Redactioneel

Lampas, 2017

Sociologische Gids, 1994

KWALON, 2009

RegelMaat, 2018

Tandartspraktijk, 2008

De composietvulling in een molaar of premolaar is een onderschatte restauratie. Dat heeft mogelijk te maken met het feit dat er een relatief geringe vergoeding tegen over staat die al te eenvoudig als één-, twee- of drievlaksrestauratie wordt afgedaan. Daar lees je de complexiteit niet aan af. Een composietvulling maken die goed functioneert én jarenlang meegaat, vraagt om nauwkeurigheid en zorgvuldigheid en een grote technische vaardigheid van de tandarts.

1997

An introductory note to this special journal issue (see abstracts of related articles) laments the decline in interest in sociology in general & organizational sociology in particular since the 1960s. It is argued that sociology has suffered because it has not yet learned to cope with three forces determining the success of other scientific disciplines: (1) rapid advances in the natural & informational sciences; (2) emphasis on the study of pragmatic, potentially lucrative fields; & (3) the expanding role of amusements & diversions. Sociology is not in danger of dying out, but is likely to lose more ground in the future. 2 References. M. Meeks

Control and Automation (IJITCA) is a Quarterly open access peer-reviewed journal that publishes articles which contribute new results in all areas of Information Technology (IT), Control Systems and Automation Engineering. The journal focuses on all technical and practical aspects of IT, Control Systems and Automation with applications in real-world engineering and scientific problems. The goal of this journal is to bring together researchers and practitioners from academia and industry to focus on information technology, control engineering, automation, modeling concepts and establishing new collaborations in these areas. Authors are invited to contribute to this journal by submitting articles that illustrate research results, projects, surveying works and industrial experiences that describe significant advances in Information Technology, Control Systems and Automation.

LUCILLA DE LACHENAL A ‘cold case’ at Villa Albani: The hydrophore statue near the so–called Ruined Temple The paper examines both the past and relatively recent history of the fountain graced with a bathing female hydrophore statue near the Ruined Temple in the garden of Villa Albani–Torlonia. LUCA FABBRI The Master of San Floriano di Valpolicella, also known as Leonardo da Verona: A previously unheralded protagonist in Veronese wooden sculpture, on the cusp between the 15th and 16th centuries The paper sheds light on a few sculptures which were, for the most part, created in the Scaligero area during the 15th and 16th centuries. MARIO AVAGNINA – ALESSIO CARDACI – PAOLA COGHI – LUIGI COPPOLA – GIUSEPPINA FAZIO. ALESSANDRO GRASSIA – MARITA GUCCIONE – FRANCESCA ROMANA LIGUORI – PAOLA MASTRACCI, MARIA JOÃO REVEZ – ANTONELLA VERSACI – ELISABETTA VIRDIA MAXXI: A project for its maintenance and renovation In 2016, the MAXXI Foundation obtained two loans from the then Ministero per i Beni e le Attività Culturali (MiBAC) today’s Ministero della cultura with different goals: one was to put in motion a first cycle of maintenance for the main building; the other aimed at completing the museum and re–purposing those buildings of the former Montello barracks still standing. t the formal characteristics of the Zaha Hadid project. The paper retraces the steps behind this complex operation, various thematic aspects and the multidisciplinary approach. ALESSANDRA ACCONCI The painted crucifix of San Simeone di Alvito. An hypothesis that it may have been produced in the Ornatista workshop Conservation work on the painted crucifix housed in the Collegiate Church of San Simeone Profeta in Alvito (FR) was terminated in 2018. The process was financed by Intesa Sanpaolo as part of the XVIII edition of their Restituzioni project. The piece was first restored between 1980 and 1981, on behalf of the Superintendency, coinciding with the “rediscovery” of the until then unpublished work. This Crucifixion follows a standard typology of “triumphant crucifixes”, with Christ flanked by the Virgin and Saint John the Evangelist. The sober colouring of the panel’s artistic horizon is enriched by an extensive layer of moulded and gilded stucco. This would seem to lodge it deep within the specificities of the late Komnenian artistic expression of central–southern Italy. . GIUSEPPE AMMENDOLA – CHIARA MUNZI The condition of the Alvito Crucifix today and previous attempts to restore it The Alvito Crucifix dates back to the first decades of the 13th century. It is an important part of an extensive collection of central Italian painted crosses from the Middle Ages. These were produced in specialised workshops by a team craftsmen made up of shipwrights, painters, sculptors and gilders, all working together. Ongoing restoration, supported by the diagnostic evidence, is providing a valuable insight into the material composition of the piece. Analysis has revealed the meticulous approach taken in the organisation of the various stages of the crucifix’s manufacture, right from its initial design layout.