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Pataiko s
I. Introd uction. Egyptian dwarf god.
The term P. is first used by Herodotus (Historiae 3.37) to describe representations of
the god →Ptah in the form of a dwarf
equated with Hephaistos. These figures
were viewed by the Persian king Cambyses
(528–523) in the temple of Hephaistos at
Memphis. Cambyses compared them with
“the Phoenicians’ Pataikoi, which the Phoenicians carry on the prows of their triremes.” Herodotus also relates them to the
Greek Kabeiroi: “He (Cambyses) entered
the temple of the Kabeiroi, into which none
may enter save the priest; the images here
he even burnt, with bitter mockery. These
also are like the images of Hephaistos, and
are said to be his sons.” The word P. is
unknown in Egyptian and its etymology is
unclear. It may be regarded as a Greek diminutive form of the Egyptian Ptah. Egyptologists usually follow Herodotus’s example and name the dwarf figurines “Pataikoi”
or “Ptah–Pataikoi” in order to distinguish
them from the normal–statured form of
Ptah.
While the hybrid dwarf god →Bes was
involved in several myths, no Egyptian text
mentions P. They do not seem to have been
part of a specific myth or official texts and
iconography. Anonymous dwarf gods invoked in magical spells may be identified
with them, but none is explicitly assimilated
to Ptah. The essential source of information
for the nature and function of the P. is their
iconography. It remains unclear whether
they depict various forms of one and the
same god, or a group of dwarf gods, as with
Bes.
II. Typol ogy
II.1. P henot ype s
A. ANTHROPOMORPHIC. 1. SINGLE–HEADED 1.1.
Without attributes (1–4) 1.2. With attributes 1.2.1.
Scarab–beetle, knives, collar (5–13) 1.2.2. Skullcap,
crown of Ptah–Tatenen (14–23) 1.2.3. Sidelock of
youth, with crocodiles, serpents, falcons (12, 1 8, 24–
28) 1.2.4. Moon disc (30–3 1) 1.2.5. Crown of Amun–
Re, solar symbols (32–3 5) 1.2.6. Atef crown (36–39)
1.2.7. Phallus, flagellum, low crown 1.2.8. Lotus
flower (40) 2. MULTIPLE–HEADED (41–43) 3. POSSIBLE
B. HYBRID 1. ANIMAL– HEADED (4 4–47) 2. JANIFORM (3 1) 3. SCARAB–BEETLE (4 8) 4. POSSIBLE
A. A NTHROPOMORPHIC
1. S INGLE –HEADED
1.1. W itho ut attri bute s. P. represent
an achondroplastic dwarf with a long trunk
and an oversized head, standing on bandy
legs. The figure is usually male with small
genitals. In the simplest form (1 *) he is
naked with a shaven or bald head, his arms
hanging down along his sides with closed
fists. He has a youthful appearance, which
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may be stressed by fetus–like features. The
features of small, mass–produced amuletic
figurines are very stylized (2 *; H ERRMANN
1994: nos. 561–564, 566–570), especially in
miniature amuletic form (3–4; H ERRMANN
1994: nos. 490–560, 649–651, 653–657).
1.2. Wit h attrib utes
1.2.1.
Scara b–beetle,
collar,
knive s. The most common attribute of P. is
the →scarab–beetle Khepri, symbol of creation and regeneration, placed on top of his
head (5–6; H ERRMANN 1994: nos. 615–617,
619–623). Often the dwarf also wears a
broad collar and holds before his chest two
knives (7*–8 ; HERRMANN 1994: nos. 624–
631). Occasionally he is winged (9–1 0,
11[?]; HERRMANN 1994: nos. 639–642). He
usually has a childish appearance, sometimes with a lock of youth (12), but may
also appear as an adult with a wrinkled
forehead and even a beard (1 3). This set of
attributes may be combined with other attributes, which identify P. with different
deities as discussed below.
