... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion a... more ... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion and tension in Catullus is a poetic construct as is Lesbia herself, however real his historical affair might have been. ... David Kutzko Western Michigan University 26. ...
... trans-lated by WILLIAM ARROWSMITH, WITTER BYNNER, ROBERT FITZ-GERALD, RALPH GLADSTONE, DAVID ... more ... trans-lated by WILLIAM ARROWSMITH, WITTER BYNNER, ROBERT FITZ-GERALD, RALPH GLADSTONE, DAVID GRENE, MICHAEL JAMESON, FRANK WILLIAM JONES, RICHMOND LATTIMORE, JOHN MOORE, JOHN FREDERICK NIMS, EMILY TOWNSEND VERMEULE ...
... further the similar explanation of E. Merrill, Catullus (Cambridge 1893) 194. 4 Merrill (abov... more ... further the similar explanation of E. Merrill, Catullus (Cambridge 1893) 194. 4 Merrill (above, n.3) 194 explains it in the sense of "inherited from you": as ... detecting a play on proper nouns. J. Noonan ("Mala Bestia in Catullus 69.7-8," CW ...
... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion a... more ... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion and tension in Catullus is a poetic construct as is Lesbia herself, however real his historical affair might have been. ... David Kutzko Western Michigan University 26. ...
Theoc. 15.87?8 and Herod. 1.71 have been considered problematic, in that both poets expose the ar... more Theoc. 15.87?8 and Herod. 1.71 have been considered problematic, in that both poets expose the artifice of their creations to the apparent detriment of mimesis. But, as in comic metatheater, these passages serve to engage the audience at key transitional moments of the action. Theocritus and Herodas adapt this dramatic technique by alluding indirectly to the artifice of their composition, providing evidence for the quasi-dramatic nature of Hellenistic mime. The identification of this technique helps explicate a similar imitation of metatheater in Virgil (Ecl. 3.84?5).
Page 1. ALL THE WORLD'S A PAGE: IMITATION OF METATHEATER IN THEOCRITUS 15, HERODAS 1 AND... more Page 1. ALL THE WORLD'S A PAGE: IMITATION OF METATHEATER IN THEOCRITUS 15, HERODAS 1 AND VIRGIL ECLOGUES 31 Abstract: Theoc. 15.87-8 and Herod. ... The identification of this technique helps explicate a similar imitation of metatheater in Virgil (Ecl. 3.84-5). I ...
... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion a... more ... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion and tension in Catullus is a poetic construct as is Lesbia herself, however real his historical affair might have been. ... David Kutzko Western Michigan University 26. ...
... trans-lated by WILLIAM ARROWSMITH, WITTER BYNNER, ROBERT FITZ-GERALD, RALPH GLADSTONE, DAVID ... more ... trans-lated by WILLIAM ARROWSMITH, WITTER BYNNER, ROBERT FITZ-GERALD, RALPH GLADSTONE, DAVID GRENE, MICHAEL JAMESON, FRANK WILLIAM JONES, RICHMOND LATTIMORE, JOHN MOORE, JOHN FREDERICK NIMS, EMILY TOWNSEND VERMEULE ...
... further the similar explanation of E. Merrill, Catullus (Cambridge 1893) 194. 4 Merrill (abov... more ... further the similar explanation of E. Merrill, Catullus (Cambridge 1893) 194. 4 Merrill (above, n.3) 194 explains it in the sense of "inherited from you": as ... detecting a play on proper nouns. J. Noonan ("Mala Bestia in Catullus 69.7-8," CW ...
... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion a... more ... But recent scholarship would argue, as Goga later also concludes (p. 245), that the emotion and tension in Catullus is a poetic construct as is Lesbia herself, however real his historical affair might have been. ... David Kutzko Western Michigan University 26. ...
Theoc. 15.87?8 and Herod. 1.71 have been considered problematic, in that both poets expose the ar... more Theoc. 15.87?8 and Herod. 1.71 have been considered problematic, in that both poets expose the artifice of their creations to the apparent detriment of mimesis. But, as in comic metatheater, these passages serve to engage the audience at key transitional moments of the action. Theocritus and Herodas adapt this dramatic technique by alluding indirectly to the artifice of their composition, providing evidence for the quasi-dramatic nature of Hellenistic mime. The identification of this technique helps explicate a similar imitation of metatheater in Virgil (Ecl. 3.84?5).
Page 1. ALL THE WORLD'S A PAGE: IMITATION OF METATHEATER IN THEOCRITUS 15, HERODAS 1 AND... more Page 1. ALL THE WORLD'S A PAGE: IMITATION OF METATHEATER IN THEOCRITUS 15, HERODAS 1 AND VIRGIL ECLOGUES 31 Abstract: Theoc. 15.87-8 and Herod. ... The identification of this technique helps explicate a similar imitation of metatheater in Virgil (Ecl. 3.84-5). I ...
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