Artistic Research Question: "How can I adapt, develop and combine the Indian rhythmic phrase "T... more Artistic Research Question: "How can I adapt, develop and combine the Indian rhythmic phrase "Tirakite TakeTake" on drumset by analysing different variations of it, such as grooves, fills and comping, based on the Indian taal called Deepchandi ?
Moreover, by using a tabla composition called "Tirakite Tukra" based thus on the analyzed phrase, how can I obtain a rhythmic crossover with the Brazilian rhythm called "Maracatu de baque virado" and how can I integrate the result into my own personal language and into my own approach to the Maracatu?"
How can I adapt, develop and combine the Indian rhythm phrase "Tirakite Taketake" on the " Marac... more How can I adapt, develop and combine the Indian rhythm phrase "Tirakite Taketake" on the " Maracatu de baque virado" , by analysing different variations of it, such as grooves and fills, in order to integrate the result into my own personal language and into my own approach to the Maracatu?
Artistic Research Question: "How can I adapt, develop and combine the Indian rhythmic phrase "T... more Artistic Research Question: "How can I adapt, develop and combine the Indian rhythmic phrase "Tirakite TakeTake" on drumset by analysing different variations of it, such as grooves, fills and comping, based on the Indian taal called Deepchandi ?
Moreover, by using a tabla composition called "Tirakite Tukra" based thus on the analyzed phrase, how can I obtain a rhythmic crossover with the Brazilian rhythm called "Maracatu de baque virado" and how can I integrate the result into my own personal language and into my own approach to the Maracatu?"
How can I adapt, develop and combine the Indian rhythm phrase "Tirakite Taketake" on the " Marac... more How can I adapt, develop and combine the Indian rhythm phrase "Tirakite Taketake" on the " Maracatu de baque virado" , by analysing different variations of it, such as grooves and fills, in order to integrate the result into my own personal language and into my own approach to the Maracatu?
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Papers by Federica Bernabei
Moreover, by using a tabla composition called "Tirakite Tukra" based thus on the analyzed phrase, how can I obtain a rhythmic crossover with the Brazilian rhythm called "Maracatu de baque virado" and how can I integrate the result into my own personal language and into my own approach to the Maracatu?"
Moreover, by using a tabla composition called "Tirakite Tukra" based thus on the analyzed phrase, how can I obtain a rhythmic crossover with the Brazilian rhythm called "Maracatu de baque virado" and how can I integrate the result into my own personal language and into my own approach to the Maracatu?"