Postcolonial Life-Writing

L’articolo presenta un manoscritto devozionale del Trecento appartenuto alle figlie di Taddeo Gaddi e poi passato a Giovanni da Milano. L’analisi e la contestualizzazione dei due ex-libris in relazione alle scarne evidenze documentarie e alle note biografiche di Vasari sul pittore lombardo non solo gettano nuova luce sulle sue relazioni con la famiglia Gaddi, ma permettono anche di proiettarne l’esistenza ben oltre l’anno 1369, ultima attestazione sinora conosciuta.

Kotlyar Eugeny, Teter Magda. THE LIGHT OF THE REVIVAL. Stained Glass Design for Restituted Synagogues of Ukraine by Eugeny Kotlyar. Catalog of the Exhibition at the Walsh Family Library at Fordham University, September 10 — December 10, 2023, New York: The Center for Jewish Studies at Fordham University, 2024, 56 p. The catalogue of the exhibition “THE LIGHT OF THE REVIVAL: Stained Glass Design for Restituted Synagogues of Ukraine” offers a broad perspective on the revival of Ukrainian synagogues after Ukraine’s independence, showcasing three sets of stained-glass windows, which were designed by Eugeny Kotlyar and partially implemented in Ukrainian synagogues in the period from 1995 to 2005. Two early works shown here were the first samples of stained-glass designs for modern Ukrainian synagogues, which set a new trend. The first of them — the stained-glass windows for the Kharkiv Choral synagogue (1995) on the theme of Jewish Holidays. The second project — an ensemble of stained-glass windows for the Kyiv synagogue in Podil (2002) — focuses Holy Places of the Land of Israel and the Tribes of Israel. And, the third work Jerusalem and the Tribes of Israel is a part of the original design of the Torah Ark itself in the Galitska synagogue in Kyiv (2005). In Kotlyar’s artistic vision, the stained-glass window projects the light, turns the metaphysical into the physical, materializes the speculative image, and, ultimately, fills the prayer with color and light. Eugeny Kotlyar is a professor at the Department of Art History and the chair of the Department of Monumental Paintings at the Kharkiv State Academy of Design and Arts (KSADA). He is also a curator of the Center for Eastern Studies of KSADA and the chair of the Academic Board of the Ukrainian Association for Jewish Studies (UAJS). His research focuses on Jewish art, Jewish heritage in Ukraine, synagogue decorations, and Kharkiv Jewish local lore. Trained as an artist and art historian, Kotlyar designed stained-glass windows for synagogues and Jewish community centers in many cities of Ukraine. In 2022–2023, he was a virtual fellow in the AAJR-Fordham-NYPL Ukrainian Fellowship Program.

S vedoucím oddělení informačních zdrojů a archeologie krajiny Davidem Novákem jsem se sešla v devět ráno v Archeologickém ústavu AV ČR v Praze. Volal mi, že má malé zpoždění, protože zrovna řeší krizovou situaci v digitálním repozitáři. To bylo přesně téma, o kterém jsem s ním chtěla mluvit. Zajímalo mě, jak se aplikují digitální technologie v archeologii, jak si přeložit „digital humanities“ a také očekávání archeologů od iniciativy EOSC CZ.

Dans le prolongement de notre publication de plusieurs spécimens non répertoriés, de petit module, en argent, circulant à l’époque pré-augustéenne dans la Gaule du Sud-Est , nous présentons un nouvel exemplaire inédit aux caractéristiques proches.

The Imaginative Conservative, December 29, 2023. Perhaps the new "Hunger Games" film's success is due as much to its realism about human nature as it is to the fact that it's a familiar product whose origins lie in the time before the full conquering of Hollywood by wokeness.

Prólogo del libro "La producción jurídica de la globalización económica. Notas de una pluralidad jurídica transnacional", de Aleida Hernández Cervantes, en co-autoría con Mylai Burgos Matamoros y Yacotzin Bravo Espinoza.

Higher education in India is in a deep financial crisis, with escalating costs, and increasing needs of the system on the one hand, and shrinking public budgetary resources and changing public policies on the other. `It should be noted that huge public investments have been made in higher education in independent India, but this impressive growth in investments in nominal prices, is however, more than offset by increase in prices and increase in population, more particularly numbers of student in higher education. On the whole, the trend analysis of government expenditure on higher education shows a real growth rate of 7.5 per cent in the1950s, had it golden days during the 1960s, with the real expenditure increasing at a annual rate of growth of 11 per cent but suffered significantly during the 1970s and came down to 3.4 per cent and showed some tendency to recover during the 1980s at 7.3 per cent (CABE Report 2005). The 1990s heralded an era of austerity and higher education suffe...

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The paper examines two mid-18 th century poems, Sujān vilās and Dīrghnagarvarṇan, composed in Brajbhasha (Braj Bhasha) by Somnāth, at the then recently established court of the Jat rulers. It focuses on the description of the city, i.e. nagaravarṇana convention rooted in Sanskrit poetics and common in Sanskrit kāvya literature, further adopted by the authors belonging to the courtly ornate poetry of the Hindi literary tradition. In Somnāth's works which offer three instances of the nagaravarṇana, this convention sees its transformation into a fully-fledged literary genre. The poetics of the Brajbhasha literary production have been by then enriched to a considerable extent by Persian literary practices, with both courtly literary cultures, the Persian and the Brajbhasha, enjoying patronage of the Mughal center of power leading thus to diffusion of its various cultural practices, including the literary, to many neighboring states and dominions. The present inquiry situates Somnāth's works in this historico-literary settings with a view to define features of the nagaravarṇanas and thus trace the development of this literary genre and map its changing functions. Those functions, as argued here, point to disparate forms of patronage that underlie both compositions-probably a single, composite literary project.

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