Wallace R Figueiredo
Master’s in Anthropology from the Graduate Program in Social Sciences at UERJ (PPCIS-UERJ), Bachelor’s in Social Sciences from the State University of Rio de Janeiro (2018), and a Musician from the Villa Lobos Music School (1999). Currently, a PhD candidate at the Graduate Program in Social Sciences at the State University of Rio de Janeiro, with a CAPES scholarship. His research focuses on visual anthropology, ethnicity, art, and performance. He studies cultural and political representations of China throughout the development of its film industry, with a particular focus on ethnic relations. Since 2006, he has also worked as a producer and musical director at Satura Companhia de Teatro under the stage name Nino Rhamos. He is a member of the Nucleus of Anthropology of Art (NADA/UERJ) and the Research Group on Images, Narratives, and Cultural Practices (INARRA/UERJ). He has experience as an audiovisual producer, specializing in internet videos, and as an editor of ethnographic documentaries. He was a PIBIC/UERJ scholarship holder in the research project titled “Indigenous Imagery and Contemporary Agencies” (2016). He is also a Data Processing Technician (1998), with experience in digital design, digital animation, audio and video editing, videography, and image editing.
Supervisors: Dr. Marcos Alexandre dos Santos Albuquerque
Address: Petrópolis, Rio de Janeiro, Brazil
Supervisors: Dr. Marcos Alexandre dos Santos Albuquerque
Address: Petrópolis, Rio de Janeiro, Brazil
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Papers by Wallace R Figueiredo
The research adopts a methodological triangulation approach, based on an analysis that combines data about the event and theories about the concept of freedom, problematizing authors who focused on the relationship between the individual and society in a liberal context, where individualism serves as the basis for specific conceptions of social relations.
Through the use of authors such as John Stuart Mill and John Locke, as well as the contributions of authors like Norbert Elias, it is argued that true freedom is relational, rooted in social interdependencies and the social construction of an individuality that is not individualistic but intrinsically linked to collective aspects.
Pappe’s case illustrates the tensions between individual freedom and collective interests, highlighting the need to reassess freedom of expression in complex political and social contexts.
This article proposes a more inclusive and interconnected view of human freedom, where individual and collective interests are negotiated within a dynamic web of social relations.
Thesis Chapters by Wallace R Figueiredo
Books by Wallace R Figueiredo
A obra demonstra como o xondaro valoriza a percepção sensorial e a experiência corporal, criando um espaço de reconexão com a cultura. A segunda parte se aprofunda na performance marcial, revelando como o xondaro combina elementos físicos e simbólicos para se transformar em uma prática poderosa de resistência cultural. Com base na antropologia da arte, a pesquisa destaca como a performance do corpo pode atuar como um instrumento político, mostrando que o xondaro não é apenas uma técnica de combate, mas também uma forma de resistência cultural e política.
Esta obra é essencial para antropólogos, estudiosos das artes marciais e todos aqueles interessados em compreender a complexidade e a profundidade das práticas culturais indígenas.
The research adopts a methodological triangulation approach, based on an analysis that combines data about the event and theories about the concept of freedom, problematizing authors who focused on the relationship between the individual and society in a liberal context, where individualism serves as the basis for specific conceptions of social relations.
Through the use of authors such as John Stuart Mill and John Locke, as well as the contributions of authors like Norbert Elias, it is argued that true freedom is relational, rooted in social interdependencies and the social construction of an individuality that is not individualistic but intrinsically linked to collective aspects.
Pappe’s case illustrates the tensions between individual freedom and collective interests, highlighting the need to reassess freedom of expression in complex political and social contexts.
This article proposes a more inclusive and interconnected view of human freedom, where individual and collective interests are negotiated within a dynamic web of social relations.
A obra demonstra como o xondaro valoriza a percepção sensorial e a experiência corporal, criando um espaço de reconexão com a cultura. A segunda parte se aprofunda na performance marcial, revelando como o xondaro combina elementos físicos e simbólicos para se transformar em uma prática poderosa de resistência cultural. Com base na antropologia da arte, a pesquisa destaca como a performance do corpo pode atuar como um instrumento político, mostrando que o xondaro não é apenas uma técnica de combate, mas também uma forma de resistência cultural e política.
Esta obra é essencial para antropólogos, estudiosos das artes marciais e todos aqueles interessados em compreender a complexidade e a profundidade das práticas culturais indígenas.