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This is a short piece about Donald Trump's recent rally in Jackson, Mississippi.
Master of Arts (MA) Thesis, Columbia Journalism School Supervisor: James B. Stewart, New York Times (C) Michael Motala, all rights reserved.
Transactions of the Institute of British Geographers, 2021
Space and Polity, 2018
2016
Promises of an extra £350m a week, posted on the side of a bus. Doomsday economic predictions from the Remain campaign; the reply, “We’ve had enough of experts!”. Jo Cox MP shot dead in the street, the same day that Nigel Farage unveils an anti-immigration poster which echoes propaganda images from 1930s Nazi Germany. The UK votes to Leave, and the pound collapses. Scotland votes differently, and claims new justification for independence. “What is the European Union?” the second most googled question on the day of the result. A marked increase in hate crimes reported. Boris Johnson calls for a new Royal Yacht. “Hard Brexit” and “Soft Brexit” new terms in public discourse. A country divided. Immigration at the heart of political debate in the UK. Our international reputation damaged, perhaps beyond repair.
GeoHumanities, 2019
“Brexit” reveals the necessity of understanding the role of affect in political life, in particular in constituting ideas about nationality and in animating the politics of populism. This article discusses what “Brexit” felt like in the year following the UK vote—held on 23 June 2016—to leave the European Union through a performance called “The Populars” created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). In this paper, I discuss feelings of shame, hostility, and resentment and situate them in relation to the crises of British multiculturalism and rise of populism, before turning to how such feelings were addressed in this performance through move- ment and dance. The article addresses three specific contributions that engaging affect does in the context of “Brexit”: first, it forms an invitation to address heightened political feelings; second, it suggests an alternative approach to the politics of knowledge to that enabled by a focus on voter interests or identities; third, it opens up other ways of understanding being in common. Overall, I make the case for how an affective approach to the politics of movement suggests ways of thinking and acting politically that defy the closures of nationalist populism.
http://www.ijsred.com
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Catálogo de Fondos Americanos de la Biblioteca Histórica de la Universidad Complutense de Madrid, 2021
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Adaptation as a Transmedial Process, 2023
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