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Two inscribed clay cones are the focus of this short paper. The cones, dedicated to King Abī -sare of Larsa (1897–1887 BCE), were commissioned by a man named Bingattum for the king’s life.Interestingly, the cones mention a temple (e ) for Gilgameš , previously unknown. This, along with some sporadic prosopographical evidence, sheds more light on the cult of Gilgameš in southern Mesopotamia during the Isin-Larsa period.
Aula Orientalis, 2007
Fourteen years ago came the announcement that several twelfth-century pieces of the Babylonian poem of Gilgameš had been excavated at Ugarit, now Ras Shamra on the Mediterranean coast. This article is written in response to their editio princeps as texts nos. 42–5 in M. Daniel Arnaud's brand-new collection of Babylonian library tablets from Ugarit (Arnaud 2007). It takes a second look at the Ugarit fragments, and considers especially their relationship to the other Gilgameš material.
Textual Criticism of Persian Literature, 2010
Kaskal 19, 2022
The Electronic Babylonian Literature (eBL) team has achieved several milestones in 2022. First, the Fragmentarium has now reached the size of 21,200 cuneiform tablets, totalling over 300,000 lines of text. Secondly, the Corpus has been greatly enlarged with editions of several texts, such as the Hymn to Ninurta as Savior, the Great Prayer to Nabû, and particularly the Epic of Gilgameš. Thirdly, a sophisticated string-alignment algorithm, based on the python-alignment library, has been fine-tuned for cuneiform script and implemented. The algorithm has been run several times, and has found several matchings that had escaped the attention of humans, such as a new fragment of the latest datable manuscript of Gilgameš edited in no. 27, text no. 2. The growth of the manuscript base of texts is important in its own right, but it also has a larger significance for the understanding of Mesopotamian literature, since it contributes decisively to its contextualization. The importance of recovering the context in a tradition in which the authors of most texts are still unknown, and indeed in which the date of composition of almost all works of literature is impossible to establish, can hardly be overstated. In this respect, the pièce de résistance of this collection is constituted by T. Mitto's new edition of the Catalogue of Texts and Authors (no. 26). The edition is informed by several new fragments and includes two pieces of a hitherto unsuspected
The public availability of photographs of the entire British Museum Kuyunjik collection has allowed the identification of many hitherto unplaced fragments. Some of them are particularly relevant for the reconstruction of passages in a number of ancient Mesopotamian literary texts. These are published here for the first time. They include three new fragments of the Gilgameš epic, one or two of the Theodicy, several of the Diviner's Manual and of the Rituals of the Diviner, several prayers previously only poorly known, and fragments from the seventh tablet of the exorcistic series Muššuʾu.
H. Niehr/P. Pfälzner/E. Pernicka/A. Wissing (eds.), (Re-)constructing funerary rituals in the Ancient Near East. Proceedings of the First Internatinal Symposium of the Tübingen Post-Graduate School “Symbols of the Dead” in May 2009. Qatna Studien Supplementa 1 (Wiesbaden 2012) 47–58.
I want to highlight differences between the LCH, the earlier and the later Early Bronze Age, and conclude by a speculative reconstruction of the causes and mechanisms of these transformations. I will proceed by first introducing the term 'heroe', the central aspect of the title of this paper, and then provide the necessary background on chronological resolution, possible approaches towards the analysis of funerary data and the status of research; subsequently, I will briefly introduce the available data in chronological order; and finally conclude by a diachronic comparison, as a basis for a speculative interpretation of the patterns visible in the archaeological record.
Archaeology, Ethnology & Anthropology of Eurasia, 2018
Applying an interdisciplinary and semiotic approach, this manuscript presents original interpretation of vertical stelae/pillars/pilasters found in the religious complexes of Northern Mesopotamia during the transition to the Neolithic. We describe general trends in the content of rituals across the early sedentary period. One key theme appears to have been procreation, fertility, and prosperity. Monumental stelae and pillars of this period in Upper Mesopotamia, while depicting zoo-anthropomorphic deities, might also themselves referenced a male procreative force. The shift to sedentism likely contributed to worship of deities associated with specific locations and human groups. The Northern Mesopotamian archaeological record also hints at totemic beliefs typical of hunting-gathering societies, and differing from those practiced by the early farmers. Religious innovations of this period appear (albeit in transformed fashion) in later cultures of the Ancient Near East, as attested by both archaeological and written sources.
