz Naveda. “Topos toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications”. In: Proceedings of the 40th International Computer Music Conference (ICMC) / 11th Sound Music Computing conference. Ed. by Anastasia Georgaki; Georgios Kouroupetroglou. Athens, Greece: University of Athens, 2014. Luiz Naveda; Marc Leman. “Mapping idiomatic elements in the morphology of dance gestures: Meter, gender and cultural idiosyncrasies in the samba dance and music”. In: Actas de ECCoM. Vol. 1 N1, “Nuestro Cuerpo en Nuestra Musica. 11o ECCoM”. Ed. by Favio Shifres; Maria Jacquier; Daniel Gonnet; Maria Ines Burcet; Romina Herrera. Vol. 1. 1. Buenos Aires, Argentina: SACCoM, 2013. Luiz Naveda; Marc Leman. Hypotheses on the choreographic roots of the musical meter: a case study on Afro-Brazilian dance and music. In: X Encuentro de Ciencias Cognitivas de la Música (Young Research Award). SACCoM-Sociedad Argentina para las Ciencias Cognitivas de la Música, 2011. http://www.saccom.org. ar/2011_xencuentro/premio/resultado.html. Liselotte Vroman; Thiery Lagrange; Luiz Naveda. Architecture Through motion: A vision on the matter of space. In: EKSIG 2011 - International Conference 2011 of the DRS Special Interest Group on Experiential Knowledge. Design Research Society. Farnham Castle, UK, 2011. Luiz Naveda; Fabien Gouyon; Marc Leman. Modeling Musical Structure From The Audience: Emergent Rhythmic Models From Spontaneous Vocalizations In Samba Culture. In: Proceedings of the 11th International conference on Music Perception and Cognition ICMPC10. Seattle: University of Washington, 2010. João L Oliveira; Luiz Naveda; Fabien Gouyon; Marc Leman; João P Reis. Synthesis of Variable Dancing Styles Based on A Compact Spatiotemporal Representation of Dance. In: IROS2010. Taipei, 2010. http : //winnie.kuis.kyoto-u.ac.jp/RMEWS/. Luiz Naveda; Fabien Gouyon; Carlos Guedes; Marc Leman. Multidimensional microtiming in Samba music. In: Proceedings of the 12th Brazilian Symposium on Computer Music (Best Paper Award). Ed. by M B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o 64. 65. 66. 67. 68. 69. Pimenta; Damián Keller; Regis Faria; Marcelo Queiroz; Geber Ramalho; Giordano Cabral. Recife: SBCM, 2009, pp.1–12. http://compmus.ime.usp.br/sbcm/2009/. Luiz Naveda; Marc Leman; Fabien Gouyon. Accessing structure of samba rhythms through cultural practices of vocal percussions. In: Proceedings of the SMC09-6th Sound and Music Computing Conference. Ed. by Álvaro Barbosa; Xavier Serra. SMC. Portugal, 2009, pp.259–264. João Lobato Oliveira; Luiz Naveda; Fabien Gouyon; João P Reis. “Towards Human-Machine Sonic Interactions: Mapping Human Dance Gestures onto Robots”. In: ed. by Luiz Naveda. Ghent: Proceedings of the Second International Conference of Students of Systematic Muiscology SysMus09, 2009, pp. 37–41. Luiz Naveda; Marc Leman. Representation of Samba dance gestures, using a multi-modal analysis approach. In: Proceedings of the 5th Enactive International Conference ENACTIVE 2008. Edizione ETS, 2008, pp.68–74. isbn: ISBN 978-884672252-2. Luiz Naveda; Marc Leman. Sonification of Samba dance using periodic pattern analysis. In: ARTECH 2008. 