Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
Aperture

To See the Unseeable

“A smoke ring framing a one-way portal to eternity” is how the New York Times described the first-ever image of a black hole, released last April. A staple more of science fiction than of reality, these bizarre objects have a gravitational force that consumes everything around them, including light. Their behavior is so unusual, so logic-defying, that even Albert Einstein doubted their existence. But last spring, a hazy picture of a glowing orange circle was viewed and shared by a billion earthlings, joining a history of epoch-defining photographs that elicit reflection on our place in the cosmos. How did scientists create an image of the strangest of celestial objects at the center of a distant galaxy, fifty-five million light-years away?

Peter Galison, a Harvard physicist and historian, worked on the project. Here, he recounts how astronomers, physicists, computer scientists, and others teamed up to allow us to see the unseeable.

Elizabeth Kessler: You’re a member of the Black Hole Initiative, an interdisciplinary science center at Harvard University that includes astronomers, physicists, mathematicians, and philosophers. How did you, as a philosopher and a historian of science, get involved with that work?

Peter Galison: My career trajectory has been back and forth between physics and the history and philosophy of science. Back in the Pleistocene, I did two dissertations, one in theoretical particle physics and one in the history of science.

EK: Through that initiative you got involved with working on the Event Horizon Telescope’s first-ever image of a black hole, which was released with and and . What are the qualities of black holes that make them so strange?

You’re reading a preview, subscribe to read more.

More from Aperture

Aperture5 min read
Daniel Shea Empire Plaza
Of all the epithets coined by New York governor Nelson Rockefeller’s opponents to describe his monumental redevelopment plan for the seat of state government in Albany—and there were many, ranging from “Nelson’s Pyramid” to “Rocky’s Edifice Complex”
Aperture4 min read
Backstory
Robert Frank spent the summer of 1972 crisscrossing America—not in pursuit of the lyrical social documentary for which he was already famed, but as part of the Rolling Stones’ forty-eight-date mobile bacchanal. It had been three years since the disas
Aperture3 min read
Preview
“Nor breath nor motion”—the container ships in these photographs by Richard Misrach have the deathly stillness of the becalmed vessel in Samuel Taylor Coleridge’s The Rime of the Ancient Mariner, stuck “As idle as a painted ship. /Upon a painted ocea

Related Books & Audiobooks