LOT’S
WIFE
EDITION 7 2013
CONTENTS
6. Letters to the editors
Thanks
7. Editorial
To our super sub-eds: Hannah, James, Chris, Sam, Nic, David, Pat, Tom C,
Allison, Michelle, Tom W and Neg. Especially to Chris for writing another
8. National Affairs
‘Science Lessons From...’ (you knew it was coming), to Neg for our favourite
cover of the year (!!!) and to Hannah and James for helping us with the layout
18. International Affairs
and lots of editing. We luv yas all! and Raymond the pizza man.
20. Student Affairs
No Thanks
Ratfuckers.
28. Science
Apologies
31. Music
In the last edition of Lot’s Wife ‘Stories We Tell’ was incorrectly attributed to
Kemal Atley, the author was Kemal Atlay. Also, Tom Hvala was accidentally left
34. Film & TV
off our section editors list, he is an Online sub-editor.
Also to the various authors who went to print with misspelt headings.
36. Performing Arts
Cover Art
38. Creative Space
Thomas Alomes
45. Culture
Section Editors
National Affairs: Thomas Clelland and Elizabeth Boag
International Affairs: Carlie O’Connell
Student Affairs: Hannah Barker
Science: Nicola McCaskill
Music: Dina Amin, Augustus Hebblewhite, Leah Phillips and
David Nowak
Film & TV: Patricia Tobin and Sam Blashki
Performing Arts: Christine Lambrianidis and Thomas Alomes
Creative Writing: Allison Chan, Michelle Li and Thomas Wilson
Culture: Hannah Gordon and Christopher Pase
Online: Julia Greenhalf and Tom Hvala
Web Design: Choon Yin-Yeap and Jake Spicer
As you read this paper you are on Aboriginal land. We at Lot’s Wife recognise the Wurundjeri and Boon Wurrung peoples of the Kulin Nations as the
historical and rightful owners and custodians of the lands and waters on which this newspaper is produced. he land was stolen and sovereignty was never
ceded.
Lot’s Wife Student Newspaper est. 1964. Monash University Clayton, VIC.
Lot’s Wife does not condone the publishing of racist, sexist, militaristic or queerphobic material. he views expressed herein do not necessarily relect the views of the editors or
the MSA. Submitted articles may be altered. All writing and artwork remains the property of the producers and may not be reproduced without their written consent.
T: 03 9905 8174
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don’t look back.
© 2013 Monash Student Association. All Rights Reserved.
LOT’SWIFEEDITION7•2013
5
LETTERS
We would love to hear from you.
Email your thoughts, grievances and marriage proposals to
lotswife2013@gmail.com
Dear Lot’s Wife,
I would like to express my appreciation for your recent piece, or
However, I feel the need to point out the incredible irony of his article. As I understand it, Lot’s Wife is funded by the MSA, which in turn
guide rather, on the current state of party politics within the Australian
is funded by money collected through the Student Services and Ameni-
Federal system. It is not often that an article delivers what is promised
ties Fee - essentially the newspaper is funded by the Monash student
in a headline, but “Who Should I Vote For?: Party policy to help you
community, just as community welfare programmes that are run by the
through the Federal election” (Edition 6) was, for me, an instrumental
Australian Government are funded by John Q. Public.
tool in exercising my democratic right to vote.
The wonderful beauty in this, of course, is that without financial
I am sure I represent the view of many Australians who feel
support for Lot’s Wife, the newspaper would not exist, Sukrit Sabhlok’s
overwhelmed and flummoxed not only by the sheer vastness of differing
article would never have been published, and his opinion would never
policies, but also by parties constantly changing what should be enshrined
have reached an audience. It’s a remarkably simple demonstration of how
in their core ethos of ideals. Party policies are no longer clearly defined
funding derived from a community can easily generate positive feedback
as they once were, and this has caused many people to forsake their right
in that community, creating opportunities that would otherwise be inac-
in exercising democratic agency. Your guide to the world of Australian
cessible, and Sukrit’s, article, I’m sorry to say, is a simple demonstration of
politics remedies this disillusionment to some extent.
an inability to apply a political ideology to other aspects of society.
Focusing on the predominant policies of education, the economy,
refugees, equality, and healthcare, the article seeks to differentiate the
objectives of the three main parties and seek to rebuild the walls of
demarcation that have been blurred in recent times. Both pieces on the
major parties recognise inherent flaws within their policies and this is
what gives the article credibility. It reminds us that no party will ever
have perfect, impenetrable policies that reflect the views of the entire
electorate.
Despite the negativity that permeates the piece on Liberal policies
(a notion that has come to personify Australian politics), the article in
its entirety was an insightful and helpful approach to the “burden” of
voting. It is just a shame that we as a people are unable to vote solely on
the premise of individual policies, rather than being required to vote for a
party that is unlikely to correspond with all our values or opinions. Living
in such a political environment of organized chaos however, should not
deter us from seeking change and exercising the sole source of democratic
power that we possess.
Contributing writer,
Fabrice Wilmann
Dear Lot’s Wife,
Re: ‘How The Welfare State Corrupts The Moral Fabric Of Society’, by Sukrit Sabhlok, Edition 6. Firstly, I would like to applaud the Lot’s
Wife editors on publishing the article. It is important that student media
remains an accessible forum for all students and their opinions, regardless
of their political skew.
Marshall Edgeworth.
EDITORIAL
FLORENCE RONEY & MATTHEW CAMPBELL
Did you vote Liberal? C’mon, fess up. Was it because you don’t know a
from the total ruin Labor supposedly left it in. We’ve gotta look after
lot about politics and the names of the parties helped you through this
ourselves first right?
meddlesome electoral chore we call ‘democracy’? Did you approach
While by no means perfect, speaking in economic terms, Australia
the ballot paper like it was a menu written in a language you don’t
is actually doing pretty well, coming in at #1 on the Organisation for
understand, hoping like hell you’d choose something palatable? ‘Labor’?
Economic Cooperation and Development’s Better Life Index (of 34
Fuck that, I’ve already made the trek to this goddamn primary school and
countries) for the second year in a row. Other data suggests that even
the snags aren’t even that good. ‘Greens’? I hate vegetables! ‘Liberal’?
despite the dreaded carbon tax, our cost of living under Julia Gillard’s
That means freedom, right?!
Labor Government was at a 25 year low.
These days the major parties are so far estranged from what their
Carolyn Bond, in her September 19 article in The Age, ‘Legal
respective names suggest, they warrant completely new ones. The
aid cuts a worrying sign from the Abbott team’ points out that “[legal]
Australian Party for Mining Magnates? The Australian Front Against
services generate financial, social and health benefits by stopping unfair
Boat People? Or how about Mark Latham’s famous appraisal of the Liberal
evictions, ensuring people access their lawful wages and preventing
Party under John Howard: ‘Conga Line of Suck Holes’? Notice we didn’t
family violence”. The upshot, she notes, citing a cost-benefit analysis
bother specifying which of the above names would better suit either party.
commissioned by the National Association of Community Legal Centres
The point is, no one’s going to vote for you if you admit you’re not really
is that “every dollar spent by government on community legal centres
into equality, basic human rights a vibrant culture. Words are important.
returned, on average, $18 in economic benefit to society”. $142 million
And, evidently, they helped a lizard-faced gimp onto the Prime-
cut from legal services? Really Tone?
Ministerial throne. So, in the spirit of one of our favourite columns from
Apparently, someone in the fifteenth century hit the nail on the
last year’s Lot’s Wife, Interesting Etymologies, let’s take a look at the origins
head: etymonline.com reckons ‘liberal’ was taken to mean “extravagant,
of the word ‘Liberal’ and where Tone will take it in the coming years.
unrestrained” in a bad sense. ‘Extravagant’ invokes images of Clive
According to etymonline.com and some other extremely reputable
Palmer being escorted on an Egyptian litter supported by malnourished
Internet sources like Wikipedia, the word ‘liberal’ and all its constituents
manservants, while the latter describes the business interests that got him
originate from the Latin liber meaning ‘free’. Obviously we can’t really
there in the first place.
hold our forefathersandmothers accountable for how a word translates
But a quick contrast with Google (type ‘define liberal’) reveals that
in the context of modern politics. But Jesus, they got us here in the first
we’ve clearly regressed in our understanding of the word: “Open to new
place, and the word seems to have weathered the test of time far better
behavior or opinions and willing to discard traditional values”. Maybe
than, say, ‘Ratfucker’ (an American slang term used, variously, to describe
that’s what Tony meant when he decided to take on women’s affairs at the
a politician who engages in sabotage or dirty tricks or someone who
federal level against a backdrop of announcements of a male-dominated
screws people over) which seems to be struggling to gain traction in our
cabinet with only one female minister.
political discourse even after our former PM proclaimed (this one’s from
In the few short weeks Tony has been PM, he seems to be on the
acclaimed journalist David Marr) “Those Chinese fuckers are trying to
warpath against everyone who is not a wealthy, middle-class male. With
rat-fuck us!” during tense negotiations at the 2009 Copenhagen Climate
that in mind, we’d like to offer our Lot’s-Wife-approved definition of
Change Summit.
‘liberal’: “freedom for some but not for others”.
Anyway, fourteenth century England – as late as sixteenth century
While ‘ratfuckers’ or ‘ratfucking’ don’t receive a single mention in
on some accounts – saw a ‘liberal’ person as someone who was “generous”.
this edition outside this editorial, there’s some great analysis and satire
Hmm. With Abbott vowing to cut $4.5 billion from foreign aid, $42
surrounding the federal election and after, with plenty of ridiculous
million from Indigenous legal services and an expected $100 million from
analogies. We thought it’d be a bit dull of us to not at least try and get
legal aid given to asylum seekers, we think our English ancestors, albeit
some satire in before the end of the year, and Bren and James have
deceased, have little to say about liberalism in contemporary Australian
stepped up to the challenge quite well. Next edition will be our last, and
society.
in the interests of not wanting to end on too serious a note, we cordially
This seems like the perfect time to take some weight out of the oft-
invite all satirists to contribute.
parroted claim that the Liberal Government is set to save the economy
LOT’SWIFEEDITION7•2013
7
NATIONAL AFFAIRS
AM I EVER GONNA SEE
YOUR FACE AGAIN?
“Ultimately, the student politician of today is the potential federal politician of tomorrow”
Thomas Alomes
In 1976 two extremely significant events occurred in the history of
time. He was a fierce political writer and used the student newspaper
Australia: The Angels released their pub anthem “Am I ever gonna
Honi Soit to voice his various views, including in 1979 where he was
see your face again?” and Tony Abbott lost an election. The impact on
quoted as saying “I think it would be folly to expect that women will ever
Australian society and (pub) culture of the former was readily apparent;
dominate or even approach equal representation in a large number of
the impact of the latter, however, would not be felt for quite some time.
areas simply because their aptitudes, abilities and interests are different for
Tony’s first experience of a political loss was for the University
of Sydney Senate. Obviously disappointed at the result, he took out
physiological reasons.”
In 2010 when pressed about this quote Tony replied that “Ah, I
his frustrations by kicking in a glass panel of a door to the Student
don’t want to repudiate what was said, but I don’t want people to think
Representative Council (SRC) building. But this first bitter taste of defeat
that what I thought as a 21 year old is necessarily what I think as a
did not kill off Tony’s political ambitions. Instead, it was an ignominious
52 year old.” Whilst I am inclined to agree with Tony that 30 years is
start to what would prove to be a long, divisive and ultimately successful
enough time for views to evolve or mature, values expressed in such a
career in both student and federal politics.
Many commentators from the left
have bemoaned that the next three years
(at least) are going to be a dark time for
anyone not cut from the same cloth as big
Tony. Only time well tell, but the Liberal/
National Abbott government are off to a
flying start at proving those lefties’ fears
correct. Highlights include a cabinet that
has fewer women in it than Afghanistan’s
(a country well known for it’s endearment
formative stage of life are still relevant
“There are many dedicated, hard
working and intelligent people who see
the positive impact they can have on
the student body by running for elected
office. But the problem is, if you let a
vociferous minority of student political
hacks set the tenor for discourse now,
then 30 odd years later you get guys
like Tony setting the tenor for political
discourse nationally.”
towards women in positions of power), and
in understanding the person they create
many years later. This is especially so when
they’re unwilling to renounce those views.
What relevancy does this have to the
upcoming Monash Student Association
(MSA) elections? Ultimately, the student
politician of today is the potential federal
politician of tomorrow. It’s where many
learn the skills for politicking but not
necessarily the skills to govern or to lead.
The argument cannot be made that all
a folio reshuffle that has axed the Minister for Science whilst creating the
student politicians are raving political hacks hell bent on getting to the
Minister Assisting the Prime Minister for the Centenary of ANZAC.
lodge, quite the opposite in fact. There are many dedicated, hard working
But in perhaps the most bizarre cabinet appointment, Tony has
and intelligent people who see the positive impact they can have on the
chosen himself for the role of representing women and their interests
student body by running for elected office. But the problem is, if you let a
in Australia. Which is pretty much akin to crowning Cory Bernardi as
vociferous minority of student political hacks set the tenor for discourse
Grand Marshall of the Mardi Gras Parade. Although I am stoked as a
now, then 30 odd years later you get guys like Tony setting the tenor for
white straight middle class male to have my interests fully represented
political discourse nationally.
in the new cabinet, it begs the question of Tony: where all those lovely
ladies at?
Further to this we must raise the current standard of political
discourse whilst stamping out the grubbiness and aggression that’s seen
To begin to understand the real answer to this question, we need to
within elections for the MSA every year. This needs to be done for the
hop in a time machine (possibly the same one that Bob Katter uses to get
sake of current students and for potential positive impact it can have on
his policies) and travel back to the 1970s when an undergraduate Tony
the state of politics in the future.
Abbott was cutting his teeth and making his mark on Australian student
So before you cast your vote this week ensure you scrutinise
politics. He was tearing through the radical left and any walls, door
the policies of each candidate. But more importantly, scrutinise their
panels or people that happened to be in the wrong place at the wrong
character. You never know, they could be Prime Minister one day.
LOT’SWIFEEDITION7•2013
9
NATIONAL AFFAIRS
THE 2013 FEDERAL
ELECTION:
FESTIVAL OF DEMOCRACY?
James Brooks
Elections are sometimes referred to as ‘festivals of democracy’: a reminder
Before the festival had even ended, the 44th instalment of the AEF
that the right to vote is precious and ought to be celebrated by those who
was already drawing criticism from fans. A scheduling error meant that
enjoy it. What if the recent federal election really was a festival though?
Wayne Dropulich and Ricky Muir, two high school students that won
In January, the 44th Australian Election Festival was announced
a Triple J competition to appear at the festival, performed in front of
for 14 September 2013 by festival organiser, Julia Gillard. The line-up
thousands of fans on the main stage. Dropulich and Muir were “stoked”
included a host of festival-favourites spanning the genres of Labor, the
to play in front of such a huge crowd; however fans expressed their
Coalition and the Greens, as well as a record number of emerging artists,
outrage on Twitter at being forced to listen to two “nobodys” (sic) due to
many of whom will play their chosen instruments for the first time. Some
the mishap. There will be pressure on incoming festival organiser, Tony
pundits questioned the timing of Gillard’s announcement, accusing her
Abbott, to take steps to ensure this blunder is not repeated next time
of trying to steal the limelight from another popular festival, the Ratings
around.
Festival.
Julia Gillard herself was scheduled to co-headline alongside Tony
***
Abbott, the prominent Liberal artist whose performance at the 43rd
AEF was only second to Gillard’s. However, in June, after a series of poor
Ok, enough of that. On a serious note, the recent federal election
sideshow performances, Gillard was replaced by her predecessor, Kevin
was anything but a ‘festival of democracy’. Interest among the Australian
Rudd. Rudd was initially welcomed back into the limelight, until fans
public was low, the two major parties’ policies were remarkably similar
realised that, like Meatloaf, Rudd’s musical skills had deteriorated with
and, months before polling, the result was already a foregone conclusion.
the passage of time.
For young Australians, in particular, there is little to celebrate about the
Fans pleaded on social media sites Facebook and Twitter for Tony
Abbott to be replaced by Malcolm Turnbull, whose style is said to better
2013 election.
At the time of writing, several House of Representatives and Senate
compliment that of Rudd. No change was made to the line-up though.
seats are yet to be determined. The ABC predicts that the Coalition will
However Rudd stamped his authority on the festival by changing the date
win 91 seats in the House of Representatives, Labor 55, the Greens one
to 7 September 2013 to better suit his own fans.
and Katter’s Australia Party one, with the remaining two seats to be held
At the festival, Tony Abbott easily drew the biggest crowd. Abbott
by independents. Of the 40 Senate seats contested at the election, the
performed a set of reliable classics, including the radio hit ‘Stop the
Coalition will likely win 17, Labor 12 and the Greens four, while the
Boats’ that features the dog whistle instrument synonymous with Liberal
remaining seven seats will be split between seven ‘very minor’ parties.
music. Co-headliner Kevin Rudd often abandoned his own personal
The upshot of all this is that the Coalition will have a clear
style, shifting ever closer to Abbott’s. At other times, Rudd experimented
majority in the House of Representatives. Remarkably, the Greens’ Adam
wildly with new musical ideas, much to the chagrin of fans. The crowd
Bandt retained the seat of Melbourne despite Labor and the Coalition’s
was so unimpressed by Rudd’s performance that attendances at other
combined effort to unseat him. Due to the Coalition’s clear majority,
Labor artists’ sets suffered also.
Bandt will not have the same power that he had in the hung parliament.
Like Rudd, AEF sophomore Jaymes Diaz also performed poorly
In the Senate, the Greens will retain the balance of power until
leading up to the festival. In one bungled gig, Diaz forgot several lines to
July of next year when the newly elected Senators take office. From July,
his own hit song, ‘Six Point Plan’. Video footage of the blooper went viral
assuming Labor votes against the Coalition, the Coalition will need
and Diaz cancelled all remaining appearances for the year. Fans were more
support from five minor party Senators to pass legislation. This support
forgiving of emerging artist Clive Palmer though. Despite several poor
is likely to come from several of the very minor parties rather than the
performances throughout 2013 and launching a racist tirade on stage, fans
Greens.
still turned out to see the festival newcomer in droves.
10
Having secured the right to form government, Tony Abbott and
LOT’SWIFEEDITION7•2013
NATIONAL AFFAIRS
his ministry were officially sworn in by the Governor-General, Quentin
Liberal Democratic Party, Palmer United Party, Nick Xenophon Group,
Bryce, on 18 September. Julie Bishop, who will take on the role of
Family First Party, Australian Sex Party, Australian Motoring Enthusiasts
Foreign Affairs Minister, was the only female named in a cabinet of 19.
Party and Australian Sports Party. Several of the above parties received
This figure is a poor one by Australian and world standards. There were
only a tiny fraction of the primary vote but achieved the ‘quota’ needed
six women in Kevin Rudd’s second cabinet and there are currently two in
for election due to preference flows from other parties.
the Afghan cabinet!
There have already been numerous calls for reform, to prevent
What makes the lack of women in Abbott’s cabinet inexcusable is
parties with so little primary support from getting elected to the Senate in
that there was no shortage of women available for him to choose from.
future. Even if one accepts that there is a problem to be fixed, the broad
Despite the Coalition’s continuing poor record on female representation
range of possible reforms will make the process of reform a lengthy one.
in parliament, it’s not like there’s no women in the Coalition at all.
Elsewhere in this edition, Monash University Senior Lecturer Dr Nick
Abbott named four women in his outer ministry and appointed one
Economou urges would-be reformers to proceed with caution. According
female parliamentary secretary. Collectively, these women have 52 years
to Economou, it’s the vote and not the voting system that is to blame for
of parliamentary experience. Senator Mathias Cormann, Abbott’s newly
having elected such a diverse Senate (see p.12).
appointed Finance Minister and easily the biggest winner of the cabinet
Calls for reform of the Senate will no doubt be a constant while the
announcement, has only six years of parliamentary experience. Why was
incoming Senators remain in office. Whether this translates into actual
there room for Senator Cormann in Abbott’s cabinet but no room for
reform is less certain though. A brief look at the history of electoral
experienced female parliamentarians like Sussan Ley or Senator Marise
reform in Australia reveals that successful electoral reform only occurs
Payne?
when the party in government stands to benefit electorally. When the
To top it off, Abbott named himself as the minister representing
Hawke-Labor government introduced ‘above the line’ voting in time
women’s affairs, albeit assisted by a woman, Senator Michaelia Cash. The
for the 1984 election, it did so to combat the high informal vote in the
irony of Abbott’s appointment is almost unbelievable when one considers
Senate, which had until then disadvantaged Labor. Australians should be
that only 11 months ago Prime Minister Gillard delivered her famous
sceptical of any proposal for Senate reform.
misogyny speech.
There is seemingly no end to the bad news stemming from this
Little solace comes from knowing that Abbott would have added
year’s election outcome. Tony Abbott’s cabinet will be the first since 1931
another woman to his cabinet if Sophie Mirabella had won re-election in
to be without a Science Minister, casting further doubt over Abbott’s
the Victorian seat of Indi. Of course that was not to be, as independent
already feeble commitment to deal with climate change. The Coalition’s
candidate Cathy McGowan spectacularly defeated Mirabella in a close
‘border protection’ policy and planned cuts to Australia’s foreign aid
contest.
budget will go ahead, while a vote on marriage equality almost certainly
Voters all over Australia watched closely the marathon vote count
in Indi in the days after polling before the Abbott government officially
took office. The voters of Indi had clearly lost faith in Mirabella, who was
will not. On the issues that matter most to young Australians, the 2013
federal election failed to deliver.
Former Labor Senator John Black, writing in The Australian
aloof at the best of times and disregarded her constituents at worst. But to
recently, said that the 2013 federal election result was not an
left-of-centre voters everywhere, Indi carried symbolic weight. McGowan
endorsement of the Coalition but a denunciation of Labor. Labor’s
had the ability to deliver something of a parting shot to the Coalition on
internal dysfunction and its failure to distinguish itself from the Coalition
their behalf, by unseating one of the Coalition’s most hated figures.
on important social issues - like asylum seekers - guaranteed early on
Paradoxically, while Australians rejoiced in McGowan’s victory, we
that it would lose the 2013 election and that a conservative government
have not been as accepting of the record number of Senators elected from
would be elected instead. Not only can young Australians let down by
outside the Coalition-Labor-Greens paradigm. At the time of writing, the
Labor not celebrate in the election result, there was no incentive to join
following very minor parties are on track to secure one Senate seat each:
in the festival of democracy itself.
LOT’SWIFEEDITION7•2013
11
NATIONAL AFFAIRS
SENSE OF PROPORTIONALITY NEEDED IN
CRITIQUING PROPORTIONAL REPRESENTATION.
Dr Nick Economou
Commentator alarm over the possible outcome of the contest for half the
moment the GTV came in in time for 1984, and had been responsible
Australian Senate has almost overwhelmed the news that Tony Abbott’s
for denying NDP candidate Peter Garrett a Senate seat in NSW in 1984,
Liberal-National coalition has won majority government in a landslide.
and for freezing out a host of One Nation candidates in 1998. So, too,
The preoccupation with the Senate stems partly from reports of the
has the occurrence of the election of senators with paltry primary votes –
imminent election of candidates other than those endorsed by the ALP,
and not all of these have been minor party candidates. A review of past
the Coalition and the Greens. Described variously as “nutters”, “whackos”
Senate results show that the second candidate on the Labor ticket, and
“a circus” and/or a “barnyard”, the lament is how could candidates who
the second and third Liberal candidates regularly get elected even though
polled such miniscule primary votes sully the august Australian Senate.
they poll around 1,000 primary votes (or 0.01 percent). The reason for
The answer to this, of course, is because it is allowed to happen
this, of course, is that the STV process allows for the massive vote that
under the Single Transferrable Vote (STV) method that is pivotal to our
the first placed candidate on the ticket receives to be allocated to the
electoral systems. The STV allows voters to cast preferences for all candi-
next preferred candidate.
dates, and that these preferences can count until such time as all vacant
positions have been filled.
Surpluses and preferences can only get candidates elected if they get
enough votes by way of primary vote, OR primary plus surplus, OR pri-
In lower house elections with single member districts, the threshold
mary plus preference. The 2013 Senate contest is a case in point: the Mo-
a candidate needs to win is 50 percent plus 1 of the vote cast. In propor-
tor Enthusiast Party candidate may win a seat because the candidate gets
tional systems, however, the threshold for election is much lower – 14.4
the preferences of the 16 percent or thereabouts of Victorians who did
percent in the case of Australian half-Senate elections which have used
not vote for Labor, the Coalition or the Greens. If those voters weren’t
STV proportional representation since 1949. For much of this time Labor
happy about the minor parties cross-preferencing each other, they could
and the Coalition dominated Senate outcomes. After the Labor split
have voted below the black line, and 16 percent is more than enough to
in the 1950s, the DLP was able to win some seats, and, from 1977, the
win you a seat where the quota is 14.4 percent. If the Motor Enthusiast
Australian Democrats were also successful.
Party candidate wins a seat, it is because the party received in excess of
The appearance of a different type of minor party in Senate configu-
the 14.4 percent of the vote cast after the distribution of preferences and
rations coincided with major reforms to Senate voting in time for 1984,
surpluses – the very same process that elects the second Labor senator and
including ‘above the black line’ voting and the use of official party tickets
the second and third Liberal senators.
in determining preference allocation (the so-called ‘group ticket vote’
The first round of the debate about the Senate – driven by those
or GTV). It began with the success of the Nuclear Disarmament Party
who, for political, ideological or elitist reasons, don’t like the predicted
(NDP) which also won a seat in 1987. Since 1984 the following par-
result – has focussed on the electoral system which is blamed for an alleg-
ties have had at least one senator: the Valentine Peace Group, the West
edly rogue outcome. This critique may be misdirected. It is the vote, not
Australian Greens, the Australian Greens, Pauline Hanson’s One Nation
the voting system, that is responsible for the predicted outcome. The fact
and Family First (the DLP returned to the Senate in 2010).
is that a very large number of Australians – 20 percent nationally – chose
In all cases bar some Green successes in Tasmania and Victoria,
not to vote Labor, Coalition or Green in this election and that is why
and the One Nation success in Queensland in 1998, these minor parties
the major parties have failed to achieve a total hegemony over an upper
won seats even though they won quite small totals of primary votes. The
house that is, after all, supposed to be proportionally represented.
election of Family First’s Steve Fielding drew attention to the crucial role
preference agreements under the auspices of the GTV play in helping
Dr Nick Economou is a senior lecturer in the School of Political and Social
candidates elected even if they polled less than 2 percent of the primary.
Inquiry, Monash University.
Of course, strategic preference allocations had been used from the
12
LOT’SWIFEEDITION7•2013
NATIONAL AFFAIRS
ALBO V. SHORTEN:
A POSITIVE CHALLENGE FOR THE ALP
Kat Hardy - Monash ALP Club Secretary
In the aftermath of their loss to the Tories in the 2010 election, the UK
and Kingslayer, Bill Shorten. In other words, two serious candidates with
Labour Party prepared itself to go straight back to the polls. Not to redo
significant policy achievements and ministerial experience are going to
the election, nice as that would have been, but staring down the barrel
travel the country explaining their vision for the future of the party, and
of some long, hard years in opposition, the party needed to choose a new
asking the rank and file to get behind them. Then the party will demo-
leader. Unlike the Australian Labor Party at the time, UK Labour had
cratically decide. Speaking as a member, I have to say I’m pretty excited.
a model that allowed for 33% of the vote to go to local party members,
Which makes it all the more frustrating when this contest gets
and 33% to go to members of affiliated trade unions. In other words, the
portrayed in the media as just more ALP infighting, or as a bad thing
people who cared about the party and the movement had some agency
for the party. Given the strength of the Australian economy, important
over its future. There were televised debates, tens of thousands of new
reforms such as the NDIS and Gonski, and the much stronger policies for
members, and a genuine discussion about the future of the party. Compare
an NBN and paid parental leave, many ALP supporters are struggling to
that to the last two times the ALP leadership changed. Whatever your
understand why the Australian public saw fit to appoint a misogynistic
opinions on the merits of either Julia Gillard or Kevin Rudd (I have
lizard-man to the office of Prime Minister. Yet we have to recognise that
plenty), no one could reasonably argue that the spills and speculation that
a large portion of the blame for this defeat lies with the party itself, and
occurred under the last government were good for the party or for the
unless some serious internal change happens, the history of nation build-
country.
ing reform enacted by Labor could be at risk. ALP rank and file members
have sat in angry shock as the party bickered and backstabbed its way out
of office, and now we want a chance to do something about it.
These reforms are not perfect, nor are they enough. There needs
to be a place for trade union members to have a say if the party wants to
continue representing working Australians, and we should also return to
a system in which caucus elects the ministry. Yet this is a good start, and a
necessary one. The ALP that wins back government in three years should
be a changed beast, ready to fix Abbott’s mess and to continue to be the
strongest force for progressive change in Australian politics. Whatever
the result of the leadership election, this is a positive step for the party.
It is with that in mind that this time around, the ALP is doing
things a bit differently. Following rules introduced by Kevin Rudd in
his most recent foray into Prime Ministering, the Federal caucus vote
will only be worth 50%, with the remainder of the decision made by all
members of the ALP who had joined by September 7. The party has a
month to conduct the ballot, with the membership vote happening first
and being conducted via postal ballot.
Although MPs have until Friday 20th to nominate, in all likelihood
this will be a contest between our most recent Deputy Prime Minister and
avowed Tory-hater Anthony Albanese, and past Minister for Education
LOT’SWIFEEDITION7•2013
13
NATIONAL AFFAIRS
BY THE NUMBERS:
THE RACE FOR ELECTION GLORY
Bren Carruthers
It has unofficially been the longest Federal election campaign
in history, but finally, this momentous marathon event has been
run and won. And much like the first-time marathon runner,
Australia has only just made it over the finish line, and is now
bucking at the knees and dropping to the ground in agony,
scarcely able to breathe and vomiting what little stomach
contents it has left into a small, acidic pool surrounding its
$279 Indonesian-made cross-trainers. Thankfully, in our duties
as Australia’s most trusted (i.e. non Murdoch-owned) news
source, Lot’s Wife is here to dust the nation off, hand them the
water bottle of knowledge, and recap the whole affair, including
wondering exactly where those chunks of carrot now dispersed
around the nation’s ankles came from.
In an election that has been so pre-occupied with numbers,
with endless poll-pushing and dollar-crunching, it only makes
sense to summarise by the numbers.
Let’s begin with One Nation. Even in 2013, Pauline Hanson
and her party are still thrashing about and trying to make political
noise, despite the fact that their core issue during their halcyon
days in the late 90s – strict immigration and border protection
– is now in largely in line with Labor and Liberal policy, making
the party an archaic hangover as relevant as “Who Let The Dogs
Out”, only more interested in keeping them out. And the Asians,
the Muslims, and anyone else who isn’t already a jingo-slinging,
flag-waving Australian. But in perhaps the first example of an
Australian current affairs TV program doing anything relevant
in twenty years, an awkward interview with candidate Stephanie
Banister, in which she demonstrated a complete lack of cultural
Sophie Mirabella: Last seen in a state of distress, wandering in thick bushland outside
Wangaratta. Approach with caution and concern. Image: Lock The Gate Alliance.
14
– and more importantly – political knowledge, derailed the party
significantly. She withdrew within 24 hours, but the damage was
done. Nonetheless, we look forward to Pauline ’16.
Conversely, after entering the political fray on relatively
short notice, it appears that Clive Palmer’s humbly-titled Palmer
United Party will take two seats, with former Rugby League thug
Glen Lazarus securing a Senate role, and Clive himself tentatively
ahead in the count for the seat of Fairfax at time of print. But
aside from Clive’s love of digging holes and being a professional
eccentric, we know very little of the PUP. There was a candidate
for every position in the country, but who are these people?
What do they stand for? The colour yellow? No one truly knows.
The success of the Palmer United Party proves that you don’t
need policy; all that all you need is a stack of mates, an easily
identifiable colour as a brand, and a streak of insanity... which, on
reflection, sounds remarkably like student politics.
How fortuitous for Tony Abbott to be constantly surrounded
by the “sex appeal” of his three daughters throughout his election
campaign, which has clearly now made him qualified enough
to hold the portfolio for women in his own Cabinet? Bridget,
Frances, and occasionally Louise were omnipresent on the Abbott
roadshow, accompanying Dad to functions, events, baby kissings,
openings of chip packets, and generally anything that might be
seen by a member of the public. We sincerely hope, for their sake,
they weren’t required to accompany him to any public toilets,
too. But with Tony constantly accusing Kevin Rudd of running
a “presidential campaign” based on a cult of personality, you can
only wonder – if he wasn’t hypocritically using his family image to
help run a presidential campaign himself, it can only mean that
Tone wanted to threaten us with the knowledge that he is a virile,
spermatozoa-shooting machine. If that isn’t a thought that stops
the boats, then surely nothing will.
It appears that when all the vote counting is finally
completed, Labor will have registered a slip in the two party
preferred vote of between four and five percent. What went
wrong? Where did the Labor supporters go? Political autopsies are
horrifically boring, so let’s instead try to analyse the loss through
the scope of a metaphorical house party. You, the potential Labor
voter, walk in the door expecting a Triple-A rated night, but
you already sense the depressing environment. Kev is rattling
on endlessly about everyone owes him money for the pizza, and
about how grateful everyone should be that he is even here. You
TONEABETWINSIN•2013
NATIONAL AFFAIRS
Senator Ricky Muir, shown here simply to assist the 99.5% of bemused Victorians who
did not vote for him in identifying precisely who the fuck now represents them.
Image: Facebook.
expect some familiar faces, but most of your old friends aren’t
even here. Emmo and Garrett left the party ages ago, so no-one is
singing or dancing. Combet was immediately gone as soon as the
party climate changed. And there are rumours that Adam Bandt
is throwing a much better party somewhere in the city; a small
affair, a bit wild, but plenty of green. And all the while, the lifeless
corpse of Julia Gillard goes completely ignored, floating face-down
in the backyard pool. Despite best intentions, track record and
highest expectations, sometimes parties just suck. The Labor Party
of 2013 appears to be no exception.
Leading up to the election, the Coalition’s six-point plan to
stop the boats was easily one of the most public policy proposals
put forward by the Coalition, and a vital aspect of their election
strategy. Sadly, someone forgot to forward that memo to the
Liberal nominee for the seat of Greenway, Jaymes Diaz. In what
must be one of the most humiliating on-air political deaths on
record, not only could Diaz not summarise the six-point plan to
stop the boats, but he could barely construct a six-word sentence
in the ensuing embarrassment. Broadcast internationally, his gaffe
was only compounded further by the fact that he was cradling
a copy of the Coalition’s Real Solutions pamphlet during the
interview; a pamphlet which contained that exact information.
Diaz was the only Liberal candidate in Western Sydney to fail in
winning a seat. Now with much more time on his hands, he is
now said to be looking forward to catching up on his reading.
There are always losers who find themselves thrown to the
wolves after every Federal election, but spare a thought for Dr.
Tim Flannery. Eight years after being announced as Australian
Of The Year in recognition of his work as a conservationist
and world-leading climate scientist, it took less than a week
of official business before the new Government dissolved the
Climate Commission, an organisation that Flannery has presided
over since its inception. Taking their plans to virtually eliminate
foreign aid spending, and to continue the human rights violations
of asylum seekers that the UN recently charged Australia with, we
can only postulate that the Coalition feel they can combat climate
change themselves solely through their frosty exteriors and natural
cold-heartedness. Look for a third ice cap forming over Canberra
in coming months.
Special recognition for their contribution to the election
season must go to TV powerhouses Seven, Nine and Ten, who
bravely rejected advertising money when they would normally
otherwise be begging for small change for their dying industry. Get
Up!, a politically independent group which staunchly encourage democratic participation in Australia, took exception to the
actions of (former Australian) media mogul Rupert Murdoch,
as he pulled no punches in promoting a very anti-Labor opinion
through his newspapers. Armed with significant funding from Get
Up! members, and a short advertisement depicting an actor scraping up dog poo whilst telling viewers, “don’t let the crap decide
your vote”, Get Up! were swiftly rejected by all three networks.
Was it the image of faeces on TV that the networks found so
reprehensible? It seems surprising that the three major commercial
networks could be so adverse to showing a piece of shit, yet still
insist on broadcasting such cultural touchstones as Slide Show, The
Big Bang Theory, and The Bolt Report. Dealing with Rupert is like
dealing with an elderly, incontinent family member - everyone
can smell it, but no-one has the courage to point it out.
Finally, one last number: 1100. That’s a rough estimate
of the likely number of days until the next Federal election.
Regardless of your political persuasion, and whether you found
any pleasure in the election results, we’re all going to do it again
sooner than anyone really cares to acknowledge. Start training
again, exercise your politics regularly, and let’s all make sure the
next election is a supreme demonstration of political athleticism,
and not another excruciating struggle for survival against a backdrop of malaise, ambivalence and public weariness. See you at the
starter’s gun.
Bob Katter retained the seat of Kennedy, surviving a sixteen percent swing against him,
but only with the help of preference votes received from his hat.
Image: Matthew Kenwrick.
ABANDONTHENATIONIN•2014
15
COMMENT
THE BRAVE NEW WORLD OF
CORPORATE MORALITY
David Heslin
“Where’s the Hentai?” I asked, puzzled, confronted with a sizeable gap in
commodity. Negative brand association means lost customers means lost
the shelving and a couple of taped-up boxes on the ground. “Head office
revenue. Companies are increasingly wary of alienating ‘the public’ lest
called it all back,” my manager replied. “We can’t sell it anymore.”
they face a backlash.
For the six months I’d worked at the Canberra branch of a major
One school of thought is that this is very much a good thing.
DVD retailer, the anime section’s top row had been adorned with images
Beyond competition and government regulation, it’s the only significant
of cartoon women in various states of undress. I had never quite under-
means of corporate accountability. To some, therefore, this is merely an
stood the whole deal with Hentai, but was aware that it had quite a cult
extension of the democratic process to the marketplace.
following amongst certain sections of the population. Now, courtesy of a
Unfortunately, that isn’t entirely true. Although corporations often
mysterious upper management directive, they were gone; no longer to be
become more (ostensibly) ethical, politically correct or environmentally
slathered over by geeks or offered as joke Christmas presents by middle-
friendly over time as cultural expectations shift, the direction isn’t always
aged female co-workers.
progressive. Far too frequently, knee-jerk PR-oriented decisions seem to
One thing this was not, however—in any real sense—was some
carry a substantial streak of wowserism. These are not decisions taken in
triumph of morality over profit. Capitalism, in its purest sense, is amoral.
order to foster a more representative society; they are a method of avoid-
Whatever atrocities it may incite, whatever inequalities it may perpetu-
ing the ire of shock jocks and tabloids. Even commercial media outlets
ate, its first and only objective is profit. That’s a principle that explains
themselves can’t afford to print or broadcast anything that might lose
everything from the price of a hamburger to Ronald McDonald House
sponsors.