4th International Conference on Digital Arts. Ed. by Álvaro Barbosa. Porto, Portugal: Universidade Católica Portuguesa, 2008, pp.16–26. Luiz Naveda. “O Timbre e o Volume Sonoro do violão: Uma abordagem experimental (The timbre and the loudness of the guitar: an experimental approach)”. In: XIV Encontro da ANPPOM. Porto Alegre, Brasil: ANPPOM, 2003. http://www.anppom.com.br/anais/ANPPOM_2003.pdf. Luiz Naveda. “Cognitive bases for actions on music education in the periphery of Belo Horizonte: an experimental approach on the student’s musical viewpoint)”. In: Universidade Federal de Uberlândia, 2001. http://www.abemeducacaomusical.org.br/anais.html. Other Publications 70. 71. 72. 73. 74. 75. Luiz Naveda. “Gesture in Samba: A cross-modal analysis of dance and music from the Afro-Brazilian culture”. PhD thesis. Ghent University, 2011. Marc Leman; Luiz Naveda. Spatial cognition of Samba and Charleston. Cognitive Processing 10 (2009), S142–S142. Luiz Naveda, ed. Proceedings of the Second Conference of Students of Systematic Musicology. Ghent: Ghent University, 2009. isbn: 9789087560201. Luiz Naveda. Project proposal: Sysmus09 - Second International Conference of Students of Systematic Musicology. Elaboration of funding project. Ghent: Ghent University, 2009, p. 13. Luiz Naveda; Fabien Gouyon; Carlos Guedes. Interactions between dance movements and music rhythmic structure - The case of groove in Samba (Report: Short-Term Scientific Mission). Tech. rep. Ghent: COST-SID, 2009. http://sid.soundobject.org/wiki/STSMs. João Lobato Oliveira; Luiz Naveda; Fabien Gouyon; Luis P. Reis. Towards Human-Machine Sonic Interactions: Mapping Human Dance Gestures onto Robots. Tech. rep. Porto, Portugal: SID-COST, 2009. http : //sid.soundobject.org/wiki/STSMs. Academic activities Participation in conferences 76. 77. 78. 79. 80. 81. Luiz Naveda. “Music and dance representations at the crossroads of humanities and sciences”. In: 2nd Annual International Conference on Humanities Arts in a Global World. Participation in Conference. (Oral comunication and workshop). Athens, Greece: Athens Institute for educations and research - Atiner, Jan 2015. Luiz Naveda. 40th International Computer Music Conference (ICMC) / 11th Sound Music Computing conference. Participation in Conference. (Oral comunicationa and workshop). Athens, Greece: University of Athens, 2014. Luiz Naveda. Rhythm Workshop: Cross-Disciplinary and Multi-Cultural Perspectives on Musical Rhythm and Improvisation II. Ed. by Carlos Guedes; G. Toussaint; Juan Bello; Robert Rowe. Participation in Conference/Workshop. Abu Dhabi, Arab Emirates: New York University Abu Dhabi, Oct 2014. Luiz Naveda. X Encontro de Ciencias Cognitivas de la Música. Participation in Conference. Buenos Aires, Argentina: SACCoM-Sociedad Argentina para las Ciencias Cognitivas de la Música, 2011. Luiz Naveda. ICMPC11 - International Conference of Music Perception and Cognition. Ed. by Steven Demorest. Participation in Conference. Seattle, US: Washington University, 2010. Luiz Naveda; Ivani Santana. “Space, music and body dynamics in three excerpts of dance improvisation”. In: DRHA2010. Presentation in Conference. London, UK: Brunel University, 2010. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o 82. 83. 84. 85. 86. 