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This article aims to analyze the native notion of authorship present in the Kapinawá Indian community, localized in Pernambuco, Northeast Brazil. Based on the notion of historical anthropology, I analyze the authorship as an invented tradition that results of a political process of ethnic emergence. Through the ethno history of this Indian group, I present the context of construction of an Indian tradition – the Toré ritual – that legitimates itself by using categories pertaining to a religious tradition of Northeast Brazil called Jurema’s complex. By doing so, I intend to show the (form of) relation formed between the Toré ritual and the emergence of the native notion of authorship constructed in it. Keywords: Northeast Brazil Indians; invented traditions; ethnomusicology; jurema.
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