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2018, Counsel
Explains why it is usually necessary in the interests of justice to put the essence of the defence case to a vulnerable witness, in fairness to the witness and the jury. Provides examples of how to do this without calling the witness a liar and hence avoiding unncessary distress.
Criminal Bar Association website, 2018
This constitutes the largest empirical study of the use of previous sexual behaviour evidence in sexual offence trials in the courts of England and Wales ever conducted. It is impossible to understand how such evidence is handled in trials merely from reading reported judgments, because these reflect only cases which the defence has appealed to the Court of Appeal on the basis that such evidence was wrongly excluded by the trial judge, since the prosecution does not have an equivalent right to seek leave to appeal. The data collected from criminal barristers examines, in depth, 377 cases involving 565 complainants, which proceeded to trial in 105 Crown Courts centres in the 24 months immediately prior to November 2017. This study is unique in collecting data on applications to use previous sexual behaviour evidence in respect of all sexual offences, not just rape, and without any restrictions on complainants as to gender or age. Many children and adolescents feature in the sample. So too do many historical complaints, and many cases involving multiple complainants. Perhaps most importantly, it is unique in eliciting information from the 140 anonymous barristers who were directly involved in prosecuting or defending these cases in the sample, and who know best what happened, not only in the public court room but also in the closed court room and in the robing room. They in turn are highly unusual in adversarial legal systems in ‘walking both sides of the street’, possible only due to the existence of the independent Bar, available to be instructed by the Crown Prosecution Service or by the defence in any case. They therefore have a uniquely balanced view of the criminal justice system. This is the complete text of the commissioned Report. A refereed article entitled "Cross-examination of sexual assault complainants on previous sexual behaviour: views from the barristers’ row" further analysing the results will be published in the Jan 2019 issue of the Criminal Law Review. The article will only be available on Westlaw to non-subscribers to the Crim LR.
Legal Studies, 2001
London: Home Office, 1999
2010
CRIMINAL LAW REVIEW-LONDON-, 2001
Cases of human trafficking are known to be difficult to prosecute. In this article we identify several issues in the law of evidence that may contribute to these difficulties. We argue for the victims’ rights as an important factor in evidential decisions, coupled with an insistence that such rights cannot trump the defendant’s right to a fair trial. Restrictions on evidence of a witness’s bad character or sexual history should not be interpreted in such a way as to prevent the defence from introducing evidence, or asking questions, that are of substantial probative value, even if they are potentially distressing to witnesses; but such evidence and questioning should be limited to what is necessary for a fair trial. The protection of victims and witnesses may also justify a relatively flexible approach to the admission of hearsay evidence, which avoids prejudging the truth of a witness’s evidence in order to establish that s/he is in fear.
Admissibility In an earlier edition of this journal, and in the aftermath of the controversial Ched Evans case, Nick Dent and Sandra Paul set forth a " defence " of the current law on the use of sexual history evidence in sexual offence trials in England and Wales. They rejected arguments put forward by politicians and policy-makers—characterised as " emotive rhetoric and misconceived hyperbole " —that the ruling opens the " floodgates " to allowing sexual history evidence into trials, that the admission of sexual history evidence may perpetuate " victim-blaming " and that allowing sexual history evidence may deter complainants reporting sexual offending. This article responds to Dent and Paul by challenging the current interpretation of the law and arguing that significant reform is urgently needed. It is written with the aim of encouraging a full debate, with all available evidence being considered, as well as differing approaches and perspectives being brought into the discussion.
2010
In this thesis, I examine the role performance plays in the adversarial criminal jury trial. The initial motivation behind this inquiry was the pervasiveness of a metaphor: why is the courtroom so frequently compared to a theatre? Most writings on this topic see the courtroom as bearing what might be termed a cosmetic resemblance to a theatre, making comparisons, for instance, between elements of costume and staging. I pursue a different line of argument. I argue that performance is not simply an embellishment of the trial process but rather a constitutive feature of the criminal jury trial. It is by means of what I call the performance of tradition that the trial acquires its social significance as a (supposedly) timeless bulwark of authority and impartiality. In the first three chapters I show that popular usage of the term ‘theatrical’ (whether it be to describe the practice of a flamboyant lawyer, or a misbehaving defendant) is frequently laden with pejorative connotations and invariably (though usually only implicitly) invokes comparison to a presupposed authentic or natural way of behaviour (‘not-performing’). Drawing on the work of Michel Foucault and Pierre Bourdieu I argue that, whatever legal agents see as appropriate trial conduct (behaviour that is ‘not-performing’), they are misrecognising the performative accomplishments and demands required of both legal agents and laypersons in the trial. This performance constructs and maintains a gap between legal practitioners and laypersons which is essential to maintaining the status of the legal profession, and which continually positions the trial in legal and popular belief. I then look at specific moments of ‘anxiety’ where alterations to traditional procedure provoke debate as to the otherwise unnoticed or unarticulated value of live performance. In Chapter 4, I examine the growth of the private advocacy training industry that frequently positions lawyers as actors. Resistance to the idea of acting demonstrates the tainted status of performance terminology as well as legal agents’ belief that lawyers are acting naturally. I argue instead that lawyers have always been trained in acting: an habituated performance style I term legal naturalism. In Chapter 5, I examine the television broadcasting of trials. Some legal agents argue that broadcasting risks ‘theatricalising’ the trial—causing participants to ‘act up’. However, this overlooks the fact that the court has a long history as a source of popular entertainment. I argue that resistance to broadcasting also stems from a reluctance to remit control of the trial to external producers. Broadcasting invites greater scrutiny into a process that if not always fair, needs to be believed in as fair and has historically been tightly self-regulated by the legal field, through its reliance on live performance’s ‘essential’ quality—its inability to be captured and subsequent disappearance. In Chapter 6, I examine the debates around CCTV testimony, which demonstrate a consistency of belief in live or ‘face-to-face’ confrontation to produce juridical ‘Truth’ that can be traced back over 800 years. The final chapter of this thesis examines sexual assault trials. This chapter brings together all of these sources of anxiety. Although often termed ‘exceptional’, sexual assault trials highlight how essential live performance is to manufacturing the authority of ‘The Law’ through the weight given to demeanour assessment, and because these trials make visible the sustained symbolic violence characteristic of adversarial criminal trials that is particularly traumatic for sexual assault complainants. Examination of sexual assault trials also reveals the double-edged position of performance in the trial. The exploitation of the symbolic value of live performance is the source of much trauma, yet the performance of tradition is also essential to maintaining popular belief in the adversarial criminal jury trial.
Museums and Social Issues, 2024
Studia Liturgica, 2007
Journal asiatique, 2023
Enzyme and Microbial Technology, 1996
2017
International Journal of Electrical Power & Energy Systems, 1999
Current Bioactive Compounds, 2021
Retno Dyah Wulanfitri, 2021
Revista Cubana de Hematología, Inmunología y Hemoterapia, 2017