Proceedings of the 13th Biennial International Conference on Music Perception and Cognition and the 5th Triennial Conference for the Asian-Pacific Society for Cognitive Sciences of Music, 2014
Proceedings of the 4th International Symposium on Tonal Aspects of Languages. ISCA Archive., 2014
This paper examines the newly developed tones in Cantonese English, with a particular interest in... more This paper examines the newly developed tones in Cantonese English, with a particular interest in the tones spanning across syllables. It attempts to provide phonetic evidence for the tone spans and demonstrate the association of tones to syllables.
Audio-recording data elicited from six speakers of Cantonese English was processed with Praat, and then fitted to a smoothing spline analysis of variance with R to generate smoothing splines at 95% confidence intervals for determining if the the tones in different positions of a word are significantly different from each other. Pitch tracks of tones in individual words were also generated for a detailed examination of the tone contours of the tone spans.
Results showed that the realization of different tones was restricted by the position of the syllables in a word. Those tones are significantly different from each other. H spans, Ø spans and M spans were discussed and illustrated with tonal associations.
Proceedings of the 13th Biennial International Conference on Music Perception and Cognition and the 5th Triennial Conference for the Asian-Pacific Society for Cognitive Sciences of Music, 2014
Proceedings of the 4th International Symposium on Tonal Aspects of Languages. ISCA Archive., 2014
This paper examines the newly developed tones in Cantonese English, with a particular interest in... more This paper examines the newly developed tones in Cantonese English, with a particular interest in the tones spanning across syllables. It attempts to provide phonetic evidence for the tone spans and demonstrate the association of tones to syllables.
Audio-recording data elicited from six speakers of Cantonese English was processed with Praat, and then fitted to a smoothing spline analysis of variance with R to generate smoothing splines at 95% confidence intervals for determining if the the tones in different positions of a word are significantly different from each other. Pitch tracks of tones in individual words were also generated for a detailed examination of the tone contours of the tone spans.
Results showed that the realization of different tones was restricted by the position of the syllables in a word. Those tones are significantly different from each other. H spans, Ø spans and M spans were discussed and illustrated with tonal associations.
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Audio-recording data elicited from six speakers of Cantonese English was processed with Praat, and then fitted to a smoothing spline analysis of variance with R to generate smoothing splines at 95% confidence intervals for determining if the the tones in different positions of a word are significantly different from each other. Pitch tracks of tones in individual words were also generated for a detailed examination of the tone contours of the tone spans.
Results showed that the realization of different tones was restricted by the position of the syllables in a word. Those tones are significantly different from each other. H spans, Ø spans and M spans were discussed and illustrated with tonal associations.
Audio-recording data elicited from six speakers of Cantonese English was processed with Praat, and then fitted to a smoothing spline analysis of variance with R to generate smoothing splines at 95% confidence intervals for determining if the the tones in different positions of a word are significantly different from each other. Pitch tracks of tones in individual words were also generated for a detailed examination of the tone contours of the tone spans.
Results showed that the realization of different tones was restricted by the position of the syllables in a word. Those tones are significantly different from each other. H spans, Ø spans and M spans were discussed and illustrated with tonal associations.