2
This chapter applies the concept of narrative identity to college
student development. The authors describe a narrative interview
method that can be used to promote the development of a purposeful
life story in the college years.
How Shall I Live? Constructing a Life Story
in the College Years
Dan P. McAdams, Jennifer Guo
American educators and the lay public have long considered the college
years to be a time when young people struggle to ind out who they are
and how they will lead lives that matter. In a lecture he regularly gave to
Harvard College students in the 1890s, William James posed the question:
“What Makes a Life Signiicant?” After considering different options, James
argued that human ideals confer deep meaning and signiicance on a life,
and college should be designed to promote the exploration of ideals: “Education, enlarging as it does our horizon and perspective, is a means of
multiplying our ideals, of bringing new ones into view” (Schwehn & Bass,
2006, p. 25). The great psychoanalytic theorist Erik Erikson (1950) developed the same theme in asserting that the search for identity constitutes the
major psychosocial challenge for adolescents and young adults. As Erikson
saw it, identity encompasses, among other things, the religious, political,
and ethical beliefs and values that a person ultimately embraces (ideals)
and the occupational or productive roles that a person will pursue as he or
she moves into adulthood (work). The college years are prime time, Erikson
believed, for exploring different options with regard to ideals and work and
eventually committing to particular ideological positions and work roles
that promise to provide a life with some degree of signiicance, meaning,
and purpose.
At coffee shops and campus events, in residence halls, at the gym,
over the Internet, and almost everywhere else, college students share their
thoughts and feelings about their ideals, their work, and their identities with
Preparation of this chapter was supported by a grant to the irst author from the Foley
Family Foundation to establish the Foley Center for the Study of Lives at Northwestern
University.
NEW DIRECTIONS FOR HIGHER EDUCATION, no. 166, Summer 2014 2014 Wiley Periodicals, Inc.
Published online in Wiley Online Library (wileyonlinelibrary.com) • DOI: 10.1002/he.20091
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IN SEARCH OF SELF: EXPLORING STUDENT IDENTITY DEVELOPMENT
each other and with parents, counselors, student affairs professionals, and
anybody else they feel they can trust. For many young people, college may
be the ideal forum for “self talk,” for exploring the self and learning about
others through conversation. A wide range of theories and research indings in psychology suggest that conversations about personal experiences
contribute greatly to the formation of identity in adolescence and young
adulthood (McLean, Pasupathi, & Pals, 2007).
In this chapter, we describe a set of ideas and tools for promoting identity explorations that capitalize on the tendency of young people to talk,
sometimes incessantly, about themselves. The key concept is narrative identity, which may be deined as a person’s internalized and evolving story of
the self (McAdams & McLean, 2013). The tools to be proposed derive from
interview-based research into narrative identity, and much of this research
has been conducted with midlife adults (McAdams, 2013). We believe that
our research approach may be repurposed as a model for identity development exercises in college to be used by educators, counselors, and other
college professionals who work directly with students. We believe our approach holds promise for its ability to provide students with a framework
for organizing their conversations about themselves in ways that facilitate
the development of the animating ideals and purpose-giving roles that lie
at the heart of identity.
Narrative Identity: The Construction of a Life Story
Erikson (1950) believed that identity functions to provide a person’s life
with a deep sense of temporal continuity. When individuals have formulated a coherent identity, they not only know who they are but they also
understand how they came to be and where their lives may be headed in
the future. Identity works to integrate the reconstructed past and imagined
future into a psychosocial pattern that makes sense to the self and to the
people and the institutions who bear witness to the self’s development. Over
the past 20 years, a growing number of researchers in personality, developmental, cognitive, and cultural psychology have argued that identity manages to afirm temporal continuity through a person’s construction of a life
story. As people make sense of their lives through narrative, they come to
articulate an understanding of how their past relates to the present and the
imagined future; they develop a story about how they came to be the person they are becoming (Bruner, 1990; McAdams, 1985). Narrative identity
is that story—an evolving and internalized narrative of the self that begins
to take form in adolescence.
Although researchers examine narrative identity in many different
ways, a standard research approach for delineating the content and the
structure of a person’s life story is to engage the research participant in
a structured Life Story Interview (McAdams, 1985, 2013). As outlined in
Table 2.1, the interviewer asks a series of questions designed to uncover
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Table 2.1. Outline of a Standard Life Story Interview
Life Chapters
Key Scenes
High Point
Low Point
Turning Point
Positive Childhood Scene
Negative Childhood Scene
Vivid Adolescent Scene
Vivid Adult Scene
One Other Important
Scene
Life Challenge
Future Script
Ideological Setting
Religious
Political
Most Important Value
Life Theme
Think of your life as if it were a book—a novel with
chapters. What would the chapters be? Divide your
life story into its main chapters, and for each
chapter provide a title and brief plot summary.