Journal of Cuneiform Studies, 2014
The fifth tablet of ša naqba īmuru, the Standard Babylonian Epic of Gilgameš, tells the story of Gilgameš and Enkidu's encounter with Ḫ umbaba, the guardian of the Cedar Forest: how the two heroes entered his realm, took him captive, laid waste to his trees, and returned home bearing his head as a trophy. The tablet is securely represented by two manuscripts, one Neo-Assyrian from Nineveh and the other Late Babylonian from Uruk. In the critical edition these are given the sigla MS H and MS dd respectively (George 2003: 602-3). They are identified as manuscripts of Tablet V because both bear as catch-line the verse imsi malêšu ubbiba tillēšu, which is the incipit of a part of the poem identified by colophons as Tablet VI, and because the colophon of MS dd itself identifies it as Tablet V, im 5 . kam . ma (George 2003: 741). The two manuscripts differ in their point of onset. The incipit of MS H is-as we read it-izzizūma inappatū qišta, 1 that of MS dd Ḫ umbāba pâšu īpušma iqabbi izakkara ana Gilgāmeš. It was proposed accordingly that MS H from Nineveh and MS dd from Uruk represented two different textual traditions, one current in Assyria, the other in Uruk (von Weiher 1980: 90) or in Babylonia generally (George 2003: 403). A tablet identified in 2011 by Farouk Al-Rawi in Suleimaniyah in Iraq, in the territory of the Kurdistan Regional Government, refutes that proposition, for it is Neo-Babylonian and commences with the same incipit as Assyrian MS H. Before describing the new tablet, it is necessary to consider the place of two other fragments from Nineveh, the large piece MS AA and a small fragment that duplicates part of it, MS DD. In the sequence of fragments that describe Gilgameš and Enkidu's approach to the Cedar Forest, and their entry within, the place of MSS AA and DD in respect to MS H has not been settled beyond doubt, despite the near unanimity of scholars throughout the last century. It was clear from a physical inspection that MSS H and AA are very similar and can be attributed to the same scribe (George 2003: 402). In George's description of the manuscripts of the Standard Babylonian poem they are both categorized as Type D manuscripts, probably older than the seventh century (George 2003: 384). MS H contains a passage in which Gilgameš and Enkidu arrive at the Cedar Forest and admire its luxuriance, one of the rare passages of Babylonian narrative poetry that is given over to the description of nature. MS AA contains a conversation in which Gilgameš exhorts Enkidu to prepare for combat. Most scholars have placed the text of MS 1. Or, izzizūma ina-pattu qišti (most recently Streck 2007: 413-14).
Archiv für Orientforschung 54: 233–254, 2021
This paper takes as its point of departure the supposed dialogue between Shulgi and Gilgamesh in the text known as Shulgi O. In essence, I argue that Shulgi’s act of speaking to a statue of Gilgamesh was actually modeled on a similar episode in the Lugalbanda epics, namely Lugalbanda’s interactions with the Anzu(d)-bird and its young, where again dialogue, fame and statuary representations are at the very center of the discursive interaction. The paper then turns to the role of statues in mediating discursive interactions between human beings and deities, including several ad hoc inscriptions on statues as well as the so-called letters of petition. The paper concludes with a discussion of the statues of the Old Akkadian kings and suggests the possibility that later literary representations of kingship and statuary in the Ur III and Old Babylonian periods were reacting against the improprieties of the Old Akkadian kings.
Revue d’assyriologie et d’archéologie orientale, 2007
ISSN 0373-6032 | ISBN 9782130566021 | pages 59 à 80
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Nanofibers, 2010
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