1.2.2. Sk ullcap, c row n of Ptah
Tatene n. The skullcap, traditional headgear of →Ptah (14–1 6), associates P. with
Ptah as a cosmic creator god. Some figurines wear the crown combining two plumes
and a sun disc on ram’s horns, which characterizes Ptah–Tatenen (17). Inscribed
figurines confirm that P. could be viewed as
manifestations of Ptah. They name the
dwarf “Ptah” as: “Ptah giver of life” (18–
21), “Ptah–Sokar” (2 2), or “Ptah, the killer
of serpents” (23) (for a painted miniature
sarcophagus from the Ptolemaic period with
the inscription “Ptah who listens, the dwarf”
cf. QUAEGEBEUR/CLARYSSE/VAN MAELE
1985: 28, fig. 1 = DASEN 1993: fig. 7:1). In
23 the figure is engraved on a Horus cippus
standing like Ptah on a podium with steps.
1.2.3 Sidel ock of y outh, w ith
crocodile s, serpent s, falc on s. P. were
also equated with →Horus in his form as
young sun god (→Harpocrates). The similar
physical proportions of children and dwarfs
probably influenced this assimilation. Like
Horus, amuletic P. may have a plaited sidelock of youth (12, 2 4). Yet P. are never
shown putting a finger to their mouths, a
gesture which was perhaps reserved for
“real” children. He tramples on →crocodiles and often bites two →serpents, which
frame his mouth like a moustache (25*–
28).
On miniature cippi the dwarf god
substitutes for Horus. The original scheme
is slightly modified. Like the divine child,
the P. stands on crocodiles and is flanked by
→Isis and Nephthys (29*). Unlike Horus
who grasps different harmful animals, such
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as serpents, →scorpions, →lions, and oryxes, the P. hold knives or serpents. P. may
also bite serpents, which Horus never does,
possibly because that act was reserved for
demonic beings. The falcons, otherwise
perched on papyrus stalks, now stand on his
shoulders (29 *), on top of the goddesses’
headdresses, or beside him (1 8). The back
of the latter rare Late Period variant depicts
a sema taouy sign between two kneeling
fecundity figures.
1.2.4. Moo n disc. P. may be crowned
with the moon disc in the crescent shape of
the new moon (30–3 1). These seem to
merge with youthful →Khonsu, who is
normally clothed in a tightly fitting garment.
1.2.5. C row n o f A mun–Re, solar
sy mbo ls. P. may wear a crown made of
two high plumes with a sun disc that characterizes →Amun–Re (32), sometimes placed
on a modius (33). Specific solar symbols
occur on a few figurines, such as the cobra
(→Serpent) running along the back of an
amulet in Cairo (34), or the →lions surrounding a statuette in the Louvre (3 5).
Solar associations are stressed by inscriptions on the base or the back pillar of the
figurines. Most of them refer to aspects of
the sun god or evoke sun travel. Some depict the sun god in his three forms: as the
→scarab Khepri of the morning, the shining
disc of midday, and the bent old man of the
evening (KOENIG 1992; DASEN 1993: fig.
7:3).
1.2.6. A tef cr ow n. P. with the atef
crown (36*–3 9) were probably assimilated
to →Osiris, equated with the nightly rejuvenated →Re. A →scarab–beetle may stand in
place of the sun disc (36*). Since Ramesside times a similar crown is occasionally
worn
by
→Ptah
(SANDMAN–
HOLMBERG 1946: 16, fig. 18; BERLANDINI
1995: 39).
1.2.7. Phal lu s, flagellu m, lo w
crow n with plu me s. A few drawings
depict dwarfs with the low crown with
plumes, the flagellum, and erect phallus of
→Min as in spell 164 of the Book of the
Dead (DASEN 1993: fig. 7:4), which describes their protective function. They are
invoked with the goddesses →Sekhmet–
Bastet and Mut to protect the deceased,
whose body may perish. This funerary aspect of P. may explain his protective presence on a miniature wooden sarcophagus
(16).
