Location via proxy:   [ UP ]  
[Report a bug]   [Manage cookies]                
The Writer

Meet the Writer

This is first in our new series introducing writer-teachers who you’ll enjoy reading and learning from.

Recently I was in the bathroom, shaving, squinting through the steam, when I heard four distinct low-level knocks on the door. I sharply turned to glare at the doorknob. I was freaked out because, one, my kids unfailingly never knock on the bathroom door. They barge. And two, they weren’t home. Were short little ghosts knocking on the door?

Before I had read Amy Shearn’s , her third novel, a genre-bending ghost story scaffolded by equal parts of historical fiction and contemporary literary fiction, I doubt I would have noticed the four spooky knocks. This is

You’re reading a preview, subscribe to read more.

More from The Writer

The Writer2 min read
Ursula K. Le Guin recreates reality
AT FIRST GLANCE, URSULA K. LE GUIN’S fiction — filled with wizardry, mystical lands and societies thousands of years in the future — appears to flaunt the old standard, “Write what you know.” But in the October 1991 issue of The Writer, Le Guin expla
The Writer8 min read
Comfortable With The Uncomfortable
Susanna Moore belongs to a small class of writers whose work performs the paradoxical miracle of giving solace by offering none. For all their sensuous engagement with the Hawaiian landscape of her childhood (which led to the myopic critical judgment
The Writer3 min read
7 Reasons This Writer May Unfollow You On Twitter
I HAVE A CONFESSION TO MAKE: I am sorely tempted, much more often than I feel comfortable admitting, to “unfollow” an ungodly number of people on Twitter. Friends. Family members. Idolized authors whose tweets, for various reasons, send them floor-wa

Related