87. Luiz Naveda. ICSC09-4th Internationl Conference in Spatial Cognition. Participation in Conference. Rome, Italy: Sapienza University of Rome, 2009. Luiz Naveda. SBCM 2009 - 12th Brazilian Symposium on Computer Music. Participation in Conference. Recife, Brazil: Brazilian Computer Society, 2009. Luiz Naveda. Sound Music Computer Conference. Participation in Conference. Porto, Portugal: SMC, 2009. Luiz Naveda. Artech2008. Participation in Conference. Porto, Portugal: Universidade Catolica Portuguesa, 2008. Luiz Naveda. The Mirror System Hypothesis: On Being Moved. Participation in Seminar. Cologne, Germany, 2008. Luiz Naveda. XIV Encontro Anual Da Abem. Participation in Conference. Belo Horizonte, Brazil: UEMG, 2005. Invited Talks 88. 89. 90. 91. 92. 93. 94. 95. 96. 97. 98. 99. 100. 101. 102. 103. 104. 105. Luiz Naveda. “Computational analysis of musical movement and applications for music , robotics and multimodal interactive systems”. In: Laboratorio de Sinais, Multimidia e Telecomunicacoes (SMT Poli/COPPE/UFRJ). Invited lecturer. Belo Horizonte, Brazil: IEEE Computer Society/RJ and, March 2015. Luiz Naveda. “Invited conference lecturer”. In: 12th meeting of the Congitive Sciences of Music. Invited lecturer. San Juan, Argentina: Sociedad Argentina de Ciencias Cognitivas de la Musica (SACCoM), August 2015. Luiz Naveda. “Rhythm, groove and interaction design”. In: Networked Hacklab. Invited lecturer. Belo Horizonte, Brazil: Conservatório da UFMG, 2012. Luiz Naveda. “The time in the technological poetics”. In: 10 dimensions project. Debate. Natal, Brazil: Federal University of Rio Grande do Norte, 2012. Luiz Naveda. “Time, dance, music and other blind spots of the same experience.” In: 10 dimensions Project. Invited lecturer. Natal, Brazil: Federal University of Rio Grande do Norte, 2012. Luiz Naveda. Ed. by Isabel Coimbra. Participation in Conference. Belo Horizonte, Brazil: Centro Cultural da UFMG, 2011. Luiz Naveda. “Dance, language and technological spaces”. In: ed. by Isabel Coimbra. Invited lecturer. Belo Horizonte, Brazil: Centro Cultural da UFMG, 2011. Luiz Naveda. “Extracting high-level information from Motion Capture and Sound: case studies in AfroBrazilian dance and music”. In: Motion in Place Platform Workshop. Invited lecturer. Brighton: School of Media, Film and Music, Sussex University, 2011. Luiz Naveda. Gesto, danza y musica en el samba afro-basileno. Invited lecturer. Montevideo, Uruguay: eMeestudio de Música electroacústica, Universidad de la República, 2011. Luiz Naveda. “Gesture in Samba: A cross-modal analysis of dance and music from the Afro-Brazilian culture”. In: Invited lecturer. Belo Horizonte, Brazil: Escola de Música da UFMG, 2011. Luiz Naveda. Microtiempo, movimiento y groove en la música afro-brasileña. Invited lecturer. Montevideo, Uruguay: eMe-estudio de Música electroacústica, Universidad de la República, 2011. Luiz Naveda. Motion Capture applied to the digital arts and dance. Invited lecturer. Salvador, Bahia, Brazil, 2011. Luiz Naveda. Motion Capture applied to the digital arts and dance. Invited lecturer. Belo Horizonte, Brazil: Escola de Belas-Artes, UFMG, 2011. Luiz Naveda; Marcelo Wanderley; J A Scott Kelso; F Iazzetta; S. Fonseca; Jonatas Manzolli; Hani C Yehia. The music and its measures. Participation in Debate/Conference. Belo Horizonte, Brazil: IEAT/UFMG, 2011. Luiz Naveda. Gesture analysis in dance and music: the case of Afro-Brazilian Samba. Invited lecturer. 