Explain what marks the end of one chapter and the
beginning of the next.
Focus on a few speciic moments or episodes that
stand out as being especially memorable or
important in your life story. For each scene, describe
in detail what happened, who was there, what you
were thinking and feeling in the scene, and what
signiicance you believe the scene has in the context
of your entire life story. Why do you think you
chose this scene? What might the scene say about
who you were or are?
Identify the most important challenge, struggle, or
conlict you have faced in your life. Describe what
the challenge is, how it came to be, and how you
have tried to address it or cope with it.
What does the next chapter of your life story look
like? Describe where you think your life is headed
in the future. What are your main goals for the
future? How do you plan to achieve those goals?
Consider here your most important beliefs and values
about life and the world. First, describe any
religious and/or ethical values and beliefs that you
consider to be important for your life. How did you
develop those values and beliefs? Next, consider
beliefs and values that apply to politics and/or social
relationships. Describe those values and beliefs and
how you came to hold them. Finally, what do you
consider to be the most important value in life?
Why?
Thinking back over what you have said in this
interview, do you see a theme or motif that runs
through the story of your life? What might it be?
Note: Variations on this general interview format have been developed for many different kinds
of studies, each tailored to the aims of the study. For more information on different versions and
formats of the life story interview go to http://www.sesp.northwestern.edu/foley/.
key scenes, characters, trends, and themes in the person’s life story. Typically, the narrator begins by dividing his or her life into “chapters” and
providing a brief plot summary for each. Next, the interviewer asks the narrator to focus on a few key events that stand out as especially memorable or
important in the life story. These typically include a life-story “high point”
(the greatest or happiest moment in the story), “low point” (the worst or
unhappiest moment in the story), “turning point” (a moment of signiicant change or transition in the story), and a series of other scenes that are
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IN SEARCH OF SELF: EXPLORING STUDENT IDENTITY DEVELOPMENT
notable for their emotional/psychological quality or timing in the life
course. For each scene, narrators describe what happened in the moment,
what they were thinking and feeling, how the scene was ultimately resolved,
and what they see as a central lesson or insight about the self that might be
derived from the scene.
Narrative identity is nearly as much about the imagined future as it is
about the reconstructed past. Therefore, the interviewer next asks the narrator to imagine what is in store for the future and to describe what the next
chapter in the life story might be, along with dreams, plans, goals, and fears
regarding the future. The narrator then elaborates upon the fundamental
beliefs, values, and attitudes that situate the story within an ideological setting (McAdams, 1985). These include beliefs and values that typically speak
to religious, ethical, and political–social issues. Finally, the narrator is asked
to relect upon the narrative as a whole and identify a central theme or motif
that seems to run through the story.
In considering how research on narrative identity might be repurposed
as an intervention to be used by college professionals, we follow the lead of
Schwehn and Bass (2006) who delineate three different “vocabularies” that
“people use today in their efforts to think and talk about the kind of life that
they most admire and would therefore most like to lead” (p. 40). These are
the vocabularies of authenticity, virtue, and vocation. Our experience with
life stories suggests that each of the three vocabularies regularly inds its way
into the narrative identities that American adults construct to make sense
of their lives. Each provides a language for describing a worthy life—a life
of signiicance and deep meaning.
Authenticity: Finding My Real Story. To be authentic is to present
and express the self as it really is. People feel authentic when they sense
that they are cutting through the pretenses of everyday social conventions
and expressing something “true” and “real.” They know who they are, and
they express themselves accordingly, even when such expressions defy societal norms and expectations. Going back at least as far as Ralph Waldo
Emerson’s (1841/1993) Self-Reliance, Americans have tended to value the
authenticity of the individual over and against what are sometimes seen
as artiicial, and even oppressive, strictures of the group (McAdams, 2013;
Taylor, 1991). Be true to yourself, we are told. Don’t follow the crowd.
Research participants in studies of narrative identity tend to construe
the Life Story Interview as an opportunity to tell their own unique story.