1.2.8. Lotu s f lowe r. A female bone
figurine crowned with a lotus flower may be
a female doublet of P. This pairing is found
with many Egyptian gods, especially in the
Late Period (40).
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2. M ULTIPL E –HEADED . Some figurines, with or without attributes, are two–
(41*), three– (42), or four–headed (43 ),
probably to increase the apotropaic power
of the god.
3. P OSSIBLE
3.1. P. rarely occur in non–amuletic
forms. Only a group of New Kingdom
miniature faience plaques may have been
used as inlay ornaments for jewelry or furniture. They depict naked dwarfs seen in profile, their arms hanging down alongside
their body, the feet set apart. Their lack of
attributes makes identification with P. uncertain (HERRMANN 1985: nos. 131–134).
3.2. The dwarf god may be identified in
a few papyri and monuments. In a 21st dyn.
mythological papyrus, a dwarf figure stands
in the solar disc (DASEN 1993: 49f, fig. 5:1).
He substitutes for the →scarab–beetle
Khepri as a morning form of →Re, recalling
the function of P. as manifestations of
youthful solar gods (→Solar deities).
3.3. On a 22nd dyn. stela from Sais, a
dwarf stands behind the goddess →Neith
who faces the king (DASEN 1993: pl. 3:1).
He has no attributes (scarab or serpents), but
like anonymous dwarf gods in general, P.
are associated with Neith in magical spells.
3.4. Female forms of P. may be identified with Middle Kingdom statuettes of
dwarfs (cf. § IV) as in the later unusual
bone figurine, crowned with a lotus flower
(40).
3.5. The identity of very stylized amuletic dwarfs is debatable (H ERRMANN 1994:
nos. 681–708). They may not allow a clear
distinction between →Bes and P., if one
assumes that the characteristic attributes of
Bes may be missing (feather headdress,
mane, protruding tongue, animal tail).
B. H YBRID
1. A NIMAL –HEADED . A hybrid type
depicts a P. standing with clenched fists and
conventional
attributes (→scarab–beetle,
atef or →Amun’s crown), but with an animal head (→falcon, →ram, baboon
[→monkey]) and a falcon’s or →crocodile’s
back (44–46). Ram heads are usually
turned backward (45 *). This figure could
represent the day and night aspects of the
sun god (→Solar deities): the dwarf’s body
may refer to its morning form, the ram’s
head to its evening form (PIANKOFF 1935).
Baboon–headed dwarfs probably represent
→Thoth (46–47). Falcon–headed P. (4 4)
may have fused with Sokar (→Osiris), a
funerary god sometimes identified with the
rising sun, traditionally depicted in human
form with a falcon’s head.
2. J ANIFORM . Janiform P. may combine the dwarf’s head with that of an ani-
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mal, usually a falcon or a ram, joined back
to back (31).
3. S CARAB –BEETLE . The iconography
of the →scarab–beetle Khepri may fuse
with that of P. A faience figurine from Sardinia depicts a P. with a potbellied trunk
evoking the carapace of a scarab (48). The
blending is more frequent in depictions of
anonymous dwarf gods, possibly P. (cf.
below § 4.1).
4. P OSSIBLE
4.1. On a gold band from Sardinia
made by a Punic artist in the 7th–6th cent., a
beetle–shaped P. holding a flail, walks in a
procession of Egyptianizing gods (HÖLBL
1986: 350, fig. 57, no. 95; DASEN 2000: fig.
2b). For dwarfs with beetle–shaped chests,
cf. vignettes of the Book of the Dead
(DASEN 1993: figs. 5:2–3).
4.2. Bronze pantheistic statuettes offer
combinations of human and animal elements (→dog, →falcon, →ram). Apart from
a dwarfish body, they do not have the head
or the distinctive set of attributes of P. or of
→Bes, and the identity of the dwarf is unclear (ROEDER 1956: 100–104, figs. 128–
136).