Charities. Most (if not all) corporations work according to this rationale,
The inevitable result is an environment in which PR has far less
and I can’t imagine the rules of the game are thrown out of the window at
to do with the public than the media’s conception of the public; a few
my former employer’s board meetings.
offended customers far less of a concern than a manufactured outrage
This wasn’t the last time that this corporation would take the moral
campaign in The Herald Sun. It’s highly unlikely, after all, that an angry
high ground on DVD-related matters. A couple of years later, someone
mob would have ever descended upon a JB Hi-Fi store protesting against
relatively high up in the company made the call to boycott A Serbian
its trade in animated Japanese pornography; yet, the threat of a spot on
Film. In many ways, it seemed counterintuitive: as in the previous in-
Today Tonight was far more palpable. The process is so familiar that
stance, hadn’t the Australian Classification Board approved this title for
the public, playing its role or not, hardly even needs to be called upon.
general sale with an R-rating? Why did a DVD retailer feel the need to
Perhaps, in a way, it’s poetic justice that someone like Alan Jones should
second-guess them?
have found himself on the wrong end of this phenomenon. That doesn’t
I questioned the directive then, too, and was told that “it wasn’t the
sort of content [they] wanted associated with the business”. Sounds rea-
make it any less concerning.
From the signing of the Magna Carta to the civil rights movements
sonable, perhaps, but where do you draw the line? There have been plenty
of the ‘60s, declining government power has been ostensibly accompanied
of films with disturbing material emerging from Europe over the past
by an increase in individual freedoms. In the last few decades, however,
decade or so—Irreversible’s nine-minute rape scene is one of the more
that decline has only paved the way for a sideways shift; the rise of a new
notorious examples—and the horror genre is full of boundary-pushing,
behemoth, the commercial sector. The evidence is clear wherever you
often morally questionable depictions of violence. Clearly, the fact that
look: the failure of successive prime ministers to properly tax the mining
JB Hi-Fi or EzyDVD stock such films does not equate to endorsement;
industry; the ability of commercial media outlets to direct the political
instead, it simply recognises the fact that, to put it bluntly, there are many
agenda. In the United States, big money more or less has its own major
different kinds of films out there that people want to watch and will fork
political party; the same, perhaps, can be said for Australia. Perhaps we
out money for.
are already consumer/employee first and citizen second; if not, the trend
Of course, it’s a retailer’s prerogative to choose what it does or
doesn’t sell. This, however, was no ordinary commercial decision. Hentai
certainly points in that direction.
Companies’ ‘moral’ decisions will take on heightened importance
sells; so, as I’m sure a few other retailers would have discovered with A
as societal power bases continue to shift. Rather than cultivating a freer
Serbian Film, does notoriety. The only plausible inspiration for this head
society, this transition runs the risk of returning it to a more conservative
office directive could be that the possibility of bad publicity was consid-
and repressive place. Little, after all, threatens progressive thought so
ered to outweigh the benefits of selling a few more DVDs.
much as institutionalised taboo. The caprices of the Classification Board
In the 21st century, PR (public relations) is a valuable, tangible
16
are well-documented; in time, however, we may have cause to miss them.
LOT’SWIFEEDITION7•2013
COMMENT
SEX AND THE MODERN CHILD
Lowering the age of consent
Fabrice Wilmann
Trigger Warning: This piece contains reference to highly controversial
While this may be a sensitive subject for many, healthy and informed
ideas focussing on childhood/adolescent sexuality.
debates based on evidence and rational, objective thinking should never
be overlooked.
In Seriously guys, it’s time to talk about sex (Lot’s Wife Edition 6), Ellen
Advocates of lowering the age of consent espouse similar arguments
Flach espoused the idea of a consistent implementation of sex education
to those expressed by supporters of sex-education in schools. It is argued
within Australian schools. Talking about sex is a necessary part of life and
that if the age of consent was reduced, children would no longer be illiter-
it is indeed the obligation of our school system to provide children with a
ate on the subject of sexual relations. The stigmatisation associated with
comprehensive view about one of life’s fundamental organic practices.
childhood sexuality would slowly begin to dissipate, and discourses relat-
However, the concept of sex education generates an inevitable question: when will talking about sex turn into engaging in sex? The purpose
of education is to put the lessons we learn into practice, but the opposite
ing to sex would become commonplace in the education of children.
Statistics show that nearly 30% of children under the age of sixteen
have already participated in some form of sexual activity. A majority of
approach is taken with sex education. Young people are taught to abstain
these children are sexually illiterate, mainly due to inadequate sex educa-
from sex for as long as possible – age of consent laws are put in place to
tion. Few receive detailed advice on sexual intercourse and contracep-
solidify this ideal, effectively telling our society that children under the
tives, with many having no ready access to condoms. The only sex educa-
age of consent (16 in Australia) do not have the emotional maturity to
tion that is divulged to children is vague, euphemistic and often useless.
consent to sexual activities. Age of consent laws generally apply to sexual
Parents, teachers, and health and education services fail to promote the
assault of children by adults; at least here in Victoria, they do not prohibit
obvious alternative to intercourse – oral sex and mutual masturbation.
two individuals under the age of consent engaging in sexual activity if
Although both of these substitutes reduce the risk of HIV infection and
they are both over the age of ten, and if the difference between their ages
prevent unwanted pregnancies, adults may not suggest them for fear of
is two years or less.
being accused of encouraging sexual and illegal behaviour. British hu-
Despite this, age of consent laws still endorse the idea that children
man rights activist Peter Tatchell insists “this withholding of practical
are incapable of expressing sexual liberty. Law, and by extension, society,
information is partly due to the unrealistically high age of consent, which
regards children as not having the psychological capability to consent to
criminalises under-age relations.”
sexual interactions, even if they express a willingness or desire to do so.
Reducing the age of consent to coincide with the onset of puberty
This need for society to safeguard children coincides with the modern
is an essential step towards freeing children from the constraints of an
concept of childhood innocence. But at what stage does a child stop
overprotective society. American teacher John Holt believes that “many
being a child? And does this stage signify a readiness to engage in sexual
of us… still believe and need to believe that children are ‘innocent’ and
intercourse?
‘pure’, that is, asexual, untainted by sexual thoughts, feelings or urges.”
The debate over the age of consent has raged for centuries across a
We as a society must stop viewing children as asexual beings, and begin
range of countries, cultures and religions. By definition, the age of consent
to distinguish them as sexual creatures that need to learn their place in a
is the minimum age at which a person is considered to be legally capable
sexualised world.
of consenting to sexual acts. In traditional societies, the age of consent
The views expressed here are not necessarily indicative of the views of the
was not governed by law, but rather by families who used puberty as a
writer. These arguments are presented to encourage and facilitate debate and
temporal indicator to indicate sexual liberty. Due to changing societal
discussion on a sensitive issue.
attitudes in the Western world, laws regarding the age of consent were
gradually introduced, with ages between ten and thirteen regarded as acceptable in the mid-19th century before being amended to sixteen at the
beginning of the 20th century.
Britain was recently in uproar over barrister Barbara Hewson’s call
for the age of consent to be lowered to thirteen in order to “end the persecution of old men.” Though her extreme suggestions were at times obscene, vulgar and at best problematic, she touched on some crucial issues
that have been championed by many academics and health professionals.
LOT’SWIFEEDITION7•2013
INTERNATIONAL AFFAIRS
NOT THE
WEST’S WAR
Bradley Serry
The ongoing conflict in Syria is incomprehensibly tragic. The recently
Then, almost a year to the day after the redline was drawn, the
alleged chemical attack has only added to the misery felt by those trapped
major chemical attack occurred. The logical conclusion to draw is that
between the warring parties, and has also been used in justifying calls for
Assad is seeking to question the legitimacy of America and its desire
military intervention. Intervention, however, would benefit neither the
to be seen as the upholders of global standards of justice. As such, an
Syrian people nor the would-be Western coalition. There are a number of
intervention on the part of the United States would be as much about
reasons why this is the case.
preserving its own credibility in the region as it would be about protecting
Given the seemingly conclusive evidence that the Assad regime
was behind the recent chemical weapons attack, there is a persuasive
innocent civilians.
Recently, a potentially significant diplomatic development occurred
argument for humanitarian intervention. The flagrant disregard for the
when US Secretary of State John Kerry made a seemingly innocuous
rules of war demonstrates the regime’s willingness to use any means to
comment. Asked what Syria could do to prevent an intervention,
achieve their end, and the central ethos of any authoritarian government:
he remarked, almost sarcastically, that they could turn in all of their
that survival of the regime is supreme. However,
chemical weapons – before adding that it would
prior to the recent attack, estimates suggested that
never happen. Surprisingly, both Russia and Syria
over 100,000 people had died in the course of the
war, which began in 2011. This means that a very
small percentage of the deaths have been caused
by chemical weapons. So why is there talk of an
intervention only now, and never earlier on in the
war? Whilst a chemical attack on such a scale is
unspeakably horrific, it is strange to think that the
world would only react now, particularly as this
has been a conflict littered with atrocities since its
inception. Moreover, the relatives of the deceased
“The logical conclusion to draw is
that Assad is seeking to question
the legitimacy of America and its
desire to be seen as the upholders
of global standards of justice. As
such, an intervention on the part of
the United States would be as much
about preserving its own credibility
in the region as it would be about
protecting innocent civilians.”
seized upon the comment, and now an agreement
is in place to remove the chemical weapons. Whilst
this is promising, it is important not to rush to
deem this event as a game-changer. In theory, it is a
positive move forward, however in the context of a
raging war, it is difficult to see how inspectors could
confidently say that they have found and removed
all of Assad’s vast cache of chemical weapons.
Moreover, the deal does not end the conflict
because it will not stop Assad from using similarly
would not differentiate their grief in terms of
devastating ‘conventional’ weaponry. Still, it is the
deaths by gun or by toxic gas.
first significant international move on the crisis, so
The real impetus behind the push for intervention seems to
be President Obama’s warning that the use of chemical weapons by
Assad would constitute the crossing of a ‘red -line’. Obama has been
any development, even minor, should be gladly accepted, albeit within
perspective.
In spite of the above agreement, the possibility of intervention
understandably hesitant to put ‘boots on the ground’ anywhere during his
remains, if for example, the deal falls through. As such, it is important to
Presidency, cautious not to replicate the pitfalls of his predecessor, both
ask what may be the outcome of an intervention. Should the intervention
in Iraq and Afghanistan. However, with his ‘red-line’ comment, he has
proceed, it will be a small-scale surgical attack, targeting regime
seemingly backed himself into a corner. Assad, as ruthless and cruel as he
strongholds and artillery. At best, it tips the scales of the war in favour of
may be portrayed on the international stage, has proven himself a savvy
the rebels, and at worst, it delays the inevitable victory for the regime. If
political operative. By releasing very small chemical weapons attacks on
that is the case and Assad maintains power, the winners would include
various occasions, he sought to gradually undermine Obama’s statement,
Hezbollah, the militant Shiite group in Lebanon receiving support from
given the President’s reluctance to get involved. In short, he called the
Syria and currently fighting on the regime side, and Iran which has an
Americans’ bluff.
interest in the status quo in Syria. Russia also supports the regime, and
18
LOT’SWIFEEDITION7•2013
INTERNATIONAL AFFAIRS
has some national interests invested there. Further, the Alawi minority to
as genuine if it was led by the people who have grown up within the
which Assad belongs would probably maintain its dominance in Syria.
circumstances. Fancy Syria telling us how to handle a crisis; we would not
The losers from Assad staying in power would be everyone else.
take kindly to it. So why expect they would listen to us?
Alternatively, the opposition could overthrow the regime. The clear
However the war ends, Syria seems destined for a leader hostile to
benefit of losing a vicious dictator is tempered by indications that many
Western interests and resistant to democracy and the needs of the people.
of the rebel opposition groups have been infiltrated by hard-line Islamists
Moreover, if the West/United States did intervene, it would be spun as
who may themselves push radical policy upon the downfall of the current
a negative, given the depth of disdain for the West in the region. If the
regime. Herein lies the greatest unknown: if Assad remains, the world has
West intervenes but Assad still wins, it would be criticised for doing too
a brutal dictator it must deal with, but that, at least, is a known quantity.
little, too late. If the West intervenes and causes regime change, it could
The risk if the rebels assume power is that we simply do not know who
mean hard-line Islamists take power, whose default position is strongly
they are. Having said that, it must be conceded that they are unlikely to
anti-West. If the West remains clear of the conflict, it would be criticised
be much worse than the current regime.
for sitting idly by as Syria implodes. It is a tragic, no-win situation.
The only way to create lasting change would be to fundamentally
The mounting death toll certainly adds weight to the argument for
alter the nature of the country, a process that would take generations.
getting involved and trying to stop the bloodshed. But the reality is that
Moreover, change would only be viewed as legitimate by locals if led
no country is willing to invest the manpower required to actually change
by locals. The idea that democracy can be installed in a country which
the scene on the ground, because it is just too risky a venture. As such,
lacks the institutions for it to function has been thoroughly refuted
any involvement on the part of the West would have limited lasting
in Iraq. Furthermore, the Syrian war is about more than removing an
effect. This is a situation where the world must continue to exhaust all
illegitimate government; it harks back to tribal tensions, and includes a
diplomatic options, of which some still exist. This should include turning
myriad of other local grievances. To suggest that these could be fixed by
over the chemical weapons to Russia and the United States. It may also
intervention from an external force, who, rightly or wrongly, garners little
include imposing the harshest economic sanctions possible in an attempt
respect when mentioned in the region, is folly. This is a Syrian conflict
to isolate Assad. One thing, though, is clear: military intervention is not
– a regional conflict – and as such the people would only deem a solution
the answer.
LOT’SWIFEEDITION7•2013
19
STUDENT AFFAIRS
REFUGEES, SURVIVORS
AND EX-DETAINEES:
A PARTNERSHIP WITH WHOLEFOODS
“The people themselves from detention influenced me a lot to open an organisation like RISE because when I
was in detention centres (and when I was outside) there were no organisations who ethically believe who we
are and where we come from.”
Liam Neame
I first met Ramesh Fernandez after he was
including the marginalisation of refugee voices
positive side in your life. Most of the people
released from detention in 2004, not long
by refugee advocates and humanitarians.
go through barriers in networking and making
after mass protests for refugee justice were held
community connection, but Wholefoods was
around the country, including from within
Ramesh and I talked about the partnership
a big turn around in my life. There were a lot
detention centres such as Woomera and Baxter.
with Wholefoods, and the days when he first
of students who were really friendly to me and
He had fled Sri Lanka as an asylum seeker and
came to volunteer around 2004:
putting up with my very narrow minded beliefs
had spent time on Christmas Island and Baxter.
that I had at that time, about certain things,
There is a photo of the two of us in the back
“I first heard about Wholefoods through my
especially about white people. I went through a
yard of a friends place at this time: he has long
friends and family. My [adopted] sister [Shen
policy where I was targeted as a sub human and
hair, and I am wearing a disagreeable rainbow
Narayanasamy] was part of the MSA, she
Wholefoods gave me a different perspective on
jumper. This is how I remember Ramesh from
used to be the President, she was the one that
life. So many people out there are very caring
this time: quiet moments chatting, his soft
introduced me. My brother [Aaamer Rahman]
about refugees and asylum seekers.”
voice and fast words.
also introduced me to my involvement at
Wholefoods at that time so that’s how I got to
As part of the relationship with RISE,
establishing an organisation to address
In 2009 Ramesh, with the view of
know Wholefoods. I still remember the first
Wholefoods will be working with RISE
the needs of refugees, launched Refugees,
year I was introduced to Wholefoods, getting
members in a number of capacities.
Survivors, and Ex-detainees (RISE) from the
introduced to all the people, who were happy
RMIT library. It is the only refugee governed
and welcoming. This was through the political
“I think that as an ex-detainee, when I came
advocacy and welfare organisation in Australia.
activities and attending protests organised
out…what was given to me - and the friendly
Earlier this semester I worked with
by Wholefoods [people] and also some of the
nature and the very accepting of people when
others to establish a partnership between RISE
refugee protests. After that I was volunteering
we walk out of the detention centres - was
and the student run, non-for-profit Monash
at Wholefoods, making coffee, doing food
a positive influence on our lives. It was very
restaurant, Wholefoods. On the request
handling, and also doing other activities.
necessary to be part of that network. I think
of RISE, we have established a foodbank,
Wholefoods was an important part of my life
that people who are involved in Wholefoods,
collecting dry food and cash vouchers, with
at this time, it actually gave me so much of
hopefully they will come into positive
food to be distributed from Wholefoods.
my skill and also because of the nature of the
interaction with a diverse range of people. And
Wholefoods, it gave me a different side of
also it is important for people to skill up in
on the absolute right to seek asylum and the
Australia that I had experienced in detention
what they can give to the community, with the
need for systematic change to the inhumane
centres: friendly, warm, very welcoming and
help of Wholefoods I think we can increase the
policies of successive governments. This has
also it actually, increased confidence in my life.
skills of asylum seekers because it adds so many
This relationship has been predicated
been a relationship of solidarity and justice,
“When you come out of detention
levels of opportunity, so I think that that is the
not charity. We have used this partnership as
centres, being detained for such long periods
most important reasons why we decided to be
a vehicle for discussing justice for refugees,
everything is grey and you don’t see the
partners with Wholefoods.”
20
LOT’SWIFEEDITION7•2013
STUDENT AFFAIRS
calls, or emails, saying don’t talk so much
agents that want to be a partner, want be the
Refugees on bridging visas and in community
about politics, just talk about the needs that
voice for our needs - when this comes from
detention are in an extremely vulnerable
you have. How can you address the issue
the community itself it is more unique. That’s
situation. There are no rights to work or
of welfare, without addressing the broader
why I think that it is really important that an
education. There are no rights to Centrelink:
issue of advocacy: we can’t agree because at
organisation like RISE is not only run by the
people receive around $200 a week through
the end of the day we want to get rid of this
people - refugees - but also governed by them
the Red Cross asylum seeker scheme. There
stereotypical belief in the public about how
and that the decision making is made by the
are no rights to public housing and there is
they think about us, yeah? So when we voice
refugees is really important because at the
overcrowding in share houses. There are
our opinion it is an issue for the public, because
end of the day it is our needs and this is our
high levels of homelessness. Many refugee
the public themselves are not ready to accept
community and I strongly believe we need to
organisations have eligibility criteria linked
the oppression of the community: of what we
express how we feel about that. Using RISE as a
to funding that preclude some people from
face in our country [when before we were here],
medium actually brings a level of strength to the
accessing services. Wholefoods began its
but not in Australia. So, the minute we try
community. That’s why I think it is important to
RISE foodbank at the beginning of this
and talk about it everyone thinks we are ‘too
have an organisation like RISE.”
semester.
political’.”
“After the government introduced bridging
RISE is propelled by the needs of refugee
visas without work and study rights in August
and asylum seeker communities as defined
2012, about 700 people registered to access
by those communities. This includes creating
the foodbank for RISE. So…on average, we
a space where members feel safe as well
had about 200 people walking into RISE to
as keeping a check on the self-proclaimed
access the foodbank [every day]. So what we
leaders and humanitarians of the refugee
then decided was that rather than have it at
movement that silence refugee voices.
RISE only, we expanded to different locations
– one is in Dandenong and the other one is in
“The
Werribee. So basically people who live in that
influenced me a lot to open an organisation
people
themselves
from
detention
area can go and access the foodbank. And also,
like RISE because when I was in detention
as of last month we also started at Monash Uni.
centres (and when I was outside) there were no
Our foodbank doesn’t have eligibility criteria
organisations who ethically believe who we are
for those who want to access it. As long as
and where we come from. Also the voice of the
people walk into RISE tell us that they want to
community is really important and also to create
access the food program we will provide them,
a safer space for people to walk in to express
and also it doesn’t exclude any sort of refugees
their views on certain things is really important.
or asylum seekers based on [an organisational
There are so many refugee organisations that
selection] criteria.”
failed to do that. We started an organisation
For further information:
RISE: riserefugee.org.au and
on Facebook.
