Tomando como ponto de partida os comentarios do critico Mario Pedrosa sobre a arte de vanguarda j... more Tomando como ponto de partida os comentarios do critico Mario Pedrosa sobre a arte de vanguarda japonesa do pos-guerra, o artigo explora o discurso politico em torno a pintura abstrata no Brasil e Japao na decada de 1950. Em meio ao antagonismo patente entre a utopia construtivista brasileira e o boom da pintura informal no Japao, revela-se uma convergencia fundamental entre os dois contextos no modo em que artistas e criticos conceberam o potencial politico da arte e o modo de relacao entre arte e sociedade
The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their mult... more The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their multifarious relationship with the legacies of translation theory, poetic concretism, and the visual poetry of Kitasono Katue. In conversation with Detanico Lain and the Paris-based art critic and theorist Federico Nicolao, we wonder through their recent body of work and through the constellation of artists, literary authors, and scientists whose poetic paths approached and intersected with their own.
Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new ... more Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new trends of informal abstraction emanating from the United States and France. This revealed a stark contrast with the idea of individual freedom that informed North-American discourse on Expressionism. Focusing on the writings of Miyakawa Atsushi, Haryū Ichirō, and Segi Shinichi, this article explores the political significance of the question of matter in Japanese postwar art criticism and indicates its importance for the subsequent development of avant-garde art in 1960s Japan.
List of Illustrations Acknowledgments Introduction 1. Politics of Abstraction 2. The Matter of Pa... more List of Illustrations Acknowledgments Introduction 1. Politics of Abstraction 2. The Matter of Painting 3. Framing Contemporary Art 4. Outside the Frame 5. Concrete Poetry and the Materialization of Language 6. The Ticklish Object Epilogue Notes Works Cited Index
... The impossibility of dealing with such an element is the insurmountable limit of Mitchell... more ... The impossibility of dealing with such an element is the insurmountable limit of Mitchell's ... is precisely this unrepresentable aspect of the object, and more specifically of some objects of ... the deep resonance of such approach with Benjamin's attempt at reading the materiality of the ...
Http Dx Doi Org 10 1162 Artm_A_00032, Feb 14, 2013
Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new ... more Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new trends of informal abstraction emanating from the United States and France. This revealed a stark contrast with the idea of individual freedom that informed North-American discourse on Expressionism. Focusing on the writings of Miyakawa Atsushi, Haryū Ichirō, and Segi Shinichi, this article explores the political significance of the question of matter in Japanese postwar art criticism and indicates its importance for the subsequent development of avant-garde art in 1960s Japan.
Revista VIS: Revista do Programa de Pós-Graduação em Arte
O artigo consiste em um registro textual e fotográfico da exposição A Emergência do Contemporâneo... more O artigo consiste em um registro textual e fotográfico da exposição A Emergência do Contemporâneo: Vanguarda no Japão, 1950-1970, realizada no Paço Imperial do Rio de Janeiro em julho/agosto de 2016. A exposição apresentou o panorama da arte de vanguarda no Japão enfocando artistas cuja prática e reflexão marcaram a transição da pintura ao espaço tridimensional, à performance e à arte conceitual. Com curadoria de Pedro Erber e colaboração de Suzuki Katsuo, reuniu algumas das obras mais representativas da arte japonesa do pós-guerra, além de fotografias, filmes e documentos históricos.
The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their mult... more The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their multifarious relationship with the legacies of translation theory, poetic concretism, and the visual poetry of Kitasono Katue. In conversation with Detanico Lain and the Paris-based art critic and theorist Federico Nicolao, we wonder through their recent body of work and through the constellation of artists, literary authors, and scientists whose poetic paths approached and intersected with their own.