II.2. A ssociatio ns
1. ASSOCIATED WITH DEITIES/DEMONS 1.1. Maat
(8) 1.2. Isis (Hathor)/Nephthys (21, 11 ) 1.3. Sekhmet
(9, 3 6) 1.4. Nefertem (6) 1.5. Bes (39) 2. ASSOCIATION WITH ANIMALS 2.1. Scarab (5, 36 ) 2.2. Crocodile
(25–2 6, 2 9) 2.3. Serpent (25*–2 8, 34) 2.4. Falcon
(18, 29) 2.5. Lion (35)
1. A S SOCIATED WITH DEITIES / DE MONS
1.1. Maat. →Maat often appears on
the back pillar of P. She is winged, crowned
with an ostrich feather, and holds two tall
feathers (8).
1.2. Isi s (Hat hor )/Ne phth ys. A
winged goddess with a →sun disc and
cow’s horns, probably →Isis (or →Hathor),
is also found on the back pillar, sometimes
holding two similar feathers (2 1, 11).
A large series of amulets reproduce a
scene derived from “Horus on the crocodiles” cippi. Isis and Nephthys stand around
(29*) or on the sides of the god (cf. ANDREWS 1994: figs. 34–35). An inscription
under the base of a P. in the Louvre stresses
the protective function of the amulet. It
evokes the “words, which Isis must pronounce,” most likely a magical spell to
guard children from danger (KOENIG 1992:
128).
1.3. Sekh met. The back of P. may be
carved with the lioness–headed →Sekhmet
(36*), →Ptah’s companion, winged like
→Maat or →Isis but crowned with the sun
disc. An inscription on the base of a figurine
from Lachisch evokes the divine pair: “Ptah
(and) Sekhmet, the Lady of Heaven” (9).
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1.4. Ne ferte m. The child god →Nefertem with a lotus flower on top of his head
is sometimes carved on the back of a P. (6).
1.5. Bes. A few amulets place back–
to–back depictions of a P. with the atef
crown, and of →Bes, with his typical tall–
feather crown (39).
2. A SSOCIATION WITH ANIMALS
2.1. Scarab. As the most common attribute, the →scarab is placed on his head
(5; HERRMANN 1994: nos. 615–617, 619–
623). It may also replace the sun disc of the
atef crown (36*).
2.2. Croc odile. Amuletic P. is sometimes depicted as trampling on →crocodiles
(25*–26). On miniature cippi (2 9*) he
stands on the crocodiles like →Horus.
2.3. Se rpent. Occasionally P. bite
→serpents as on 25 *–28 . A →uraeus may
run along the back of a P.–amulet (3 4) or
possibly flank it (HERRMANN 1994: nos.
635–636).
2.4. Falcon. In some cases a →falcon
may stand on the shoulders of P. (29*) or
beside them (18).
2.5. Lion. Occasionally two →lions
stand beside P. on miniature cippi (3 5).
III. S ource s
III.1. Chr onol ogical range. P. appear by the late New Kingdom in Egypt.
Earlier forms of the god may be identified
in predynastic figurines of dwarfs (DASEN
1993: pl. 27:1–2). A precise dating of amuletic P. is still difficult. Most objects in
museum collections have no provenance,
and very few excavation reports provide
accurately dated contexts. Types of faience
and glaze (blue or green, dark or light) varied in the course of time, but their attribution to specific periods is not yet clearly
established. However, some major stages in
the development of the god’s iconography
can be discerned. The production of P.
flourished in the Third Intermediate Period
(1075–656). The figurines are usually made
of dark blue faience and depict dwarfs
standing with no attributes or with broad
collars, crowned with →scarabs, biting
→serpents, and holding knives (26, 36 *).
The headdresses are varied. Like →Bes, P.
may have wings (9–1 0). Representations
borrowed from →Horus stelae of “Horus on
crocodiles” (25*) seem to appear in the
Third Intermediate Period. Hybrid dwarfs
with animal elements (4 4–47) are characteristic of the Late Period. Cruder stylized
depictions date to the Late Period (4 ;
HERRMANN 1994: nos. 649–651, 653–657)
and Graeco–Roman Period, but more complex forms of P. were still produced (CLERC
et al. 1976: Kit. 772, pl. 10; 600–450).
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III.2. Geo grap hical d ist ributi on.
Outside Egypt P. are the most frequently
found Egyptian gods. In the Bronze Age,
amuletic P. were widely exported in the
Phoenician world, later throughout the entire Mediterranean basin. In Palestine/Israel,
P. are testified since the Late Bronze Age
IIB and are the second–most commonly
found Egyptian amulet after the →udjat–eye
(HERRMANN 1994: 405, nos. 489–506, 561–
564, 571–572; ARAV/BERNETT 1997: 212;
DABROWSKI 2000: 217f). In mainland
Greece and islands (Rhodos, Lindos:
BLINKENBERG 1931; Camiros: JACOPI
1932–1933) they are often found associated
with Memphite deities (→Sekhmet,
→Nefertem) in tombs and sanctuaries, as in
Cyprus (CLERC et al. 1976 : 117f, pl. 10),
Sardinia (HÖLBL 1986 : 109–114), Malta,
Gozo (HÖLBL 1989 : 50–53), Italy, and
more specifically Etruria (HÖLBL 1979 :
101–103, 112–118). At the end of the 7th
cent. East Greek workshops created a Hellenized form of P. depicting a plump dwarf
holding his hands over a paunchy belly,
often with a child seated on his shoulder
(CAUBET 1969; SINN 1983; DASEN 1993:
200–204, pls. 77–80; KARAGEORGHIS 1996:
14; DASEN 2000).
III.3. Ob ject ty pes. Although P. may
be freestanding on a rectangular base (3 0),
in general they are found as amuletic figurines (1–10 cm in height) with a loop on the
neck or back (41 *, 4 5*), or with a back
pillar pierced at neck level (8 , 1 0). A few
bronze examples seem to have been fitted
onto a stand or staff with a tenon (ROEDER
1956). Most figurines are made of faience,
some of steatite, ivory, or semiprecious
stones, especially carnelian. Only a few are
made of wood or bronze (PETRIE 1914: 38
no. 176).
On miniature variants of magical stelae,
so–called Horus cippi, P. substitute for the
Horus–the–child →Harpocrates (2 9*) . Like
this deity they stand on crocodiles, strangling serpents, and are flanked by →Isis and
Nephthys.
For rare nonamuletic representations of
P. on papyri cf. § II.1.A.3.1–2.
IV. Co nclu sion. Three views commonly explain the emergence of amuletic P.
The first relates P. to the notion of dwarfs as
protectors against serpents and harmful
animals, documented as far back as the
Middle Kingdom (SANDMAN–HOLMBERG
1946). The second view assumes that
dwarfs had an early privileged relationship
with →Ptah, the patron of craftsmen (MONTET 1952; MONTET 1952a). A third hypothesis regards P. as a Late Period creation
influenced by the introduction of Phoenician
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gods (MORENZ 1954). These hypotheses
omit significant aspects of the symbolism of
dwarfs such as their solar affinities, which
are expressed repeatedly in magical texts
and iconography throughout the dynastic
period.
Several iconographic elements also indicate links of P. with the liminal world of
demons. The disquieting genii guarding the
doors of the underworld may combine a
dwarfish body with an animal head, bite
serpents, and hold small or large knives.
They may represent other forerunners of P.
or parallel forms (DASEN 1993: 90f, fig. 7.2,
pl. 8.1). This demonic connection may explain the multiplicity of P. who do not seem
to have been regarded as independent deities but as manifestations of greater gods,
Ptah and →Amun as creator gods, →Horus
and →Khonsu as youthful gods, →Min as a
fertility god, and Sokar and →Osiris as
forms of the nocturnal sun god.
Middle Kingdom female (and male)
dwarf figurines strikingly resemble New
Kingdom P. (squat proportions, flat–topped
heads). Mainly found in tombs of children
and women, the statuettes seem to be connected with fertility, possibly as magical
charms (DASEN 1993: pls. 32–33). Stands
from the Middle Kingdom in the shape of
dwarfs have similar associations with protective powers. The combination of attributes – dwarfish proportions, pregnant appearance, and charming of serpents – suggests that the figure served as an apotropaic
figure for the protection of family life (RAVEN 1987; DASEN 1993: pl. 34:1).
Because of their ambiguous physical appearance, infantile and mature P. were connected with solar and rejuvenating symbolism. They were regarded as a solar hypostasis, embodying the morning form of the sun
god, newly born and old at the same time.
Their association with the continuing process of creation may have motivated their
identification with Ptah in his capacity as a
creator god, and similarly with Horus,
Khonsu, Osiris, and other youthful and
regenerative gods.
The protection offered by P. seems to
have concerned both the living and the
dead. Found in houses (DABROWSKI 2000:
215–220), they guarded the family against
unpredictable negative forces, especially
pregnant women and small children. Inscriptions and magical signs, such as the
→udjat–eye of Horus, were carved under
their plinths to ensure health and fertility
(KOENIG 1992). P. could be worn around
the neck as helpers during childbirth, like
the faience dwarfs prescribed in magical
spells. Miniature models of Horus cippi
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were perhaps set up in houses or in gardens
to chase away dangerous animals and malevolent influences. Often discovered in
burials, P. also had a strong symbolism of
regeneration in the afterlife. Figurines kept
in temples may have been votive offerings
(CONTENAU 1926: fig. 56). The back pillar
of an amulet in Cairo has a standard New
Year’s wish (DARESSY 1905–1910: 202, no.
38810).
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VI. Selec ted b ibl iography
ARAV /BERNETT 1997 • DABROWSKI 2000 • DASEN 1993 •
HERRMANN 1994: 404–492 • KOENIG 1992 • MATZKER 1990 •
MORENZ 1954 • RAVEN 1987
Véronique Dasen
V. Cata logue
1* Amulet, faience, 68 x 31 x depth mm, date. Berlin, Staatliche Museen, 11383. HÜCKEL 1934: fig. 2 2* Amulet, faience,
30 x 15 x 8 mm, Tell el–˓Ajjul, 1300–1000. London, British
Museum, L 1036. HERRMANN 1994: no. 565 3 Amulet, faience,
Tell el–Far˓ah South, 1300. London, British Museum, L
712.12. HERRMANN 1994: no. 489 4 Amulet, faience, ˓Atlit,
5th–4th cent. HERRMANN 1994: no. 652 5 Amulet, faience,
Megiddo, 1000–900. HERRMANN 1994: no. 618 6 Amulet,
faience, 1st mill. DASEN 1993: pl. 16:2 7* Amulet, faience, 41
x 12 x 12 mm, Tell el–Far˓ah South, 1000–900. London,
University College. PETRIE 1914: pl. 21:176–177; *HERRMANN
1994: no. 629 8 Amulet, faience, 7th–4th cent. DASEN 1993:
pl. 14:3; HERRMANN 2003: pl. 72:516 9 Amulet, faience,
Lachish, 1292–1075 (GIVEON)/750–700 (HERRMANN). Tel
Aviv, Tel Aviv University, Institute of Archaeology. GIVEON
1988: no. 108, pl. 8:108; HERRMANN 1994: no. 643 10 Amulet, faience, 1st mill. DASEN 1993: pl. 13:3 11 Amulet, faience, Ashkelon, 680–333. HERRMANN 1994: no. 644 12
Amulet, faience, 1st mill. DASEN 1993: pl. 12:2 13 Amulet,
faience, 1st mill. DASEN 1993: pl. 12:4 14 Amulet, faience,
Bethsaida, 1000–925. ARAV/BERNETT 1997: fig. 3 15 Amulet,
faience, Megiddo. 1000–900. HERRMANN 1994: no. 607 16
Amulet, faience, Tell Abu Hawam, 1250–1000. HERRMANN
1994: no. 586 17 Amulet, faience, Egypt, 1st mill. D ARESSY
1905–1906: pl. 42:38809 18 Amulet, faience, 7th–4th cent.
