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Photography, allegory, labor

A draft for chapter 3 of my The Making of English Photography, Allegories (2006). This essay looks at the classification of photography in the International exhibition of 1862. Photography as an allegory of the motley proletariat threatened to ruin bourgeois knowledge. In the process, I off an account of the taxonomy at work in the British International Exhibitions. Published in Art Journal, Vol.55, No.2, 1996

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