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Guernica Magazine

The Elevator

She banged on the elevator door with her left fist and then fumbled through her purse. All she had that approximated a weapon was a ballpoint pen. Her purse revealed some tawdry, ill-conceived faith in human nature. The elevator door made a deep, echoing thud as she hit it, and the doors remained shut. The post The Elevator appeared first on Guernica.
Photo by Iulian Ursu via Flickr. Licensed under CC.

She was riding the elevator to her first job, as an assistant at a music magazine; the world fell away as she rose to the fifteenth floor. She was twenty years old. During the few months she had worked in this office, she had learned how to move names from column A to column B for event invites, make a collated set of Xerox copies, carry a cardboard box full of six different coffee orders. There was something remarkable and sparkling about all of it, the fact that, each morning, she entered the waiting room and did not have to remain there like the others, but was allowed to walk through the doors into the crammed gray hallways. The glaring fluorescent lighting stretched across the ceiling, the glass-windowed offices surrounding the main area like individual aquariums—she loved all of it. Entering the offices was like walking into a stranger’s enormous, beating heart. She went to work each morning hoping the editors might soon trust her with more interesting tasks, for she wanted to show them everything she was capable of, which was endless and vast; however, each day, they asked her, barely looking at her, to do the same dull things. But today she wanted to change the editors’ view of what she could do. She was going to ask for more responsibility. She had practiced this, with her roommate, was thinking about how to set up an interview with the lead singer of the Go-Go’s, if she should just call the musician’s publicist or ask the editor first.

It was a slightly shabby elevator, in need of renovation, with the feel of a bathroom from the 1970s, the pink artificial marble-like panels faded, like almost invisible veins. The carpet was the color of a pale sky and always held the bitter odor of cleaning chemicals. The doors closed. She stood, examining the numbers flashing on the strip at the top of the elevator, and was only vaguely aware of a man standing in the elevator with her, and that they were alone.

The man turned to her and said, “I could rape you.”

Her thoughts, curving in one direction, stopped. They looked at each other. He smiled, as though this were a joke. An iciness flashed through her. She was new to office buildings, and she didn’t know—was this a joke men in offices made?

He was of indeterminate age, perhaps forty or fifty. The age at which some men developed a soft, vulnerable chin. His skin was a pinkish shade of pale, as though he never got out in the sun. The low lights in the elevator made him look glazed, made of ceramic.

She remembered how he looked at her then, rapt, as though this were a discussion they had been having.

She remembered wanting to ignore this statement and get back to her previous thoughts, but her thinking had been stopped by this. The man moved toward her and she stepped back, and he touched her shoulder in a gesture that appeared strangely paternal, except for

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