BERLANDINI 1995: fig. 5, pl. 4 19 Amulet, faience, Gizeh, 1st
mill. DARESSY 1905–1906: pl. 52:39237 20 Amulet, faience,
Rhodos, 8th–mid 6th cent. BLINKENBERG 1931: 340, fig. 50 21
Amulet, faience, 7th–4th cent. DASEN 1993: pl. 14:2;
HERRMANN 2003: pl. 73:517 22 Magical statue, 1st mill.
LANZONE 1883: pl. 166:3 23 Horus cippus, 1st mill. SANDMAN–H OLMBERG 1946: 183, fig. 19; DASEN 1993: pl. 3:2 24
Amulet, faience, Egypt, 1st mill. D ARESSY 1905–1906: pl.
52:38797 25* Amulet, faience, 84 x 34 x depth mm, 1075–
656. London, British Museum, 63745. *DASEN 1993: pl. 12:3;
ANDREWS 1994: fig. 36b 26 Amulet, faience, Megiddo, 1000–
900. HERRMANN 1994: no. 632 27 Amulet, faience, Achzib,
925–600. HERRMANN 1994: no. 633 28 Amulet, faience,
Megiddo, 720–600. HERRMANN 1994: no. 634 29* Horus
cippus, faience, 60 x 64 x depth mm, 664–525 (26th dyn.).
London, British Museum, 54000. DASEN 1993: pl. 13:2 30
Figurine, faience, 7th–4th cent. HERRMANN 2003: pl. 71:510
31 Amulet, faience, Tell Moqdam, 1st mill. DARESSY 1905–
1906: pl. 52:38818 32 Amulet, faience, Poggio Mengarelli,
8th–6th cent. HÖLBL 1979: no. 281, pl. 49:2 33 Amulet,
faience, Egypt, 1st mill. DARESSY 1905–1906: pl. 42:38807 34
Amulet, faience. Saqqara, 1st mill. DARESSY 1905–1906: pl.
52:38813 35 Amulet, faience, 1st mill. KOENIG 1992: 124 36*
Amulet, faience, 61 x 21 x depth mm, date. London, British
Museum, 60205. DASEN 1993: pl. 14:1 37 Amulet, faience,
Ashkelon, 600–333. HERRMANN 1994: no. 638 38 Amulet,
faience, Tell Abu Salima, 1250–1000. HERRMANN 1994: no.
637 39 Amulet, faience, 1st mill. DASEN 1993: pl. 8:2 40
Figurine, bone, 1539–1075 (18th–20th dyn.) (?). RANDALL
1985: no. 17, fig. 7 41* Amulet, faience, 62 x width x 20 mm,
date. London, British Museum, 69524. DASEN 1993: pl. 13:1
42 Amulet, faience, 1st mill. Unpublished (London, British
Museum, 11261) 43 Amulet, faience, Egypt, 1st mill.
DARESSY 1905–1906: pl. 52:38789 44 Amulet, faience, 1st
mill. Unpublished (London, British Museum, 60200) 45*
Amulet, faience, 68* x 40 x 27 mm, 380–343 (30th dyn.).
London, British Museum, 60109. DASEN 1993: pl. 15:1 46
Amulet, faience , 1st mill. Unpublished (Berlin, Staatliche
Museen, 16129) 47 Figurine, bronze, 1st mill. DASEN 1993: pl.
15:2 48 Amulet, faience, Sardinia, 1st mill. HÖLBL 1986: pl.
15:2
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