Letting the Weather In

Kate Newby YES TOMORROW Adam Art Gallery Te Pātaka Toi, Wellington 20 February–30 May

There is a photograph of a slightly crumpled piece of paper with ‘YES TOMORROW’ written on it in upper case with a red marker pen. It is being held up against a bright blue sky. The hero image of Kate Newby’s exhibition introduces her title and, like many of her previous works, appears to draw from found language. In the face of circumstances or a hesitancy to which these two words might be responding, the image signals a restlessness, optimism—and a kind of ambition—that reverberates throughout her solo show at the Adam Art Gallery Te Pātaka Toi.

Filling all three levels of the gallery building and extending into its surroundings, samples from more than a decade of Newby’s practice and embodies its sculptural attitude through a pared-back selection of components: a blue concrete floor; a huge wind chime; a small trench in the gallery floor filled with ceramic objects; five panes of handmade glass; a brick platform outside the building; a tiled gutter in a nearby public reserve; and a wooden platform covered in collected objects. None of these elements sit particularly comfortably as discrete, resolved ‘works’. Instead, they are implicated within itinerant processes of living and working, and situations in which relationships