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Zenodo (CERN European Organization for Nuclear Research), 2023
The article presents as problematic the relationship between ethnicity and craftsmanship in a system of capitalist production, ¿How the values and cultural identity affect the organization, definition, and classification of the labor force of a country? As methodology, is realized a comparative cross-national study in the countries of Mexico, United Kingdom, Brazil and France. For the development of this study, a first part defines the shape of ethnic recognition in each country studied; a second part, is exposed the definition of craftworks by country; and a third part, the classification of craft occupations relative to their vertical or horizontal integration to division of labor. Ethnicity and ethnic representations as a way of legitimizing identities and resistance identities, contribute to give meaning and shape to the classifications of craftworks, especially in the horizontal integration of activities in relation to all occupations, where specializing the production to the heritage aspect
2016
This paper was delivered at the 2016 TEXTIM conference in Oaxaca, Mexico. It is a mosaic of excerpted field notes written by a collecting anthropologist who later donated the collected textiles and clothing to the Fowler Museum at the University of California-Los Angeles. I use this approach to encourage reflection on the ways one might unintentionally ascribe cultural meaning to marginalized communities. The excerpts also aim to create space for the reality that the indigenous Mesoamerican communities involved are more than colonized and recolonized people; they have the agency to imagine and re-imagine meanings in textiles that may or may not align with the anthropologist's preconceptions.
2019
Referred to as the ‘Golden Dustman’ (Evans 1998) Martin Margiela’s approach to sourcing and reworking vintage garments was likened to that of a Victorian ragpicker. Today, the abundance of second hand clothing donated to charity shops presents fashion designers with the opportunity to reprise Margiela’s role, by considering textile waste as valuable, raw materials. Donating unwanted garments to charity is a prolific cultural practice, perceived as philanthropic and sustainable. However, donations of unwanted clothing comprise 80% fast fashion, which cannot easily be re-used, re-sold or biodegraded. Emmanuel House, a homeless charity in Nottingham have a three-tier sorting system: 1. To clothe its service users; 2. for re-sale in the charity’s shop to fund its work; 3. to be sold as ‘rag’ by the kilo (shipped to 3rd world countries). This conversion to cash process raises various ethical concerns. This paper reports on a social/design innovation collaboration between Emmanuel House, ...
2019
This paper identifies an opportunity to design a localised textile waste system in New Zealand which provides the raw material required to develop a value added, closed loop, innovative and sustainable textile product. Sustainability is a key challenge of our time. The mass production processes of the apparel industry create large volumes of waste posing significant sustainability issues at all levels. New Zealand is a wasteful country that has up until recently managed textile waste recycling by exporting or landfilling the problem. Ministry for the Environment records indicate 100 million kilos of textile waste is disposed of into New Zealand’s landfill annually. At present options for unwanted textile waste in New Zealand are limited. The emergent crisis of textile waste stream management requires systems change and new forms of collaboration to be researched, designed and actuated. This paper challenges some of the complexities surrounding an unsustainable manufacturing cycle an...
The Palgrave Handbook of Global Social Problems , 2022
This chapter aims to present the problems of craftwork institutionalization as part of the cultural, economic, and political tensions in the international organization of work. It presents a scenario of conflict relations in the local cultural production versus the international commercialization and consumption process, based on a hegemonic organization of the culture industrialization. It is problematized from the understanding of case studies in North and Global South countries, considering their trajectories of craftwork institutionalization. In this sense, interpretation and measurement mechanisms are proposed, considering characteristics of local, national, and international definitions. Then, association and measurement mechanisms are developed in line with the assessment of cultural practices versus craftwork by means of comparative analysis. Finally, it developed an analysis of the policies for the organization of cultural work against the development of national, regional, and international organizational processes, with suggestions
Sojourn: Journal of Social Issues in Southeast Asia, 2012
FABER: Studies in Honour of Sorin Cociş at his 65th Anniversary,, 2022
2014
Antrope, 2023
Numismatische Zeitschrift, 2018
(In), Insoll, T. (ed.). Oxford Handbook of the Archaeology of Ritual and Religion. Oxford: Oxford University Press, pp. 1043-1058, 2011
Журнал клинического и прикладного психоанализа., 2021
Restaurant Business
Tromura, 2024
International Journal of Intelligent Systems, 2019
Integrated Ferroelectrics, 2016
Revista Ecuatoriana de Medicina y Ciencias Biológicas, 2010
Journal de Radiologie Diagnostique et Interventionnelle, 2012
Transplant International, 1996
Applied Organometallic Chemistry, 2005