Papers by Roberto Pinheiro Machado
Este ensayo analiza la estética del absurdo en El obsceno pájaro de la noche (1970), de José Dono... more Este ensayo analiza la estética del absurdo en El obsceno pájaro de la noche (1970), de José Donoso. La presencia de tal estética en la novela aparece como desarrollo del van-guardismo de las primeras obras del Donoso publicadas en últimos años del los 50 y en los 60. El obsceno pájaro de la noche representa la cumbre de la primera fase del autor. Allí, el discurso irracional y fragmentado producido por la mente delirante del protagonista expresa la ausencia de sentido existencial como eje fundamental de la obra. This essay analyses the presence of the aesthetics of the absurd in José Donoso's El obsceno pájaro de la noche (1970). The appearance of such aesthetic category in the autho-r's novel is observed as deriving from the previous avant-garde engagements of Donoso's narrative, where experimentalism is discernible already in his early works from the late 50's and early 60's. El obsceno pájaro de la noche will appear as the culmination of Donoso's first phase, and where the irrational and fragmented discourse produced by the delirious mind of the protagonist will disclose the contradictions present in the novel as the direct expression of existential lack of meaning.
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This article offers a comparative reading of Naturalism in Brazil
and in Japan centered on its im... more This article offers a comparative reading of Naturalism in Brazil
and in Japan centered on its import to the emergence of human rights discourse in both countries at the turn of the twentieth century. The naturalist aesthetic developed by Émile Zola (1840-1902) in France was adopted in Brazil and in Japan in a time of profound social and political transformations in both societies. While Brazil underwent the transition from the Brazilian Empire
(1822-1889) to the First Republic, Japan moved from the protracted military dictatorship of the Edo period (1603-1868) into the new political organization of the Meiji era. The article scrutinizes the role of Naturalism in Brazilian and Japanese literary histories calling attention to its relation with the rise of citizenship
and human rights discourse in both countries.
KEY WORDS: Naturalism, Aluísio Azevedo, Shimazaki Tōson
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RESUMEN: Tradición y autenticidad existen en una relación de interdependencia. A través de la rel... more RESUMEN: Tradición y autenticidad existen en una relación de interdependencia. A través de la relación con su tradición el individuo se reconoce a sí mismo auténticamente en el mundo. Por ello, el alejamiento de la tradición resulta inevitablemente en la alienación. ...
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Books by Roberto Pinheiro Machado
Ambientado no submundo das casas de jazz de Tóquio, Tokyo Jazz conta a história de um grupo de ar... more Ambientado no submundo das casas de jazz de Tóquio, Tokyo Jazz conta a história de um grupo de artistas que desafiam a condição de estrangeiro em uma sociedade complexa que raramente alcançam compreender. Em meio a prostitutas, traficantes e cafetinas, esses artistas buscam um objetivo comum: escapar da sempre iminente possibilidade de deportação e permanecer em um país fascinante que ao mesmo tempo os atrai e repele. A beleza do Japão e os mistérios da vida noturna de Tóquio formam o cenário de um desejo crescente de ficar e de pertencer. Quando um evento inesperado leva um desses estrangeiros à beira de um abismo, no entanto, tudo parece chegar ao fim. Permanecer ou fugir, lutar ou desistir, torna-se um dilema cuja resolução significa, em última instância, viver ou morrer.
ISBN: 978-85-8273-341-7
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Este livro oferece ao leitor uma introdução à poesia japonesa
moderna por meio da obra de três po... more Este livro oferece ao leitor uma introdução à poesia japonesa
moderna por meio da obra de três poetas nascidos na segunda
década da Era Meiji (1868-1912): Kitahara Hakushū (1885-1942),
Ishikawa Takuboku (1886-1912) e Hagiwara Sakutarō (1886-1942).
Produto de um momento de inflexão epistemológica ocorrido nas
artes e nas letras japonesas, os textos destes poetas refletem o
encontro do Japão com o Ocidente depois de mais de dois séculos de isolamento. Romantismo, naturalismo, simbolismo e vanguardismo são as novas tendências estéticas trazidas pelos versos dos três autores, apresentados em versão bilíngue.
