DNA² (Japanese: D・N・A² ~何処かで失くしたあいつのアイツ~, Hepburn: Dī En Ei Tsū: Dokoka de Nakushita Aitsu no Aitsu) is a science fiction manga series written and illustrated by Masakazu Katsura. It was serialized across Shueisha's Weekly Shōnen Jump magazine between 1993 and 1994, spanning a total of five tankōbon volumes.
DNA² was adapted into a 12-episode anime television series which ran on Nippon Television from October 7, 1994 to December 23, 1994. This was followed by a three-episode anime original video animation (OVA) in 1995. Produced by Madhouse and Studio Deen, the anime series was directed by Jun'ichi Sakata, whereas the character designer and animation director for the series was Kumiko Takahashi. DNA² has been broadcast in Japan by Animax, which has also aired the series across its respective networks worldwide, including its English-language networks in Southeast Asia and South Asia. All 15 episodes were licensed in North America by Central Park Media until their closing in 2009. The five volumes and box set are out-of-print. Discotek Media has since re-licensed the series for a DVD release in 2014.
DNA2.0 provides products and services for life science and Synthetic biology research. DNA2.0 also provides free access to research tools such as Gene Designer, DNA Atlas and a gRNA designer.
DNA2.0 was founded in 2003, in Menlo Park, California. The company is privately held and continues to have all research, development and production in Menlo Park, California. It began and continues as a gene synthesis and protein engineering provider to academia, government and the pharmaceutical, chemical, agricultural and biotechnology industries. Gene Synthesis rapidly replaced molecular cloning for many academic and corporate labs, as "foundries for the biotechnology age" allowing made-to-order genes for biological research. DNA2.0 was featured on the PBS show Nova ScienceNow to show how genes are created synthetically in a lab. In 2008, the company supplied some of the DNA stretches used to create a synthetic bacterial genome.Dan Rather Reports included DNA2.0 in their episode on Synthetic Biology and how it is solving "some of the most important problems facing the world." In 2009, The Scientist named the codon design algorithms (now tradmarked as GeneGPS) developed by DNA2.0 as one of the Top 10 Innovations of the year for Life Sciences. DNA2.0 developed the Electra Vector System, a universal cloning system that utilizes the type IIS restriction enzyme SapI and T4 DNA ligase in a single-tube reaction. DNA2.0 has made some molecular components, such as synthetic fluorescent proteins, available in open-access collections of DNA parts (BioBricks Foundation). DNA2.0 is a founding member of the International Gene Synthesis Consortium (IGSC) to promote biosecurity in the gene-synthesis industry. There are over 1,100 published scientific articles using DNA2.0 products and/or services, of which 43 include company employees as an author(s).
DNA is the seventh studio album by Brazilian recording artist Wanessa, released on July 28, 2011 by Sony Music Entertainment.
Musically, the album was influenced by contemporary pop, and other genres, with elements like funk carioca and R&B. DNA was produced by Mr. Jam and Dennonyx. The first information about DNA appeared in 2010 in an interview with radio Transamerica, revealing that the album would be entirely in English. The recording sessions started in São Paulo, Brazil and it was finished and mastered in New York, in the Sterling Sound Studios.
On November 13, 2010 Wanessa revealed in an interview for the radio Transamerica her new album was recorded in early 2011, with an electropop dance sound, and would include the four songs from her EP "Party Line", "Stuck on Repeat", "Falling For U" and "Worth It". On January 8, 2011, against the comments that it would launch an international album, Wanessa, in an interview for Rolling Stone Brazil said that, her plans were to set herself in Brazil. In the same interview, the singer said she would be entering the studio to release her album at the end of March, which would be entirely in English and focusing on pop and a remix of the single "Stuck On Repeat", produced by American DJ Dave Aude, known by his work with Lindsay Lohan, Hilary Duff and Lady Gaga.
Gothic rock (also referred to as goth rock or simply goth) is a musical subgenre of post-punk and alternative rock that formed during the late 1970s. Gothic rock bands grew from the strong ties they had to the English punk rock and emerging post-punk scenes. According to both Pitchfork and NME, proto-gothic bands include Joy Division,Siouxsie and the Banshees,Bauhaus, and the Cure.
The genre itself was defined as a separate movement from post-punk due to its darker music accompanied by introspective and romantic lyrics. Gothic rock then gave rise to a broader subculture that included clubs, fashion and publications in the 1980s.
According to music journalist Simon Reynolds, standard musical fixtures of gothic rock include "scything guitar patterns, high-pitched basslines that often usurped the melodic role [and] beats that were either hypnotically dirgelike or "tribal" [African polyrhythmic]". Reynolds described the vocal style as consisting of "deep, droning alloys of Jim Morrison and Leonard Cohen". Siouxsie and the Banshees tended to use flanging guitar effects, producing a brittle, cold and harsh sound that contrasted with their psychedelic rock predecessors. Several acts used drum machines downplaying the rhythm's backbeat.
The Gothic alphabet is an alphabet for writing the Gothic language, created in the 4th century by Ulfilas (or Wulfila) for the purpose of translating the Bible.
The alphabet is essentially an uncial form of the Greek alphabet, with a few additional letters to account for Gothic phonology: Latin F, two Runic letters to distinguish the /j/ and /w/ glides from vocalic /i/ and /u/, and the letter ƕair to express the Gothic labiovelar. It is completely different from the 'Gothic script' of the Middle Ages, a script used to write the Latin alphabet.
Ulfilas is thought to have consciously chosen to avoid the use of the older Runic alphabet for this purpose, as it was heavily connected with heathen beliefs and customs. Also, the Greek-based script probably helped to integrate the Gothic nation into the dominant Greco-Roman culture around the Black Sea. The individual letters, however, still bear names derived from those of their Runic equivalents.
In past centuries, some authors asserted that Greek-like letters were already in use among Germanic tribes long before Ulfilas. Johannes Aventinus (c. 1525) even ascribed them to the mythical progenitor Tuisto, claiming the Greeks had really stolen the idea from them, and not the Phoenicians. Such theories enjoy no scholarly support today, as all available evidence traces the development of alphabetic writing to the Middle East, although there is some testimony by classical Roman sources, as well as a few assorted tombstones, indicating that Greek letters were sometimes used in Germany, in addition to Gaul, by the time of Julius Caesar (1st century BC).
The goth subculture is a contemporary subculture found in many countries. It began in England during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. Notable post-punk groups that presaged that genre are Siouxsie and the Banshees, Joy Division and Bauhaus. The goth subculture has survived much longer than others of the same era, and has continued to diversify. Its imagery and cultural proclivities indicate influences from the 19th century Gothic literature along with horror films.
The goth subculture has associated tastes in music, aesthetics, and fashion. The music of the goth subculture encompasses a number of different styles, including gothic rock, industrial, deathrock, post-punk, darkwave, ethereal wave, neoclassical, and gothic metal. Styles of dress within the subculture range from deathrock, punk and Victorian styles, or combinations of the above, most often with dark attire (often black), pale face makeup and black hair. The scene continues to draw interest from a large audience decades after its emergence. In Western Europe, there are large annual festivals, mainly in Germany.