Tomando como ponto de partida os comentarios do critico Mario Pedrosa sobre a arte de vanguarda j... more Tomando como ponto de partida os comentarios do critico Mario Pedrosa sobre a arte de vanguarda japonesa do pos-guerra, o artigo explora o discurso politico em torno a pintura abstrata no Brasil e Japao na decada de 1950. Em meio ao antagonismo patente entre a utopia construtivista brasileira e o boom da pintura informal no Japao, revela-se uma convergencia fundamental entre os dois contextos no modo em que artistas e criticos conceberam o potencial politico da arte e o modo de relacao entre arte e sociedade
The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their mult... more The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their multifarious relationship with the legacies of translation theory, poetic concretism, and the visual poetry of Kitasono Katue. In conversation with Detanico Lain and the Paris-based art critic and theorist Federico Nicolao, we wonder through their recent body of work and through the constellation of artists, literary authors, and scientists whose poetic paths approached and intersected with their own.
Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new ... more Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new trends of informal abstraction emanating from the United States and France. This revealed a stark contrast with the idea of individual freedom that informed North-American discourse on Expressionism. Focusing on the writings of Miyakawa Atsushi, Haryū Ichirō, and Segi Shinichi, this article explores the political significance of the question of matter in Japanese postwar art criticism and indicates its importance for the subsequent development of avant-garde art in 1960s Japan.
List of Illustrations Acknowledgments Introduction 1. Politics of Abstraction 2. The Matter of Pa... more List of Illustrations Acknowledgments Introduction 1. Politics of Abstraction 2. The Matter of Painting 3. Framing Contemporary Art 4. Outside the Frame 5. Concrete Poetry and the Materialization of Language 6. The Ticklish Object Epilogue Notes Works Cited Index
... The impossibility of dealing with such an element is the insurmountable limit of Mitchell... more ... The impossibility of dealing with such an element is the insurmountable limit of Mitchell's ... is precisely this unrepresentable aspect of the object, and more specifically of some objects of ... the deep resonance of such approach with Benjamin's attempt at reading the materiality of the ...
Http Dx Doi Org 10 1162 Artm_A_00032, Feb 14, 2013
Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new ... more Japanese art critics of the 1950s perceived the locus of a new materialist aesthetics in the new trends of informal abstraction emanating from the United States and France. This revealed a stark contrast with the idea of individual freedom that informed North-American discourse on Expressionism. Focusing on the writings of Miyakawa Atsushi, Haryū Ichirō, and Segi Shinichi, this article explores the political significance of the question of matter in Japanese postwar art criticism and indicates its importance for the subsequent development of avant-garde art in 1960s Japan.
Revista VIS: Revista do Programa de Pós-Graduação em Arte
O artigo consiste em um registro textual e fotográfico da exposição A Emergência do Contemporâneo... more O artigo consiste em um registro textual e fotográfico da exposição A Emergência do Contemporâneo: Vanguarda no Japão, 1950-1970, realizada no Paço Imperial do Rio de Janeiro em julho/agosto de 2016. A exposição apresentou o panorama da arte de vanguarda no Japão enfocando artistas cuja prática e reflexão marcaram a transição da pintura ao espaço tridimensional, à performance e à arte conceitual. Com curadoria de Pedro Erber e colaboração de Suzuki Katsuo, reuniu algumas das obras mais representativas da arte japonesa do pós-guerra, além de fotografias, filmes e documentos históricos.
The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their mult... more The text explores the work of the Brazilian artists Angela Detanico and Rafael Lain in their multifarious relationship with the legacies of translation theory, poetic concretism, and the visual poetry of Kitasono Katue. In conversation with Detanico Lain and the Paris-based art critic and theorist Federico Nicolao, we wonder through their recent body of work and through the constellation of artists, literary authors, and scientists whose poetic paths approached and intersected with their own.
Em Descida ao cotidiano: o surgimento da arte contemporânea no Japão, Pedro Erber revela a histór... more Em Descida ao cotidiano: o surgimento da arte contemporânea no Japão, Pedro Erber revela a história ainda pouco conhecida da radicalização e politização do conceito de arte e das práticas contundentes surgidas num Japão em franca transformação sociocultural. O livro percorre as corajosas e irreverentes experiencias artísticas de inserção da arte no cotidiano, e mostra como estiveram intrinsecamente ligadas a novas formulações críticas que alteraram a paisagem artística japonesa dialogando com propostas de ruptura entre arte e vida levados a cabo em outros contextos.
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