Seesaw is a musical with a book by Michael Bennett, music by Cy Coleman, and lyrics by Dorothy Fields.
Based on the William Gibson play Two for the Seesaw, the plot focuses on a brief affair between Jerry Ryan, a young lawyer from Nebraska, and Gittel Mosca, a kooky, streetwise dancer from the Bronx. The musical numbers evoke colorful aspects of New York City life but have relatively little to do with the story. The most notable feature of the score's original orchestrations by Larry Fallon was their wide use of brass instruments.
The production faced seemingly insurmountable problems during its pre-Broadway tryout period, and when it reached Detroit, producers Joseph Kipness and Lawrence Kasha brought in Bennett for advice. He recommended they abandon the book by Michael Stewart and fire director Edwin Sherin and leading lady Lainie Kazan, who he felt was too hefty to portray a dancer convincingly. Upon agreeing to helm the show, Bennett recast most of the ensemble, convinced Robin Wagner to replace his original realistic design with a sleek, stylized set, had Coleman and Fields rework their score, and brought in Neil Simon to help him rewrite the book, although final credit went solely to Bennett.
Disphenoidal or Seesaw is a type of molecular geometry where there are four bonds to a central atom with overall C2vsymmetry. The name "seesaw" comes from the observation that it looks like a seesaw. Most commonly, four bonds to a central atom result in tetrahedral or, less commonly, square planar geometry, so the seesaw geometry, just like its name, is unusual.
It occurs when a molecule has a steric number of 5, with the central atom being bonded to 4 other atoms and 1 lone pair. (AX4E in AXE notation) An atom bonded to 5 other atoms (and no lone pairs) forms a trigonal bipyramid; but in this case one of the atoms is replaced by a lone pair. The atom replaced is always an equatorial atom, because the lone pairs repel other electrons more strongly than atoms do.
Compounds with disphenoidal geometry have two types of ligands, one pair related by 180° often called axial ligands. A separate pair of ligands is situated orthogonal to the axial ligands. Typically the bond distance to the apical ligands is longer than to the equatorial ligands. The angle between the axial ligands and the equatorial ligands is 90°; whereas the angle between the two equatorial ligands themselves is 120°.
Seesaw typically refers to a playground piece of equipment.
Seesaw or See-Saw may also refer to:
Deep is the third and final studio album from Belfast New Wave/rock band Silent Running, released in 1989.
Despite the commercial failure of the band's 1987 album Walk on Fire and its two singles, the band began to record their second album for Atlantic Records.
Following the release of the Deep album, the band toured extensively after the album's release but split up shortly thereafter, citing a lack of record company support. The band would later reunite for one final performance at Belfast's Empire Music Hall to a capacity crowd in 1998. Reportedly, demos for the unreleased fourth album are widely available although unofficially only.
Like the previous two albums, Deep was a commercial failure.
The album's title is taken from the opening track "Deep in the Heart of Nowhere".
Both "Deep in the Heart of Nowhere" and "Local Hero" were released as promotional singles on CD in America only.
The first four tracks of the album were produced by the band themselves with Frankie LaRocka and Peter Denenberg, who both engineered the album. The rest of the tracks were produced by John Eden, whilst LaRocka and Deneberg remixed the tracks produced by Eden. The album was LaRocka's first attempt at production work, where he also played drums on part of the album. Originally, LaRocka had signed the band while working in the A&R department at Atlantic Records.
Deep is a given name which may refer to:
Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.
The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.