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, "All Mimsy Were the Borogroves" is a powerful poem that skillfully blends fantasy and reality to critique contemporary society. It challenges readers to confront uncomfortable truths and emphasizes the importance of individual choice in the face of moral and societal decay. The poem's rich imagery, rhythmic structure, and thematic depth make it a compelling and thought-provoking piece of literature.
Roger Massey proposes a re-interpretation the history of the potteries operating in Bovey Tracey. The research is based in part on newly discovered primary sources including unpublished letters of William Cookworthy.
2019
This research deals with mimetic criticism of Thomas Hardy‘s selected poems. There are two questions within this research. The first question is how are realities represented by Thomas Hardy‘s selected poems and how are the relationship between Thomas Hardy‘s selected poems and contemporary realities in the point of mimetic view. In conducting this research, there are two basic sources, primary data and secondary sources are used. The primary data are selected poems by Thomas Hardy namely; The Man He Killed, In Time of „Breaking of Nations‟, and The Voice. The secondary sources are books, essays, journals, reviews, previous thesis, and information from internet about the poems, mimetic theory, and the relationship between literature with and reality outside of literature. The data were analyzed by using mimetic theory by Meyer Howard Abrams. The result of the first analysis are about the realities represented by the three poems above. The Man He Killed represented the events of the Second Boer War in South Africa which happened in his time 1899 – 1902. In Time of „Breaking of Nations‟ represented the events of the First World War in 1915 from the other side of the reality of war. The Voice represented the fact that was presented in 1912. The fact that his first wife, Emma Lavinia Gifford suddenly died on November. The second analysis is about relationship by the three poems above and contemporary realities. The Man He Killed was centred on the futility of war and the social impact it causes that the reality of war has been a single path to independence, freedom and loss. In Time of „Breaking of Nations‟ states that the good things of everyday life will survive when the war has long been forgotten. These facts are described as collective resistance to the reality of war that is difficult to avoid. In The Voice, the impact of death creates deep sorrow for someone who is very mentally disturbed. Likewise with the shadow of the dead who once to the heads of loved ones.
Historically Speaking, 2013
Margaret Mahy’s novels contain numerous allusions to the classics of Victorian fiction for children. Some of these take the form of passing references; in 24 Hours, for example, protagonist Ellis thinks of himself as “Ellis in Wonderland.” But Mahy also draws on Victorian precedents for some of her settings, taking imaginary islands from Peter and Wendy and Treasure Island, and the secret garden from Frances Hodgson Burnett’s novel of the same name. She also invokes the forest of the fairy tales that (although they were not invented by the Victorians) featured so prominently in the reading of Victorian children. To date, little attention has been paid to what might be described as the “Victorian dimension” of Mahy’s work. In what follows, I examine its function in five novels. It emerges that Mahy’s response to the values embodied by her Victorian texts is critical on at least three counts. Mahy’s heroines (or, rather, female heroes) reject the passivity and silence exhibited by fai...
VPFA International Annual Conference “Hidden Histories / Recovered Stories”. 12-14 Luglio 2023. Bishop Grosseteste University, Lincoln (UK) , 2023
Among the Victorian authors who have both enjoyed unquestioned popularity and endured almost-complete oblivion, Ellen Wood constitutes a peculiar case. Not only did Wood’s decade-long fame and solid commercial success abruptly come to an end after World War I, when her middlebrow ethics got overshadowed by those of more explicitly unconventional and ‘subversive’ contemporaries of hers, but even the pervasive attention long reserved to her first best-seller East Lynne (1961) ended up consistently obscuring the richness and variety of her wider oeuvre, which, with more than 35 books and an intense editorial work over two decades, has been defined “prolific even when measured by the standards of a prolific age” (Liggins and Maunder 2008, 151). Some of Wood’s shorter fiction, in particular, has been persistently overlooked by critics even when scholarly attention has begun to be redirected to the writer over the last fifteen years. Such is the case of Bessy Wells, a short novel that Wood published in 1875, and that remains one of the least read and studied of her literary works. The story of the eponymous protagonist Bessy, a lame girl who has been forced to grow up in a London slum and has lost her pious mother due to her father’s moral weakness and spiralling into alcoholism, is here set against the background of a moral yet simultaneously sensational analysis of urban spatiality, by which the paradisiacal blooming gardens of the upper classes are starkly opposed to the overcrowded, miasmatic, and promiscuous quarters of the underprivileged urban workers, seemingly determining one’s possibility for spiritual fulfilment. Yet, in her unwearying search for grace and beauty, Bessy’s disability and marginalized gender interestingly transform from limiting factors into strengths that grant her a better measure of life and the ability to set the example for those around her.
Choosing the precious phrase from Judith Wright " s poem " Bora Ring " as the title of my article I intend to highlight the essence of postcolonial viewpoint in her some other poems which act as the voices of the lost songs sung by the indigenous people. Not only the culture, ritual and their native tale but the aborigines become the prisoner of their own land and suffer from the crisis of identity. In her poems Wright shows her concern regarding her love of land which has been taken over by the European pioneers and her urge to reclaim the past. Somewhere in her poems she manifests the hard work of the indigenous people for whom Australia has been transformed into a fertile land. Her poems tell the tales of the aborigines who are mute and suffering from a sense of belonging. Wright " s sense of guilt incites her to write poems so that she is able to bring their voice from the state of postcolonial amnesia.
Journal of British and Irish Innovative Poetry, 2022
Traces in History. Spanish Art in Mexico, 2017
Journal of Plastic, Reconstructive & Aesthetic Surgery, 2016
Chinese Journal of Physics, 2018
Psychological Medicine, 2021
International Journal of Applied Linguistics and English Literature, 2015
Journal of Fungi
Bayesian statistics, 2007
Journal of Clinical Oncology