Simply going through the interview process, then, can itself constitute an
exercise in personal authenticity. As the participants see it, the interviewer
wants to know what really happened in their own lives and what they—the
participants—truly believe the meaning of the events to be. Accordingly, research participants often use a language of authenticity in describing chapters, scenes, and future prospects in their lives. They will say that a particular decision they made “shows who I truly am” or “illustrates something
that has always been true for me.” They will talk about how they pursued a
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particular goal or relationship because “I really wanted that” or because it
summoned forth deeply felt emotions of joy, excitement, love, or wonder—
feeling states that they associate with authentic experience.
In that many college students struggle to determine who they really
are and what they truly want to do with their lives, the Life Story Interview
can serve to promote self-exploration by encouraging students to engage
explicitly in the discourse of personal authenticity. The interview format
works in a nonthreatening way. Rather than putting the student on the spot
by posing threatening questions about the future, the interview focuses a
great deal of attention on the past, gently urging the student to explore what
past experiences might indicate about the particular kind of person they
have become and are becoming. Because the interview implicitly places a
premium on personal authenticity, it can provide practice opportunities for
thinking and talking about the self in an authentic manner.
Many psychologists argue that people feel authentic when they are engaged in behavior that they enjoy for the sake of the activity itself, rather
than as a means to external ends such as social prestige, acceptance, or
money (Deci & Ryan, 1991). These kinds of activities are driven by intrinsic motivation—internal needs to feel autonomous, competent, or close to
other people. Studies have shown that college students who provide life narrative accounts featuring high levels of intrinsic motivation tend to enjoy
concurrently higher levels of happiness and psychological well-being and
show increases in well-being and happiness over time (McAdams, 2013).
It would appear to follow that college students who take advantage of the
Life Story Interview to explore their most authentic sources of meaning and
pleasure might ultimately beneit the most from such an exercise.
Virtue: Living a Good Life. In individualistic Western societies, living an authentic life is often seen as something good in itself. But even
in those cultural contexts that encourage people most strongly to be themselves and to do what they truly want to do, there is nonetheless recognition
that people live in social groups and must adjust their behavior accordingly.
Going back to Aristotle’s (trans. 2004) The Nicomachean Ethics, the language
of virtue identiies particular character traits that are deemed to be qualities
of a good life because, for the most part, they enable people to live together
well in groups. Indeed, Aristotle argued that citizens are happiest when they
express virtues such as generosity, temperance, and friendship. The world’s
great religious traditions all enumerate characteristic virtues for good living.
While each tradition identiies its own unique candidates, there is considerable overlap for such virtues as honesty, fairness, love, self-control, humility,
gratitude, and many others (Peterson & Seligman, 2004). Virtues are surely
a subset of what William James referred to more generally as the “ideals”
that come to be cultivated and explored during the college years (Schwehn
& Bass, 2006).
The socialization of virtue begins in early childhood. In all human societies, parents aim to instill virtues for good living, hoping that their children
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will get along well with others and attain some measure of social acceptance
and status in life. The language of virtue may assume new urgency in the college years, however, as students come to question, or at least reexamine, the
lessons of virtue they learned when they were younger. Erikson (1950) argued that the development of identity in late adolescence and young adulthood usually involves attaining some distance from the values, virtues, and
ideologies that a young person learned growing up—beliefs about living a
good life that have been reinforced by parents, churches, schools, and other
socializing inluences. Research shows that those college students who
reexamine seriously the value systems that they internalized in earlier years
tend to show higher levels of moral development and a more mature understanding of religious, political, and social issues, compared to their counterparts who fail to question (McAdams, 1985, 2013).
The Life Story Interview explicitly asks research participants to describe the fundamental beliefs and values that they hold in the realms of
ethics, religion, and politics and to describe how those beliefs and values have changed over time. Because identity development in adolescence
and young adulthood centrally concerns ideals and ideology, questions like
these are arguably more relevant to the lives of many college students than
they are to the midlife adults who typically participate in life-narrative research. Educators, counselors, and other college professionals, therefore,
may ind that the idea of constructing a story for one’s life leads naturally
to the consideration of what it means to live a life of virtue. The connection
is perhaps easier to make at colleges and universities that are rooted in a
religious tradition (Schwehn & Bass, 2006). However, secular institutions
in the United States typically also ascribe to a set of values regarding how
to live in a democratic society, implicitly urging students to embrace such
virtues as honest inquiry, egalitarianism, social justice, tolerance, respect
for diversity, and the like. Indeed, a tradition of explicating secular virtues
in American society may be traced back to writings of Benjamin Franklin
in the 18th century, if not further (McAdams, 2013). Many students want
to know how to live a good life. The concept of narrative identity is broad
enough to encompass this question. The Interview can, therefore, be a useful tool for the exploration and explication of human virtue.