Wholefoods: rise-refugee.
tumblr.com & ‘Monash
Wholefoods’ on Facebook
(look for the event ‘Refugee
Foodbank Support’.)
Regular food donations for the
Wholefoods/RISE foodbank
can be dropped off in the
Wholefoods space. Cash
donations can be made near
the cash registers.
from the community for the community, this
RISE is incredibly popular both with its
was
supporters and advocates as well as its
important.
really
members, but it is lacking in resources. There
So there are
is a direct correlation between their lack of
a
funding and being outspoken advocates.
in the public,
stereotype
and
around
“People are very fond of listening to the facts
the
globe,
but also people want us to be thankful that we
that
asylum
are here, to not talk about political influence
seekers … are
of how we are oppressed in Australia. So the
not capable of
minute we open our mouth and talk about
voicing
it, discuss it, and write our opinion, that
opinions, there
makes a lot of people very uncomfortable.
are
Because we’ve constantly been getting phone
agencies
their
always
and
LOT’SWIFEEDITION7•2013
21
STUDENT AFFAIRS
FOSSIL FREE MONASH?
IT’S AS EASY AS DIVESTING
Laura Aston
The newly formed Monash division of the
field. Once the playing field is leveled, there
5% of the university’s share portfolio, in line
international Go Fossil Free campaign is
should be nothing preventing the clean energy
with the proportion of global assets that is
advocating for Monash University to sell its
technologies from enjoying a similar advantage
required to bolster the renewable energy
fossil fuel investments – a process known as
at the expense of the old technologies.
industry. Fossil Free Monash also has a view to
divestment. Whether you identify as left or
The tipping point for this to occur is
introduce the Monash community to resources
right of the political spectrum, divestment is
estimated at around 5% of the $70 trillion
to help them take charge of personal finances,
an approach to environmental sustainability
in superannuation, insurance and sovereign
such as superannuation and savings.
that has the potential to be palatable.
wealth funds.
Some people are commonly misrepre-
The Go Fossil Free campaign identifies
Globally, 300 educational institutions,
including Harvard, Stanford, RMIT and the
sented as being ‘climate sceptics’, as a result
three key organisational categories that have
University of Melbourne have taken the
of hesitation to support action on climate
significant assets. Universities/colleges is one
divestment campaign to their administrators.
change, due to a belief in the creative capacity
of these, along with cities/states and religious
Over 100 cities have committed to the
of humans at the eleventh hour. They hold the
institutions, and a category for ‘other’ groups.
campaign, and the recent pledge to push
view that once it is really in our interests to
The assets held by such institutions have
for state-wide action by Northampton City
put a value on nature, the market will spawn
significant social visibility, which means they
council, Massachusetts, is just one testament to
all kinds of eco-centric innovations. Divest-
will be influential in establishing a norm in
the growth and feasibility of the movement.
ment works within this market framework, en-
asset accountability. Although the investments
couraging individuals and institutions to take
of an institution such as Monash are
power to prevent the obscene and insidious
ownership of their investments and allocate
incomparable in scale to the $70 trillion tied
overconsumption of environmental resources,
them to valued causes.
up in various funds, they will be a key launch-
the effects of which are unforeseeable and
Individually, we do not have the
The greatest obstacle to the expansion
pad for a movement which seeks to shine the
imprecise. In tune with the grassroots nature of
of renewable energy is the unfair advantage
spotlight on finances that have hitherto been
the 350.org program, divestment is an aspect
enjoyed by dirty energy companies in both
written off as someone else’s responsibility.
of transitioning to a more sustainable future
investments and public subsidies. The
The Fossil Free Monash campaign has just
that the layperson can not only get their head
divestment campaign targets investments, in
begun to take form, from the same grassroots
around, but also realistically contribute to
a manner that echoes Lord Stern’s advocacy
global institution that spawned the Australian
simply by speaking with their networks and
for harnessing markets now, in order to
Youth Climate Coalition’s Power Shift 2013
investigating their finances.
mitigate the long-running, amplified impacts
Conference. Unlike campaigns of the same
of climate change. By selling investments
origin in the United States of America, the
Head to www.facebook.com/
that prop up gluttonous, unsustainable and
Fossil Free Monash branch does not stop at
FossilFreeMonashUniversity to keep up to date,
dirty technologies, emerging, renewable
divestment. It asks Monash to re-invest in
and contact Josh at jdshe6@student.monash.edu if
technologies will be given a level playing
renewable industries, such that they represent
you want to get involved.
22
LOT’SWIFEEDITION7•2013
STUDENT AFFAIRS
ON YA BIKE, SQUIRE!
Hannah Barker
There are many facilities and services hiding in plain sight around
turnover it generally breaks even on costs, with no resounding profit or
campus at Clayton. There’s the Monash Uni Student Theatre, there’s the
loss recorded over the last few years. Were he to have access to more
Community Garden, there’s Wholefoods, Sir John’s Bar, Radio Monash,
resources, Matt says he would love to increase The Bikery’s opening
Lot’s Wife… The list goes on.
hours to 9-5, five days a week (currently it is open from 9:30-4, Monday
One of these valuable, little known, resources is The Bikery.
to Thursday during semester). He would also like to expand the trade
Let’s face it: Clayton is not an easy campus to travel to. Unless you
live at halls, Monash is at least an arduous bus ride away, and more often
the trek involves a train or two on top of that. Even if you happen to own
services to include onsite welding and cutting tools, and offer more
creative opportunities for his volunteers to engage with.
In conjunction with the Monash Community Bicycle User Group
a car, you face an exorbitant fee for parking privileges – either that or a
(McBug), The Bikery helps to run various cycling events throughout the
perpetual battle over a free space down the road.
year – including a weekly social ride on Wednesday mornings that anyone
How many times have you considered the possibility of making the
is able to join. Matt also built and maintains the hundred-odd blue and
journey, if not more direct, then at least more environmentally friendly
green bikes around campus, which are available for use by staff and hall
and interesting? How many times have you dusted off your old set of
residents respectively through the Environmental Sustainability club
wheels, ready to ride to uni, only to stop and worry what the safest route
(TOES) at Monash.
would be, where you might securely leave your bike when you arrive,
The Bikery was founded back in 2004 when the MSA employed a
where you might take a shower before class, and what you might do if you
Transport Officer, and has been subject to several location shifts since. If
were to puncture a tire along the way?
you’re something of a permanent student or a long-term staff member, you
Luckily, our friends at The Bikery have us sorted. Tucked away at
may remember when it operated out of what is now STA Travel, or what
the back of the Short Courses building right behind the Campus Centre,
is now Boost Juice, or what is now a miscellaneous office on the first floor
The Bikery is a one-stop-shop for all your cycling needs – and the only
of the Campus Centre.
one in or around Clayton at that.
Late last year it also suffered a temporary closure at the hands of the
Not only do The Bikery team provide a comprehensive service at
MSC, from mid-November until late December. Though a reason for this
minimal cost including puncture repairs, brake fixes and gear adjustments,
closure was never officially stated, members of the executive committee
they also distribute free maps outlining the best cycling routes to and
implied that the space was underutilised and that the majority of its users
between Clayton and Caulfield, inform you of appropriate road rules and
were staff members. In fact, around 70% of the Bikery’s stable customer
tips, offer expert servicing advice and refer you to an external commercial
base is made up of students, according to Matt.
business as required. You can even pick up some brand-new accessories
such as helmets, pumps, lights and tubes while you’re there.
They also accept donations of used bicycles and parts, which are
rebuilt and sold second-hand for an average of $60, and no more than
$150. Unusable parts are recycled in accordance with The Bikery’s
sustainability ethos.
You can follow The Bikery’s news and events by liking the Facebook
page at http://www.facebook.com/monash.bikery, or checking out the
MSA website at www.monashstudentassociation.com/Services/TheBikery.
And of course, drop by and say hi to Matt in person if you have any
questions. Just follow the signs from Union Loop Road or the Lemon
With a squad of around 20 volunteers behind him, Matt Bowden
Scented Lawns. So what are you waiting for? On ya bike, squire!
is the only paid employee at the MSA supported initiative. Matt started
as a volunteer himself in 2006, before taking over the reigns as manager
in 2009. He has a Certificate 2 in bicycle mechanics, and takes great
pleasure in recruiting and training his gang of helpers, who each put in a
maximum of four hours assistance between classes every week. Anyone,
staff or student alike, is eligible to register as a volunteer regardless of
experience. Matt insists that basic technical problem solving skills are
the only prerequisite, and recommends the venture as a stress-free way
to spend spare hours on campus. It’s a fantastic alternative lifestyle for
students who aren’t inclined toward more booze-related campus events,
he explains cheerily.
The Bikery is funded by the MSA, and at its current level of trade
LOT’SWIFEEDITION7•2013
23
STUDENT AFFAIRS
Ben Knight
Ben Knight, the MSA’s Education (Academic Affairs) Officer and current
showed the increase in opening hours for this period would only result in
undergraduate student representative on the University’s Academic Board
increased expenditure of a few thousand dollars each semester. This is also
provides an update on a recent success in the 24 Hour Libraries at Monash
ignoring the fact that 24 hour study spaces are already offered to students
campaign.
from a select few faculties despite problems such as cleaning, access to
food and drink and security access still being present for these spaces.
As the MSA’s Education (Academic Affairs) Officer, I initiated one of
The MSA’s survey results revealed that the Matheson Library was
the MSA’s key education campaigns for 2013 – to lobby the university to
the most used library on campus, with the greatest need for extended
increase the opening hours of the Matheson Library to 24 hours over the
operating hours during SWOTVAC and the examination period. When
busy SWOTVAC and university examination period. The campaign has
asked, 93.7% of respondents suggested that they would utilise a 24
been one of the most prominent and engaging campaigns the MSA has
hour library after hours during SWOTVAC. A majority of respondents
run in recent history, garnering more than 2,500 survey responses (almost
studied between 6-10 hours a week during semester and over 20 hours
1 in every 10 students studying at Monash’s Clayton campus) which
during the SWOTVAC and examination period. More importantly, most
asked students to detail their study habits and usage of study spaces on
respondents indicated that they utilised the library study spaces for quiet
campus. By the completion of the survey, the result was clear – increased
individual study, but also for collaborative group study, where appropriate
library hours were desperately sought after by the student body, with many
study spaces are difficult to find outside university libraries.
responses indicating that hectic work schedules, inferior study spaces at
After months of continued lobbying, the MSA was contacted
home and inadequate access to the Internet and study resources made
earlier this month and informed that, as a result of the 24 Hour Library
access to on-campus study spaces vital to the quality and accessibility of
campaign, the University was instigating a trial into extended opening
their education.
hours during the SWOTVAC and examination period for semester two of
Despite the clear empirical evidence that 24 hour study spaces
2013. The trial will extend the normal operating hours in SWOTVAC,
on campus are needed, the University took several months to be
and three weeks of exams from Monday to Thursday by two hours,
convinced that students legitimately needed access to such spaces. When
meaning the library will be open from 8am until 2am in this period.
meeting with University representatives in person to discuss the results
While this is not an immediate offering of 24 hour study spaces accessible
of the survey, it was clear that while concept of an ‘all-nighter’ was
to all students, it is an enormous win for students, and will allow the
acknowledged as being apparent in the study schedules of many students,
University to ascertain the demand for after-hours study spaces and will
it was not something that the university wanted to facilitate in extending
provide necessary traction to make a continued argument for 24 hour
operating hours of study spaces. This is despite the fact that many
study spaces in the future.
students indicated that their need for study spaces was not a matter of
This announced trial spells out a move into the 21st century
choice; but instead resulting from several impediments that young adults
for Monash, which is currently one of the only Group of Eight (Go8)
face in accessing higher education in Australia.
universities that does not offer extended library operating hours. If
The university also indicated that welfare and security concerns
Monash extends this trial to a full 24 hour library service, students will
were a key factor in their hesitation to implement longer opening hours,
be able to stay later, arrive earlier and enjoy a higher quality and more
despite the MSA providing accurately costed documentation that
accessible education.
24
LOT’SWIFEEDITION7•2013
STUDENT AFFAIRS
MSA OFFICE BEARER REPORTS
on helping integrate a student based worker’s
hemisphere to offer a Queer Scholarship. This
rights service which will hopefully touch on
is a great step in improving equitable access
student welfare as well as promoting union
to education for everyone – regardless of their
services. More recently, I’ve begun some of the
individualities or backgrounds.
preliminary work for my most substantial pro-
I have also successfully lobbied for the Univer-
President: Freya Logan
ject – the 2014 Budget! While everyone will
sity to increase its training of staff in relation
Hi everyone! It’s been a super busy month for
no doubt be busy, it’s important to keep active
to IT, as well as other crucial learning and
everyone! So I hope everyone is looking after
with MSA events and campaigns, and I look
teaching aspects. These will begin in 2014.
themselves.
forward to continuing to engage with MSA
This will increase the quality of teaching, as
departments and students with these.
well as making learning easier, with lower
In the past month I have been aiding
with our education department in running the
amounts of unnecessary distractions.
NUS Unlock Your Vote campaign which was
If you have any queries or concerns, email me
trying to engage youth in issues that they cared
at ben.knight@monash.edu – no question is a
about in the election.
silly one!
As I write this report we have just
witnessed a change in government and it is
more important than ever that you come out
Secretary: Ben Zocco
and support your MSA. Underneath the last
Hi Lot’s Wife readers! Welcome to spring – it’s
LNP government we saw student organisations
been great to see the wind die down and stu-
crippled and unable to provide you with the
dents flock to the sunshine out on the Menzies
support, advocacy, activism and just general
Lawns in the last few weeks! At the MSA,
fun that you need at university. With this
we’ve been busily working our way through
news, we are starting to prepare the MSA for
the semester to continue securing wins for
Education (Public Affairs):
any future funding issues. When your union is
students. You might have noticed the new
Sarah Christie & John Jordan
under attack, so are you.
charging stations for mobile devices springing
Semester 2 is flying along and Edpub have
around on campus in the last couple of weeks
been busy as ever! This past few weeks we have
to the sector under any government and con-
We are also committed to fight any cuts
– this is a project myself and the rest of the
been working mostly on the campaign for Fair
tinue to fight the cuts imposed by Labor.
Executive have been working on throughout
Fares and Unlock Your Vote. Fair Fares is a
the year, and it’s great to see it finally come to
campaign for international and postgrad stu-
you with, but I hope everyone is getting along
fruition! I’ve also been working closely with
dent concession cards. The positive response
well, and looking forward to the mid-semester
Samantha – the MSA’s Treasurer – on the be-
to this campaign has been overwhelming. It
break.
ginning the process of planning for the MSA’s
has become very clear through this campaign
2014 budget process. If you have any questions
that Victoria needs support international and
about the work of either myself or the MSA,
postgrad students. We are hopeful that this
please let me know!
campaign will be continued next year and be-
That’s a bit of a bleak message to leave
Freya (msa.president@monash.edu)
come a major issue in the state election. Edpub
has also been working closely with the NUS
officer bearers to promote the ‘Unlock Your
Vote’ in the lead up to the Federal Election.
Treasurer: Samantha Towler
This campaign brought issues such as penalty
Hi Everyone. I can imagine everyone is busy
rates, HECs debate and pay equality to light on
and active as usual, which is why it’s been fan-
campuses around Australia. Additionally, NUS
tastic to see such an engagement with events,
Education (Academic Affairs): Ben Knight
produced a report card which we were able
such as One World Week and the cross-
Hi all!Over the last month or so I’ve been busy
to promote to students. Feel free to contact
campus NDA which was great to be a part
meeting with University representatives. Due
Edpub if you have questions regarding these
of. In between my regular routine of sign offs,
to all of the student support, Monash Univer-
or any other upcoming campaigns at sarah.
requisitions and meetings, I’ve been working
sity is now the first University in the southern
christie@monash.edu!
LOT’SWIFEEDITION7•2013
25
STUDENT AFFAIRS
Environment & Social Justice:
Rory Knight & Tamara Vekich
nership between the refugee governed RISE
The MSA Queer Dept. has had a very suc-
and Wholefoods. They are working together
cessful semester, and recently wrapped up
towards justice for refugees and asylum seekers
an amazing Queer Week (Week 7) that was
in the community. Regular food and cash dona-
jam-packed with social events, workshops and
tion can be made at Wholefoods. For more info
topped off with the infamous Queer Ball. Queer
visit: http://rise-wholefoods.tumblr.com
Ball attracted a record 150+ attendees, who
ripped up the dance-floor and partied the night
away. The Queer Dept. is currently continuing
Hey everyone!
to work on organising Queer Collaborations for
The ESJ department has been up to a lot of
2014, with the Committee mostly formed and
stuff… Here is a list of campaigns/going ons
the vision for next year beginning to unfold, we
so feel free to join some or all, or just to get
are excited about the opportunity for Monash
in touch for a chat: enviro.msa@monash.edu.
to host the conference. If you’re interested in
We are holding regular ESJ collective meet-
getting involved in our Organising Commit-
ings at 4pm, Wholefoods, on most Mondays,
Male Queer: Asher Cameron
tee, come along to one of our meetings or for
so come along - that’s another way you can get
Queer Week has been in full swing, and if you
updates ‘like’ us on facebook at https://www.
in touch!
missed Queer Ball II: Video Games on Friday
facebook.com/MSAQu
•Sustainablecookingeveningsinconjunction
night, then you’ve probably missed the best
with Monash Community Farm (MUCfarm),
night on campus all year. Maybe next time! We
are on from September 18th, every Wednesday
had fantastic workshops covering topics such
at 4pm, Wholefoods, Campus Centre. Visit
as polyamory, rope bondage and trans* 102.
IHi all, its been a busy time recently in the
the ESJ Facebook page to find the sign up link,
Gaymes Night in Wholefoods (because every-
Welfare Department. The Cheap Eats guide, a
or type this in to your browser: www.goo.gl/
one likes to play) was lots of fun too!
guide to eating on a budget has arrived and is
Sv8Cwu
Apart from the awesomeness of Queer
•Regularsocialjusticeandenvironmentalre-
Week, we’ve been writing a Student Mental
lated documentaries will be screened at Whole-
Health Guide (in conjunction with MSA
foods every Tuesday at 3pm, with subtitles. So
Welfare) which you can find online (msa.
come along, get comfortable on a nice couch
monash.edu) and moving forward with the
and get a cuppa while you watch. Informal
Ally network together with Monash Equity &
discussion is encouraged after the documentary
Diversity. Keep an eye out in the near future for
screening.
Ally training, events and advertising to provide
•FossilFreeMonashUnicampaign–banner
more support for students of queer identities.
painting and other activities coming up! These
Our events for the semester are wind-
Welfare: Alexandra Bryant
now available from MSA Reception. A launch
at Free Food Mondays was planned, however
has had to be delayed, due to the power outage
guys are a group of passionate Monash students
ing down after Queer Week, with the regular
this week. The fact that Free Food Mondays
committed to putting pressure on the uni to
scheduled programming of Morning Tea and
was unable to go ahead is a shame, partially be-
stop investing in fossil fuel and invest in renew-
Queer Beer and an occasional movie night
cause I don’t when it hasn’t run every Mondays
able energy instead. Contact Josh jdshe6@
to satisfy the queer craving. Keep in touch
in the last few years.
student.monash.edu or while procrastinating
though, as Collective Meetings still happen
on facebook type in: FOSSIL FREE MONASH
every Monday from 4pm and Queer Collabora-
health in the Welfare Department at the mo-
UNIVERSITY - http://www.facebook.com/
tions Organizing Committee will meet every
ment. Currently gearing up to help out with R
FossilFreeMonashUniversity.
fortnight getting ready for next year, both are
U OK? Day, which will already have occurred
•Weareorganisingcriminaljustice,animal
open to any Queer students to attend.
on September 12th when you read this. How-
experimentation alternatives, Tarkine forest
Huge shout out in congratulations to
There is also a bit of a focus on mental
ever it’s always good to check in with friends
and other information sessions/stalls/whatever
Elle and Freddie, Queer Officers-elect for next
and family to make sure that they are okay. If
we can think of… So get in touch if any of
year! We hope to train you up and support you
you or a friend is having any issues MSA Wel-
these issues interest you, we would love your
through the nightmare FUN that will be Queer
fare is always able to find you whatever help is
ideas and input!
Collaborations Monash 2014!
necessary.
•LastlyweencourageyoutocheckoutWholefoods Food Bank if you are passionate about
Further to that alongside the Queer
Female Queer: Cam Peter
refugee rights. This is a newly established part-
26
Department I am helping to develop a mental
health pack, as an easy guide to help students
LOT’SWIFEEDITION7•2013
STUDENT AFFAIRS
navigate university while dealing with mental
Clubs & Societies: Luke McGreevy
health issues.
Finally the NUS Disabilities office is
some policies over others.
If you are told that one party has been
As many of you will have seen by now, the
“in discussions with clubs and societies”, or
running a National Student Mental Health
Monash Student Association elections will be
has proposed policies after discussions with us,
Survey, so whether you have or haven’t dealt
occurring shortly. Clubs & Societies encour-
please know that no such discussions have,
with mental health issues please take a minute
ages you to engage in the festival of democracy
or will, occur. C&S will gladly work with who-
out of your day to fill in the survey:
that will occur.
ever is elected to run the MSA, and will not
https://docs.google.com/forms/
However, it has come to the attention of
attempt to influence the election in any way.
d/1Qufi0vCWcxYH2Pbm_yuknt5P3uixX-
the C&S Executive that parties in this election
1CxZXXv0N37EuE/viewform
have referenced C&S in their advocacy for
will advocate increasing the services and
increased club funding. While this increase is a
funding we can provide to clubs, as our con-
noble goal, C&S would like to make it crystal
stituents. This may include an increase to our
Hard link to type out? Find it on the
MSA facebook page/
Finally, if you are having any issues at all
I would like to make it clear that C&S
clear that we are an apolitical institution.
budget, with enough money added to meet
just drop by MSA Welfare and we’ll help you
This means we do not support one particular
the growing demand from clubs and students.
out.
party above another, we do not give opinions
However, we will do this after the elections,
on the election, and we will not be supporting
engaging in proper, apolitical processes.
Women’s Department: Edie Shephard &
Sally-Anne Jovic
After a hectic Women’s Week, the Women’s
Department is settling back into its normal
stride. The Women’s Room is fully stocked
with tea and coffee making goodies, and full of
lovely people and new furniture! For the rest
of semester we’re finishing up a few projects
that have been ongoing this year, including
finalizing a policy for Content Warnings in
course content, and we’re always looking for
those who want to be involved. If you’re looking to get involved, or have some ideas about
where the Women’s Department could go for
the rest of the year or even next year, message
us through the Women’s Department facebook
page (facebook.com/groups/MSA.Womens.
Department/) or email (msa-womens@monash.
edu).
Activities: Amy Clyne & Eliza Gale
Activities has been a whirlwind of events this
last few weeks! We’ve been busy organising
Oktoberfest, with tickets now on sale at MSA
reception. It’s shaping up to be a fantastic
night, full of German culture and lots of fun!
Our launch was a huge success, so thanks to all
those involved! We’re also in the beginning
stages of organising AXP II, so keep your eyes
peeled. Otherwise, it’s business as usual for
us, so duck in and say hello whenever you’re
around the Airport Lounge!
LOT’SWIFEEDITION7•2013
27
SCIENCE
SCIENCE LESSONS FROM…
HOLLYWOOD
Christopher Pase
Let’s look at some of Hollywood’s greatest
30m further than his regular drives, but was
Championships. Jones needed to put on around
scenes and see if the science behind them
wildly inaccurate. Running up to the ball gives
10kg of muscle, with more upper body strength
actually holds up (warning: contains spoilers).
you forward momentum and enables a greater
needed to push a bobsled than to jump hurdles,
rotation of the shoulders-key to achieving more
and still required an experienced driver to guide
Movie: Scarface -Tony Montana’s last stand.
power and distance in a drive. Harrington’s
the bobsled down the course.
Fuelled by a mountain of cocaine, Al Pacino’s
back swing was identical on both the ‘Happy
Tony Montana takes on an entire cartel as they
Gilmore’ drive and his regular style, but the
successful sled team are a steady driver, and
assault his mansion. Hit a couple of times in
ability to rotate his upper body through the
three strong runners to push off down the
the torso and upper body, Montana fires away,
shot was the deciding factor in gaining extra
ice... ICE? Ice!
laughing like a madman “You need an army you
distance. One can only assume that with
hear! An army to kill me!” More bullets hit him
Happy’s extensive ice hockey background he
TV Series: Seinfeld - The psychology and
but he doesn’t fall, yelling “I’m still standing,
would be far more adept at perfecting this
norms of society.
huh?” It takes all this plus a shotgun blast
swing, and that he would be able to achieve
Seven dates with someone and you need a
from close range to bring Montana down as he
more than 30m gains on the rest of the field.
face-to-face breakup, the biggest step in a male
crashes into his indoor water feature.
So does cocaine really give you
superpowers? The short answer is no, but it does
Verdict: Oh, man. That was so much
Verdict: The key elements to a
relationship is “helping a guy move”, a bottle
easier than putting. I should just try to get the
of wine is acceptable to bring to a dinner party
ball in one shot every time.
(Pepsi is not), and glasses make you look more
create feelings of euphoria and focus. Montana
intelligent by fooling people into believing
would have had increased alertness and energy,
Movie: Cool Runnings - Can sprinters really
you spent too much time reading books and
feelings of supremacy and strength. Cocaine is
make a decent bobsled team?
blew out your eyeballs. Seinfeld taught us these
a powerful nervous system stimulant, and just
Since this one is based on a true story, the
lessons and more about the “very complex...
maybe Montana had snorted enough to protect
science behind it is pretty strong. A faster start
fabric of society”.
his body from the shock of being riddled with
and you’d have more speed to attack the first
bullets. Cocaine usage in military and militia
corner and so on down the course. You would
colour-blind. While we claim ‘not to see
worldwide is prevalent, but it’s used to maintain
still need driving skill to take the corners
through colour’, this often seems insincere to
alertness rather than to rush headfirst into fire
smoothly and maximise this start advantage,
those hearing it. Jason Alexander’s George
without fear of death. This one is plausible,
or else a good start could be blown by a poor
spends an entire episode trying to convince his
the science aided by Al Pacino’s amazing
first bend. Also, the ice provides less friction
African-American boss Mr Morgan he isn’t
performance as the immigrant drug lord who
than an athletics track and could prove difficult
racist. He tries to make black friends to prove
strove to make the world his own.
for an Olympic sprinter to put down all their
his offhand remark Morgan looks like boxer
Verdict: Every dog has his day
power.
While the real Jamaican
Movie: Happy Gilmore - Happy Gilmore’s
bobsled team used sprinters
incredible long drive.
from the Army, American track
Adam Sandler’s Happy Gilmore transfers his
and field star Lolo Jones has
power in striking an ice hockey puck into
shown a successful crossover
driving a golf ball ridiculously far. With a
between Summer and Winter
running start Happy unleashes, scoring the
Olympics is possible. While
occasional hole-in-one where everyone else
the Jamaican team made the
needs two shots just to make the green.
next few Olympics after the
Every golfer has attempted a ‘Happy
famed 1988 campaign, but
Gilmore’ shot of their own, with ESPN’s Sport
failed to qualify for events in
Science putting professional golfer Padraig
2006 and 2010, Jones won a
Harrington to the test. He averaged around
gold medal at the 2013 World
28
LOT’SWIFEEDITION7•2013
And try as we might, we’re not 100%
SCIENCE
Sugar Ray Leonard was not a reflection of the
waiter, an African-American man, responds
eating a black and white cookie is that you
racial lens he views the world in. His elaborate
“Sugar Ray Leonard can eat here on the house”,
wanna get some black and some white in
plan involves calling an African-American
proving George right all along. Thus, Seinfeld
each bite. Nothing mixes better than vanilla
man who once exterminated fleas from Jerry’s
showed us how difficult it can be to navigate
and chocolate. And yet still somehow racial
apartment and taking him to crash Morgan’s
social situations and the psychology behind
harmony eludes us. If people would only
dinner. When Morgan exposes the plan and
human interaction.
look to the cookie, all our problems would be
storms out, George asks for the cheque. The
THE FLIP-SIDE OF GLOBAL
WARMING?
ANCIENT ARTEFACTS
DISCOVERED IN NORWAY
Maia Coghlan
Verdict: You see, Elaine, the key to
solved.
The artefacts, including Neolithic arrow
and pollen that he would have ingested from
and bow fragments thought to be around 6000
years old and a woollen tunic dating to approxi-
drinking stream water.
The team working on Oetzi’s body believe
mately 300CE (AD), provide a missing link
that their methods in analysing his blood cells
between the Romans and Northern Europe and
will be of use to modern forensics workers, as
give insight into an ancient civilization that we
it is often difficult to determine the exact age
know very little about.
of blood samples. This means that Oetzi is not
The tunic, found on the Lendbreen glacier
just a cool find for historians, but he has also
in Norway, is one of only a few examples of
provided significant research tools for modern
textiles from this period of history. It is the first
science.
insight into the warm clothing worn by early
Each of these finds has been made possible
Scandinavian hunters. Made from two different
due to the melting snow and ice caused by glob-
types of sheep’s wool, with visible signs of wear
al warming and climate change. If our planet’s
and two repair patches, this piece of material
temperature wasn’t significantly changing, the
Global warming has taken its toll on our planet
has provided us with an incredible glimpse into
Neolithic weapons, Iron Age shirt and even
for many years now. Although our understand-
these mysterious ancient lives.
Oetzi could have gone on another few thousand
ing of the phenomenon has come a long way
Martin Callanan of the Norwegian Uni-
years under the ice without discovery, and most
from declarations that ‘there is no such thing as
versity of Science and Technology has identi-
likely would have been just as well preserved a
global warming’, discourse surrounding global
fied the bow and arrow finds as strictly unique.
few millennia hence.
warming is still mixed and tentative: some
The ability to discover these never before seen
industries may even benefit from it.
artefacts is a clear indication that the world
for historians, archaeologists and scientists, it
It is now generally accepted that it’s not
While these finds are incredibly exciting
is changing. While more and more ancient
gives one an ever-present sinking feeling at the
just a fad: the last two decades of the 20th
artefacts are being discovered in various places,
same time: as we have climate change to thank
century were the warmest in the last 400 years,
the trick is to find them before they begin to
for these discoveries, what kind of long-term
and 11 of the 12 years between 1995 and 2007
degrade due to exposure.
price is being paid for these insights into the
were recorded by the United Nations’ Intergov-
Norway isn’t the only place where incred-
lives of the ancients?
ernmental Panel on Climate Change as among
ible artefacts have been found due to the melt-
the hottest years since 1850.
ing snow. Oetzi is a 5,300 year old man found
bourne with a bang, Victorians can look back
in the thawing Italian Alps in 1991. While
on their hottest year since temperature record-
has been melting at an alarming rate. We’ve
not a recent find, his discovery has allowed for
ings began. Our hottest summer on record was
all heard about polar bears dying out due to the
unprecedented scientific research that is still
soon followed by the warmest winter we have
degradation of their natural habitat. But what
continuing today.
ever experienced. With recent bushfires causing
With temperatures rising, snow and ice
if it wasn’t all bad? What if there was a flip-side
Last year, researchers studying Oetzi’s body
As September brought spring to Mel-
evacuations in Sydney, as we move back into
to global warming, as insignificant in scale as it
discovered red blood cells around his wounds.
summer again, I’m sure I’m not the only one
might be?
Often described as the world’s oldest murder
dreading the Christmas weather and quietly
mystery, Oetzi was found by hikers with an
wishing the earth’s conditions were such that
in the Norwegian mountains, and snow patch
As well as in the Arctic, snow is melting
arrow in his back, and his incredible preserva-
ancient artefacts in Norway could remain under
surveyors have discovered various ancient
tion has even extended to the blood he shed
the snow for a few more centuries. As fascinat-
artefacts in the melting ice. These discoveries
before dying. Scientists have even been able to
ing as they are now, nothing could influence our
are unprecedented in number, age and quality of
determine what his last meal was – meat from
opinion of global warming so much as to make
preservation.
both a wild goat and a deer, barley, cereal grain,
it a positive.
LOT’SWIFEEDITION7•2013
29
SUBHEADING
SCHMEAT:
SCIENCE FICTION BECOMING SCIENCE FACT
Amelia Moulis
Remember Star Trek’s Replicator, where food was synthesized on demand?
eat the breast or wing, by growing these parts separately under a suitable
Maybe not, but earlier this year, NASA channelled funding into a new
medium”.
research project aimed at creating a 3D food printer curiously akin to the
Is the way we consume meat an absurdity? The benefits of in vitro
Replicator. Although this printer won’t yet be able to source the appropri-
meat make it seem so. In vitro is the only real meat product that is com-
ate subatomic particles needed to build objects literally out of thin air, it
pletely vegetarian. No animals killed, no animal parts wasted. Whether
will be able to combine specific powders needed to produce food with the
or not it counts as kosher is yet to be decided, but as PETA spokesperson
structure, texture, and even smell of its intended form. Is this the food of
Ben Williamson so subtly puts it: “The meat industry, as it stands, causes
the future?
enormous animal suffering and environmental damage”. The stats back
In 2013’s latest instalment of ‘life imitating Star Trek’, scientists in
him up: livestock production is responsible for 18% of global greenhouse
the Netherlands have managed to manufacture a slab of meat from one
gas emissions, 27% of the global water footprint, and 33% of global land
syringe full of cells. Taste testers in London last month described the
use. And although I do enjoy a regular farm-fresh steak, it’s hard even for
world’s first lab grown burger as “close to meat”, with intense taste and
carnivores to deny the tragic unproductiveness of mining land to grow
perfect consistency – just not that juicy, owing to the absence of fat cells.
crops, feeding the crops to animals, then feeding the animals to humans.
Manufactured meat leans more towards science fact than science
Julian Savulescu, a professor of ethics at Oxford, declared: “we have
fiction, yet the processes involved are equally as perplexing. This latest
a moral obligation to support this kind of research”. It’s impossible to
project began (after a hefty donation from Google co-founder Sergy Brin)
contest the negative impact of meat consumption, and cultured meat pro-
when Professor Mark Post extracted stem cells from the shoulder of a cow
vides the possibility of drastically reducing energy, land use, water use and
and placed them in a petri dish. Borrowing medical science know-how,
greenhouse gas emissions, without compromising for tofu burgers. Not to
he applied a growth-promoting hormone to induce the tissue to self-
mention the most obvious benefit: the living animal is left to live out the
replicate, and the product was a tiny strand of meat. Post then knitted
entirety of its life slaughterhouse-free.
20,000 strips of this cultured muscle tissue into one burger, adding some
So why does such fervent public resistance still remain? Science
egg powder, beetroot juice, breadcrumbs, salt, saffron, flavour and colour
fiction may offer another answer here, in reference to such manufactured
to the otherwise white meat.
fodder as Soylent Green (the ‘high-energy plankton’ rations of Harry
Schmeat. Test tube meat. Frankenburger. Call it what you will, but
Harrison’s dystopian New York). Humans innately hold connotations
in vitro meat may be our dinnertime destiny. The Frankenburger was not
between what is ‘natural’ and what is ‘good’. How do we know we aren’t
the first of its kind. In 1996, two artists in Western Australia started an
devouring some lip-smacking [Soylent Green spoiler alert] fellow humans?
experimental art project called Tissue Culture and Art. In one instalment,
Yes, maybe that’s slightly extreme, but we as a society are already so
Oron Catts and Ionat Zurr grew frog skeletal muscle over biopolymer for
oblivious to the processes that bring our food to our plates, that adding an
food consumption. The installation culminated in a feast of sorts, where
extra, highly complex, biomedical step to food production is undoubtedly
the art became the hors d’oeuvres.
an unsettling prospect.
Yes, experimental art gave us the first laboratory-grown steak, but
But let’s frame it this way: the ability to produce a steak from a col-
this is more than pure historical precedent. The artists’ intentions to
lection of cells may provide astronauts with the sustenance needed in or-
probe the “apparent uneasiness people feel when someone ‘messes’ with
der to travel to Mars. Should we deny these food technologies the license
their food” leap frogged simple genetic modification and challenged
of ‘playing God’ for reasons we can barely put a finger on, or should we
public apprehension even further. Such a food future was even predicted
suppress our instincts and accept them as a logical solution to a sustain-
by Winston Churchill in his 1931 essay, Fifty Years Hence, contending
able and knowledgeable future? I guess the answers are in the stars.
“we shall escape the absurdity of growing a whole chicken in order to
30
LOT’SWIFEEDITION7•2013
Image: David Parry/PA Wire
MUSIC
MELBOURNE CHAMBER
ORCHESTRA
Lizzie Boag
For a Monday night, it was a dedicated crowd that came to the Mel-
with a full round sound showing the strength of Schubert’s symphony.
bourne Recital Centre to savour the delights of some classical music,
Incredibly virtuosic passages could be heard throughout each section,
played by the Melbourne Chamber Orchestra (MCO). The group,
adding depth and vitality to the performance. The piece was directed by
directed by William Hennessy, made light work of difficult pieces by
principal Violin and concertmaster, William Hennessy, whose energy and
Bach, Schubert and Beethoven. Each piece gained more musicians and
enthusiasm as conductor translated to the musicians and audience alike.
momentum until its spectacular finale with piano soloist Aura Go.
The Melbourne Chamber Orchestra is comprised of guest musi-
Beethoven’s Piano Concerto No. 1 in C Op. 15 was without a
doubt the highlight of the evening. Piano soloist Aura Go joined the
cians from professional ensembles including Orchestra Victoria, Mel-
stage along with conductor Michael Dahlenburg and a larger selection of
bourne Symphony Orchestra, and Sydney Symphony Orchestra along
instruments including clarinets, trumpets and timpani. They successfully
with alumni from the Australian National Academy of Music and other
brought a greater expressive range to the orchestra, to compliment the
tertiary music institutions.
many stringed instruments creating a fuller sound.
Aura Go was stunning in a black floor-length dress, as she impressed
The program, entitled Brio, consisted of three pieces:
the audience with her complete control of the piano. Her sensitivity and
Bach –Brandenburg Concerto No. 6
technique created a strong empathy with the orchestra and audience, as
Schubert – Symphony No. 5
her inspired cadenza showcased her depth and talent. It is easy to see why
Beethoven – Piano Concerto No. 1
she is in high national and international demand.
Dame Elizabeth Murdoch Hall at the Melbourne Recital Centre was
displayed excellent timing and control despite the inherent complexity of
Throughout the entire performance the orchestra and soloist alike
the perfect setting for this classical program. Similarly, the unique twang
of the harpsichord transported the audience back in time while the strings
the work.
The work culminated in an impressive finale that was full of energy
produced a warm, rich sound in Bach’s Brandenburg Concerto No. 6. A
and resonance. The audience erupted in applause, appropriately acknowl-
smaller group of MCO musicians were featured in this piece, creating a
edging the sensational soloist Aura Go, until she had taken no less than
more intimate and delicate sound. It also featured two violas as soloists,
four bows. The musicians of the Melbourne Chamber Orchestra were also
performed by guest musicians from the Sydney Symphony. The sound of
invited to stand multiple times, much to the audience’s delight at their
two violas playing together in close counterpoint provided an interesting,
incredible playing throughout the nights performance.
rich blend of sound not often heard in such an intimate setting.
The second movement ‘Adagio ma non troppo’, was much slower
allowing the wonderful playing of principal cellist Howard Penny to soar
beautifully on top of the viola sound underneath. The final movement
picked up the pace with the ensemble playing with great energy and
finesse through the many technical passages throughout.
The next piece saw the full string section take to the stage in Schubert’s Fifth Symphony in Bb Major D485. Woodwind and brass instruments including French horn, Oboe, Flute and Bassoon also enhanced
the overall sound, adding great dynamics and depth to the piece.
The second movement ‘Andante’ was beautifully phrased, with a focus on the woodwind section that was lovely to hear. The MCO achieved
a beautiful contrast between this and the faster paced ‘Minuetto: Allegro
molto’ movement that directly followed.
The final movement ‘Allegro vivace’ was the strongest of the four,
LOT’SWIFEEDITION7•2013
31
MUSIC
REVIEWS
ARIANA GRANDE
Yours Truly
Fabrice Wilmann
If you’re yet to hear the name
I rather make a song they can play on the radio that makes you wanna
Ariana Grande, this album will
grab your lover’s hands.”
emblazon not only her name,
Piano ballad ‘Almost is Never Enough’ featuring The Wanted’s Na-
but also her angelic voice into
than Sykes is the most poignant moment on the album, offering the only
your minds. The young starlet,
glimpse into the emotional vulnerability of Grande. The track is reminis-
only 20, already has a large fan
cent of Mariah Carey’s duet with Boys II Men, ‘One Sweet Day’, which
following in the U.S. as a result of her role as
Kat Valentine on the Nickelodeon sitcom Vic-
retains the record of longest weeks at #1 on the US Billboard charts.
Ariana Grande seems perfectly at home amongst such illustrious
torious. But don’t let her bubblegum pop image
company. And whilst her powerful voice and fondness for old school
or association with Nickelodeon fool you –
R&B will always draw comparisons with the awe-inspiring Mariah Carey,
Grande is a serious artist. One need only listen
Grande should not be overlooked as a distinct artist in her own right.
to her debut album Yours Truly to discover just
4 Stars
how talented she really is.
Bursting with a colourful variation of both classic and contemporary R&B beats, Yours Truly elevates the traditional R&B genre into a
wonderfully modern interpretation. Her album is driven by the indulgence of nostalgia, though her voice ensures that her songs never feel out
of date or insincere.
LONDON GRAMMAR
If You Wait
Maria Saltapidas
Powered by a commanding, Broadway-honed voice, Grande is able
London Grammar are a
trio from, yes!, London,
consisting of Hannah
Reid, Daniel Rothman
and Dot Major. Their debut album If You Wait
to seamlessly weave between soft breathy vocals and a striking tonality
is truly a mesmerising wonder. From the very
that soars with power and believability. Grande’s bravura, yet gentle
first track ‘Hey Now’, with its beautiful musical
vocals have been consistently compared to one of the greatest vocalists
scarcity and Hannah Reid’s ethereal vocals,
of all time – Mariah Carey.
you realise you will be drawn into an instant
Her debut offering only solidifies this association, as she infuses
love affair with this album and band. The
deftly tender vocals into urban pop songs that call to mind an ear-
smooth guitar riffs on ‘Stay Awake’ in combi-
ly-day Mimi – not surprising given that songwriter Kenneth “Babyface”
nation with the accompanying cymbals work
Edmonds, who co-wrote several Carey songs, serves as both writer and
surprisingly well, afterwards leading beautifully into the guitar picking
producer on the album.
on the third track ‘Shyer’ where the synths blend in softly to highlight
Opening track ‘Honeymoon Avenue’ introduces the listener to a
chorus of classic doo-wop styling that sets a ruminative R&B flavour for
Reid’s voice.
‘Wasting My Younger Years’ is perhaps the best song on the album.
the remainder of the album. The production on this song is reminiscent
From the beginning of this song you sense you are in for an orchestral
of Justin Timberlake’s ‘Pusher Love Girl’ (off The 20/20 Experience),
journey and indeed that is where this track takes you – a journey with a
positioning Grande as a female equivalent to Timberlake’s similarly
mix of pianos, guitars, and is that a violin thrown in there as well? That
smooth R&B style.
is a definite yes to the violin, as we learn from the album credits that the
The singles off the album highlight Grande’s ability to fuse pop
strings are performed by The City of Prague Philharmonic Orchestra.
and R&B effortlessly, not unlike how Mariah Carey has throughout her
What a perfect synthesis of Reid’s vocals to this musical arrangement.
career. Lead single ‘The Way’ featuring Mac Miller has already proven
Beautiful. Just Beautiful.
hit-worthy, becoming Grande’s first top ten hit on the Billboard Hot
The fifth track ‘Sights’ begins with a piano, leading into Reid’s vo-
100. Here, she utilises a deep resonant tone with hints of a pitch perfect
cals with a subtle guitar in the background; this combination is effective
whistle register that pierce through playful piano riffs and old school
in allowing Reid’s voice to carry through, almost like riding a wave. This
R&B beats.
track along with the next, ‘Strong’, showcases Reid’s amazing vocals.
Standout tracks on the album include the up-tempo R&B
On ‘Strong’ she roars out (analogous to the lion in the song) “if a child
song ‘You’ll Never Know,’ which blends throwback 90s beats with a
cries, would you not listen!” Track 7 is a solid performance of a cover of
light-hearted delivery of vocals. ‘Piano’, meanwhile, is a pure pop song
French house artist Kavinksy’s ‘Nightcall’ with Reid’s vocals being the
that sparkles with a clapping beat and a sparse undertone of piano loops.
main focus here. This leads into ‘Metals and Dust’, definitely the liveliest
The song is easily classifiable as a summer beach jam with lyrics like “but
track on the album in which you find your body unconsciously moving
32
LOT’SWIFEEDITION7•2013
MUSIC
to the tempo. Track 9, ‘Interlude’ with piano and vocals would translate
the dreamscape wandering to give us a soothing respite in ‘A Moment’s
perfectly as a live track for the band. ‘Flickers’ is the most alternative
Grace’.
sounding song especially with the use of bongos giving it an exotic feel
The song breaks from the rock vibe to give you a softer, more
but it still manages to blend with Reid’s vocals and seems to work. The
contemplative sound that makes you stop and become aware of your
album finishes with ‘If You Wait’, which sees Reid’s vocals slowly rise and
surroundings before returning to the start of your journey.
fall, eventually fading out until the end of our journey. If you want to
‘End of the Line’ soon picks you up with its upbeat and joyous mel-
give your ears some amazing sensory pleasure, then listen to this brilliant
ody and takes you on a different path in the second half of the album, all
debut.
the while staying true to the nostalgia with ‘Back Down the Black’.
‘Real Estate’ and ‘Stranger’ pay tribute to the blues-rock legends of
BOY & BEAR
Harlequin Dream
Kemal Atlay
In 2011, Boy and Bear cemented
decades past before finishing up with the easy-going acoustics and crisp
their place in the Australian music
drum beats of ‘Arrow Flight’, which would not at all be out of place on
scene with their debut album,
Fleetwood Mac’s Rumours.
Moonfire, and took home five
Boy and Bear manages to please old fans and win over new ones by
ARIAs to boot, allowing them to
showing that an evolution of sound does not necessarily mean a break
vastly expand their fan base from
from one’s roots. These home-grown heroes can only go up and it will be
the meager hipsters who worshipped their EPs
exciting to see what surreal journey they in store for us in the future.
to an entire generation of young music lovers
who fawned over the band’s Mumford and
Sons-like feel.
Ben Cummings may be a sing-
the indie rock-folk band is back with their
BEN CUMMINGS
Devil’s Blood EP
long-awaited second album, Harlequin Dream,
Samuel Blashki
the clichés we have come to
Fast-forward to August, 2013 and
to reassert their dominance in the folk-rock scene.
er-songwriter but his debut EP,
Devil’s Blood, contains few of
expect from the genre. There
The Sydney-based quintet seems to have refined their sound by
moving away from, but still staying faithful to, their folk roots and heading in a direction with a fresh take on rock, with a good measure of blues
and a dash of pop thrown into the mix.
are no multi-layered harmonies or heavy doses of reverb to be found on
this stripped-back acoustic release.
The tracks on Devil’s Blood were recorded by Cummings himself.
Subtle guitar fingerpicking serves as his loan accompaniment and con-
If Moonfire was a tale of the musings of the heart, with lyrics like
“you took my only one, when I only wanted love/ when I only wanted
tributes to the sparse, intimate sound of the EP.
Cummings’ lyrical content seems to traverse familiar singer-song-
love”, then Harlequin Dream is but a rare glimpse into the depths of the
writer territory, dealing with themes of “transgressions, guilt and
sub-conscious and boldly asks the question “did you ever find that carcass
compromise,” in his own words. Yet he does have an intriguingly truthful
of your dreams?”
turn of phrase and a voice that carries the songs with an honesty and
The opening track of ‘Southern Sun’, which was described by
intensity worth hearing. ‘You Say You Know’ is a particularly beautiful
singer and songwriter David Hosking as “the creative process and that
song that illustrates Cummings’ strong vocals as well as his restrained
moment of inspiration where everything comes together”, immediately
guitar playing.
sets a nostalgic tone for the first half of the album with its Fleetwood
Mac meets Band of Horses style of rock.
Listing Neil Young as one of his influences, it is clear that Cummiungs draws inspiration from musical legends. Devil’s Blood may also draw
“I was lucid and conscious and hovering like a firefly” laments
comparisons with the work of Australian singers like Patrick James and
Hosking in between the highly-addictive guitar riffs that take you on a
Josh Pyke as well as the English Ben Howard. Yet Cummings’ sound is
journey through an obscure and hazy dreamscape.
far more minimalist and significantly less produced, using emptiness to
The head-nodding bass and drum beats of ‘Old Time Blues’ and the
saxophone solo in ‘Harlequin Dream’ showcase Boy and Bear’s versatility
create depth.
While many may think that the homemade sound of Devil’s Blood
in producing a sound that transports you to the golden era of California
contributes to its charm, the EP is possibly raw to a fault. The tracks,
folk-rock, interspersed with elements of jazz that came to define East-
though packed with potential, scream ‘demo’ rather than ‘polished final
Coast American music.
product.’ From the faint breathing occasionally audible under the singing
Hosking’s unique vocals, which simultaneously bleeds of sorrow
and joy, allows Boy and Bear to stand out from its counterparts in the
ever-growing collection of indie folk-rock bands.
to the inconsistent vocal levels, this EP could have benefitted from some
professional input before its release.
Nonetheless, Devil’s Blood represents the beginnings of an excellent
The daringly blunt guitar solo in ‘Three Headed Woman’, and the
beautifully apt mention of a “cocaine footprint” in ‘Bridges’ concludes
local talent. Ben Cummings has huge potential and in time, may well
become a significant name in Australian music.
LOT’SWIFEEDITION7•2013
33
FILM & TV
IT’S NOT TV, IT’S HBO
Serena Walton
Home Box Office (HBO) is almost
to work, as it’s a subscription-based service.
content such as drugs, explicit language,
singlehandedly the reason critics now say
HBO’s goal is to make their brand worthy of
violence and sexuality.
television is more interesting than movies and
subscription, so they reward quality without
why thousands of Australians buy and steal so
the weekly concerns other networks have
Rectify and USA Network’s Suits are a clear
many TV series off the net. In the late 90s the
such as appeasing advertisers and keeping up
example of more and more channels producing
US cable channel redefined the TV landscape
ratings. Because HBO receives this premium
original content. It will be interesting to see
by producing a number of original programmes
subscription revenue they can create higher
how long this trend will last.
themselves such as OZ, Sex and The City, The
quality content. More money doesn’t always
Wire and The Sopranos.
equal better content, but there is certainly a
Two TV shows that may have missed your
correlation.
radar (because they’re not on HBO...)
The Sundance Channel’s recent show
Creative Freedom
HBO tries to show a typical three act story
Quality TV
Suits: USA Network’s version of Game of
each week, giving each show more of a
HBO’s TV series doesn’t use standardised
Thrones set in a law firm. Everyone wants
traditional movie or play format. The benefit
formats but instead developed a new genre
their name on the door, and there’s a lot of
of a television schedule is that producers have
called ‘Quality TV’. Quality TV is a term used
manoeuvring and politicking to try and get
time to develop characters and their motives,
by television scholars, television critics and
there. What distinguishes Suits from other
so that unlike a movie (which is digested in
broadcasting advocacy groups to describe a
legal drama series’ is that there’s rarely any
one sitting) you’re forced to ruminate on the
genre or style of television programming that
courtroom scenes: it’s about negotiation
characters to the extent that you feel you
they argue is of higher quality due to its subject
settlements, allowing the characters to put on
know them. HBO also allows artistic flexibility
matter, style, or content.
weekly dick measuring contests full of bravado
when it comes to adult content such as explicit
Quality TV’s pedigree is evaluated by a
and ego.
language, sexual themes and violence. This
number of subjective calculations and value
means some shows are much better artistically
judgements. According to the US group
original series from the producers of Breaking
realised than they would be on free-to-air TV.
viewers for Quality TV is: “something we
Bad. The show centres on Daniel, a man that
anticipate...[it] focuses more on relationships...
has been sitting on Death Row for the past 19
It’s not TV. It’s HBO.
[and] explores character, it enlightens,
years for the rape and murder of his teenage
The slogan ‘It’s Not TV. It’s HBO’ was
challenges, involves and confronts the viewer;
girlfriend. Due to new DNA evidence he is
introduced in 1996 as a smart way of
it provokes thought...”
released back into his small town community
differentiating a HBO series from its
HBO have pushed forward a new era of
Rectify: Is the Sundance Channel’s first
which he no longer knows. His re-entry into
competition by distinguishing its original series
quality television. Their model has allowed
the outside world may prove as unforgiving
as something unique and of value – something
many other cable networks such as AMC
as prison. The first series does not indicate
audiences cannot get elsewhere.
(Breaking Bad), FX (Sons of Anarchy) and
whether or not Daniel is innocent or guilty, it
Showtime (Dexter) as well new media such
instead plays on the viewers’ minds, making
model. HBO’s business model doesn’t rely
as Netflix (House of Cards) to produce high
them question if they would allow him back
on ratings for the financial side of things
quality programming that explores adult
into their community.
This slogan defines HBO’s business
34
LOT’SWIFEEDITION7•2013
SUBHEADING
THE FILMS OF XAVIER DOLAN
Linh Nguyen
A film prodigy; a self-indulgent narcissist; an enfant terrible; a precocious
Schneider); an alluring, yet unreadable, blond Adonis. The two friends
auteur; a self-inflated hipster; a cinematic wunderkind – Xavier Dolan
find themselves fixated by their new acquaintance, and quickly descend
is equally revered and reviled for his prestige and flair. Call him what
into consuming, baseless infatuation, both vying, unsuccessfully, for
you may, the Quebecois film-maker has produced three exuberant,
Nicolas’ affections.
stylish, and ambitious films in the space of just four years. His sphere of
Dolan’s visual vocabulary evokes the style of the French New Wave,
control extends to set design, art direction, score selection, and even
and directors such as Wong Kar Wai or Pedro Almodovar. The primary
costume - a unique meticulousness uncharacteristic of today’s film-makers.
criticism against Heartbeats – and Dolan as a director – is that the film is
Melbourne’s Speakeasy Cinema showcased Xavier Dolan’s films – what he
more indicative of ‘style over substance’. Of course, as a fan, I disagree.
calls his ‘Impossible Loves’ trilogy – back-to-back in a single, eight hour
While the film is certainly hyper-stylized and visually overstated – long,
long screening. Along with my fellow cinephiles and Dolan enthusiasts, I
slow takes of Chokri smoking elegantly in slow motion are plentiful – I
embarked on a movie marathon and a cinematic experience like no other.
find the film’s lavish aesthetic and imagery to be emotionally engaging,
I admit that my fascination with Xavier Dolan undeniably comes
partly from a place of envy. At the tender age of nineteen, Dolan blasted
serving to compound the artifice and superficiality of romantic yearning.
Laurence Anyways is Dolan’s most recent feature, a film that he calls
onto the scene with J’ai Tué Ma Mère (I Killed My Mother), a film which
‘his Titanic’ – an epic, operatic love story spanning over a decade, and
he wrote, directed, produced, and starred in. Screening in competition
approaching almost three hours in length. Set in Montreal during the
at the Director’s Fortnight, it went on to win three awards at the Cannes
late 80’s/early 90’s, the story centers on Laurence Alia (Melvil Poupaud)
Film Festival, and was selected as Canada’s submission for Best Foreign
and Fred Belair (Suzanne Clément) as their relationship is thrown askew
Language Film for the 2009 Oscars.
when Laurence reveals his desire to live as a woman.
I Killed My Mother is semi-autobiographical in origin, depicting an
Dolan chronicles the trajectory of Laurence’s transformation as he
explosive, tumultuous relationship between a teenage son and his mother.
faces the inevitable pitfalls and prejudices from the outside world: from
Dolan appears in the film as 16 year-old Hubert Minel, an adolescent
his family, his colleagues, and his profession. If this sounds like a political
who struggles to reconcile the intense, paradoxical emotions of love
film, it is not - at its core, Laurence Anyways is a humane story, a narrative
and hate he feels towards his mother. “I wasn’t born to have a mother,”
on the potency of unbridled love. Xavier Dolan has a remarkable
Hubert declares to the audience. “I could love anyone else but she.”
attunement with characters who see themselves as outsiders; characters
Self-consciously and purposely styled, the film is interspersed with flights
who are different, who exist on the borders. Poupaud and Clement
of fancy reminiscent of Jean-Luc Goddard, and sombre, black and white
bring the film to life with an intense vigor and passion, revealing,
confessional videos in which Hubert speaks candidly to the camera.
with incredible nuance and vitality, profoundly intimate and complex
The film is almost unbearably claustrophobic and insular, revealing
Dolan’s remarkable ear for dialogue and language. He provides an
interactions between two lovers at odds.
Dolan is a film-maker who exhibits an expert instinct for cinema:
uncompromising, intimate view of bitter domestic fights, demonstrating
for powerful imagery; for style, tone, and composition; for an assured, bold
the vicious way we utilize words as ammunition. Dolan isn’t afraid to
use of colour; for an impeccable musical score; for command over the
portray Hubert as emotionally aggressive and realistically self-centred;
medium and the form. He is able to fuse audacious, experimental style
yet, he also imbues Hubert with painstaking vulnerability and keen self-
with emotional restraint, and his films are infused with an exceptional
awareness. It is telling, however, that the hero of the film is undoubtedly
authenticity and sensitivity.
his mother, Chantale Minel, played beautifully by Anne Dorval.
Dolan’s second film, Les Amours Imaginaires (Heartbeats), traverses
His fourth feature, a psychological thriller called Tom at the Farm,
premiered at the Venice Film Festival this August, and may well be a
different terrain altogether. A meditation on youthful obsession and
departure from his signature romanticism. Rumour has it, Dolan will
unfounded passion, the film elicits the bitter-sweet nature of unrequited
finish directing his fifth film at the end of this year...which leaves me to
love. Heartbeats focuses on the friendship between Francis (Dolan) and
wonder if the man ever sleeps.
Marie (Monia Chokri) as it is disrupted by the presence 0f Nicolas (Niels
LOT’SWIFEEDITION7•2013
35
PERFORMING ARTS
MUST PRESENTS:
OF WAR AND WOMEN
Sharna Cousland
“Sometimes I think I have a capacity for great
ished by war, the men and women are plagued
violence in me…”
by their own demons and desires. A society
obsessed with control smothers its citizens to
imagination of audiences.
This new work is bound to leave a lasting
impression and a few unanswered questions.
This September Monash University Student
breaking point. Unable to conform to their
Theatre (MUST) will be presenting Of War
world and its inherent expectations, their
Thurs 19 - Sat 21 & Tues 24 - Sat 28 September,
and Women, written by Genevieve Atkins and
desires violently react against their family,
7.30pm.
co-directed by Sharna Cousland and Gene-
comrades and neighbours.
$11 MSA / $13 Conc / $17 Full
vieve Atkins. Adapted from the Greek tragedy
Three distinct storylines weave together
Join our Facebook page. Search: MUST Pres-
Women of Troy, this haunting piece of theatre
to create this sensual and visually stunning
ents: Of War and Women
portrays the suffocating presence of invasion
new work.
Book now via the MUST web page: msa.monash.
and is sure to challenge notions of gender and
sexuality.
Each year, hundreds of students help
oversee the development and production of a
diverse range of performance works via MUST,
Cassandra (Anna Burley), a young teen
edu.au/must or the MSA Reception Desk
riddled with eccentricities, begins to explore
Enquiries: 9905 8173
her sexuality, distancing herself from her wea-
The MUST Space
ry, controlling Mother (Emily Keene).
Grnd Flr, The Campus Centre (BLG 10)
Meanwhile, her not-quite-newlywed
Monash University, CLAYTON
a department of the MSA. MUST aims to
neighbours find themselves caught in stagnant
Contains stage violence and adult themes.
create vibrant, innovative theatre for Monash
domesticity. A barrage of empty hopes and
Information on sensitive content available via
students and the wider community. The 2013
groundless fears fill a desperate housewife’s
mustcontentwarnings.weebly.com
season commenced with the outrageously fun
psyche as all the while, a war is raging behind
Psycho Beach Party, directed by Trelawney
the white picket fence.
Edgar, and a multitude of bold work has since
Comrades in war are
followed; from the hellish contemporary dance
governed and restrained; they
work In the Fires, We Weep, choreographed
compromise their morals for the
by James McGuire, to the dynamic adaption
sake of their country. A sadist, a
of two Ibsen classics with Yvonne Virsik’s
masochist and a solemn philoso-
Nora and Hedda, and the new verbatim work
pher reveal their darkest secrets
Columbine, created by Daniel Lammin and an
and their deepest fears.
ensemble of MUST performers.
Recently, MUST launched The Contain-
Binding these storylines
together is the presence of a
er Festival, a brand new enterprise presenting
torrid woman. She is a fantasy,
ground-breaking work of all shapes and sizes
a ghostly presence, a darkened
in shipping containers around the Clayton
memory of years past. Exquisite
campus. Curated by Yvonne Virsik and
dreamscapes with evocative
Anastasia Ryan, the festival was a resounding
sound design complete the
success. Hundreds of student artists and or-
experience.
ganisers helped to fill these unique spaces with
A visceral journey, Of
music, dance, performance, circus, burlesque,
War and Women delves into the
exhibitions and more. The community and
absurd and the confronting. A
assistance surrounding MUST is what makes
dark humour fills the stage,
the development of new works like Of War and
bridging the line between trage-
Women possible.
dy and comedy. The suggestion
Of War and Women places the suburban
ideal on the frontline. In a country demol-
36
of words unsaid and scenes
unseen will further capture the
LOT’SWIFEEDITION7•2013
COLUMBINE
SUBHEADING
COLUMBINE
Nicholas Ringin
Kemal Atlay
On the 20th April 1999, Eric Harris and Dylan Klebold walked into
to ensure that Columbine became more of a historical record than a
Columbine High School and killed 13 of their fellow students and one
traditional play.
teacher before turning their guns on themselves. Columbine, the latest
One major theme of the play, such that it is unforgivingly pushed
MUST production, is an attempt to make sense of the massacre that
onto the audience, is that of aggression. Actors screaming at each other
continues to haunt the scarred survivors as well as the family and friends
across the stage, the cast stomping about in unison, contorted faces and
of those lost at the hands of pure murderous rage.
bulging muscles, and the blaring of the lights, turning people on stage
The two-and-a-half-hour performance - written and directed by
into ominous silhouetted figures.
Daniel Lammin - uses official documents, police-call transcripts and
“The whole event was permeated with such aggression, and in
personal accounts to retell the horrific events that we still remember to
order to do justice to the event, I felt we needed to address that,”
this day.
Lammin said.
“In 1999, when the Columbine High School massacre occurred
I had just started high school. The massacre had a profound effect on
However despite the aggressive overtones, the production is free
from any physical violence whatsoever.
me even at such a young age,” tells Lammin. “I instinctively knew that
one day, I would theatrically respond to the massacre, if only so I could
The human experience of grief, anguish and mental instability are
also explored in two deeply moving monologues at the close of both acts.
personally come to grips with it.”
“I felt liberated,” Nick Madders explained, who delivered the
Lammin, a recent graduate from the National Institute of Dramatic
first monologue in his acting debut, in which he recounted the indirect
Art, brings five months of extensive research together with an ensemble
human toll of the Columbine massacre – a student’s account of a friend
cast to immerse the audience in the chaos and raw human emotions that
who, haunted by the shootings, took his own life.
have come to define the Columbine High School massacre.
There are no set roles in Columbine, nor are there any props,
“I got to tell the story of an exemplary individual, and I was proud
to tell his story,” he said. “It was important to me he wasn’t forgotten…
costumes or sets. Taking a minimalistic approach to the production,
just because he wasn’t a victim of the tragedy, he (still) deserved to be
Lammin uses a simple platform, a blinding array light and smoke, and
honoured and remembered.”
near identical cast members dressed in jeans and black singlets to set the
tone for the performance.
The attention to detail was crucial in re-enacting the actual
events of the shootings and made for a goose bump-inducing experience,
Musically, the soundscape was varied, with everything from the
as though the audience were watching a documentary.
melancholic ‘The Sound of Silence’ by Simon Garfunkel to the grungy
noises of ‘Closer’ by Nine Inch Nails.
The ruthless nature in which Lammin conveys the chaos of the
massacre with various mini-performances scattered about the stage
“The overarching aesthetic approach to Columbine was that it
should look like a rock concert,” Lammin said.
tasks you as a member of the audience, to grab hold of whatever bit
of information you could in order to piece together the events of the
Interestingly, every single spoken word from the production –
shootings.
including the music - was taken from historical sources, official records,
personal accounts or cultural sources relating to the massacre
“Verbatim theatre is a very particular style, only using people’s
words,” Lammin said.
“So much of what we had created was reliant on the presence of an
audience,” Lammin said. “It was just fascinating to see what happened
when people were finally sitting in front of the cast and in the mosh pits
and whether some of the more daring decisions actually worked.”
Verbatim theatre is a form of documentary-style theatre that relies
When asked about future projects, Lammin hopes to not only
heavily (sometimes entirely) on the reconstruction of precise words
further develop and refine Columbine, but to also make another historical
spoken by people pertaining to a particular event or issue.
play.
In this case, Lammin spent five months researching and collating
many different types of primary sources about the Columbine massacre
“History has no shortage of horrors or catastrophes to explore,”
Lammin said. “I’m sure there’ll always be something to get my interest.”
LOT’SWIFEEDITION7•2013
37
P
O
E
T
R
Y
MAGIC, I WILL KEEP
SUBHEADING
HOSPITAL
Marcus Littlewood
Spent cigarettes line the path,
To the place where good health is found.
Sit down to wait with the sick seeking hope,
They’re all slipping down and dying slowed
Jack the Doc he calls for you
Marcus Littlewood
No longer you’ll be left to stew.
What kind of shock could he bring to me?
There is nothing more sure than a door
A big sharp nurse poking under your skin,
for a door always knows what it’s for,
Check your heart and know you’re alive.
and since the first tradesman bore
A sullied cough and dirty smile
doorish frames from an old two-by-four,
Not looking good we’ll have to go deeper.
it’s been the same to the rich or the poor:
A clean white bed with a dirty floor.
a door can open, or shut, no more.
Leaving you to wait and see what left here.
Deshani Fernando
For macaws or a boar or a Moor or a whore,
The speedy push of your bed into the limelight.
for cats that paw, crows that caw or rats that gnaw,
A quick sullen whisper
The sounded rush of sweet gas filling those holes.
for a carnivore, herbivore or omnivore,
Echoes through the halls
A blackened lung with stained hands,
for lions that roar or eagles that soar,
The darkness surrounds
Resting and waiting for that sting.
all doors must obey the same simple law
A distant owl calls
Men put knives through other men’s skin.
to open or shut, no less, no more.
These kinds of horrors lie within.
His thunder erupts
Even before, in the days of yore,
Frames slide off his nose
Wake up now, we haven’t got all day.
when doors were inscribed with mythology and lore,
The love of his mother
Here’s what you need to feel whole
when we tore off to war seeking bloodshed and gore,
Is all that he knows
Trust me, your meds are on that pole.
doors were all quite the same when it came to their core.
They knew they were not like a table, and nor
Though hardships sneer
did they think they were part of a tree anymore,
And dangers do lurk
or even like other wooden things, such as oars,
The darkness that falls
CHILL WINE NIGHT
they were doors, and proud of their one basic chore
Has no place to smirk
Hilary Davies
to let us pass through, or to stop us before.
The battle draws nearer
Slip gently into the chill wine night
Delusions of grandeur all doors do abhor,
The battle to be won
As the stars weave their gossamer clouds overhead
content to protect us from wind, frost or hoar.
Though good will hold the power
And the trees shape their thunderclouds
They open and shut, that’s what they’re for,
Hope was nearly gone
Along the horizon of the dark.
and though every pore in the doorjamb’s rubbed raw
Drunk then, on that elfin breeze
when you wore it away with that slamming of yours
His laughter we’ll miss
Lighting soft on arms and face,
the old weathered wood will still be bounded by four,
His howl is no more
Stirring memories in the spaces
and with hinges and frames it will still be a door.
And his mad eye did see
Where the starlight does not touch
All that came before
Wander the world’s long roads
Now I can keep talking till I’m sore in the jaw,
Trace that elusive shadow
or bore you until you are dead on the floor.
To those whom tried
To its source-
But there is one thing of which I am most certainly sure:
To cast off belief
But no
that for a door that is sure what it’s for
Hold true to your hearts
Fleeting, fleeting is the night
there is nothing more sure than a door.
Their magic we’ll keep.
And long the days
And love, in harsh sunlight
Blinded out.
38
LOT’SWIFEEDITION7•2013
CREATIVE SPACE
LITERARY
NOTES
I AM A REFUGEE
MD. Roysul Islam
It has been a long walk,
A journey marred by tyranny and blood,
Where homes were burned
Thomas Wilson
And dreams were crushed.
It has been a long time
WRITING WISDOM: MELBOURNE WRITERS FESTIVAL
(COURTESY OF EMILY LAIDLAW)
Since being treated as humans;
The hopes of generations were lost
When the oppressors shot their guns.
•Ruth Ozeki: I’m compelled to write fiction because reality isn’t enough for me
•Lloyd Jones: Writers are predatory like magpies, they’re constantly on the
lookout for snippets of stories.
I am a refugee,
•Jay Griffiths: Daydreaming is just as important as an adult as in childhood. It’s
A child born from the womb of misery.
the best way to channel creativity in writing.
I am a refugee,
•Marina Warner: Narrative is a tapestry in which people come together to
A human ceased of my destiny.
weave meaning.
•RamonaKoval:Our book collections are like archaeologies of the self.
I want to taste freedom
•Junot Díaz: The average person on the street can write a novel, but not
Like those who thirst for water;
everyone has the heart to.
I want to breathe freedom
•Tavi Gevinson: Most of my world is a composite of the works of others. These
Like a newborn’s first touch of its mother.
are mostly Beyoncé lyrics.
•Alison Croggon: Good writing speaks to inner desires a reader is unable to
I want to fight for my right
articulate.
On the paths of righteousness;
•JunotDíaz: Reading opens a space of deliberation where we encounter our
I want to live in peace
human selves.
Without hunger or mortal threats.
•Chandrahas Choudhury: Anyone who seeks the answer to life in a sentence
or two is bound to be disappointed.
I want to feel freedom
PUBLISHING NEWS AND BLUES
Inside every bone of my body,
Until death takes me away,
Amazon. Again: Amazon has launched a new initiative called Matchbooks,
Far from this mortal decay.
giving users access to ebooks of physical books they have purchased from 1995
onwards. Publishers worldwide shuddered in response.
O humanity!
ALP promises $12bil for National University Publishing Consortium: Well
Hear my prayer and take my hands,
…
Let us stand together, side by side,
MWF 2013 makes money: Attendance and tickets sales were up, and hence a
And face our foes with our heads held high.
record-breaking box office haul has been made at this year’s Melbourne Writers
Festival. The line-up, which saw 500 writers taking part in 367 events, was also
the largest in the festival’s history.
Want your creative
writing featured in
Lot’s Wife?
Send all contributions to
lotswife2013@gmail.com
No experience required!
REFINING READS- The Emerging Writer: An Insider’s
Guide to Growing Your Writing
A series of essays from speakers at the 2013 Emerging Writers’ Festival and
edited by Andre Dao, this book is aimed at writers who are just starting out.
There is a slice of enlightenment for everyone, with advice all the way from
Shaun Tan to Zoe Dattner.
LOT’SWIFEEDITION7•2013
39
CREATIVE SPACE
DUST
From this distant vantage point, the Earth might not seem of any particular interest. But for us it’s different. Consider again that dot, that’s
here, that’s home, that’s us; on it, everyone you love, everyone you know,
everyone you ever heard of, every human being who ever was, lived out
their lives.
The aggregate of our joy and suffering, thousands of confident religions,
ideologies and economic doctrines, every hunter and forager, every hero
Kit Mun Lee
and coward, every creator and destroyer of civilisation, every king and
peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals , every corrupt politician,
every superstar, every supreme leader, every saint and sinner of our species lived there … on the motive dust suspended in a sunbeam.
The earth is a very small stage in a vast cosmic arena.
Think of the rivers of blood, spilled by all those generals and emperors so that in glory and triumph they could become the momentary masters of a
fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some
other corner. How frequent their misunderstandings; how eager they are to kill one another; how fervent their hatreds.
The boy whispered to himself in the dark abyss of night.
His eyes were open, like orbs reflecting the stars filled with the sparkle of hope and possibility, his mind was racing. Tomorrow was the day. At last,
he would be found, rescued from the dregs of loneliness and a dispassionate neglect. In his eyes reflected the sifting of the ages, the fulfilling of his life,
played out like a play on the grand stage of this cosmic arena. What lay ahead of him … what hope guided him? What drew his breath and sustained
the stars in his eyes?
Was it hope?
Could he escape?
He had to believe that he could. With every inch of his being, he had to believe that he would find a way out of this labyrinth, this maze of endless toil,
that he would be saved and rise anew, transformed by the fire in his heart. With all his soul he had to believe, because if he did it would be true. If he
knew it to be true, then he would be free. Free from his cage of doubt.
The sunlight beamed through the hallways of the stained windows. Like shards of tangible gold they spilled in, filling the length of the hallway with a
quality; the dust suspended in the sunbeams visible and oblivious. Today was the day and he knew it. But somehow he didn’t feel as if he were there.
Passing through the hallway, his steps clacked on the wooden boards somewhere far off. The warmth of the sun upon his skin felt foreign and strangely
discomforting, as if it were too hot, as if tiny insects held in the light were biting down causing his skin to itch.
The orphanage was a solitary place, at least for him. No-one stayed long enough to make friends, and those that did were of a type that didn’t run well.
Theirs were the ones whose parents died. They were the ones who had no light in their eyes, their grey faces vacated and empty.
So the boy was alone, with no-one but the ghosts to keep him company, to remind him of how important it was to escape.
The dull thud of a door calmly closing shook him from his stupor.
“Are you ready for your big day?” A fake smile hid behind those fake teeth. But he nodded anyway, to the apparent delight of the staff worker.
“They’re waiting for you”.
The stage was set, the dreams were becoming realised, were being lived.
The boy beamed his heat out, that’s always what they wanted to see. He answered their questions with a youthful exuberance, just like he had practised. His was a mind of enthusiasm, of constant optimistic gestures and hopes. What they could do for him, what he wanted to do; but he didn’t want
to sound too pushy, too desperate. He laughed. Was that his voice? He didn’t know he sounded like that. It sounded good, so he didn’t worry about it
too much.
The boy kept his eyes down. If they could see the desperation in them they would found out. He tried to chuckle but all that came out was a pitiful
puff. In that instant, that moment somehow transfixed in time, he forgot how to smile. Laughing was an alien concept. He looked up, the beams in his
eyes fast fading. They weren’t impressed, he could just tell. The gouging doubt itched and fingered a line of white hot down his back.
Maybe it’s a little early; maybe the time is not quite yet. But those other worlds promising unforetold possibilities beckon. The open road softly calls.
40
LOT’SWIFEEDITION7•2013
CREATIVE SPACE
CHILDREN OF
INYANKAWATOL
Joshua Reinders
The shaman sat down in the dirt and crossed his legs. “I am going to share with you now one of the oldest, most treasured stories of my people,” he said.
“It is a story that has been passed down from generation to generation for a very long time. It is a story that teaches us of the secret origin of
the universe, of the very dust that we are sitting on now.”
He swept his hand through the dust and gathered up a palmful of it, thin trickles of it sifting through the cracks between his fingers. “I will
begin to tell the story now,” he said, glancing at each of us in turn, and then he raised his dust-filled palm to his lips and blew the dust into the air.
“It was the beginning of time, my friends, and sleepy little Inyankawatol, The Great Feathered One, had grown very very weary from flapping
his little wings all the way across the Ankankonontom, The Great Night Sky that is Above and Below and in Front and Behind.
“Luckily for Inyankawatol, at that very moment he happened to look down and see that a tree had started growing at the centre of the
universe.
“Wanting very much to rest his tired wings, Inyankawatol swooped down and landed on one of the branches of the tree at the centre of the
universe, and there he began to build a nest out of the twigs that he gathered there with his beak.
“Once the nest was finished, Inyankawatol, still very weary from his long flight across the Ankankonontom, hopped into his nest and
began to preen the stardust from his feathers, which the twinkling stars had shaken onto him when he was soaring amongst them at the edges of the
Ankankonontom.
“Once Inyankawatol’s feathers were preened, his little bird eyelids fluttered shut and he went to sleep.
“In Inyankawatol’s sleep, he dreamt of many things that he had never seen before when he was awake. He dreamt of a whole forest of trees,
and of a whole flock of birds that sang in those trees.
“For a very long time Inyankawatol dreamt only of the flock of birds that sang in the forest of trees.
“But Inyankawatol’s dreaming was not over yet, because then he dreamt of a strange type of featherless bird that liked to sit in the shade of
the trees and watch the soaring of the birds and listen to them sing.
“The strange and featherless bird could not fly and he could not sing. The feathered birds had a name for him—they called him Man.
“In Inyankawatol’s dream, Man sat in the shade of the trees and wondered at the birds for a very long time.
“Inyankawatol liked the dream with Man in it so much that he decided he never wanted to wake up from it, and over time the dream became
more complicated, because Inyankawatol could not help dreaming of new things for Man to wonder at.
“It is in this way,” said the shaman, “that the warm sun was made and the soothing moon and the cool rain and the sweet air that we are
breathing now.”
He closed his eyes and took a long, deep breath.
“I know that Inyankawatol is still dreaming, that he has not woken up just yet—because otherwise we would not be here to share this story.”
He opened his eyes and glanced at each of us in turn.
“So you see,” the shaman said with a smile, “according to the beliefs of my people, we are all just a small part of a bird’s dream.”
He uncrossed his legs and stood up.
“It is for this reason that in our language we say ‘Inyankawatol must be having a nightmare’ whenever someone is experiencing a bad day. It
is also for this reason that when we celebrate our religious festivals we like to go into the forest to sit down in the shade and wonder at the birds in the
trees.”
He looked up at the sky and started fingering one of the bleached bones dangling from his necklace.
“This is also why, in my language, we call birds manina Inyankawatoli—which means ‘children of Inyankawatol’.”
Want your short stories featured in Lot’s Wife? It’s easy, send submissions to
lotswife2013@gmail.com no experience required!
LOT’SWIFEEDITION7•2013
41
ANNALISA
D’ORTENZIO
ASHLEIGH HOSKIN
PHOTOS IN FOCUS
LEAH MCINTOSH
44
LOT’SWIFEEDITION7•2013
LOVE ADVICE WITH...
KARL MARX
- The advice column with class Dear Karl,
My partner and I have been together for four years now. Deep down, I think we
both know we’re not right for each other in the long term; we have too many
fundamental differences - we both want very different things in life and share few
of the same values and goals - but we do have fun together. At what point do you
sacrifice fun for the future?
Lot
[Editors note: ‘Lot’ is the pseudonym the writer of this letter chose, we didn’t alter this]
The problem in your relationship is the same as the one in capitalism. Namely, what
in dialectical materialism we call ‘determinate negation.’ This can refer to how an
idea entails contradictions, which make it inevitable that the idea will come to an
end. For example, one contradiction in capitalism is that it demands ever-increasing
consumption, while our planet has only a limited amount of natural resources.
Something has to give – and it obviously can’t be the planet – so capitalism must
be expected to end eventually. Is this not similar to your romantic relationship,
where the contradiction between your values and goals and those of your partner is
irreconcilable? Something has to give here too, and I’m afraid to say that it will be
your relationship. On the other hand, capitalism hasn’t ended yet. Despite many
predictions from my comrades that capitalism was entering its final ‘late stage,’ it
has managed to drag on, though it does seem to become increasingly vulgar over
time.
I won’t judge you if you stick around with your beau, for ‘fun’ as you say. But
I encourage you to imagine what could come after. Perhaps a deeper and more
meaningful relationship is possible. Perhaps there is someone else out there waiting
for you who could meet all your needs. If you leave ‘fun’ to pursue such a dream,
some people might call you idealistic or utopian, but they called me that too. Don’t
settle. A better politico-economic system is waiting out there for us, and so too is a
better partner waiting for you.
Now, getting back to that term ‘determinate negation,’ which I mentioned
earlier. This originated with the philosopher Hegel, who often described it as a
process, using the German word aufheben. This word has often been translated as ‘to
overcome,’ ‘to transcend,’ or ‘to supersede.’ Perhaps the time has simply come for
you to aufheben.
Yours,
K. M.
Marx is back, and I’m not just referring to the increased academic attention his thought has been receiving in the
wake of the global financial crisis and the concomitant failure of more hegemonic paradigms of thought to explain
the event - I’m also referring to the return of his love advice column.
CULTURE
PENCIL THIS IN: HIGHLIGHTS FROM
MELBOURNE WRITERS’ FESTIVAL
Patricia Tobin
The 2013 Melbourne Writers’ Festival ran from 22 August to 1 Septem-
Summer noted how the national media completely wiped Gillard off its
ber, inviting writers, illustrators, poets and intellectuals from Australia
pages. Hence, during the session, Summers successfully created an arena
and all around the world. This year’s festival motto was ‘Enquire Within’,
for lively discussion and riveting examination of Australia’s first female
and with a diverse range of topics covered, it certainly left festival attend-
Prime Minister.
ees a lot to ponder over.
Speaking of girl power, Tavi’s World featured seventeen-year-old
As the festival occurred during the federal elections, politics was all
blogger extraordinaire and editor of Rookie magazine, Tavi Gevinson.
the talk. Big Ideas consisted of various thought-provoking sessions like
Screaming teenage girls sporting floral crowns were a common sight dur-
Alan Missen Oration: Border Vigils, a commentary by border policy spe-
ing the evening, but that did not seem to faze Tavi at all. Smart, charm-
cialist Jeremy Harding. Together with Liberty Victoria, Harding assessed
ing, down-to-earth and, all-in-all, a pretty normal teenager, Tavi gave
Australia’s position on asylum seekers in the global context. Harding
an entrancing talk about the merits of ‘fangirling’. Be it obsessing over
noted that even though twenty-first century globalisation has led to a
Beyonce or JD Salinger, being a fangirl can be a tool of empowerment and
“borderless” world, nations have become more determined than ever to
self-identity, and that’s pretty rad. Tavi definitely proved herself to be a
tighten border control – Australia being evidently guilty of this.
girl to watch.
Another gripping Big Ideas discussion was given by writer Anne
Another remarkable international guest was Taiwanese-American
Summers in Feminism, Misogyny, Power. Summers tapped into Julia
writer Tao Lin who chewed over culture and heritage in Global Voices.
Gillard’s role in Australian politics and the media, primarily Gillard’s
Along with Australian writer Laura Jean McKay and Monash’s own Ali
speech on calling out Tony Abbott’s misogyny and sexism. A firm sup-
Alizadeh, the discussion covered how multiculturalism affects their own
porter of Gillard, Summers was proud to have conducted Gillard’s very
respective writings. The debate immediately picked up after Alizadeh’s
last interview as Prime Minister. With Gillard’s leadership now lost,
declaration on the futility of the term ‘multiculturalism’, which Lin
46
LOT’SWIFEEDITION7•2013
CULTURE
agreed with, while McKay kept an ambivalent stance. Lin was rather
music’s constant struggle to sound both familiar and new is, unfortunately,
reserved throughout the session, but there was, surprisingly enough, a fair
killing its mojo. All these issues soon appeared minuscule compared to
amount of fanboys cheering and laughing over Lin’s endearing aloofness.
Fred Watson’s Guide to the Universe, in which astronomer Fred Watson
A terrific session on words and text was A is for Aphorism, featuring
wove an engaging story of man’s growing understanding of the universe.
composer Andrew Ford and philosopher and writer Damon Young. From
From astronomical observatories to black holes; the Large Hadron Col-
modern Australian poetry to Nietzsche, both Ford and Young explored
lider to astrology jokes; galaxies light-years away to our neighbouring
this linguistic playground and their appreciation for concise, astute
planet Mars, Watson displayed an infectious enthusiasm for space and
observations. To Ford, music can be the perfect platform for aphorisms,
science. Watson’s enthralling ideas and relentless passion could be seen in
but for writer and music historian Simon Reynolds, music is something
many other creative individuals throughout the festival.
else altogether. In Retromania, Reynolds deliberated over pop music’s
The Melbourne Writers’ Festival was not only a celebration for
addiction to its own past and whether this was destroying innovation and
literature, but also a highly engaging platform for readers, writers and
creativity. From Daft Punk to thrash metal, Reynolds highlighted how
thinkers.
MWF’S DIGITAL DRIVE IS A MIXED BAG
Emma Nobel
Behind the closed doors of the Wheeler Centre a workshop of writing
The workshop picked up again to a full room after lunch, when
hopefuls sat, a world away from the CBD streets, still recovering from the
the writers hit their stride. Freelancing for Online Publications, with
exploits of the previous night’s revelling. Judging by the smell, the guy in
Melbourne writer Ben Pobjie and dailylife columnist Clementine Ford,
front might as well have brought Cherry Bar itself along with him.
was a standout. Pobjie and Ford shared their insightful experiences of
Digital Drive was an all-day event presented by the Melbourne
breaking into the Melbourne writing clique, and actively encouraged
Writers Festival, featuring hourly discussions between notable local and
audience involvement to facilitate their conversation. The afternoon
international writers covering the industry shift in writing and publish-
session’s speakers were confident and engaging, taking advantage of their
ing with the digital page. Deliberately broad discussions, ranging from
high profiles within an audience of writing hopefuls.
podcasting and eBooks to the importance of Twitter for emerging writers,
American romance author Sarah Wendell, alongside Crikey writer
meant the day was comprehensive to the point of being overwhelming.
and film critic Luke Buckmaster, followed with Audience Development:
Those who favoured the half-day ticket might’ve been onto something.
HowtoFindandKeepanAudience. The pair took to the stage with
The workshop spanned over seven hour-long conversations between
infectious charisma and inspiring honesty in a talk on engaging readers
a total of fourteen different writers who also fielded questions from the
through social media, demonstrating the forethought they had invested
audience. Some speakers outperformed others in charisma and rel-
in the panel by providing a link to pre-drafted notes. If the rapturous
evancy, others were let down by Digital Drive’s bizarre sessional format-
applause they finished on was anything to go by, Wendell and Buckmas-
ting. Sydney-based freelance journalist Antony Loewenstein and Perth
ter, who have a total of 50k Twitter followers between them, were the
eBook author Annabel Smith, of the Words Beyond the Page, took on an
superstars of Digital Drive.
oddly somber tone, perhaps feeling dejected by the many rows of empty
MWF’s Digital Drive offered insightful advice and encouragement
seats at the 10am session. Fortunately attendance picked up again in the
for authors writing in the digital age but let itself down with a haphazard
afternoon session where late-comers were unceremoniously shunted to
lineup. The afternoon session was still worth checking out.
the back.
Fashion blogger Lady Melbourne and Melbourne eBook author
Darrell Pitt’s mid-morning panel about blogging and publishing online
seemed poorly considered. The two shared little common ground and the
conversation felt forced at best, and confrontational at worst. A better
suited pair to tackle the Publishing Online: Books, Blogs and Beyond
forum might have been Lady Melbourne and Antony Loewenstein, both
with social media-savvy backgrounds. Similarly, given Darrell Pitt and
Annabel Smith’s mutual experience as young adult eBook authors, it’s a
shame Digital Drive didn’t consider pairing them up for the morning’s first
panel.
LOT’SWIFEEDITION7•2013
47
CULTURE
48
LOT’SWIFEEDITION7•2013
CULTURE
CONSERVING CONSERVATION?
David Charlwood
Joel Sartore, intrepid National Geographic photographer and author,
While these are laudable efforts, how are we to focus on other species that
has been on a tour covering Australia and New Zealand with his show
also play fundamental roles in maintaining our planet’s biodiversity, such
Grizzlies, Piranhas and Man-Eating Pigs: On Assignment with Joel Sartore,
as that of the humble earthworm? Even my description of the earthworm
which I was fortunate enough to see in Melbourne recently. A wildlife
as ‘humble’ is humanising it, presenting it in a positive light to make up
photographer and traveller since his college days, Joel certainly had many
for its apparent insignificance or unattractiveness, when as we know it
unusual anecdotes to share: One particularly gruesome one involved being
plays a vital role in the rejuvenation of ecosystems.
isolated for three weeks because of a potential infection
caused by bat droppings while shooting in Egypt.
Not surprisingly, Sartore sees his work as not only
bringing to people stories of exotic animals, but as a
message of conservation. Things are looking decidedly
grim these days for those wishing to protect nature’s
biodiversity; with humanity’s population tipped to reach
10 billion people this century (a conservative estimate)
our demand for resources will inevitably increase –
resources which will require us to enter unknown lands
and push their current inhabitants further out into the
Sartore attempts to bridge this empathy ‘gap’ with
“As a photographer
of wildlife, you are
permitted to show
cute pictures of
furry animals, but
mention climate
change and you are
being ‘political’ and
straying from your
expertise.”
fringes of our awareness. Conservation is obviously not
his Photo Ark project, which can be accessed at www.
joelsartore.com/galleries/the-photo-ark. Photo Ark is an
attempt to “level the playing field” by taking close-up
photos of a wide variety of species with a plain background.
He has so far documented over 2600 species, and scrolling
through the list revealed, at least to me, my ignorance of
almost all the species it contained. Some of these shoots
take many hours of work to prepare, as a short video shows
(hilariously) on his website.
Overall, Sartore attempts to merge the old and
new. His Photo Ark project combines the old message of
a new idea, although it is one that has become increasingly ‘politicised’.
conservation with the digital immediacy required to stay relevant to
Despite evident causes for the dramatic increases in rates of species
a fickle audience. He manages to straddle the fragile divide between
extinction and declines in animal populations, it is apparently taboo to
entertainment and lecture mostly successfully, although his response to
mention them. As a photographer of wildlife, you are permitted to show
one audience question (“What should we do about older generations who
cute pictures of furry animals, but mention climate change and you are
stubbornly refute climate change? Probably wait for them to die off”)
being ‘political’ and straying from your expertise.
lays bare his frustrations with those armchair critics who dismiss climate
Humanity’s efforts to save our fellow creatures on this planet have
focussed largely on animals with an advantageous ‘photogenic’ trait over
change while he is outside witnessing its effects. A frustration I am
sympathetic to (despite my very comfy armchair).
their peers – some good examples being the panda, the dolphin or the
polar bear: animals that are synonymous with conservation movements.
LOT’SWIFEEDITION7•2013
Images: Joel Sartore
49
GAMING
POKÉMON X AND Y:
A Francophile in Japan
Fabrice Wilmann
“I wanna be the very best, like no one ever was; to catch them is my real test,
like France, but also features a myriad of iconic landmarks that have
to train them is my cause…
come to personify the country. These include the Eiffel Tower, the
Pokémon, it’s you and me; I know it’s my destiny.”
ancient Carnac stones of Brittany, and the palace of Versailles. And
it seems as though France and Japan share a symbiotic relationship
These immortal words still ring true today in the hearts of all 90s ‘kids.’
– within Europe, France represents the largest market for manga and
Ever since the release of the first Pokémon game fifteen years ago, we as a
anime, and it also hosts the annual Japan Expo, a European celebration
generation have grown alongside these ‘pocket monsters’ – our pets, our
of Japanese culture.
killing devices, and ultimately our cherished friends. With the image of
Whilst many parts of France are embedded within Kalos, Paris in
the immortally young Ash Ketchum as our exemplar, we travelled the
particular was utilised as the fundamental paragon of French culture –
lands, yearning to fulfill one ubiquitous desire, one destiny: to become
“naturally we were very detailed on our research into Paris. We have
the very best.
incorporated Parisian elements everywhere.”
As Pokémon moves into a new phase of its life this ideal remains
Exciting new elements have also been introduced into Pokémon X
constant. What has changed is the world that surrounds it and the
and Y in an attempt to further revolutionize a game that already stands
mechanics through which the Pokémon universe is experienced. Pokémon
as the second best selling video game franchise of all time (behind only
X and Y represents the ultimate stage of evolution, and even though we
Mario). A much-discussed topic has been the revelation of a new type
may have fallen out of touch with this beloved enterprise throughout
of Pokémon – fairy type. This eighteenth Pokémon type will not only be
the years, it seems as though our attachment to Pokémon is immutable.
applied to new sixth generation Pokémon, but also to standard favourites
The world stands waiting in anticipation for October 12 when the latest
like Clefairy and Jigglypuff. The most striking aspect of fairy Pokémon is
chapter in the Pokémon legend descends upon us – and as the flag bearers
that they are super effective against dragon types – an odd yet thrilling
of Generation Y it is our solemn duty to welcome the new generation of
prospect that turns fairy Pokémon into fear-invoking dragon-slayers.
Pokémon enthusiasts.
Pokémon directors have also made the controversial move of
The Pokémon series has experienced extreme growth in several
introducing a new feature of evolution into the game. Referred to as
areas throughout recent times, especially in regards to location. The
‘mega-evolution,’ certain Pokémon (most notably Mewtwo, Blaziken
Unova region of the preceding Pokémon Black and White game was
and Ampharos) will be able to temporarily alter their appearance whilst
modeled after New York City, breaking the run of Japan-centric regions
also increasing their stats and abilities during battle. The move has been
Kanto, Johto, Hoenn and Sinnoh. This shift is indicative of the
criticized as an appropriation of Pokémon’s arch-rival Digimon, with many
worldwide popularity and influence of the Pokémon microcosm.
critics also recognizing a similarity between Mega-Mewtwo and Dragon
Pokémon X and Y follows in this tradition, introducing a new
region, Kalos, that was designed as an ode to the beauty of France.
Ball Z’s Frieza.
Despite these early critiques of Pokémon X and Y, the new
The director for the latest installment of the Pokémon games, Junichi
installment in the Pokémon series promises to combine the best of
Masuda, is the man responsible for ushering the Pokémon series into this
our childhood memories and amalgamate these with electrifyingly
new era of Francophilia. Masuda discussed the rationale behind this –
innovative ideas, thus cementing a universal legacy.
“first of all we decided to use beauty as a game theme. We were inspired
by one country in particular. A country that is reported to be the most
visited in the world. It is a country that is very particular about fashion
and the aesthetics of their cuisine, a country concerned with the beauty
of words. We thought of France.”
The desire to emulate the French landscape stems from Masuda’s
own infatuation with the country, which originated during his first
voyage to France in 2000. After visiting the various regions of France
again ten years later, Masuda decided to explore the intricacies of France
and its culture in 2011 on a proper research tour with the Pokémon staff.
As a result of Masuda’s research, the Kalos map is not only shaped
50
LOT’SWIFEEDITION7•2013
GAMING
THE RISE OF THE
HUMBLE INDIE BUNDLE
Jake Spicer
I remember the first time I saw one of the Humble Indie Bundles: four
subject, Jefferey Rosen, co-founder of Wolfire Games, has said: “When
brilliant indie games (Braid, Osmos, Machinarium and Cortex Command)
considering any kind of DRM, we have to ask ourselves ‘how many
available for whatever price I desired. I probably paid around five cents,
legitimate users is it OK to inconvenience in order to reduce piracy?’ The
but since then I have avidly followed each new bundle, often paying well
answer should be none.”
above the recommended price. The Humble Indie Bundle was the first of
Humble Bundle Inc. have found this system to be so successful that
its kind, creating a strong emotional connection between buyer and seller
they are now venturing into other mediums. In 2012 they released the
that had yet to be leveraged.
Humble Music Bundle, with music by They Might Be Giants and Jona-
Pay What You Want (PWYW) pricing systems, as used for the
thon Coulton, and the Humble eBook Bundle. This year they released
Humble Indie Bundle, have been used by businesses for some time. Some
the Humble Comedy Bundle, with audio and video from Louis C.K,
restaurants host “pay what your heart feels” nights, relying on customers
Maria Bramford and Tig Nataro’s legendary ‘Cancer Set’.
to spend a reasonable amount for their food. Radiohead boosted aware-
The Internet has allowed much greater freedom for distributing me-
ness of the technique with their album In Rainbows, available as a digital
dia, giving video game developers, authors, comedians and musicians the
download from their website in 2007. In Rainbows was a huge success,
ability to directly release content to their audiences. The Humble Bundle
reportedly selling $1.2 million downloads on the first day. PWYW systems
is just one of the brilliant examples of this new economic freedom, releas-
allow businesses close emotional contact with their audience, creating a
ing material in creative and ethical ways, all while bringing out the best
bond that significantly strengthens the buyer/seller relationship.
from consumers.
Wolfire Games organised and managed the
original Humble Bundle, raising over $1 million in
revenue. After this incredible success, Wolfire set up
Humble Bundle Inc.. The original bundle was partly
inspired by the video game World of Goo, developed by
2D Boy, which celebrated its first anniversary by offering a PWYW download.
The Humble Bundles goes further than this.
Each payment can be split three-ways between the
developer, Humble Bundle Inc., and one or more
charities such as the Electronic Frontier Foundation
and the American Red Cross. Each game is also strictly
digital rights management (DRM) free, meaning the
games are not tethered to anti-piracy software.
The Humble Bundle has stripped away much of
the rationale behind piracy such as cost, ethical reasons and lack of direct flow of money to the creators.
And yet people still pay the bare minimum (as I did
several years ago). Piracy is made easier by the fact that
these games are DRM free, making it impossible to tell
the difference between someone who has pirated the
games or paid for them legitimately. Speaking on this
LOT’SWIFEEDITION7•2013
51