Anónimo

New Cold Wars—the latest from the Pulitzer Prize-winning journalist and bestselling author of The Perfect Weapon David E. Sanger—is a fast-paced account of America’s plunge into simultaneous confrontations with two very different adversaries. For years, the United States was confident that the newly democratic Russia and increasingly wealthy China could be lured into a Western-led order that promised prosperity and relative peace—so long as they agreed to Washington’s terms. By the time America emerged from the age of terrorism, it was clear that this had been a fantasy.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

Bengtsson's hero, Red Orm-canny - courageous and above all lucky - is only a boy when he is abducted from his Danish home by the Vikings and made to take his place at the oars of their dragon-prowed ships. Orm is then captured by the Moors in Spain, where he fights for the Caliph of Cordova. Escaping from captivity, Orm washes up in Ireland, where he marvels at those epicene creatures, the Christian monks, and from which he then moves on to play an ever more important part in the intrigues of the various Scandinavian kings and clans and dependencies.

As Alexandra Winslow climbs the ladder of publishing success, she resolutely adheres to her father's caution: men only read crime thrillers written by men. She publishes under the pseudonym of brilliantly successful Alexander Green, her true identity known only to those closest to her. This creates an isolating double life, but the right time to open up always seems just out of reach and the price of the truth always too high....

When the beautiful and precocious sisters Sally and Gillian Owens are orphaned at a young age, they are taken to a small Massachusetts town to be raised by their eccentric aunts, who happen to dwell in the darkest, eeriest house in town. As they become more aware of their aunts' mysterious and sometimes frightening powers - and as their own powers begin to surface - the sisters grow determined to escape their strange upbringing by blending into "normal" society.

In this unique audio adaptation of Neil Simon’s screenplay, Paula McFadden’s a down-on-her-luck actress who’s forced to take in a new roommate - the eccentric, noisy, and generally unpleasant Elliot Garfield - who also happens to be an actor. As their careers and finances hit new lows, their reluctant partnership threatens to turn into something neither one wants.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Behind today's headlines of billionaires taking over our government is a secretive political establishment with long, deep, and troubling roots. The capitalist radical right has been working not simply to change who rules but to fundamentally alter the rules of democratic governance. But billionaires did not launch this movement; a white intellectual in the embattled Jim Crow South did.

Lucy Hutton has always been certain that the nice girl can get the corner office. She's charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual. Trapped in a shared office together 40 (ok, 50 or 60) hours a week, they've become entrenched in an addictive, ridiculous never-ending game of one-upmanship.

It is 1831 when eight-year-old Aurelia Vennaway finds a naked baby girl abandoned in the snow on the grounds of her aristocratic family's magnificent mansion. Her parents are horrified that she has brought a bastard foundling into the house, but Aurelia convinces them to keep the baby, whom she names Amy Snow. Amy is brought up as a second-class citizen, but she and Aurelia are as close as sisters. When Aurelia dies at the age of 23, she leaves Amy 10 pounds. But Aurelia also left her much more.