Vocation: Making a Difference. The concept of vocation inds its
historical roots in the Protestant Reformation and Martin Luther’s belief that all Christian men and women are “called” by God to service
(Weber, 1904/1976). Luther and other Protestant theologians of the 16th
and 17th centuries held that good works on earth were signs of a person’s
unique standing with God. As Luther saw it, any kind of regular and legitimate work—from manual labor to parenting to active involvement in the
community—might qualify for the status of vocation, as long as the Christian did the work out of love for God and in service of humankind. In each
person’s own small way, therefore, he or she could make a positive difference in the world, while glorifying God in the process. In the 19th and 20th
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centuries, the concept of vocation evolved to encompass the more secular
idea that each person may have unique talents and skills that can be used
for the good of others, and it loosened its connection to religion.
On college campuses today, the language of vocation provides a strong
alternative to the general sentiment that higher education should prepare
young men and women to go out into the world to make money. Vocation is
not necessarily antithetical to careerism and personal ambition, but it can
soften and inform these motivations by adding the critical component of
service. Many students ind appealing the idea that the work they may do
in life, whether in a volunteer capacity or for pay, may itself contribute to
the betterment of others, even in small ways. The language of vocation is
especially salient in such ields as teaching, medicine, and social work, but
it can also inform how young people think about careers in business, engineering, law, and other areas. In recent years, colleges and universities have
developed a range of programs to stimulate and support students’ longing
for vocation, from centers for civic engagement to leadership development
programs. For example, Washington University in St. Louis sponsors leadership retreats wherein undergraduates explore how to position themselves
in life so as to contribute, as leaders, to a more just, caring, and thriving
world. In small groups, students draw up and discuss life maps, which diagram important areas of commitment and interest in their lives and project
possible life trajectories through which personal vocation might be realized
(Washington University, 2014).
Narrative identity encompasses a person’s reconstruction of the past
and imagined vision for the future. As people anticipate life chapters to
come, they often incorporate into their story a generativity script (McAdams,
1985)—that is, a planned or imagined scenario whereby they hope to leave
a positive legacy of the self for future generations. In the face of mortality,
the generativity script sends this message: Even though I will die, I have the
opportunity to leave something positive behind. In the end, my life will have
mattered. I will have made a difference. Research suggests that life stories incorporating strong generativity scripts often adopt the language of vocation,
sometimes going so far as to suggest that the protagonist of the story has
been “chosen”—by God, by circumstances, by luck, by genes—to make a
positive contribution to the world. Moreover, the most generative midlife
adults in American society often tell stories about their lives that underscore
the power of human redemption (McAdams, 2013). The protagonist often
encounters setbacks and suffers many defeats, but negative events often give
way to positive outcomes and meanings, as the suffering is repeatedly redeemed. In illustrating how the protagonist repeatedly overcomes adversity,
these kinds of stories afirm the hope that hard work and suffering today will
pay dividends in the future.
The Life Story Interview explicitly asks research participants to articulate a vision for the future and to explain how that future scenario may
be linked to the past. As such, the interview offers an opportunity to think
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systematically about how one might ind a vocation in life, drawing upon
the rich storehouse of one’s past experience to enable the protagonist to
make a positive difference in the future. Although they face imposing
stresses and potential obstacles to growth, college students have an opportunity to imagine a generative future that could be inspired by a vocation
in life. Ideally, a student’s story should reinforce who he or she truly is (authenticity) and how the student can live a good life (virtue). But it may also
sustain hope of making a positive difference in the world (vocation), as the
student embarks upon the journey of adulthood.
Conclusion
Many college students may ind it useful to consider, in an explicit manner,
the story of life that they are beginning to formulate as young adults who
are about to enter the adult world of work, love, and commitment. Structured life storytelling and relection, as developed in research on narrative
identity and illustrated in the Life Story Interview, may raise new questions
and open new ways of talking about ideals, work roles, and identity. Life
storytelling may help students igure out what their real story is, how they
may live a good life, and what they may need to do in the future in order to leave a positive mark in the world. By tapping into students’ inchoate
yearnings for authenticity, virtue, and vocation, life storytelling can complement other important experiences in school, both in the classroom and outside of it, in promoting and enhancing the search for identity in the college
years.
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DAN P. MCADAMS is the Henry Wade Rogers Professor of Psychology and Human
Development at Northwestern University.
JENNIFER GUO is a doctoral student in the Psychology Department at Northwestern University.
NEW DIRECTIONS FOR HIGHER EDUCATION • DOI: 10.1002/he