2010. Luiz Naveda. Motion capture and dance. Invited lecturer. Salvador, Bahia, Brazil, 2010. Luiz Naveda. Embodied music: between music and body design. Invited lecturer. Belo Horizonte, Brazil: Fumec - Faculdade de Engenharia e Arquitetura, 2009. Luiz Naveda. “Art and interactive systems”. In: Invited lecturer. Belo Horizonte, Brazil: Escola Guignard UEMG, 2006. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o Academic services Referee 106. Luiz Naveda. Reviwer of the National (Brazilian) Association of Research and Postgraduation in Music. Reviewer. São Paulo, Brazil: ANPPOM, 2015. 107. Luiz Naveda. Frontiers in Psychology, section Auditory Cognitive Neuroscience. Journal Reviewer. Frontiers, 2014. 108. Luiz Naveda. SMAC Stockholm Music Acoustics Conference 2013 and SMC Sound and Music Computing Conference 2013. Reviewer. Stockholm: KTH, 2013. 109. Luiz Naveda. Undécimo Encuentro de Ciencias Cognitivas de la Musica. Reviewer. Buenos Aires, Argentina: SACCoM-Sociedad Argentina para las Ciencias Cognitivas de la Música, 2013. 110. Luiz Naveda. Journal of New Music Research. Journal Reviewer. Taylos Francis, 2012-2014. 111. Luiz Naveda. SysMus12 - Fourth International Conference of Students of Systematic Musicology. Reviewer. Montreal, Canada, 2012. 112. Luiz Naveda. NIME 2011 New Interfaces for Musical Expression++. Ed. by Alexander Refsum Jensenius. Reviewer. Oslo, Norway: Department of Musicology, University of Oslo, 2011. 113. Luiz Naveda. SBCM 2011 - 13rd Brazilian Symposium on Computer Music (SBCM). Ed. by Marcelo Queiroz. Reviewer. Vitória, Brazil: Sociedade Brasileira de Computacão (Brazilian Computer Society), 2011. 114. Luiz Naveda. ICMC 2010 International Computer Music Conference. Ed. by Fabien Gouyon. Reviewer. New York, US: New York and Stony Brook University, 2010. 115. Luiz Naveda. Music Perception. Ed. by Petri Toiviainen; Peter Keller. Journal Reviewer. University of California Press, 2010. 116. Luiz Naveda. NIME 2010 New Interfaces for Musical Expression++. Ed. by Amy Chen. Reviewer. Sidney, Australia: University of Technology Sydney, 2010. 117. Luiz Naveda. The First IROS 2010 Workshop on Robots and Musical Expressions. Reviewer. Taipei: IEEE/RSJ International Conference on Intelligent Robots and Systems -, 2010. 118. Luiz Naveda. SysMus09 - Second International Conference of Students of Systematic Musicology. Reviewer. Ghent, Belgium: Ghent University, 2009. Other services 119. Matheus A. Rodrigues. O vibrato no violão: aspectos qualitativos e quantitativos. Participation in Master Committee. Belo Horizonte, Brazil: Escola de Música da UFMG, set. 2014. 120. Giordano Cornélio. Análise acústica e cinemática da técnica de mudança de posição no contrabaixo acústico. Ed. by UFMG. Participation in Master Committee. Belo Horizonte, Brazil: Escola de Música da UFMG, dez. 2013. 121. Luiz Naveda. Member of the commission for the ellaboration of the Master Programme in Arts - UEMG. Participation in Academic Committee. Belo Horizonte, Brazil: UEMG, 2013. 122. Luiz Naveda. Member of the Ethical Committee - State University of Minas Gerais. Participation in Academic Committee. Belo Horizonte, Brazil: UEMG, 2013. 123. Davi Mota. Analysis of synchronization patterns in clarinet duos using acoustic and kinematic parameters. Participation in Master Committee. Belo Horizonte, Brazil: Escola de Música da UFMG, Oct. 2012. 124. Ana C. O. Rodrigues. Effect of musical training in the capacities of visual cognition: attention and memory. Participation in Doctoral Committee. Belo Horizonte, Brazil, 2012. 125. Luiz Naveda. Member of council of the SysMus conference series. Member of international council. SysMus, 2009-2013. https://sites.google.com/site/sysmusconference/the-team. 126. Luiz Naveda. SysMus09 - Second International Conference of Students of Systematic Musicology. Director of conference. Ghent, Belgium, 2009. http://www.ipem.ugent.be/sysmus09/. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o Artistic production Concerts 127. Luiz Naveda; Idalmo Lara. Canciones. Concert. Belo Horizonte, Brazil: ESMU-UEMG, 2003. 128. Luiz Naveda; Idalmo Lara. Conciones:popular songs for guitar and voice. Concert. ASCIPAN - Arte Nossa, 2003. 129. Luiz Naveda; Mustapha Tettey Addy; Maria Bragança; Antônio Carlos Magalhães. Alma Barroca. Concert. Vienna, Austria: Bösendorfer saal, Bösendorfer Klabierfabrik GmbH, 2002. 130. Luiz Naveda; Mustapha Tettey Addy; Maria Bragança; Antônio Carlos Magalhães. Alma Barroca Ensemble. Concert. Munich, Gemany: Gasteig, Calr Orff Saal, 2002. 131. Luiz Naveda; Maria Bragança; Antônio Carlos Magalhães. Concert at Akademie Brasil-Europa. Concert. Cologne, Germany: Akademie Brasil-Europa, 2002. 132. Luiz Naveda; Maria Bragança; Antônio Carlos Magalhães. Ensaios Barrocos. Concert. Belo Horizonte, Brazil: Museu de Arte da Pampulha, 2002. 133. Luiz Naveda; Daniel Christófaro; Sandra A. Meira; Vito Duarte. Guitar Recital: Luiz Naveda. Concert. Belo Horizonte, Brazil: ESMU-UEMG, 2002. 134. Luiz Naveda; Daniel Christófaro; Sandra A. Meira; Ana C. Ramos. Master-degree recital - I. Concert. Belo Horizonte, Brazil: Escola de Música da UFMG, 2002. http://naveda.tumblr.com/post/13807267737/ sonatina-for-guitar-and-piano-radames. 135. Luiz Naveda; Marcelo Pereira; Rosana Marreco; Ana C. Ramos. Master-degree recital II. Concert. Belo Horizonte, Brazil: Escola de Música da UFMG, 2002. http://naveda.info/tagged/musicp. 136. Luiz Naveda; Ana C. Ramos. Concert for the "Young Musician Prize". Concert. Belo Horizonte, Brazil, 2002. 137. Luiz Naveda; Ana C. Ramos. “Concertino for Guitar and Piano”. In: Concert. 2002. http : / / naveda . tumblr.com/post/13807267737/sonatina-for-guitar-and-piano-radames. 138. Luiz Naveda; Ana C. Ramos; Daniel Chistófaro; Vito Duarte. Guitar Recital: Luiz Naveda. Concert. Belo Horizonte, Brazil: ESMU-UEMG, 2002. 139. Ana C. Ramos; Luiz Naveda; Marcelo Pereira. Recital of Brazilian music. Participation in Concert. Belo Horizonte, Brazil, 2001. 140. Luiz Naveda. Concert: Guitar and Oboe. Concert. Belo Horizonte, Brazil, 2000. 141. Luiz Naveda; Carlos Alberto Grossi. Concert: Guitar and Oboe. Concert. Belo Horizonte, Brazil: Faculdades Metodistas Integradas Izabela Hendrix, 2000. 142. Luiz Naveda; Marcelo Pereira. “Recital de mestrado”. In: Concert. Belo Horizonte, Brazil: Escola de Música da UFMG, 2000. 143. Luiz Naveda; Carlos Alberto Grossi. “Concert Guitar and Oboe”. In: Fotos e Música. Concert. Belo Horizonte, Brazil, 1998. 144. Luiz Naveda; Carlos Alberto Grossi. “Duo Alberti: guitar and oboe”. In: Domingo com arte. Concert. 1998. Other musical activities 145. Luiz Naveda. “O Gato Noir”. In: Poemas Musicais: ondas, meninas, estrelas e bichos. Musical arrangement. Belo Horizonte, Brazil: Sonhos e Sons, 2003. 