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2023, Solarities (eds Howe, Diamanti and Moore)
This is a short play written in the absurdist theater style that became popular in the post WWII period, a time also known as the Great Acceleration when the American model of ecocidal high energy, high resource use modernity was globalized. The players here reflect different ways of relating to the climate emergency that has followed in that wake.
Science Translational Medicine, 2012
A single mouse Lgr5-positive colon stem cell can be expanded into a 3D organoid that after transplant contributes to the repair of injured colon epithelia in a mouse model of colitis.
2014
Author(s): Jenkins, Aisha Aku | Advisor(s): Krieger, Stuart | Abstract: The screenplay Seflove is the story of a slave girl destined to be queen who uses her royal talents and self-determination to be with the ones she loves. The stage Play Taken is the story of a black mother in the Jim Crow South who must take the law into her own hands to attempt to retrieve her child from white abductors. Both stories take place in the state of Louisiana and are historical dramas. Taken is based on an actual event. Seflove uses magical realism to entertain family audiences with the history of African survivals in the United States.
2018
This practice led research is a study into the contested screenwriting narrative form known as the ‘character arc’. The character arc is a term that refers to the motivational and emotional trajectory of a character through the totality of a given narrative. Through practice I developed an original cinematic screenplay It Must be Love, as a way of exploring the research questions and enabling me to critically reflect upon the creative development and writing process. The two areas that framed this practice led research were the character arc, and the romance genre. The study considers the development of various theories of the character arc before defining its form through methods of textual analysis, practice and critical reflection. The practice screenplay It Must be Love was developed as a romance. In consideration of this, the impact of genre will be referenced throughout the exegesis. This practice-led research arrived at a new definition of the character arc illustrating that ...
In the year without a summer (1816), in a villa on Lake Geneva, Switzerland, four iconic literary figures of the 19th century hid out, drank laudanum, tore at their sexual identities, and challenged one another to create a phantasmagorical tale. From this cabal, came not one but two classic pieces of literary macabre; the first English adaptation of the Vampire legend, and Mary Shelley’s “Frankenstein.” “Mary’s Little Monster” chronicles the weekend this dissipated self-imposed exile delivers an epiphany. Suffocating in the shadow of her famous parents and her famous but manipulative husband Percy, Mary Shelley is pressured by literary contest to confront her own anxieties about failure and loss. She maneuvers through a labyrinth of narcotics, sexual duplicity, and the multifarious advances of Lord Byron, until she finally locates her true voice and her greatest fear. This fictionalized account is thoroughly grounded in the actual events of that gathering. It shines a glaring light on the inextricable connection between inspiration and brutal self-examination.