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The Paris Review

Jean Giono’s Dreamy Murder Mystery

Jean Giono. Photo courtesy of the author’s estate.

One summer evening at the turn of the millennium, by the edge of a field near Roussillon, an elderly farmer told me that after the devastation of World War I the local villagers replanted their truffle oaks, knowing they would have to wait at least twenty years for a harvest. But after the devastation of World War II, they despaired of planning and planting, and returned to foraging in the forests with their dogs.

Among those drafted into the Alpine infantry in late 1914 was the twenty-year-old bank clerk Jean Giono, son of an artisan cobbler and a laundress in the Haute-Provence village of Manosque. He emerged more than four years later, “soldat de deuxieme classe, sans croix de guerre.” He had suffered the battles of Eparges, Verdun (where he was one of only a handful of survivors from his regiment), Chemin des Dames, and Kemmel. During a brief interlude in England, where he underwent treatment for gas exposure, he rescued a fellow patient—a blinded English officer—when the hospital caught fire. He was awarded a British medal, his only decoration.

Giono’s autobiographical novel of 1932, , ends with this memory: “It was easy for me to go to war without much strong emotion, simply because I was

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Cover: © Jeremy Frey, courtesy of the artist, Karma, and the Metropolitan Museum of Art. Page 12, © Jeremy Frey, courtesy of the artist, Karma, and the Metropolitan Museum of Art; pages 34, 43, 48, 50, courtesy of Mary Robison; page 53, photograph by

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