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Defined by Walter Watson as "the most important philosophical discovery of the twentieth century,... more Defined by Walter Watson as "the most important philosophical discovery of the twentieth century," pluralism appeared in the Anglo-American philosophical domain of the 1980s to avow that, contrarily to what believed the continental schools of deconstruction, the demonstration of truth by a philosophical text is possible, and, what is most remarkable, such truth accepts multiple formulations. This book recovers the notion of pluralism from its original conception by the philosophers of the State University of New York and develops it towards a more precise idea of philosophical textual plurality. While the eternal forms of thought were correctly classified by pluralism in its "Archic Matrix," the differentiation between deductive and inductive approaches to the construction of a philosophical text allow the understanding of how such text can achieve a self-sufficient logical system. The difference between analytic and synthetic judgments, the first founding all deductive approaches to reality, and the second establishing all inductive processes, appears as the textual principle that allows the demonstration of an unconditional truth according to the mind's cognitive limits. The end of all hermeneutic function to philosophy is demonstrated from the synthesis of two systems where the analytical/deductive approach discloses a unique and irreducible truth: the systems of Kant and of Nāgārjuna. From a comparative approach that places Kant's text under the light of the Sanskrit writings of Nāgārjuna, this book achieves a synthesis of the two systems and demonstrates the correspondence of the logical processes that found the notions of the Buddhist nirvāna and of the Kantian categorical imperative. In this fashion, pluralism's fundamental discovery appears amidst an absolute truth that operates beyond the boundaries imposed on human thought by the notions of East and West.
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Papers by Roberto Pinheiro Machado
and in Japan centered on its import to the emergence of human rights discourse in both countries at the turn of the twentieth century. The naturalist aesthetic developed by Émile Zola (1840-1902) in France was adopted in Brazil and in Japan in a time of profound social and political transformations in both societies. While Brazil underwent the transition from the Brazilian Empire
(1822-1889) to the First Republic, Japan moved from the protracted military dictatorship of the Edo period (1603-1868) into the new political organization of the Meiji era. The article scrutinizes the role of Naturalism in Brazilian and Japanese literary histories calling attention to its relation with the rise of citizenship
and human rights discourse in both countries.
KEY WORDS: Naturalism, Aluísio Azevedo, Shimazaki Tōson
Books by Roberto Pinheiro Machado
ISBN: 978-85-8273-341-7
moderna por meio da obra de três poetas nascidos na segunda
década da Era Meiji (1868-1912): Kitahara Hakushū (1885-1942),
Ishikawa Takuboku (1886-1912) e Hagiwara Sakutarō (1886-1942).
Produto de um momento de inflexão epistemológica ocorrido nas
artes e nas letras japonesas, os textos destes poetas refletem o
encontro do Japão com o Ocidente depois de mais de dois séculos de isolamento. Romantismo, naturalismo, simbolismo e vanguardismo são as novas tendências estéticas trazidas pelos versos dos três autores, apresentados em versão bilíngue.
and in Japan centered on its import to the emergence of human rights discourse in both countries at the turn of the twentieth century. The naturalist aesthetic developed by Émile Zola (1840-1902) in France was adopted in Brazil and in Japan in a time of profound social and political transformations in both societies. While Brazil underwent the transition from the Brazilian Empire
(1822-1889) to the First Republic, Japan moved from the protracted military dictatorship of the Edo period (1603-1868) into the new political organization of the Meiji era. The article scrutinizes the role of Naturalism in Brazilian and Japanese literary histories calling attention to its relation with the rise of citizenship
and human rights discourse in both countries.
KEY WORDS: Naturalism, Aluísio Azevedo, Shimazaki Tōson
ISBN: 978-85-8273-341-7
moderna por meio da obra de três poetas nascidos na segunda
década da Era Meiji (1868-1912): Kitahara Hakushū (1885-1942),
Ishikawa Takuboku (1886-1912) e Hagiwara Sakutarō (1886-1942).
Produto de um momento de inflexão epistemológica ocorrido nas
artes e nas letras japonesas, os textos destes poetas refletem o
encontro do Japão com o Ocidente depois de mais de dois séculos de isolamento. Romantismo, naturalismo, simbolismo e vanguardismo são as novas tendências estéticas trazidas pelos versos dos três autores, apresentados em versão bilíngue.