Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
Contested Bodies in Italian Studies 15th Brown-Harvard graduate students conference Stefano Scandella (New York University) Corporeal Imagination: Poíesis and Self-Knowledge in the Mythopoetic Tradition
Análisis. Revista de investigación filosófica, 2018
My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas. Italian epic poets domesticated New World myths for their own purposes, using written, visual and material sources as an anchor for their agendas. The study of these myths changes, in some cases completely, our reading of the poems. New World myths are at once an exercise in ekphrasis of the maps, cartouches, engravings and collectible objects they derived from, and a record of the impact the Americas had on the early modern Italians.
CLCWeb: Comparative Literature and Culture, 2014
"Sublimation. Redefining Materiality in Art after Modernism, " Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 19 (2021): 115-132, 2021
Quaderni d'Italianistica, 2020
The 1935 song “Faccetta Nera,” a paean to the Fascist imperialist enterprise in Africa, addresses the “little black face” that is the anonymous Abyssinian woman, an object of Italian colonial desire. This jaunty march with its suggestive miscegenation proclaims a gendered liberation of African women with the line “our law is slavery of love” (la legge nostra è schiavitù d’amore). The song was made famous by tenor Carlo Buti and eventually became a staple of festa band repertoires among the diaspora. In contemporary Italy black women are routinely taunted and humiliated with this Fascist-era tune. The song is but one example of the myriad ways in which the body figures in discourses and cultural productions concerning Italy’s histories and identities, within and well beyond the country’s geopolitical boundaries. This interdisciplinary conference recognizes the body in its literal, metaphorical, and hybrid constitutions as found in the modern nation-state of Italy, the larger Italian diaspora, and among former colonies. It builds on the array of seminal work on body politics mainly developed in women’s and gender studies where corporeal imaginaries construct and reposition identity and agency. Italy and italianità, with its complex position within a Western hegemony—connected to colonialism, transnational migration, and larger discourses of power—is a particularly interesting locus for focusing a series of critical interventions around the body. JOHN D. CALANDRA ITALIAN AMERICAN INSTITUTE Queens College, CUNY 25 West 43rd Street, 17th Floor • New York, NY 10036 212-642-2094 • www.qc.edu/calandra
2019
The Body And Its Signifiers: Bodily Depictions In Niccolò De’ Conti And Odorico Da Pordenone By Antonella Dalla Torre Advisor: Eugenia Paulicelli This dissertation examines textual, bodily depictions in two western European, medieval and late-medieval travel accounts, describing the eastern travels of the Venetian merchant Niccolò de’ Conti and those of the Franciscan friar Odorico da Pordenone, in order to show how a connection between the characterizations of the body and the process of identity definition is forged and sustained in these texts. Through a cultural-studies perspective, this work focuses specifically on depictions of the body in Poggio Bracciolini’s account of the travels of Niccolò de’ Conti and in the text of a vernacular rendition of Odorico da Pordenone’s Relatio, the Libro delle nuove strane e meravigliose cose. These narratives’ bodily depictions constitute a textual nexus that lends itself to an investigation of the affirmation of a western European Christian...
Italian Studies, 54, pp. 118-131, 1999
Ästhetische Phänomenologie im Spiegel des Lebens. Vorträge und Aufsätze, 2021
Journal of Clinical Apheresis, 2012
Journal of European Public Policy 25 (9): 1317-35, 2018
Journal of Youth and Adolescence, 2019
Canadian Journal of Political Science, 2013
A. Rubel/H.U. Voss (eds.), Experiencing the Frontier and the Frontier of Experience. Barbarian perspectives and Roman strategies to deal with new threats. Archaeopress Roman Archaeology 76, 2020
Journal of Mammalogy, 2001
Clinical and Translational Oncology, 2013
Journal of Nephropharmacology
Molecular Genetics & Genomic Medicine, 2019
Journal of the Geological Society of India, 2018
Seventh International Symposium on Signal Processing and Its Applications, 2003. Proceedings., 2003