Benge is the 'Poison Oracle' used by the Azande of Central Africa, mainly in Southern Sudan, in which a decision is determined by whether or not a fowl survives being administered a poison. The outcome of the oracle can be taken as law in certain circumstances when a Zande Chief is present. The practice is increasingly rare since colonial times.
The Azande Tribe believed that witchcraft was inherited and grew with age. To tribe members, everyday ailments or events could be explained by witchcraft. Enchantments were gender specific, meaning that a woman could only bewitch another woman and a man could only bewitch another man. If someone was ill, they would go to an oracle who would feed poison to a chicken. If the chicken died after the name of a certain tribe member was called, then that person was considered the witch. Azande believed people could be witches without knowing it, and once the tribe member learned he or she was a witch they would stop unknowingly cursing the other members of their tribe with bad thoughts.
Benge is the artist name of Ben Edwards (born 1967), a musician and producer based in London, England. The main focus of his work is within the experimental electronic music field.
He launched the record label Expanding Records as an outlet for his debut album Electro-orgoustic Music in 1995. The label, which focuses on instrumental electronic music, continued to grow and now has a roster of approximately 20 artists from around the world. He also runs a music studio called Play Studios in London which houses a large collection of vintage electronic synthesisers and other recording equipment.
In 2008 Benge released his tenth studio album Twenty Systems, a concept album which featured twenty tracks made on twenty different synthesisers between the years 1968 - 1988 and an accompanying book describing the instruments and the development of the synthesiser in general. The album was called 'a brilliant contribution to the archaeology of electronic music' by Brian Eno.
Benge may refer to:
The faun (Latin: faunus, Ancient Greek: φαῦνος, phaunos, pronounced [pʰaynos]) is a half human–half goat (from the head to the waist being human, but with the addition of goat horns) manifestation of forest and animal spirits that would help or hinder humans at whim. They are often associated with the satyrs of Greek mythology.
Romans believed fauns inspired fear in men traveling in lonely, remote or wild places. They were also capable of guiding humans in need, as in the fable of The Satyr and the Traveller, in the title of which Latin authors substituted the word Faunus. Fauns and satyrs were originally quite different creatures: whereas fauns are half-man and half-goat, satyrs originally were depicted as stocky, hairy, ugly dwarfs or woodwoses with the ears and tails of horses or asses. Satyrs also were more woman-loving than fauns, and fauns were rather foolish where satyrs had more knowledge.
Ancient Roman mythological belief also included a god named Faunus often associated with enchanted woods and the Greek god Pan and a goddess named Fauna who were goat people.
Faun is a 1918 Hungarian silent drama film directed by Alexander Korda and starring Gábor Rajnay, Dezsõ Gyárfás and Artúr Somlay. It was based on a play by Eduard Knoblauch.
A faun is a half-human, half-goat creature in Roman mythology.
Faun may also refer to: