European Journal of Cultural
Studies
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‘Welcome to Britain’: the cultural politics of asylum
Imogen Tyler
European Journal of Cultural Studies 2006; 9; 185
DOI: 10.1177/1367549406063163
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DOI: 10.1177/1367549406063163
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‘Welcome to Britain’
The cultural politics of asylum
Imogen Tyler
Lancaster University
Questions of asylum and immigration have taken centre stage in
national and international debate and figure prominently in the domestic
political agendas of wealthy states and nations. In Australia, Europe and the
US, harsh and punitive asylum and immigration laws are being enacted
incrementally and asylum-seekers are subject increasingly to detention.
Through a focus on the detention of asylum-seekers in the UK, this article
makes a critical intervention in current theoretical debates around asylum.
Focusing on the writing of Giorgio Agamben, this article suggests that within
political and cultural theory, there has been a turn to the figure of the
asylum-seeker (and the refugee) as a trope for theorizing the political
constitution of the present. By opening up a critical dialogue between
humanitarian, media studies and abstract theoretical accounts of immigration
detention, this article produces a critique of the ways in which theory
appropriates the figure of the asylum-seeker.
abjection, asylum-seeker, critical and cultural theory, Giorgio
Agamben, humanitarian, immigration, Judith Butler, refugee, Sara Ahmed
Welcome to Britain Now!
Right now Britain is one of the most exciting places on the planet, a world in
one island. You will find a country of fascinating history and heritage, a
country busy reinventing itself with confidence and style, influenced by the
hundreds of nationalities who now call Britain home. (‘Welcome to Britain
Now!’, 2005)
This quotation is from the British Government’s official tourist website,
Visit Britain (www.visitbritain.com), which aims to brand Britain for
foreign visitors through signs of heritage, diversity and hospitality. A
section of the site dedicated to ‘young visitors’ features several profiles of
ideal foreigners, described as ‘long-stayers’ because they have chosen to
settle, study, work or travel in Britain for an extended period of time. Their
positive experiences of their visits to Britain are detailed, alongside photographs of their smiling faces, as a means of illustrating the diversity of
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attractions on offer to the foreign visitor. One of these profiles features
Taryn, a white South African: ‘what she loves most about being here is “the
long days in the summer and the diversity of the people you meet”’ (cited
in ‘Profiles of Britain’, 2005). Jonathan, another white South African, ‘loves
the cosmopolitan nature of British cities’ (cited in ‘Profiles of Britain’,
2005). By inviting us to identify with this community of visitors, Visit
Britain establishes what the ideal visitor to Britain ‘looks like’ and in so
doing, forecloses other possible identifications. In other words, it is a very
particular kind of foreigner that is entreated to visit Britain. For not only
are all the foreign visitors featured from countries with strong colonial ties
to the UK, Australia, New Zealand and South Africa, they are all white.
Despite the caveat that Britain has been ‘influenced by the hundreds of
nationalities who now call it home’, it is evident that the British Government is not extending its hospitality to all foreigners (‘Welcome to Britain
Now!’, 2005). Indeed, it is clear that some foreigners are more foreign and
less desirable than others (see Ahmed, 2000: 6).
If Britain is ‘a world in one island’, which the addressees of the speech
act ‘Visit Britain’ are invited to enter and experience, then it is a particular ideological vision of ‘the world’ which is at stake in this branding
exercise. The limits of the ideological fantasies that sustain the image of
Britain as an inclusive, diverse and multicultural nation in Visit Britain are
revealed by the ‘border controls’ in operation on the site’s homepage. On
arriving at Visit Britain, you are greeted by the sign/banner ‘WELCOME
TO BRITAIN’ and are invited to click on your country of origin from a
given list: this list consists of 34 countries and excludes all African nations
(except South Africa) and all Eastern European countries (except Poland).
In other words, it excludes almost all the countries from which ‘unwelcome visitors’, namely asylum-seekers and economic migrants, originate.
These exclusions operate symbolically as a border checkpoint. The unwelcome foreigner is deterred from entry: they are given no place of origin to
click and thus no legitimate or visible means of entering the site (or indeed
entering Britain). If ‘the truth of globalisation’ is the fundamental divide
between ‘those included into the sphere of (relative) economic prosperity
and those excluded from it’, the truth of who is welcome to enter and visit
Britain (without risk of immediate detention) is equally divisive and
divided on (imagined) economic and racial lines (Žižek, 2002). One of the
things this article wants to consider is the ways in which the excluded are
required to provide the boundaries of the subject who belongs. As Nyers
asks: ‘Does the elevated status of cosmopolitanism – its narcissism, as it
were – also rely on the construction of an abject other?’ (2003: 1073). One
way of approaching this question is to explore the relation between the
cosmopolitan subject who is free to move, illustrated by the ideal tourists
in Visit Britain, and the immobility of the detained visitor to Britain, the
asylum-seeker. Indeed, it will be suggested that the figure of the asylum186 seeker increasingly secures the imaginary borders of Britain today.
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British asylum laws have produced an ‘illegal’ population who are denied
the status of subject-citizen. The experiences of detention depicted in
humanitarian reports reveal a limited and edited view of this ‘abject
diaspora – a deportspora’ (Nyers, 2003: 1070), the underside of the cosmopolitan face of Britain – that ‘world in one island’ which the British government is so keen to capitalize upon and brand. Each year, the British
Government holds increasing numbers of asylum-seekers in dehumanizing
detention facilities in breach of numerous international laws.1 In contrast
to the voices of cosmopolitan mobility featured in Visit Britain, detained
asylum-seekers, compelled to leave their wealth, communities and families
behind, speak of their experiences of Britain with disbelief and despair.
Between 2001 and 2004, four British charitable organizations undertook
research projects based on qualitative studies of the maternity experiences
of women during the asylum process. All of these studies involved interviews with women asylum-seekers, many of whom either were pregnant or
had recently given birth. The following quotation is from an interview with
a pregnant asylum-seeker cited in the report of the study, Mothers in Exile:
Maternity Experiences of Asylum-Seekers in England (Mcleish, 2002).
The situation I am in makes me believe that I don’t have any value and I’m
nothing for ever. Because even the animals from the zoo, they treat them nicely.
What can I say? Who am I? What can I say? Nothing. What can I do? Nothing.
(cited in Mcleish, 2002)
This pregnant woman, leading an unliveable life in a legal and social
desert at the very borders of visibility, is given a chance to speak to a
researcher to give testimony to her abjection from the public sphere. So
completely has she been undone by the country whose violence she has
fled and the country at whose borders she is now imprisoned, that she can
barely speak: ‘What can I say? Who am I? What can I say? Nothing.’ She
has no space, no position from which to speak. To be pregnant while
isolated and imprisoned, without access to familial and social support
networks, adds to the asylum-seeker’s feelings of hopelessness and despair.
The psychological impact of detention is compounded by the fact that, for
a significant number of the pregnant asylum-seekers, their pregnancy is a
consequence of rape. In a second report, A Crying Shame: Pregnant
Asylum-Seekers and Their Babies in Detention, an interviewee notes:
Having a baby in here would be like asking a person to commit suicide. Having
a baby in here, that’s the most inhumane thing you can do to another person.
We are crammed in here, we are fenced in. I find it hard to breathe . . . I am
very depressed. (Mcleish et al., 2002: 7)
In a third report, They Took Me Away: Women’s Experiences of Immi187
gration Detention in the UK (2004), an interviewee notes:
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If people who know me were to see me, they would cry. You are locked in this
prison, I don’t know why. Explain to me. There is no way to explain it. (cited
in Cutler and Ceneda, 2004: 38)
The interviewees in these reports repeatedly attempt to explain the
chronic levels of stress which being held in indefinite detention generates.
As one woman states:
Just being in here is the whole problem. That’s the pressure – you don’t know
when you are going, you don’t know how long you are staying . . . Your whole
world is crumbling. (cited in Mcleish et al., 2002: 8)
Asylum-seekers held in detention do not know from one moment to
the next whether they will be released or forcibly removed from the UK.
In They Took Me Away, one of the interviewers, Dr Gill Hinshelwood
from the Medical Foundation for the Care of Victims of Torture, notes:
They are terrified. The physical manifestations of terror are palpitations,
breathlessness, insomnia. They get worse in detention. They are left with a
sense that they could be picked off at any moment and removed. (cited in
Cutler and Ceneda, 2004: 65)
Welcome to Britain.
Figuring the asylum-seeker
In Britain ‘an elaborate array of bureaucratic and physical impediments to
cross-border travel’ and ‘a vast armoury of technologies of control and
exclusion’ are being mobilized against asylum-seekers (Nyers, 2003: 1069).
For example, once an asylum-seeker is identified, they are issued with an
asylum-seeker’s identity card, become subject to detention, dispersal and
electronic tagging, barred from access to paid work and have limited (if
any) access to education, health care, social housing and income support.
For the asylum-seeker, the first and most critical stage moment in this
process is being identified as an asylum-seeker.
The United Kingdom is a signatory to the United Nations Convention
Relating to the Status of Refugees 1951. According to Article 1 of this
Convention, a refugee is a person who:
Owing to a well-founded fear of being persecuted for reasons of race, religion,
nationality, membership of a particular social group or political opinion, is
outside the country of his nationality and is unable or, owing to such fear, is
unwilling to avail himself of the protection of that country.
Those forcibly displaced under the terms of the Convention are legally
188 entitled to stay in the UK as refugees. While the term ‘refugee’ has a
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specific international legal genealogy, the term ‘asylum-seeker’ gained
political and popular currency in the UK in the early 1990s. In contrast to
the term refugee, which names a (legal) status arrived at, ‘asylum-seeker’
invokes the non-status of a person who has not been recognized as a
refugee. Asylum-seekers are literally pending recognition. Inscribing the
category of asylum-seeker in British law through the enactment of a series
of punitive asylum laws2 has enabled the British Government to
manoeuvre around the rights of the refugee as prescribed by international
law. While the possibility remains that some asylum-seekers will be
granted refugee status under the new legislation, this possibility infinitely
recedes. For example, section 55 of the Nationality, Immigration and
Asylum Act 20023 reintroduced the notorious ‘white list’ of ‘safe’ countries
of origin and removed in-country appeal rights from asylum claimants.
The logic behind the white list is that countries on the list are safe and
democratic, and therefore nobody coming from these countries can be a
‘real refugee’; the almost irrefutable presumption being that claims to
asylum from white list nationals must be ‘bogus’. The organization Statewatch notes that in
one of the first legal challenges under the new regime, the Court of Appeal
upheld the Secretary of State’s contention that rape of a Roma woman by
Czech police was not enough to rebut the presumption that her asylum claim
was ill-founded. (‘The Worst Law Yet’, 2003)
Since the white list came into force, white list nationals who claim
asylum are invariably arrested and imprisoned. As Agamben notes, ‘the
paradox here is that precisely the figure that should have incarnated the
rights of man par excellence, the refugee, constitutes instead the radical
crisis of the concept of rights’ (1994: 3). The identification of a person as
an asylum-seeker has become an ‘instrument for the refusal of recognition’
(Butler, 2002: 11), which in turn shores up a normative fantasy of what it
means to be British. Indeed, as it shall be argued, the identification of the
figure of the asylum-seeker is increasingly constitutive of public articulations of national and ethnic belonging.
Deprived of recognition and rights, asylum-seekers find themselves in
a state of suspension outside of ‘the constituting condition of the rule of
law’ (Butler, 2004: 67). In effect, they are deprived of life ‘in the sense that
a political animal lives, in community and bound by law’ (2004: 67).
Detained asylum-seekers describe the way in which the law disappears
from view in detention. As one interviewee asks: ‘Where is it?’
I am a woman. I have been beaten in England, detained in a country in Europe.
I don’t even have the strength to defend myself and white people beat me up
like that, in a country where there is a rule of law; they want to kill me. I came
here with no documents, with all my pain and suffering, and they don’t protect
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me . . . The law in England, where is it? I don’t see it being practised here.
(cited in Cutler and Ceneda, 2004: 3)
However, while the British Government, the ‘voice’ of the British
people, increasingly refuses to recognize asylum-seekers as refugees, this
is not the same thing as saying that ‘they’ are not recognized at all. On the
contrary: in being identified as asylum-seekers, they are recognized as ‘notrefugees’, bogus, illegals, the unwelcome. As Agamben (1998) suggests, the
law affirms itself with the greatest force precisely at the point at which it
no longer prescribes anything. This open suspension of human rights
within allegedly democratic nations such as the UK raises a series of
critical questions about the very meaning of ‘democracy’ and ‘rights’. For
example, Agamben argues that these kinds of suspensions of human rights
reveal an underlying legitimation crisis in which the very idea of ‘rights’
and ‘citizenship’ are revealed to be little more than a facade that protects
and enables state power. Indeed, Agamben argues that we should abandon
concepts such as ‘rights’, for to make appeals (on behalf of asylum-seekers,
for example) within the normative language of the law is to be complicit
already with those legal and political institutions that subjugate asylumseekers (and others). Agamben suggests that the fundamental language
and forms in which ‘political’ debate takes place in ‘democratic’ nations
spins little more than an elaborate fiction: a fiction which is arguably fast
unravelling before our eyes as it becomes ever-clearer that the right to have
rights is not only a decreasing privilege of the few, but also the central
means of ‘our’ subjection to the law (Hannah Arendt, cited in Deranty,
2004). As Agamben notes:
It is almost as if, starting from a certain point, every decisive political event
were double-sided: the spaces, the liberties, and the rights won by individuals
in their conflicts with central powers always simultaneously prepared a tacit
but increasing inscription of individuals’ lives within the state order, thus
offering a new and more dreadful foundation for the very sovereign power
from which they wanted to liberate themselves. (1998: 121)
Certainly, ‘politics’ appears increasingly redundant in the face of the
suspension of fundamental principles such as human rights. In contemporary Britain, there is no mainstream political debate about asylum, only the
appearance of debate. The political language in which debates about
asylum take place is not innocuous (or post-political) but functions to limit
what it is possible to ask. For example, there is no open debate about
whether or not ‘we’ should open ‘our’ borders – such questions would be
illegible within the terms of the current political hegemony. Rather, all
mainstream political effort is put into the work of producing crisis, an
engineered crisis which then is met with political discourses of ‘crisis
190 management’. The creation of endless systems to ‘manage’ the ‘asylum
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problem’ is dependent upon the constitution of the figure of the asylumseeker as a threat: a threat that must be staged continually. It is through
the production of the imaginary figure of the asylum-seeker as an ‘illegal’
threat to ‘our’ sense of national belonging that ‘we’ learn to desire and
demand ‘their’ exclusion. It is within this frame that the radical redefinition of asylum-seekers as outside of the sphere of rights, that is, as less than
human, has come to make ‘sense’. It is this process that we need to understand better in order to interrogate the ‘deployments of power by which
human beings could be so completely deprived of their rights . . . that no
act committed against them could appear any longer a crime’ (Agamben,
1998: 171).
In 2004, the Information Centre About Asylum and Refugees in the UK
(ICAR) published a report, Media Image, Community Impact: Assessing the
Impact of Media and Political Images of Refugees and Asylum-Seekers on
Community Relations in London. This report uses detailed content analysis
and focus groups to give a ‘snapshot’ of the ways in which the British news
media and political rhetoric represents asylum-seekers. In The Cultural
Politics of Emotion, Sara Ahmed notes that it is ‘the metonymic contact
between objects and signs that allows them to be felt as disgusting as if
that was a material or objective quality’ (2004: 88). As Ahmed suggests,
the use of metaphorical and figurative language is central to the process of
social abjection. Furthermore, she argues that disgust (for a figure or thing)
does not make borders out of nothing, but is a response to the making of
borders through a reconfirmation of their necessity. That is, the subject (or
nation) feels a figure or thing to be disgusting (a reception that relies on
a history previous to the encounter), expels that figure and through
expelling it, finds it to be disgusting. It is this expulsion that becomes ‘the
truth’ of the reading of the figure or thing, a reading that is necessary in
order for an ideology to ‘pass’ as a form of common sense. Ahmed argues
that this process is dependent upon the way in which signs become ‘sticky’
through repetitive use, shaping our perception of others. If we develop this
thesis, we can see how the figure of the asylum-seeker takes shape through
the stickiness of signs used to produce them as a figure. What Media Image,
Community Impact reveals is how the figure of the asylum-seeker has
become sticky with grotesque qualities; qualities that invoke fear, anger
and disgust amongst ‘native’ communities. It is the repetition of these
imagined qualities that shapes public perceptions of asylum-seekers. For
example, the report lists the language repeatedly employed in newspaper
accounts of asylum, including:
crime, dirty, thieves, fraud, deception, bogus, false, failed, rejected, cheat,
illegal, burden, drugs, wave, flood, influx, scrounger, sponger, fraudster, tide,
swap, flood mob, horde, riot, rampage, disorder, race war, fight, brawl, battle,
fighting machine, deadly, orgy of violence, fury, ruthless, monsters, destruction, ruin. (2004: 49–50)
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As the report concludes, ‘very few are phrases likely to elicit a positive
response in the reader. Most could be said to be fear-inducing’ (2004: 53).
It is the metonymic relationship between the asylum-seeker and these
signs that enable her to be repeatedly produced as abject, as if being abject
is a material or objective quality of being an asylum-seeker (see Ahmed,
2004: 88).
Didier Bigo argues that ‘the securitisation of immigration’ is grounded
in the idea of the nation-state as a body ‘over whose boundaries control is
sought’ (2002: 65). It is no accident that we are encouraged to think of the
nation as ‘a body’ under threat, for this is a key means through which the
consensus necessary to legitimatize the detention of asylum-seekers is
generated. News media hate speech against asylum-seekers plays a crucial
role in circulating the idea that asylum-seekers pose a threat to ‘our’
security and happiness. Hate speech induces an abject response within ‘the
public body’ by personalizing the threat poised by asylum-seekers, that is,
by directing the threat towards ‘you’. Taking the example of a single issue
of The Sun, Britain’s bestselling newspaper, the threat poised by asylumseekers is directed towards the reader through a series of headlines
organized around the phrase ‘The Sun Says Way of Life at Stake’:
‘Halt the Asylum Tide Now: Shock New Sun Poll’
‘Stand By for Europe Flood’
‘Asylum: The Biggest Crisis Facing Your Country Today’
‘This man teaches illegals to cheat our system. The Sun says way of life at
stake.’ (cited in ICAR, 2004)
These kinds of dehumanized depictions of asylum-seekers (i.e. as a tide
threatening to breach national borders) play an increasingly pivotal role
in structuring the national imaginary (‘your country’). While we have
become accustomed to thinking about the abject as that thing that disrupts
or transgresses cultural values, abjection is primarily the means through
which ‘reality’ (‘way of life’) is safeguarded (against the real) and reproduced. In other words, abjection describes the psychosocial processes
through which hegemonic cultural values are reaffirmed. As Julia Kristeva
writes, ‘the abject and abjection are my safeguards. The primers of my
culture’ (1982: 2). Figuring the asylum-seeker as a threat works to settle
the citizen (the readers of The Sun, for example) within an illusion of
national belonging. As the abject thing, the asylum-seeker operates as
something akin to a ‘security blanket’ for the citizen (Kristeva, 1982: 136).
Indeed, the figure of the asylum-seeker is comforting, for the creation and
exclusion of this imaginary bad object brings ‘us’ closer together. The
mobilization of the asylum-seeker as ‘our’ national hate figure bestows ‘us’
with a collective identity and in doing grants ‘us’ the pleasures of secure
192 identification: we are British, we have a way of life, we must protect it.
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Media Image, Community Impact describes the process which constitutes the figure of the asylum-seeker, as a ‘communications spiral’ in which
messages ‘circulate with increasing frequency and strength’ and are ‘reinforced, or amplified’ (ICAR, 2004: 23). This amplification induces moral
panic that feeds back into the political decision-making process, where it
is (cynically) mobilized as a means of authorizing ‘tough’ responses. As the
report notes:
In a ‘moral panic’ large parts of the state, the judiciary and the media combine
to portray an uncontrollable situation in which an accumulation of representations . . . promotes calls for severe and exceptional remedies . . . The rhetoric
of ‘floods’ and ‘waves’ of immigrants is the signal for official endorsement of
‘tough’ action to stem developments that threaten to bring alarming consequences. (2004: 25)
The aim of the ICAR project was to
ascertain how far media coverage of refugees and asylum-seekers, and political commentary about them represented in the media, contributes to crime
against refugees and asylum-seeker communities living in London, and fear of
crime amongst them. (2004: 15)
While the report is limited in its ability to gain access to information
on the incidence of harassment of asylum-seekers, due to a lack of police
monitoring and the reluctance of asylum-seekers to report incidents for
fear of reprisals, working with local refugee community organizations
enabled the researchers to ascertain that there was a disproportionate
number of ‘race’ hate incidences committed against the asylum and
refugee population. Documented incidences of ‘race’ hate against asylumseekers included acts of hate speech, vandalism of property and physical
violence. What this reveals is the way in which racism is not only ‘incited’
through media and political rhetoric, but how it travels in ways that work
to govern the way in which asylum-seekers ‘act’. That is, hate crimes and
the fear of hate crimes become a central means of governing asylumseekers by having an impact on their ability to move freely. Asylum-seekers
‘fortunate’ enough to be housed within the community find themselves
‘immobilized’ by the threat of violence and ‘deterred’ from becoming
members of the community. In effect, asylum-seekers are detained by
‘race’ hate. Therefore, news media depictions of asylum-seekers ‘breaching’ the national body are not only met politically with tough ‘border
controls’, but these ‘border controls’ are acted out within ‘the body’ of the
community through acts of racist violence.
What this analysis suggests is that the figure of the asylum-seeker is not
invisible, but rather hypervisible. However, this hypervisibility (of the
asylum-seeker-as-hate object) works to screen asylum-seekers from view. 193
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As will be argued, this screening is reinforced by the management of the
‘asylum problem’ through containing – that is, detaining – asylum-seekers
in prison facilities. Indeed, it is in the extension of detention policies that
the catastrophic impact of the invention of the asylum-seeker figure on
those seeking refuge in Britain, both in law and in the popular cultural
imaginary, is most acutely felt. Along with increasingly punitive border
controls, this mobilization of the asylum-seeker figure has created evermore sophisticated means of identifying asylum-seekers. It has been
suggested that these processes of identification are grounded in deliberate
strategies of misrecognition, in that identifying the figure of the asylumseeker (as an inhuman thing, for example) works to enable negative forms
of recognition while disabling ethical forms of recognition. One of the
questions that runs through this article is how we might think differently
about the relationship between ‘identification’ and ‘recognition’. To what
extent is misrecognition a structural feature of the cultural politics of
asylum? In what ways can different kinds of recognition form the
basis of a political response to the violent process of figuration described
here?
Faced with such hypervisibility, one of the central strategies employed
by humanitarian organizations is to generate forms of recognition that
work against identification of the asylum-seeker as a hate figure. Indeed,
the gesture of seeking recognition (on behalf of the other) motivates the
humanitarian reports that have been quoted throughout this article. While
xenophobic discourses depict the asylum-seeker as a dehumanized, undifferentiated foreign mass, hoard, influx, etc., humanitarian discourses ask
the public to recognize ‘the human face’ of specific asylum-seekers,
assuring us that ‘close up’ they are ‘just like us’. Indeed, a favourite device
of humanitarian literature is the use of photographic close-ups of asylumseekers’ faces and first-person accounts of asylum. These close-up technologies aim to move the reader in ways that will enable ‘us’ to identify
with ‘the victims’ of repressive asylum laws. In other words, these strategies attempt to reposition asylum-seekers as subjects who matter, ‘like us’.
Humanitarian ‘subjects’ place themselves in the position of agents for
asylum-seekers: they use their agency to ‘speak’ on behalf of asylumseekers, and they use the frame of their own visibility to make asylumseekers visible in order to force recognition of asylum-seekers as
individuals, in ways that counter the dehumanizing figurations or identifications of governmental and media rhetoric.4
The appeals made by these agents or agencies on behalf of asylumseekers can be extremely effective. In fact, they have been so effective that
the British Government is investing billions in building a penal system in
which it will incarcerate increasing numbers of asylum-seekers in remote
locations across Britain – precisely so that we will be less able to form
identity attachments with ‘them’. In other words, the government is legis194 lating to prevent the kinds of compassionate recognition that form the
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basis of anti-deportation interventions. As the former Home Secretary
David Blunkett freely admitted, the reason that he is so anxious not to let
the children of asylum-seekers attend British schools is that they risk being
recognized as part of the community. As Blunkett stated in parliament, ‘the
difficulty sometimes with families whose removal has been attempted is
that their youngsters have become part of a school’ (cited in Cohen, 2003).
Humanitarian attempts to garner recognition on behalf of (individual)
asylum-seekers have proved to be a useful way of countering the identification of asylum-seekers (as inhuman figures), making their social abjection (and deportation) more difficult to achieve. However, in invoking the
exceptional circumstances of the few, do humanitarian campaigns such as
anti-deportation campaigns on behalf of specific asylum-seekers become
complicit with the system that legitimates the exclusion of asylum-seekers
per se?
Ahmed argues that the ‘“universalism” of speaking for the other . . . is
premised on fantasies of absolute proximity and absolute distance’ (2000:
166). There is a tendency either to remain silent, neglecting to get close
enough to the other, or conversely imagine that we can inhabit the place
of the other, get inside their skin and speak for them (see Ahmed, 2000).
Humanitarian organizations elicit political action by encouraging –
indeed, entreating – us to put ourselves in the position of the asylumseekers. They invoke narratives of compassion in which ‘the victim’
becomes a figure through which ‘we’ narrate other cultural fantasies –
fantasies of benevolence, for example. The kinds of lobbying efforts made
by humanitarian groups on behalf of asylum-seekers ‘are virtually impossible without recourse to identity politics’ (Butler, 1992: 15) and the act of
taking up agency on behalf of asylum-seekers raises a number of critical
questions. While these identity practices are part of an important attempt
to make communities of ‘we against’, the risk is that in speaking for the
(imagined) other, the humanitarian subject takes the place of the other.
This ‘taking the place of’ can make it difficult for us, in turn, to ‘hear’ those
whose place has been taken; indeed ‘they’ may have something to say
(which ‘we’ do not want to hear). Does the asylum-seeker become another
figure for the humanitarian subject, a figure whom it is assumed ‘we’
somehow ‘know’? Do humanitarian discourses risk repeating the disavowal
of silenced voices by creating a kind of equivalence of positions between
‘us’ and ‘them’, a shared ‘against’ identity? As Nyers asks:
Should advocates relate to non-status immigrants as clients or allies? Should
they speak on behalf of the non-status or in conversation with them? . . . What
place is there for abject migrants in the politics of their own liberation? (2003:
1081)
These questions are asked by activist groups such as the International
No Borders Network and it is important to distinguish between different 195
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forms of political activism in this regard. However, what this article wants
to consider here is whether the responses of humanitarian organizations to
the politics of asylum helps to sustain the invisibility of asylum-seekers
insofar as they – like the discourses they critique – embrace the figure of
the asylum-seeker: albeit a refigured figure, the asylum-seeker as victim,
human, like us.
The central paradox facing humanitarian appeals and interventions on
behalf of asylum-seekers is that they conform to the law by situating their
appeals within the language of the law which they nevertheless contest.
For example, they depend on the same categories of inclusion/exclusion,
authentic/inauthentic, us/them, as xenophobic discourses. For example,
the designation ‘asylum-seeker’ is rarely contested in humanitarian
accounts – campaigns on behalf of individual asylum-seekers embrace and
fight for the right to asylum. Yet in its short life it is the very concept of
the asylum-seeker, through the strategies of hypervisibility described
previously, that has worked to erase an entire population from view. For
Agamben, this failure to question the contingent foundations of the system
signals ‘“a secret solidarity” between humanitarianism and the powers it
should fight’ (1998: 133). Yet, as we shall see, Agamben’s response to the
politics of asylum is grounded equally in the figure of the refugee. Indeed,
in pursuing this figure, it will be argued that Agamben forecloses the
uncertain ontology of the excluded.
In Homo Sacer: Sovereign Power and Bare Life, Agamben writes that:
The fundamental categorical pair of Western politics is not that of
friend/enemy but that of bare life/political existence, zoē/bios, exclusion/
inclusion. There is politics because man is the living being who, in language,
separates and opposes himself to his own bare life and, at the same time maintains himself in relation to that bare life in an inclusive exclusion. (1998: 8)
Agamben’s intention here is to question how the political, the polis, is
constituted by the ‘inclusive exclusion’ of bare life (biological life).
Agamben is concerned primarily with the constitutive function played by
bare life within (western) democratic nations. Certainly, the overdetermination of the figure of the asylum-seeker, for example, in political rhetoric
and news media, suggests that this figure functions as an ‘inclusive
exclusion’ in the way that Agamben suggests. It is the uncanny figure (of
bare life) who, Agamben argues, reveals to ‘us’ the true horror of ‘our’
purportedly democratic politics – hence his suggestion that totalitarianism
is not the opposite of democracy, but rather its other face (1998: 10).
Agamben argues that those who figure bare life (for us) rupture the
illusion of democracy and make it ‘possible to clear the way for a new
politics’ (1998: 11). It is the figure of the refugee who most forcefully
brings the fictions of modern sovereignty, such as rights and citizenship,
196 to light (1998: 131).
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In his essay ‘We Refugees’, Agamben (1994) argues that ‘the refugee is
perhaps the only thinkable figure for the people of our time and the only
category in which one may see today . . . the forms and limits of a coming
political community’. Agamben performs something akin to a theoretical
haunting: by inviting us to dwell on the uncanny apparition of the spectral
figure of the excluded, the refugee, and situating this figure within the
political present, he make us confront the politics of (inclusive) exclusion.
However – and this is the crucial shift – the aim of this turn to confront
the figure of the refugee is to enable us to contact our ‘own bare life’ once
more (as though bare life resides ‘within us’ like an unconscious, primal
or primitive being, our own ghost). Agamben states then not only that the
refugee is the representative of ‘the people’ but is at the very heart of all
individuals, the refugee is the people, we are all refugees. Agamben’s
argument follows a redemptive narrative: bare life appears in the form of
singular abject figures such as the refugee, whose task it is ‘to clear the
way’ for ‘the people of our time’ (1998: 11). It is only when ‘the citizen will
have learned to acknowledge the refugee that he himself is, that man’s
political survival today is imaginable’ (Agamben, 1994). What is striking
is how Agamben romanticizes the refugee as the figure of bare life par
excellence. In his hands, the refugee becomes a sentimental trope: ‘a key’
through which ‘the very codes of political power will unveil their mysteries’ (1998: 8). For him, the radical political potential of the refugee resides
in the fact that when they appear, ‘our’ collective belief in democracy
might fail as power is forced to reveal itself in its ‘true’ and pure form
(biopolitics). This Wizard of Oz scenario, in which the curtain of illusion
falls back to reveal the operations of power, is incredibly simplistic despite
Agamben’s theoretical complexity. He suggests that we have entered ‘a
post-political zone of indistinction’ in which the very possibility of politics,
understood as the fight for rights and justice, is redundant (cited in Diken,
2004: 97). Therefore, Agamben proposes that radical politics must oppose
the very idea of ‘legality’. However, it is patently unclear how opposing
legality per se can translate into material forms of opposition to the detention of asylum-seekers, or indeed be mobilized in ways that will grant
asylum-seekers the possibility of the agency that they desperately require.
What is of concern here about the logic of this theoretical argument is
the way in which the figure of the refugee is harnessed for their (political) signifying force, and then performed as an ‘unspeakable truth’ (we are
all refugees) in ways that abstract and disembody ‘the figure of the other’
from any embodied referent (actual refugees). As Ahmed suggests, the
problem with these sorts of arguments is that they appropriate the figure
of the other in ways that function ‘to elide the substantive differences
between ways of being displaced from “home’’’ (2000: 5). Differences are
concealed by allowing ‘different forms of displacement to be gathered
together in the singularity of a given name’ (see Ahmed, 2000: 5). Such
theoretical accounts fetishize the refugee by universalizing the condition 197
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of displacement as something we all experience. In embracing this figure
as a site of racial political potential, does Agamben in fact sustain the figure
of the refugee, a figure who is a key trope of hegemonic politics, in a way
that contributes to their invisibility? That is, while Agamben sets out to
contest exclusion, by revealing how it is constitutive of inclusion, does he
fetishize the figure of the refugee as exceptional in ways that are akin to
(and complicit with) governmental strategies?
bell hooks argues that there is a critical difference between the marginality imposed by oppressive structures and the marginality one chooses as
a site of resistance (1991: 153). It is this critical difference, i.e. between
being a refugee and the figure of the refugee and the failure to theorize
this difference, that is of concern. While undoubtedly Agamben is motivated by the urgency of staking a political claim (on behalf of the included
and the excluded), his concept of bare life loses its referent, those who
reside at the margins of sociality. The refugee becomes a means of naming
the abject underside of the already politically existent, a figurative mirror
for the subject’s own disavowed exclusion or displacement. While the
figure of the refugee offers ‘us’ resources with which to imagine how ‘we’,
the already included, might reimagine ‘ourselves’, in harnessing the signifying force of refugees to perform that task is Agamben not making a new
exclusionary norm? In making the refugee ‘our own’, is Agamben not foreclosing who will and will not ‘qualify as a discursively intelligible way of
being’? (Butler, 1993: 190). In Agamben’s utopian account, what happens
to the already politically excluded: those who know bare life, those who
already live it, i.e. refugees and those such as asylum-seekers, who cannot
even be recognized as refugees despite their best efforts?
Agamben has something important to tell us about how states of exception, such as the detention of asylum-seekers, are increasingly becoming
the normative conditions of ‘our’ political present and forewarn ‘us’ of ‘our’
securitized futures. As he argues, ‘the control exercised by the state’, for
example, ‘through the usage of electronic devices, such as credit cards or
cell phones, has reached previously unimaginable levels’ (2004). Within a
British context, the current inexorable drive towards identity cards is an
example of the increasing suspension of ‘our rights’. However, there is a
critical difference between asylum-seekers held in detention and the
erosion of ‘our’ civil liberties. As the two examples with which this article
began have demonstrated, there is a yawning gulf, a widening divide,
between those cosmopolitans who ‘can travel’ and those who cannot.
Indeed, at this time perhaps more than any other, experiences of the border
vary dramatically according to ethnicity, gender, class and national origin
(Nyers, 2003).
This article has highlighted the ways in which the desire for the figure
of the asylum-seeker, a desire evident in the theoretical turn to this figure,
is a desire for a figure that will represent to ‘us’ our own contemporary
198 sense of displacement, dissatisfaction and disillusionment. It has suggested
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that there is a connection between the social abjection of the asylum-seeker
and the theoretical turn to the figure of asylum-seeker, as a figure for counterpolitical resistance. In order to explore this connection and its implications, we need to understand how the asylum-seeker is made to figure
across multiple cultural sites. That is, we need to understand how the
asylum-seeker has been produced as a figure, who then comes to figure
‘our’ political desires, both normative (from ‘the Left’ and ‘the Right’) and
counter-hegemonic. Tracking the figure of the asylum-seeker across different media and cultural sites is a necessarily complex task. In this article,
humanitarian reports have been used as a means of problematizing political and theoretical accounts of asylum but it has been argued also that we
must critique the ways in which the humanitarian claims made on behalf
of asylum-seekers are mediated by universalistic understandings of what
it means to be a legitimate and legible subject. The tension that exists
between ‘the urgency of staking a political claim’ (on behalf of asylumseekers) and the need to reflect critically on the language in which those
claims are made, is a tension that we should not seek to alleviate but should
encourage and explore in critical-theoretical practice. As things stand, the
theoretical turn to the figure of the refugee or asylum-seeker within disciplines such as philosophy and cultural studies risks becoming a means of
not hearing asylum-seekers. As Arundhati Roy (2004) reminds us, ‘there
is no such thing as the “voiceless”. There are only the deliberately silenced
or the preferably unheard.’ At present, the figurative methodology which
grounds theoretical accounts of asylum risks participating in, rather than
challenging, the logic of hypervisibility as concealment integral to governmental strategies of detention.
Butler argues that foreclosure of the possible takes place when, from the
urgency of staking a political claim, we naturalize the options that figure
most legibly (2002: 7). What can be understood by this is that counterpolitical attempts to take a stand ‘against’ state violence must resist the
temptation to construct the imagined ‘victims’ of that violence as narcissistic figures of ‘our own’ political hope. In other words, we must attend to
the violent foreclosure that accompanies ‘figuration’, not only in humanitarian, political and news media accounts, but also in the purportedly
radical theoretical accounts of ‘the asylum-seeker and ‘the refugee’. One
of the ways we might do this is by thinking more subtly about the differences between ‘recognition’ and ‘identification’; in particular, the ways in
which ‘gestures of recognition’, in the act of recognizing, might become
aware of their own limits, their own universalism and ethnocentric bias.
In other words, we must repeat political calls for recognition but in ways
that reject the constituting or constitutional basis which makes such
gestures necessary.5 This means working at the limits of the available
lexicon, including rights discourses, while simultaneously contesting the
‘regimes within which the terms of recognizability take place’ (Butler,
2002: 12). If analogy, generalization and abstraction take the place of 199
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9 ( 2 )
listening and translation in theoretical accounts of the politics of asylum,
then what is forgotten are the bodies and constituencies from whose suffering such accounts takes its cue. What is at stake is imagining how ‘socially
saturated domains of exclusion be recast from their status as “constitutive”
to beings who might be said to matter’ (Butler, 1993: 189).
Acknowledgement
This article is indebted to Sara Ahmed, both to her inspiring writing and to the
encouragement that she has given the author during the process of writing this
article.
Notes
1. See ‘Prisoners Without a Voice’ (Amnesty International, 1995) in which
Amnesty International demonstrates that Britain’s treatment of
asylum-seekers violates Article 5 of the European Convention on Human
Rights 1950, Article 9 of the International Covenant on Civil and Political
Rights 1966, the UN Body of Principles for the Protection of All Persons
Under Any Form of Detention or Imprisonment 1988 and virtually all of
the guidelines on detention of the United Nations High Commission for
Refugees (which was established in 1950: see http://www.unhcr.ch/
cgi-bin/texis/vtx/home).
2. See, for example, the Asylum and Immigration Appeals Act 1993, the
Asylum and Immigration Act 1996, the Immigration and Asylum Act 1999
and the Nationality, Immigration and Asylum Act 2002.
3. The Nationality, Immigration and Asylum Act 2002 came into force on 8
January 2003.
4. See the National Coalition of Anti-Deportation Campaigns for examples of
campaigns made on behalf of asylum-seekers facing deportation in Britain
(http://www.ncadc.org.uk).
5. I have repeated this gesture of recognition in my use of asylum-seekers’
‘voices’ in this article. I hope to have done so in a way that highlights that
such voices are always already ‘edited’ for example by humanitarian
agencies. While it is problematic to employ these ‘voices’ in this way, I hope
to have done so in a way that makes the violence being committed against
asylum-seekers in contemporary Britain more visible, while leaving open
potential spaces of political agency for those imprisoned.
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Biographical note
Imogen Tyler is a lecturer in cultural studies at Lancaster University. Currently
she is developing new work on the cinema of borders which furthers her interest
in asylum, immigration and problems of representation, as well as completing a
book, Narcissism: The Cultural Politics of Self-Love, which tracks the emergence
and migration of the concept of narcissism across an archive which includes
Greek myth, social criticism, political speeches, journalism, self-help manuals, art
and advertising. (See http://www.imogentyler.net) : Institute for
Cultural Research, Faculty of Arts and Social Sciences, Lancaster University,
Lancaster LA1 4YR, UK. [email: i.tyler@lancaster.ac.uk]
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