146. Poemas Musicais: ondas, meninas, estrelas e bicho (CD). Recording. Arrangement and guitar on "Noir e o gato". Belo Horizonte, Brazil: Sonhos e Sons, 2003. Design, computer and visual art 147. Ivani Santana; Luiz Naveda. Embodied Varios Darmstadt 58. Ed. by SESC Teatro Sesc Palladium. Artistic project. Interactive systems and soundtrack for dance performance. Belo Horizonte, Minas Gerais, Brazil: Mix Dança, 2014. http://luiznaveda.weebly.com/art/embodied-in-varios-darmstadt58. 148. Fernanda Santos; D. Herrmann; Paulo Chamone; Julião Villas; Luiz Naveda. Miradas do Caos II (Chaos Looks II). Ed. by Teatro Oi Futuro Klauss Vianna. Artistic project. Interactive systems and soundtrack for dance performance. Belo Horizonte, Brazil: Oi Futuro, Junho 2014. http://miradasdocaos.com/. 149. Luiz Naveda. “Illustrations for the book "Dom"”. In: Dom. Ed. by Cecília C. França. Illustration work, design. Book illustratiions. Belo Horizonte, Brazil: Fino Traço, 2013. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o 150. Luiz Naveda; Jalver Bethonico; Lucas Nézio. “The Ear”. In: Espaço Interativo de Ciências da Vida. Interactive installation. Interactive work. Belo Horizonte, Minas Gerais, Brazil: Museu de História Natural e Jardim Botânico da UFMG, 2013. 151. Ivani Santana; Luiz Naveda. Embodied Varios Darmstadt 58. Artistic project. Dance, Pure Data, Gem, Interaction design. Salvador, Barcelona, Ciudade de Mexico: Iberescena, 2013. 152. Fernanda Santos; Paulo Chamone; Julião Villas; Luiz Naveda. Miradas do Caos I (Chaos Looks I). Artistic project. Composition of soundtrack. Development of interactive systems. Belo Horizonte, Brazil: PBH Prefeitura Municipal de Belo Horizonte, 2013. http://luiznaveda.weebly.com/art/miradas-do-caosi-2013/. 153. Luiz Naveda. “Monteiro Lobato: timeline”. In: Literata2012. Art Installation. Interactive work. Sete Lagoas, Minas Gerais, Brazil: Quarteto Produções, Nov. 2012. 154. Luiz Naveda. “Fernando Sabino: do menino ao menino”. In: Literata2011. Art Installation. Interactive work. Sete Lagoas, Minas Gerais, Brazil, Nov. 2011. http://luiznaveda.weebly.com/art/the-wall-andthe-book-interactive-wall-at-literata-2012. 155. Luiz Naveda. “The Wall and the Book”. In: Literata2011. Installation. Interactive work. Sete Lagoas, Minas Gerais, Brazil: Quarteto Produções, Nov. 2011. http://luiznaveda.weebly.com/art/the-wall-and-thebook-interactive-wall-at-literata-2012. 156. Ivani Santana; Luiz Naveda; Catarina Veiga; J.K Santos; João Victor. “Experiment 1 : Literature - Dance - Image - Interactivity”. In: Laboratorium Mapa D2. Interactive art. Interactive work for Mapa D2. Rio de Janeiro, Brazil: Vivo Lab, Dec. 2011. 157. Luiz Naveda. Architectural origami: historical heritage. Exhibition. Exhibition of paper engineering works on the architecture of Diamantina. Diamantina, Brazil: Festival da Inverno da UFMG - Galeria da Casa de Cultura, 2006. 158. Cecília C. França; Luiz Naveda. Poemas Musicais: ondas, meninas, estrelas e bicho (Book). Illustration work, Electronic music notation, design. Cover Illustrations. Belo Horizonte, Brazil: Sonhos e Sons, 2003. http: //naveda.info/tagged/computerartp. B l u i z n av e da @ g m a i l . c o m ❖ h t t p : / / n av e da . i n f o