This paper defends two claims. First, we will argue for the existence of aesthetic demands in the realm of everyday aesthetics, and that these demands are not reducible to moral demands. Second, we will argue that we must recognise the limits of these demands in order to combat a widespread form of gendered oppression. The concept of aesthetic supererogation offers a new structural framework to understand both the pernicious nature of this oppression and what may be done to mitigate it.

Using femme theory, Foucault, and queer failure as analytical frameworks, the current paper demonstrates the role of feminine failure in resisting and subverting systems of oppression, subsequently providing the minute shifts in power necessary to expand the terms of patriarchal femininity. More specifically, the current paper draws on contemporary modes of art and aesthetics to examine the productive potential of failing to embody patriarchal femininity, positing this failure as a form of femme resistance. By hijacking cultural signifiers of adornment, femme and feminine failure celebrate that which is culturally shamed (queer, fat, disabled, variant, poor, and racially minoritised bodies), expose systems of erasure, challenge binary systems of meaning, and promote feminine growth. Examining each of these themes in turn, the current paper argues that feminine failure challenges the pillars of patriarchal femininity and discursive systems of normativity. To this end, femme as a theoretical framework demonstrates the freedom of failure by exposing the heterogeneous multiplicities of femininity, and offering possibilities that normativity never could. This critical discursive essay contributes to the emergent application of femme as a theoretical framework.