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China's Disappearing Family

2015, Harvard Design Magazine, Graduate School of Design, Harvard University

Abstract

Family Planning. Ou Ning, “China’s Disappearing Family”, Harvard Design Magazine, Family Planning Issue, No.41-F/W 2015, edited by Jennifer Sigler, published by Graduate School of Design, Harvard University, Cambridge, 2015.

China's Disappearing Family When, in 1979, China instituted its one-child policy, it forcibly lowered the child-rearing rate, and generated a ratio increase in the working-age population. This stringent family planning regulation ushered in an economic miracle: China leapt into position as the world's second-largest economy, its GDP per capita having grown from 270 USD in 1979 to its current rate of 7,595 USD. By the time the population hit 1.357 billion in 2013, though, China's demographic dividend had started to disappear, and the government prepared a second-child policy: if a husband and wife were each an only child and together had only one child, they could have a second; in rural areas and in ethnic minority regions, a second child would be allowed if the first was a girl. China's traditional desire for male heirs has led to countless problems, especially in rural areas, where forced methods of birth control have engendered tragic realities. Regardless of policy, however, Chinese people have begun consciously controlling the dimensions of their own families. Limited educational resources, the high cost of childcare, the burden of elderly care, and the thinning out of Confucian notions of filial pietynot to mention real estate inflationcreate a context inhospitable to large Ou Ning 24 Harvard Design Magazine families. The lowering of the birth rate, the abandonment of newborns, the relative scarcity of youth, the multitude of elderly people, the disequilibrium in the male-female ratio, and workforce shortage have become critical problems for China, and voices throughout society are now calling for the elimination of planned birth policies altogether. The one-child policy is also the reason that the two-bedroom apartment is the most popular unit model in China. Prior to modernization, Chinese people rarely relocated from their homes, preferring clan-based living with many generations under one roof, organizing life on patriarchal Confucian principles. In the era of modernization, the population began to migrate toward the city, and the large family fragmented into smaller units, so as to fit into dense urban environments. After the institution of the one-child policy, the model of the Chinese family metamorphosed into the "family of three." A gradually rising individualism has replaced Confucian values and social organization. Families living apart no longer communicate regularly. If the husband and wife both have jobs, childcare becomes the task of either domestic helpers or grandparents. So-called modernization has deepened generational gaps and increased No. 41 / Family Planning social barriers between individuals, but people loathe traditional family life due to a lingering fear of the forced collectivization of the Cultural Revolution. As a result, China has seen a growing number of families in crises. In 2012, over 3.1 million divorces were recorded in total; in 2013, there were 150 per day in Beijing alone. The cohousing movement that emerged in the 1960s and 1970s in Europe and North America, and which has gained popularity in Australasia as well, could serve as a model for resolving some of the problems China faces today. In "intentional communities," people share resources and practice consensus decision making. While families have spaces of their own, these communities offer generous amenities, such as community centers or childcare facilities, as well as experimental projects in environmental protection. However, unless China introduces protection of land rights in perpetuity, and until the political system encourages, or even allows for, experiments in alternative family configurations-and overcomes the psychic fear of collective livingintentional communities will never have a chance to develop in China. Translated from the Chinese by Lucas Klein. Ou Ning is an artist, filmmaker, curator, and activist who lives and works in Bishan Village, Anhui Province, China, where he founded Bishan Project as pa rt of the new rura l reconstruction movement in China. He was chief curator of the 2009 Shenzhen and Hong Kong Bi-City Biennale of Urbanism and Architecture, and chief editor of the bimonthly literary journal Chutzpah! until 2014. 25