10th International Conference on Digital and Interactive Arts, 2021
The expanded field of Dance with digital technologies, we from the Electric Cyberdance Research G... more The expanded field of Dance with digital technologies, we from the Electric Cyberdance Research Group, have named, since 2015, Digital Dance, thus updating the concept of Mediadance (Schiller, 2003 and Bastos, 2013 and 2015). In this article, continuing the article presented in the last ARTECH (Braga, 2019), we are currently analysing the first notes on the constituents of this new dramaturgy, the Dramaturgy of ImageBody of Dance, specifically in the expanded field (Youngblood, 1970 and Krauss, 1979) of Digital Dance. Here, the aim is to use the concept of ImageBody in Dance (Pimentel, Bittencourt, 2019) which was built from the Bergson / Deleuze (2004) concept of image in motion and conceptually advance in this field, proposing that this category in Dance has their own dramaturgy, constantly updated by the contemporary context, what Sanchez (2007) calls the dramaturgy of the imagination. Resumo: Ao campo expandido da Dança com as tecnologias digitais, nós do Elétrico - Grupo de Pesquisa em Ciberdança, nomeamos, desde 2015, como Dança Digital, atualizando assim o conceito de mediadance (Schiller, 2003 e Bastos, 2013 e 2015). Nesse artigo, em continuidade ao artigo apresentado no último ARTECH (Braga, 2019), estamos interessadas em elaborar os primeiros apontamentos sobre os constituintes dessa nova dramaturgia, a dramaturgia dos CorposImagem da Dança, especificamente no campo expandido (Youngblood, 1970 e Krauss, 1979) da Dança Digital. Trata-se aqui de utilizar o conceito de CorpoImagem na Dança (Pimentel, Bittencourt, 2019) que foi construído a partir do conceito de Imagem em movimento de Bergson/Deleuze (2004) e avançar conceitualmente nesse campo, propondo que essa categoria na Dança possui uma dramaturgia própria, constantemente atualizada pelo contexto contemporâneo, o que Sanchez (2007) nomeia como dramaturgia da imaginação.
This master thesis presents mediadance (SCHILLER, 2003) as an extension of the field of dance, hi... more This master thesis presents mediadance (SCHILLER, 2003) as an extension of the field of dance, highlighting its characteristics and implications, contributing to its analysis in contemporary times. It investigates the relationship of dance with film, video and digital and interactive technologies and creates a dialog with Rosalind Krauss’ concept of Expanded Field (1979). It identifies dance works that fits into the definition of mediadance and proposes categories of analysis of these works and experiments.
10th International Conference on Digital and Interactive Arts, 2021
The expanded field of Dance with digital technologies, we from the Electric Cyberdance Research G... more The expanded field of Dance with digital technologies, we from the Electric Cyberdance Research Group, have named, since 2015, Digital Dance, thus updating the concept of Mediadance (Schiller, 2003 and Bastos, 2013 and 2015). In this article, continuing the article presented in the last ARTECH (Braga, 2019), we are currently analysing the first notes on the constituents of this new dramaturgy, the Dramaturgy of ImageBody of Dance, specifically in the expanded field (Youngblood, 1970 and Krauss, 1979) of Digital Dance. Here, the aim is to use the concept of ImageBody in Dance (Pimentel, Bittencourt, 2019) which was built from the Bergson / Deleuze (2004) concept of image in motion and conceptually advance in this field, proposing that this category in Dance has their own dramaturgy, constantly updated by the contemporary context, what Sanchez (2007) calls the dramaturgy of the imagination. Resumo: Ao campo expandido da Dança com as tecnologias digitais, nós do Elétrico - Grupo de Pesquisa em Ciberdança, nomeamos, desde 2015, como Dança Digital, atualizando assim o conceito de mediadance (Schiller, 2003 e Bastos, 2013 e 2015). Nesse artigo, em continuidade ao artigo apresentado no último ARTECH (Braga, 2019), estamos interessadas em elaborar os primeiros apontamentos sobre os constituintes dessa nova dramaturgia, a dramaturgia dos CorposImagem da Dança, especificamente no campo expandido (Youngblood, 1970 e Krauss, 1979) da Dança Digital. Trata-se aqui de utilizar o conceito de CorpoImagem na Dança (Pimentel, Bittencourt, 2019) que foi construído a partir do conceito de Imagem em movimento de Bergson/Deleuze (2004) e avançar conceitualmente nesse campo, propondo que essa categoria na Dança possui uma dramaturgia própria, constantemente atualizada pelo contexto contemporâneo, o que Sanchez (2007) nomeia como dramaturgia da imaginação.
This master thesis presents mediadance (SCHILLER, 2003) as an extension of the field of dance, hi... more This master thesis presents mediadance (SCHILLER, 2003) as an extension of the field of dance, highlighting its characteristics and implications, contributing to its analysis in contemporary times. It investigates the relationship of dance with film, video and digital and interactive technologies and creates a dialog with Rosalind Krauss’ concept of Expanded Field (1979). It identifies dance works that fits into the definition of mediadance and proposes categories of analysis of these works and experiments.
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