Siren or sirens may refer to:
Siren
Sirens
Sirens (Ultradrug – Thee Sequel) is a remix album by Psychic TV. Sugar J remixes Godstar '94 (as Stargods) and Burned Out, But Building (as Skreemer), Andrew Weatherall remixes the track United '94 (as Re-United), and Psychic TV as DJ Doktor Megatrip remixes Love - War - Riot (as Sirens). The track Sirens is identical as the Love - War - Riot (Vocoder Mix) from the compilation "Origin Of The Species" Volume Too!, where it is correctly credited. The title references the earlier Psychic TV album Ultradrug.
"Thee SIRENS do not sing for me. They scream abuse, they signal rape. Their call is not to love, nor embrace, but a call to arms to destroy a race of those who can still think. A loud and burning issue bursts forth from flaming hole. Sighss and suckles, each moment power, and every cell a soul. An end to mark the start of TIME is only close in mind. Touch everything you can with dreams, and end thee SIRENS crime." (Old TOPI poem)
Sirens is the second full-length studio album released by Buffalo-based metalcore band It Dies Today, released on October 17, 2006. It is the last recorded material with ex-vocalist Nick Brooks. Since his departure, the band's current vocalist, Jason Wood has re-recorded "Sixth of June" and "Through Leaves, Over Bridges". These songs are available on their official Myspace.
Sirens was leaked to Peer-to-Peer file sharing programs on August 15, 2006.
All songs written and composed by Nicholas Brooks and Mike Hatalak.
In philosophy, desire has been identified as a philosophical problem since Antiquity. In Plato's The Republic, Socrates argues that individual desires must be postponed in the name of the higher ideal.
Within the teachings of Buddhism, craving is thought to be the cause of all suffering. By eliminating craving, a person can attain ultimate happiness, or Nirvana. While on the path to liberation, a practitioner is advised to "generate desire" for skillful ends.
In Aristotle's De Anima the soul is seen to be involved in motion, because animals desire things and in their desire, they acquire locomotion. Aristotle argued that desire is implicated in animal interactions and the propensity of animals to motion. But Aristotle acknowledges that desire cannot account for all purposive movement towards a goal. He brackets the problem by positing that perhaps reason, in conjunction with desire and by way of the imagination, makes it possible for one to apprehend an object of desire, to see it as desirable. In this way reason and desire work together to determine what is a good object of desire. This resonates with desire in the chariots of Plato's Phaedrus, for in the Phaedrus the soul is guided by two horses, a dark horse of passion and a white horse of reason. Here passion and reason, as in Aristotle, are also together. Socrates does not suggest the dark horse be done away with, since its passions make possible a movement towards the objects of desire, but he qualifies desire and places it in a relation to reason so that the object of desire can be discerned correctly, so that we may have the right desire. Aristotle distinguishes desire into appetition and volition.
Désiré (29 December 1823 – September 1873) was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach. Désiré was a stage name; the artist's real name was Amable Courtecuisse, but for most of his life he was generally known as Désiré.
He was born in Lille, or a nearby village, and studied bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845.
In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel Don Quixote), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired what was later dubbed the first French operetta, Hervé's Don Quichotte et Sancho Pança, which premiered in 1848 at Adolphe Adam's Théâtre National at the Cirque Olympique, but with Joseph Kelm, instead of Désiré, as Sancho Pança.
Desire is a sense of longing or hoping. It may also refer to: