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http://journals.cambridge.org/action/displayJournal?jid=ARD
Explores the contribution that rivers can make to our understanding of material agency.
CERN European Organization for Nuclear Research - Zenodo, 2022
Hydrohumanities: Water Discourse and Environmental Futures, 2021
The general proposition put forward in this introductory chapter is that rivers should be regarded as dynamic entanglements of nature and culture. If considered purely as natural systems, their cultural dimension gets excluded. If considered as cultural artefacts through and through, their wild aspect is neglected. It goes on to argue that those branches of archaeology which take ‘land’ as their subject (whether the ‘landscape’ or ‘wetland’ variety) should encompass dynamic liquid flows – including flows of solid material eroded, carried and deposited by water – within their remit.
Rivers and Human Rights: We are the River, the River is Us? As per the recent ruling of the Uttarakhand High Court, the Ganga and Yamuna rivers have rights as a " juristic/legal person/living entity. " It raises a complex set of questions. What does it mean for a river, and its associated natural elements, to have rights? What does it mean for them to have rights as a " person? " How would such rights be implemented, given that rivers and other elements of nature would not be able to themselves claim and defend such rights? What implications do these two decisions have for not just the rivers and those living in/on/along them, but for the relationship between humans and the rest of nature? This study addresses these questions in order to find solutions.
2017
This article maps the confluence of biosocial relations through the agential networks of water. In the language of the environmental humanities and social sciences, such relations and networks are biosocial and sacralised (Meloni, Williams, and Martin 2016; Mangiameli 2013). The self-organisation of aquatic environments in these relations towards humans is engaged in an ongoing process of entanglement and adaptation in parallel with human understandings and approaches to water. This article imagines new and conscientious behaviour that might treat the ubiquitous river more gently, against the tensions and provocations of the Anthropocene Epoch. It argues for the development of fresh sustainability logic; a hydro-logic that cultivates connectivity, adaptive capacity, and broader water values that exist beyond the containment of the commodification paradigm, (that are particularly evident among First Nations peoples). This logic necessarily includes a reconsideration of economic, ecol...
River Research and Applications, 2021
'Yet behind these obvious and immediate hopes and fears there lies a deeper meaning, known only to the mountain itself. Only the mountain has lived long enough to listen objectively to the howl of a wolf' (Aldo Leopold. (1949/1989). A Sand county almanac, p. 129). How do we think about rivers and waterways? In this paper I meditate on the notion of 'thinking like a river', to ask questions about how rivers and other waterways are conceptualised in the human imaginary, and in relation to peoples, place and ecology. The paper speculates on an ontology and phenomenology of watery places; to explore alternative ways of seeing and thinking. It poses the possibility that alternative epistemologies of nature can facilitate a deeper thinking that embraces connectivity-the idea that rivers and waterways are intrinsically connected with place, peoples and landscape. I draw on three rivers and bodies of water, two in Australia and one in Aotearoa, New Zealand, to explore how these are being re-imagined in more holistic ways, embracing Indigenous First Law, cosmologies and epistemologies, and framing them in discourses of Earth laws.
Journal of Human Development and Capabilities, 2020
In March 2017, the Whanganui River in Aotearoa New Zealand was the first river to officially receive the status of a legal person. This legal personhood is based on the ontological understanding of the river as an indivisible and living whole and as the spiritual ancestor of the Whanganui Iwi (a Māori tribe). In this paper, I analyse the Te Awa Tupua Act in which the Whanganui River is declared a legal person and suggest to supplement the document with a cross-cultural account of the Whanganui River's wellbeing and with two normative principles that can help to effectively protect the river. First, I distinguish between a pre-political, a legal, and an institutional level within the Te Awa Tupua Act. I then identify the normative issues at stake in conceptualising and protecting the river's wellbeing. Subsequently, I discuss how the capability approach would need to be modified in order to incorporate the Whanganui River's wellbeing in terms of functionings. In the final section, I suggest two duties that could supplement the normative framework of the Te Awa Tupua Act. The paper concludes with a policy recommendation.
Water, Rhetoric, and Social Justice, 2020
Pessoa y el cine, 2024
Presentación La vida y obra de Fernando Pessoa sirvieron de inspiración para muchos cineastas y películas. El número 25 de la revista Pessoa Plural está dedicado al cine inspirado en Fernando Pessoa. Ver: https://doi.org/10.26300/j2dj-x992 Para celebrar el lanzamiento del número especial de Pessoa Plural, algunos cineastas aceptaron conceder acceso a sus películas de forma gratuita durante el mes de junio. Otras películas ya tenían acceso permanente y gratuito. Ciclo Pessoa y el cine. https://literatura.uniandes.edu.co/evento/pessoa-y-el-cine/ https://www.youtube.com/@CinemaPessoano Organización: Marcelo Mello y Jerónimo Pizarro Películas: Au bord du monde (1992), de Valérie Uttscheid 28 (2009), de José-Manuel Xavier O batuque dos astros (2012), de Júlio Bressane Eu, Fernando Pessoa (2013), de Eloar Guazzelli Ophiussa (2013), de Fernando Carrilho Pessoas (2015), de José-Manuel Xavier A cidade dos piratas (2018), de Otto Guerra e Laerte Coutinho Como Fernando Pessoa salvou Portugal (2018), de Eugene Green Desassossego (2018), de José-Manuel Xavier Le Songe de B. Soares (2019), de Thibault Chollet Boca do Inferno (2019), de Luís Porto O ídolo (2021), de Pedro Varela Um jantar muito original (2021), de Leandro Ferreira Del 10 al 13 de junio de 2024 Lunes 10 de junio FACETAS DO CINEMA PESSOANO I Au bord du monde – Marcelo Mello Ophiussa – Ida Alves y João Macdonald Martes 11 de junio FACETAS DO CINEMA PESSOANO II Como Fernando Pessoa Salvou Portugal – Sabrina Sedlmayer O batuque dos astros – Gabriel Falcão Miércoles 12 de junio DIBUJOS ANIMADOS A cidade dos piratas; Le songe de B. Soares & obras de José-Manuel Xavier – Pedro Moura Jueves 13 de junio CINE POLICIAL Boca do inferno – Gianluca Miraglia Um jantar muito original – Ana Clara Bertucci O ídolo – Marcelo Schincariol Agradecimientos: Júlio Bressane Leandro Ferreira y Marginal Filmes Laerte Coutinho Luís Porto Otto Guerra Thibault Chollet Valérie Uttscheid Este proyecto contó con financiación del CNPq (Posdoctorado): investigación de Marcelo Cordeiro de Mello entre 2023 y 2024 (PDJ y PDE)
Archimedes, 2022
Proceedings of the XI International Congress of Egyptologists: Florence Egyptian Museum Florence, 23-30 August 2015, 2017
(In) Subordinações Contemporâneas: Linguística, Letras e Artes, 2019
Ali Sabah Mohammed Tawfiq Al-Asadi , 2020
Editora Conhecimento Livre eBooks, 2022
Asian Affairs (The Journal of The Royal Society for Asian Affairs), 2020
X JORNADAS DE HISTÓRIA DA ARTE: Política(s) na História da Arte: redes, contextos e discursos de mudança, 2017
Thrombosis Research, 2010
Deleted Journal, 2024
Boletín de la Sociedad Geológica Mexicana, 2020
Revista Tecnura, 2014
Bulletin of the World Health Organization, 2012
Aquaculture, 2006